KELDER, DianeLivre Rare Book
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19831025701983 Editions La Bibliothèque des Arts, Paris / Editions France-Amérique - 1983 - Fort in-folio, cartonnage toilé bleu foncé sous jaquette illustrée en couleurs de l'éditeur - 448 p. - Nombreuses reproductions d'oeuvres d'art in et hors texte en couleurs et en N&B
7817PARIS, La bibliothèque des Arts - 1986 - In-Folio 295 x 380 - Reliure Pleine toile Editeur, avec Jaquette illustrée en couleurs - Importante iconographie , représentant 385 tableaux dont 216 en couleurs certains PP ou pages dépliantes -448 pages - Comme neuf
PARIS, La bibliothèque des Arts - 1986 - In-Folio 295 x 380 - Reliure Pleine toile Editeur, avec Jaquette illustrée en couleurs - Importante iconographie , représentant 385 tableaux dont 216 en couleurs certains PP ou pages dépliantes -448 pages - Comme neuf
12723Paris, L'Avant-Scène Théâtre n° 654,[1979]. In-4°, 58p. Broché, couverture illustrée.
1946ABE-169013640514340 PAGES-27,8 CM X 37,4 CM-QU'EST-CE QUI NE VA PAS AUX USA, 2P-ENIGME D'AUJOURD'HUI EN EGYPTE, DEUX ROIS FORGENT UN NOUVEAU LIEN D'AMITIE ENTRE LES DEUX ETATS LES PLUS PUISSANTS DU MONDE ARABE, 5 PAGES, L'IRAN DEVANT SON DESTIN VENUE DE L'AZERBAIDJAN L'ANGOISSE PESE SUR TEHERAN, 3 PAGES-A PROPOS D'UN CENTENAIRE MANQUE: LE 20 MARS 1842 CRAWFORD LONG PRATIQUE LA PREMIERE ANASTHESIE, 3 PAGES, 7 PHOTOS-LETTRE DE BRUXELLES LE PEUPLE BELGE DEVANT LES ELECTIONS, 2P, 4 PHOTOS-NOUVELLE ARCHITECTURE AMERICAINE, 2P, 7 PHOTOS-CONSIDERATIONS SUR LES RELATIONS COMMERCIALES ANGLO-AMERICAINES-LES PRETS CONSENTIS PAR LES ETATS-UNIS PEUVENT CONDUIRE A LA FAILLITE MONDIALE-LE GOETHEANUM MYSTERIEUX TEMPLE DE BETON, PAR CHARLES FORD-QUAND LES TRONES EUROPEENS CHANCELLENT, 2P, 9 PHOTOS-LES NATIONS UNIES S'ORGANISENT CARTES SUR TABLE-THEATRE, PAR RENE LAPORTE: LA MAISON DE BERNARDA (STUDIO DES CHAMPS-ELYSEES), DE FEDERICO GARCIA LORCA, 1P, 2 VPHOTOS-LES ARTS: MANET, 1P, 2 PHOTOS-CINEMA: LA BELLE ENSORCELEUSE (THE FLAME OF NEW ORLEANS), PAR RENE CLAIR, 2 PAGES, DESSIN DE DERO (MARLENE DIETRICH), 4 PHOTOS (MARLENE DIETRICHE EN MARIEE, MARLENE EN FILLE AVEC LE MARIN PASSIONNE (BRUCE CABOT), MARLENE DANS TOUS SES ATOUTS ET SELON LA TRADITION DE L'ANGE BLEU, CLIENTELE DE TAVERNE EN NOUVELLE ORLEANS)
1979ABE-1776961315540FORMAT 34 CM X 50 CM-40 PAGES-LA GUERRE CIVILE AU TCHAD, 1/2P-LA REVOLUTION EN IRAN, 1/2P-DOUBLE ELECTION A L'ACADEMIE FRANCAISE : M. HENRI GOUHIER AU FAUTEUIL D'ETIENNE GILSON, M. ALAIN DECAUX A CELUI DE JEAN GUEHENNO, 1P-COMPLET-2 LIGNES MANUSCRITES EN MARGE SUPERIEURE DE UNE-
RO20164661FACULTE DES LETTRES DE L'UNIVERSITE DE BORDEAUX. NON DATE. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 TOMES: 192 + Paginé de 215 à 382 pages - texte dactylographié - 1 carton collé au dos de chaque tome.. . . . Classification Dewey : 440-Langues romanes. Français
9306L’âge d’or du livre illustré en France 1870-1970. In 4 pleine toile écrue de l’éditeur, titre en long, en rouge, au dos. Jaquette illustrée en couleurs. Faux-titre, titre, 319 pages, illustrations en noir et en couleurs dans le texte et pleine page. Etui cartonné. Paris, Flammarion éditeur, 15 Septembre 1987. Très bon état. Proche de l’état de neuf.
2002500231935Plon 2002 2x23x14cm. 2002. Broché.
2002125936France Loisirs 2002 in8. 2002. Broché.
2002RO40060934PLON. 2002. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 285 pages.. . . . Classification Dewey : 840.092-XXI ème siècle
102698Henri Leclerc, 1908, 605 p., environ 28 x 19 cm, broché, complet des 18 hors-textes (dont le frontispice), tirage limité à 300 exemplaires, couverture en état moyen (frottements et petits manques de papier en bordure, une griffure d'environ 2cm sur le premier plat, de petites taches de liquide sur le même, haut et bas du dos émoussés, rabats de la couverture fendus), manque de papier dans la marge d'une page sur toute sa hauteur, page de garde annotée , gardes insolées. Sinon intérieur propre.
79103Couverture rigide. Bon/1990. in-4. Paris 1990-91 in-4 135pp broché spiralé thèse Superbe exemplaire abondamment illustré! unknown
1995cr1030Editions Tala Sruti Broché 1995 In-8 (14 x 22 cm.), broché, couverture illustrée, 145 pages, quelques illustrations noir et blanc in-texte ; quelques plis, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
199079103Paris, 1990-91, in-4, 135pp, broché spiralé (thèse), Superbe exemplaire abondamment illustré! 135pp
186918240Paris, Rothschild, 1869 ; in-12, demi-cuir de Russie fauve, dos à nerfs, caissons à froid, titre et fleurons dorés, tête marbrée et dorée (Petit successeur de Simier) ; XVI, 287 pp.
1870AUB-4089Paris, J. Rotschild éd. 1870 (4e éd. considérablement augmentée). Bon exemplaire relié, reliure demi chagrin ornée, 12x18, XVI + 332 pages.
1987vb1179Théâtre Ouvert Tapuscrit Dos carré collé 1987 In-8 (14,5 x 20,5 cm), dos carré collé, 95 pages, Tapuscrit n°47 ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1987O2433Herscher, 1987, 48 p.
186336847Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on watermarked laid paper. Full sheet in excellent condition with the Cadart waternark. This is a rich early impression of Manet's famous print "The Gypsies."<br/> <br/> One of the most influential artists of the impressionist movement Manet is also regarded as one of the most important printmakers of the modernist era. This famous etching reproduces a painting that Manet executed in 1862. This print is the only evidence we have of the composition of the work since the original oil only exists today in separate fragments. According to Harris we know that the oil painting must have resembled the composition of the etching because a contemporary cartoonist penned a sketch of the work when it was on display in Manet's one-man show at the Pont de L'Alma. This image is considered one of the boldest etchings of Manet's oeuvre and technically it is a tour de force with its deeply bitten lines and open hatching. This effect creates a lively play of light across the surface producing a dynamic tension within the image that is truly compelling. In this finished state Manet has reworked the whole plate adding additional lines and hatching to reinforce the dark shadows within the image. He has added foliage and other details that did not exist in the trial proof state of this print creating a sense of depth within image which was lacking in the earlier state. Harris mentions a few known impressions before letters for the 1863 Manet portfolio but these images were printed on chine. Harris describes later printings published by Cadart in 1874 Gennevilliers in 1890 Dumont in 1894 and Strolin in 1905 where the lettering has been effaced but this cannot be a pull from those publications since the impression is so rich and the frontispiece states that it is the 1862-1863 edition. This rare image is a true collector's item from one of the greatest masters of modern art. It not only epitomizes Manet's revolutionary work but also demonstrates his skill as an engraver. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/> Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. IX p. 207 no. 4 i/I; Harris Edouard Manet Graphic Works; A Definitive Catalogue Raisonne no.18 ii/ii. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown
186336847Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on watermarked laid paper. Full sheet in excellent condition. This is a rich early impression before letters of Manet's famous print "The Gypsies."<br/> <br/>One of the most influential artists of the impressionist movement Manet is also regarded as one of the most important printmakers of the modernist era. This famous etching reproduces a painting that Manet executed in 1862. This print is the only evidence we have of the composition of the work since the original oil only exists today in separate fragments. According to Harris we know that the oil painting must have resembled the composition of the etching because a contemporary cartoonist penned a sketch of the work when it was on display in Manet's one-man show at the Pont de L'Alma. This image is considered one of the boldest etchings of Manet's oeuvre and technically it is a tour de force with its deeply bitten lines and open hatching. This effect creates a lively play of light across the surface producing a dynamic tension within the image that is truly compelling. In this finished state Manet has reworked the whole plate adding additional lines and hatching to reinforce the dark shadows within the image. He has added foliage and other details that did not exist in the trial proof state of this print creating a sense of depth within image which was lacking in the earlier state. Harris does not describe this state listing only a lettered impression published by Cadart for the Societe des Aqua-Fortistes publication in 1862 and 1863. She mentions a few known impressions before letters for the 1863 Manet portfolio but these images were printed on chine. Harris describes later printings published by Cadart in 1874 Gennevilliers in 1890 Dumont in 1894 and Strolin in 1905 where the lettering has been effaced but this cannot be a pull from those publications since the impression is so rich and the frontispiece states that it is the 1862-1863 edition. This rare image is a true collector's item from one of the greatest masters of modern art. It not only epitomizes Manet's revolutionary work but also demonstrates his skill as an engraver. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/>Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. IX p. 207 no. 4 i/I; Harris Edouard Manet Graphic Works; A Definitive Catalogue Raisonne no.18 ii/ii. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown books
197414773Grange Batelière, Paris, 1974. 136 Seiten. 4to. Leder
1969373601969 Paris, l'Avant-Scène, 1969, 18 x 27 cm, 46 pp, couverture illustrée,
19746Paris, L'Avant-Scène Théâtre n° 431, [1969]. In-4°, 46p. Broché, couverture illustrée.
51-6334Paris: LeÌon Vanier1889. 8vo. 16 x 25cm. xvi 168pp. hors text plates. Contemporary half black shagreen and marbled boards edgewear. Original parchment wraps bound in; cover foxed. OCLC Number / Unique Identifier:1176974781. First edition appeared in 1888. Paris: LeÌon Vanier,1889 paperback
