ZOLA, émileLivre Rare Book
37 résultats
1867128154Paris, E. Dentu 1867 In-8 24 x 15,5 cm. Broché, couverture gris-bleu, dos muet, auteur et tire en noir sur le premier plat de couverture. Couverture effrangée, premier plat froissé, pages de garde avec traces de ruban adhésif.
186929393La première anthologie de peintres de l'histoire du livre illustré : un des douze exemplaires sur chine. Reliure d'époque par Émile Carayon. Paris, Alphonse Lemerre, 1869 (20 décembre 1868). 1 vol. (275 x 355 mm) de 3 f., [84] p. et [2] f. (table et d'achevé d'imprimer). Bradel de demi-maroquin bleu nuit à coins, dos à nerfs orné de petits fers doré, absolument non rogné, couverture de simili parchemin imprimée conservée (reliure signée de Émile Carayon). Édition originale. Tirage à 350 exemplaires non numérotés. Hors commerce, il a été tiré 20 exemplaires sur Whatman, 12 sur Chine et 4 sur parchemin. Un des 12 exemplaires sur papier de Chine.
189710806Paris, Vicq-Dunod, 1897 ; in-8, broché ; 119 pp., (1 bl.), 39 figures, 8 planches dépliantes, couverture verte imprimée.
1895033926London: George Bell And Sons 1895. 1st Edition 1st Printing. Hardcover. Very Good. Xvi 367 Pp. Light Green Cloth Gilt Lettering Dark Green Decorations Top Edge Gilt Deckled Edges. Bookplate Of Henry A. Harben 1848-1910 And Inscribed "H. A. Harben From Henry / Xmas 1895". Inscription Bears Some Similarities To Handwriting Of Henry James The Author But In Important Respects Not Similar. Light Wear But Fraying At Spine Ends And At Tips All Gilt Bright Spine Cloth Browning 2" Split At Bottom Of Front Endpapers. <br/> <br/> George Bell And Sons hardcover
188532123calmannn-lévy 1885 In-folio reliure éditeur décorée passée , corps d'ouvrage déboité 150 reproductions de tableaux en noir et blanc
1884UDG-211BAZIRE (Edmond). Manet. Paris, A. Quantin, 1884. In-8, édition originale de la première biographie d'Édouard Manet, publiée seulement neuf mois après sa mort, par son ami, Edmond Bazire. Illustrée de nombreuses compositions in-texte, d'un fac-similé d'une lettre de Manet à Madame Guérard, de 3 eaux-fortes de H. Guérard et 6 héliogravures d'après des oeuvres de Manet et de 2 eaux-fortes originales d'Édouard Manet ("L'Odalisque" et "La convalescente") Reliure demi-maroquin marron foncé à coins, dos à 5 nerfs, les caissons ornés d'un fer à la palette de peintre, titre, auteur et date dorés, couvertures conservées, signée L. Feuillet. Belle et rare édition, bien complète des deux superbes eaux-fortes originales de l'artiste, encore plus désirable en reliure signée. (quelques frottements à la reliure, notamment aux nerfs, petite bande de rousseurs en marge de "La femme au carlin" et "Argenteuil")
1884281623Paris: A. Quantin 1884. First. hardcover. very good. Edouard Manet. Illustrated with two original Manet etchings "L'Odalisque Couchee" and "La Convelescente." 3 etched plates by Henri Guerard after Manet 6 heliogravure plates after Manet a facsimile letter and other illustrations throughout. 150 pages. 8vo contemporary half black calf over green boards; some scuffing to extremities. Paris: A. Quantin 1884. First edition complete with all illustrations. A very good copy of this scarce book with very clean interior. Inscribed by the author to Gustav Geoffrey on a preliminary page.<br/><br/> The first biography of Manet written by his good friend Edmond Bazire and published just 9 months after Manet's death. --Guerin 50 & 65.<br/><br/> A. Quantin unknown books
1884281623Paris: A. Quantin 1884. First. hardcover. very good. Edouard Manet. Illustrated with two original Manet etchings "L'Odalisque Couchee" and "La Convelescente." 3 etched plates by Henri Guerard after Manet 6 heliogravure plates after Manet a facsimile letter and other illustrations throughout. 150 pages. 8vo contemporary half black calf over green boards; some scuffing to extremities. Paris: A. Quantin 1884. First edition complete with all illustrations. A very good copy of this scarce book with very clean interior. Inscribed by the author to Gustav Geoffrey on a preliminary page.<br/> <br/> The first biography of Manet written by his good friend Edmond Bazire and published just 9 months after Manet's death. --Guerin 50 & 65.<br/> <br/> A. Quantin unknown
1889136511Léon Vanier 1889 In-8 broché, couverture illustrée, XII et 167 pages. illustrations en noir et blanc hors texte. Couverture défraîchie : manques au dos et au premier plat de la couverture de cristal, première garde contrecollée, second plat taché, rares rousseurs. En l’état.
186336847Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on watermarked laid paper. Full sheet in excellent condition. This is a rich early impression before letters of Manet's famous print "The Gypsies."<br/> <br/>One of the most influential artists of the impressionist movement Manet is also regarded as one of the most important printmakers of the modernist era. This famous etching reproduces a painting that Manet executed in 1862. This print is the only evidence we have of the composition of the work since the original oil only exists today in separate fragments. According to Harris we know that the oil painting must have resembled the composition of the etching because a contemporary cartoonist penned a sketch of the work when it was on display in Manet's one-man show at the Pont de L'Alma. This image is considered one of the boldest etchings of Manet's oeuvre and technically it is a tour de force with its deeply bitten lines and open hatching. This effect creates a lively play of light across the surface producing a dynamic tension within the image that is truly compelling. In this finished state Manet has reworked the whole plate adding additional lines and hatching to reinforce the dark shadows within the image. He has added foliage and other details that did not exist in the trial proof state of this print creating a sense of depth within image which was lacking in the earlier state. Harris does not describe this state listing only a lettered impression published by Cadart for the Societe des Aqua-Fortistes publication in 1862 and 1863. She mentions a few known impressions before letters for the 1863 Manet portfolio but these images were printed on chine. Harris describes later printings published by Cadart in 1874 Gennevilliers in 1890 Dumont in 1894 and Strolin in 1905 where the lettering has been effaced but this cannot be a pull from those publications since the impression is so rich and the frontispiece states that it is the 1862-1863 edition. This rare image is a true collector's item from one of the greatest masters of modern art. It not only epitomizes Manet's revolutionary work but also demonstrates his skill as an engraver. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/>Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. IX p. 207 no. 4 i/I; Harris Edouard Manet Graphic Works; A Definitive Catalogue Raisonne no.18 ii/ii. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown books
186336847Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on watermarked laid paper. Full sheet in excellent condition with the Cadart waternark. This is a rich early impression of Manet's famous print "The Gypsies."<br/> <br/> One of the most influential artists of the impressionist movement Manet is also regarded as one of the most important printmakers of the modernist era. This famous etching reproduces a painting that Manet executed in 1862. This print is the only evidence we have of the composition of the work since the original oil only exists today in separate fragments. According to Harris we know that the oil painting must have resembled the composition of the etching because a contemporary cartoonist penned a sketch of the work when it was on display in Manet's one-man show at the Pont de L'Alma. This image is considered one of the boldest etchings of Manet's oeuvre and technically it is a tour de force with its deeply bitten lines and open hatching. This effect creates a lively play of light across the surface producing a dynamic tension within the image that is truly compelling. In this finished state Manet has reworked the whole plate adding additional lines and hatching to reinforce the dark shadows within the image. He has added foliage and other details that did not exist in the trial proof state of this print creating a sense of depth within image which was lacking in the earlier state. Harris mentions a few known impressions before letters for the 1863 Manet portfolio but these images were printed on chine. Harris describes later printings published by Cadart in 1874 Gennevilliers in 1890 Dumont in 1894 and Strolin in 1905 where the lettering has been effaced but this cannot be a pull from those publications since the impression is so rich and the frontispiece states that it is the 1862-1863 edition. This rare image is a true collector's item from one of the greatest masters of modern art. It not only epitomizes Manet's revolutionary work but also demonstrates his skill as an engraver. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/> Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. IX p. 207 no. 4 i/I; Harris Edouard Manet Graphic Works; A Definitive Catalogue Raisonne no.18 ii/ii. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown
1870AUB-4089Paris, J. Rotschild éd. 1870 (4e éd. considérablement augmentée). Bon exemplaire relié, reliure demi chagrin ornée, 12x18, XVI + 332 pages.
186918240Paris, Rothschild, 1869 ; in-12, demi-cuir de Russie fauve, dos à nerfs, caissons à froid, titre et fleurons dorés, tête marbrée et dorée (Petit successeur de Simier) ; XVI, 287 pp.
186052351860. Manet Edouard. Manet Edouard. LE GAMIN. Etching 1862 but a later printing probably from Duret's 1902 book on Manet which included this etching and "Olympia.". Harris 31 second state. 8 1/4 x 5 7/8 inches with margins of 3/4 to 1 1/4 in. Also present is a tissue guard with the title "Le Gamin au Chien 1860 eau-forte originale." Printed in sepia on paper without a watermark. Excellent condition. unknown
18691321869. Etching and aquatint on cream laid watermarked Rives paper. 6 5/8 x 5 inches 167 x 126 mm. Sixth and final state a posthumous impression. A fine inky impression with full margins and deckle right and bottom sheet edges. Faint time stain and light adhesive residue from a previous mount on the recto well outside of the image area. Otherwise in excellent condition. <br /> <br /> Moreau-Nélaton 19 Guérin 53 Harris 65. unknown
187314330Paris 1873 1 vol. Photo de 15 x 18 cm, tirage sur papier albuminé, sous cadre de l'époque 35 x 40.
1898015198Paris Editions de la Revue Blanche - Directeur Alexandre Natanson - Le Gérant L. Frémont 1898 In-8 Broché
1890ABE-166085301655812 PAGES-IN 3-EN COUVERTURE: LE PRINCE DE BISMARCK-JOURNAL D'UN HOMME NOUVEAU, 2 PAGES, 6 DESSINS-HISTOIRE DE LA SEMAINE: LA CONFERENCE DE BERLIN; SEANCE D'OUVERTURE; M DE BISMARCK-LE DUC D'ORLEANS A CLAIRVAUX-BEAUX ARTS: LE SALON DE 1890; L'"OLYMPIA" DE MANET-LES DELEGUES FRANCAIS A LA CONFERENCE DE BERLIN, 1 PAGE, 5 DESSINS-LE NOUVEAU PALAIS BOURBON, TEXTE DE GROSCLAUDE, 14 DESSINS NOIR ET BLANC DE CARAN D'ACHE, 2 PAGES-LE HAVRE DU NOUVEAU PORT-AU-CHOIX, LES PECHERIES DE TERRE NEUVE, 2 GRAVURES SUR 1 PAGE
187077292s. l. (Paris) s. d. [ca 1870] | 23.40 x 28.10 cm | une feuille
187077292s. l. Paris 1870. Fine. s. l. Paris s. d. ca 1870 23.40 x 28.10 cm une feuille Original etching on Chine appliqué mounted on heavy paper engraved by Félix Bracquemond after Manets 1861 painting probably depicting Léon Leenhoff the painters natural son. unknown
1834zt785Chez L'auteur, Saint-Malo, E. Caruel, imprimeur-libraire Relié 1834 In-8 (14 x 21 cm), reliure demi-chagrin, dos à 5 nerfs, VI-648+456 pages, 2 tomes reliés en un volume, une planche dépliante (malheureusement, il manque la 2é planche dépliante, contenant trois gravures et un plan) ; épidermures sur le cuir, usures aux plats et coupes, planche désolidarisée du corps d'ouvrage, rousseurs dans le texte, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1834vh4209Chez L'auteur, Saint-Malo, E. Caruel, imprimeur-libraire Relié 1834 Deux volumes in-8 (13,2 x 20 cm), reliure demi-basane, dos lisses, VIII-456 et 648 pages, malheureusement sans les deux planches dépliantes, Tome 1 : L'Armorique sous les Gaulois et sous les Romains ; Tome 2 : L'Armorique sous les Grands-Bretons, et sous les Français ; usures aux plats et coupes, quelques frottements aux dos, tampons de bibliothèque de couvent et quelques rousseurs à l'intérieur, par ailleurs état très correct Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
183430499Saint-malo Caruel , Imprimeur-Libraire 1834 2 volumes In-8 un portrait , 456 + 648 pp, exemplaire sans gravures ni plan avec un ff volant et peut être un ff manquant de préface pas de pages de titre, seulement des faux titre Reliure modeste usagée correcte sans atteinte au cuir , certains ff sont roussis
1834589Saint-Malo, chez l'auteur et E. Caruel, 1834. 2 vol. in-8, (21 x 13 cm) ; VIII pp., 456 pp. ; [2] ff., 648 pp. Reliure d'époque en demi-veau havane, dos à faux-nerfs dorés orné de fleurons à froid, titre et tomaison dorés, tranches marbrées. Habiles restaurations aux reliures. Débuts de fentes aux mors du tome 1 avec un petit manque de cuir en pied. Rousseurs et mouillures dispersées dans l'exemplaire.
183422580Saint-Malo E. Caruel 1834 -in-8 broché 2 volumes, broché jaune (paperback) in-octavo Editeur (14,5 x 22 cm), dos et couverture jaune imprimée en noir, illustrée d'une vignette (illuminated with vignette) sur la 1ère de couverture aux armes conjointes de la france et de la bretagne, très légèrement défraîchie (lightly faded), légèrement fanée (chipped cover) avec légères rousseurs et léger manque de papier moins de 1 cm2 en bas de la première de couverture du tome 1er, dos fendu au tome 1er, à relier, toutes tranches non rognées (edges no smooth), illustré (plentifully illustrated) d'un portrait de l'Auteur en frontispice lithographié en noir et de 2 planches dépliantes hors-texte lithographiées en noir (Planche 1 : Litographies de Pierres Druidiques + vue d'une partie du monument de Carnac et Planche 2 : Conquête de l'Armorique par Maxime et Conan Mériadec), légères rousseurs passim, (VIII-456) + 648 pages, 1834 Saint-Malo : E. Caruel Editeur,
