Toulouse-Lautrec, Henri (1864-1901)Antiquariat.de
65 résultats
189565440[Berlin, F. Fontane & Co., 1895]. Im Stein monogrammiert ?HTL?. Darstellung ca. 32,5 x 24,5 cm (Blattgröße 36,8 x 28 cm).
188513433AParis, Aristide Bruant, ohne Jahr, (1885). Ca. 35,5 x 35,5 cm (Buchformat). Halbleinenband der Zeit mit Rückentitel (Chansons du Chat Noir et autres).
189360591Paris: L'Estampe originale 1893. Fine. L'Estampe originale Paris 1893 31.50 x 43 cm en feuilles Henri de TOULOUSE-LAUTREC Aristide Bruant Original print from Le Café-Concert L'Estampe originale Paris 1893 31.5 x 43 cm one leaf Original print by Henri de Toulouse-Lautrec from the Le Café-Concert series published by Publications de l'Estampe Originale. Very rare and beautiful lithograph forming part of 500 original proofs printed on vellum by Edouard Ancourt's printing house. A few angular lacks. Portrait by Toulouse-Lautrec of Aristide Bruant a huge figure in the Belle Epoque music-hall and close friend of the artist to whom he ordered cabaret posters that remain well-known. Singer actor and performer he acquired his fame at the Chat Noir before setting up his own cabaret the Mirliton. In his preface to this current series of lithographs Montorgueil is full of praise for the undisputed master of realistic song: Mr Bruant endowed with an unusual forceful expression and an obvious originality could condense a complex and shady wild cat soul into popular beautifully styled songs. Here Lautrec depicts Bruant with his typical get-up and expression: ""Velvet jacket; Breton waistcoat crimson felt scarf with giant edges with parted flat hair. . Hands in pockets and a strongly disdainful expression. A rare print a reminder of the splendors of the Fin de siècle Paris by night. L'Estampe originale hardcover
18932709.Lithograph. 1893. Plate 7 from the "Le Cafe Concert " Concert Series. One of 100 on Japan paper. Deltiel 34 Adehemar 38 Adriani 23 Wittrock 24. 268mm x 215mm. Lautrec created 11 lithographs Delteil 28-38 for this set of 22. H.G. Ibels created the other 11. Ancourt & Co.
189360591L'Estampe originale | Paris 1893 | 31.50 x 43 cm | en feuilles
189870263Sous étui cartonné. Couverture rempliée illustrée. Illustré de 11 lithographies de Toulouse-Lautrec (10 planches et la couverture). Gardes et faux-titres brunis. Rousseurs anecdotiques.
189838060Paris: Henri Floury 1898. ONE OF THE FIRST AND ONE OF THE GREATEST MODERN ILLUSTRATED BOOKS WITH 20 ORIGINAL FULL-PAGE HORS-TEXTE LITHOGRAPHS BY HENRI DE TOULOUSE-LAUTREC. First edition of the text by Georges Clemenceau about the condition of Jews in Poland. Illustrated with 10 lithographs by Toulouse-Lautrec printed in black on Arches wove paper with an additional suite printed in various tones on Chinese paper. The wraps furthermore are an original color lithograph: the front cover shows Moses receiving the Ten Commandments; the back cover shows the Golden Calf deposed from its pedestal and is colored with gold ink. From a total edition of 380 numbered copies this is one of 355 on fine Arches wove paper. 4to. BEAUTIFULLY BOUND BY MERCHER fils IN A PERFECTLY CONCEIVED AND EXECUTED MODERN BINDING: morocco spine lettered direct with plexiglass covers revealing the color lithographs on the wraps. Fine matching morocco- and fleece-lined slipcase. Top edge gilt other edges uncut. FINE AND BRIGHT AS NEW WITH ABSOLUTELY NO DEFECTS INSIDE OR OUT. The Artist & The Book 302; Chapon p. 278; Skira 338; Adhémar 240-250; Adriani 213-223; Rauch 16; Stern 108; Strachan p. 34. AN OUTSTANDING COPY OF A RARE AND IMPORTANT BOOK IN PERFECT CONDITION. <br/><br/> Henri Floury paperback
189814173Paris, Henry Floury, [1898]. Un volume en feuilles - [4]-106-[5] pages, sous cartable illustré, à rubans, avec 34 planches volantes.
189412839Paris 1894. Letter and envelope. Very Good. Single 4-1/2 x 7 inch bifolium leaf written on one side in its stamped envelope with three different Paris postmarks. Minimally soiled. The correspondence refers to the 1894 album Yvette Guilbert which contains seventeen Toulouse-Lautrec crayon lithographs with text by Geffroy published by André Marty. Gustave Geffroy was a journalist art critic and historian of Impressionism. Guilbert was an innovative star cabaret singer during the Belle Epoque performing at the Moulin Rouge and Café des Ambassadeurs. She was a favorite subject of Toulouse-Lautrec.<p>"Mon cher Geffroy Dès que vous avez les épreuves d'Yvette ayez la gentillesse de me faire signe. Je voudrai bien que nous examinons tout cela ensemble. Bien votre T Lautrec".<p>My dear Geffroy as soon as you have the proofs of Yvette please be kind enough to let me know. I would very much like for us to examine everything together. Yours T Lautrec.<p>Now housed in a clear archival sleeve with acid free backing. unknown
18729764Paris, Caen, Rouen Derache, F. Le Blanc-Hardel, Le Brument 1872 In-8 Fort 744 pp, (.) Ou collection de mémoires et de renseignements sur la statistique monumentale de la France. Illustrations en noir in et hors-texte, une gravure dépliante, intérieur frais et rares rousseurs. Dos insolé et frotté avec faibles manques en tête et queue, couvertures légèrement passées.
186328372Paris, Caen, Rouen Derache, F. Le Blanc-Hardel, Le Brument 1863 Fort In-8 872 pp, en voie cde se débrocher maiis intérieur très frais, planches dépliantes , figures in-texte
18962401<p>The " debauched " man next to the prostitute on the cover is known to be Maxime Dethomas 1867-1929 one of Toulouse-Lautrec's close friends.</p><p>This catalog with <strong>32 full page plates contains 451 posters</strong> by Bonnard Caran d'Ache Chéret Forain Grasset Guillaume Lautrec Moreau-Nélaton Mucha Pal Steinlen Willette Beardsley Bradley etc.<br /><br /></p> Arnould
18962178Paris, Arnould, juin 1896. 1 volume. In-8, 14,5 x 23,5 cm. Broché, sous couverture rempliée ornée d'une lithographie originale en couleurs de Toulouse-Lautrec. 90 p. Ouvrage orné d'une belle lithographie originale en couleurs de Toulouse-Lautrec intitulée « Débauche », qui couvre le dos et les deux plats. Il s’agit de la deuxième édition de cette estampe, avec texte ajouté sur la pierre de trait par une autre main, afin de servir spécifiquement de couverture pour le catalogue d’Arnould. Sous les traits du « débauché » en compagnie d’une prostituée, le peintre aurait représenté son confrère et proche ami Maxime Dethomas (1867-1929).Catalogue à prix marqués contenant 451 numéros, orné de 32 planches hors-texte en noir, reproduisant des affiches de Bonnard, Caran d’Ache, Chéret, Forain,Grasset, Guillaume, D’Alési, Lautrec, Moreau-Nélaton, Mucha, Pal, Steinlein,Willette, Beardsley, Bradley, etc., soit les principales figures, françaises et étrangères, des arts graphiques fin-de-siècle.
189360590Paris: L'Estampe originale 1893. Fine. L'Estampe originale Paris 1893 31.50 x 43 cm en feuilles TOULOUSE-LAUTREC Henri de. Chanteur américain Le Café Concert L'Estampe originale Paris 1893 315 x 43 cm one single leaf An original print by Henri de Toulouse-Lautrec from Le Café-Concert series published by Publications de l'Estampe Originale. A very rare and handsome lithograph one of 500 original proofs printed on vélin paper by Edouard Ancourt printers. A rare print perfectly preserved a reminder of the splendors of the Fin de siècle Paris by night. A veritable ode to the Café-concert this series by Toulouse-Lautrec and Henri-Gabriel Ibels captures the essence of the Parisian lifestyle and the vitality of its nights. The plates are accompanied by a pamphlet by the writer Georges Montorgueil singing the praises of these establishments so wrongly looked down on which he calls a tonic for modern life. Far removed from the heavy atmosphere of theatres and concert halls these carefree places saw a real boom during the Belle époque and launched the careers of some remarkably modern artists. The two painters here produced portraits of the most famous cabaret stars at the time caught in the movements of their epileptic choreographies or the grace of their poses. The big names in cafés-concerts including Jane Avril Yvette Guilbert Toulouse-Lautrec's muse or Aristide Bruant are shown in direct and confident aspects inspired by Japanese woodcuts. The influence of Impressionism is also discernible in the finer details the style being in vogue at the fin du siècle. Toulouse-Lautrec had been a regular fixture at the Salon des Indépendants since 1889 and had shown there his view of Parisian high society traversing society salons and the city's brothels as well not to mention cabarets like the Moulin Rouge for which he designed a poster that has remained famous to this day. Another master of posters and draughtsmanship Ibels would work with the Éditions de l'Estampe Originale several times including on a series of drawings of the circus. He was also the creator of numerous illustrations for popular newspapers known for his dynamic and incisive style. L'Estampe originale unknown
189360590L'Estampe originale | Paris 1893 | 31.50 x 43 cm | en feuilles
1880Toulouse-Lautrec5<p><strong>TOULOUSE-LAUTREC de Henri 1864-1901</strong></p><p>Original drawings. Ink on paper <em>Dog and cat</em><br />N.p.n.d c. 1876-1880 1 p. in-4° in black ink<br />On the verso a study in English on Cromwell from an unknown hand<br />Monogram stamp Lugt 1338 on lower left corner<br />Tiny stain on right hand margin slight missing bits on upper and lower margins overall browning</p><p><strong>Charming studies of animals by young Toulouse-Lautrec</strong></p><p>These two freehand studies are to be compared with an important series of drawings that the young Toulouse-Lautrec probably made when he was a student at the Lycée Fontanes now the Lycée Condorcet in Paris. A similar sketch from the same period can be found on the work referenced D.448 in M. G. Dortu's C<em>atalogue raisonné</em> depicting a dog's head very similar to the one presented here.<br />Although it is not possible to identify the writer of the English assignment on the back of the sheet there is an identical handwriting for an "English Theme" on the back of another work by the artist referenced this time D.449 in the <em>Catalogue raisonné</em>.</p><p>If we look closely at the study of the dog on the right we notice that the head of the animal is more elaborate than the rest of the body which has remained in the state of primitive outline. The cat on the other hand is sketched in a more accomplished way. The fact remains that the very young Toulouse-Lautrec reveals here a style that is already his own immediately recognizable.</p><p><u>A certificate of authenticity from the Toulouse-Lautrec Committee issued on November 12 2024 will be given to the buyer.</u></p><p><u>Provenance:</u><br />Galy collection</p><p><u>Bibliography:<br /></u><em>Henri de Toulouse-Lautrec 1864-1901</em> Dessins-Estampes-Affiches Maurice Joyant éd. Floury Paris 1927 p. 178 Dessins à la plume et à l'encre</p><p><u>Iconography:<br /></u><em>Catalogue raisonné de l'Œuvre de Toulouse-Lautrec</em> Collectors Editions M.G. Dortu Ne York 1971 vol. IV D. 447 p. 78-79 repr. N&B titré : <em>Croquis à l'encre</em></p> M.G. Dortu
1895207853Paris: C. Joubert 1895. Remnants of mounting tape at upper margins; discreet owner's stamps on reverse of each; small chip to one corner; a very well-preserved group. 8 folio leaves. Toulouse-Lautrec produced a series of fourteen original covers to illustrate song with music by Desiré Dihau and lyrics by Jean Richepin. The pictures soon proved more popular than the songs and the publisher began to sell them separately without the sheet music. Later after the artist's death they would be reprinted on higher quallity paper and sold as a portfolio. This group comprises:<br /> Etoiles Filantes Delteil 130<br /> Oceano Nox Deteil 131<br /> Les Hirondelles de Mer Delteil 132<br /> L'Hareng Saur Delteil 137<br /> Le Secret Delteil 138<br /> Floréal Delteil 139<br /> Achetex mes Belles Violettes Delteil 140<br /> Beceuse Delteil 141. C. Joubert unknown
1896125760Paris: Arnould. 1896. Edition of 50 with Toulouse-Lautrec's red monogram stamp lower right. This copy is in the second state with the monogram on the stone lower right; there is only one known impression of the first state with an elephant monogram upper right; there was also a third state of 100 issued with text. Original lithograph in 3 colours on japon. Image size: 24.5 x 32.3 cm. Sheet size: 38.3 x 55.9 cm. Framed size: 58 x 65.8 cm. Tape residue to upper edge from previous hinging otherwise an excellent unfaded example a very bright copy much brighter than normally encountered. Presented in a hand-made gold leaf frame with conservation acrylic glazing. Deltiel 178 I; Wittrock 167 II; Adriani 191 I; Adhémar 212. unknown
1866160063Rouget Delahaut Toulouse, Rouget Delahaut, 1866. Plaquette In-8 brochée, 23 pages. Envoi autographe de l'auteur à Raymond d' ARMAGNAC. Bords de couverture brunis. Bon état.
189520783Paris, Boussod, Valadon & Cie, 1895 1 volume In-folio (32,6 x 42,2cm) Broché sous couverture au 1er plat entièrement illustré couleurs. Paginé de [XXV] à XXVIII puis de [121] à 140; nombreuses illustrations in texte en noir et en couleurs, 1 double planche couleurs hors texte.
1893023620Paris LE FIGARO, G. HAZARD 1893 douze numéros reliés en un volume in folio, 244 pp. XLIV (4 premières pages des 11 premiers n°) (2) pp. Reliure éditeur toilée rouge à la Bradel, premier plat orné d'une illustration polychrome en médaillon entourée d'un riche décor " floral " doré, dos lisse orné du titre et d'un grand fer dorés, second plat estampé, tranches rouges, gardes de papier bleu, couverture conservée (François FLAMENG). (dos éclairci, une coiffe " molle" et une coiffe frottée). Magnifique revue ornée de nombreuses illustrations en couleurs de Vimar, Caran d'Ache, Mars, Vallet, Myrbach, Toulouse Lautrec (pages 137 à 140), Bac, Robida etc.. Étonnamment les couvertures ne sont pas présentes. Imprimerie chromotypographique de Boussod, Valadon et Cie. Intérieur frais. Bel exemplaire.
189997129Paris: Floury 1899. Toulouse-Lautrec's masterpiece of the illustrated book First edition number 84 of 100 copies only one of the most celebrated and sought-after of all livres d'artiste some of Lautrec's finest illustrations and the prototype of nearly all modern bestiairies Garvey. Lautrec and Jules Renard met first in 1894. The artist asked to illustrate some of the charming and witty portraits of animals and his first sketches were made at the Jardin d'Acclimatation and Jardin des Plantes in 1896. The last two illustrations printed were executed by Lautrec while he was a patient at the Neuilly clinic of Dr Sémalaigne. Renard's Histoire naturelles "contains some of Toulouse Lautrec's most refined draftsmanship and with Yvette Guilbert it is considered one of the masterpieces of the illustrated book. It was Lautrec who requested the pleasure of illustrating Renard's bestiary and Renard agreed hoping for descriptions that 'would please the animals themselves'. The two creative personalities clashed. Lautrec resented the book's limitation to mundane animals while Renard although paid homage to by a cover design of a fox objected to a number of Lautrec's drawings. Today we are amazed that it took Floury twenty years to sell out the edition of 100 copies" Donson/Gripp. Small folio 310 x 220 mm. With an original transfer lithograph to front wrapper on Japan paper and 22 throughout the text on vélin paper by Toulouse-Lautrec. Finely bound in 1973 by Pierre Lucien Martin 1913-1985 in olive green modelled calf titles to covers in raised lettering. Housed in a matching quarter calf chemise and slipcase. Foot of spine lightly rubbed with one small nick contents fresh; slipcase slightly sunned and rubbed. A finely bound copy. Adhémar 333-355; The Artist and the Book 304; Delteil 297-319; Donson/Gripp Great Lithographs by Toulouse-Lautrec nos. 78/79; Garvey 304 "Now one of the greatest rarities of the 19th century. Not only does it contain some of Lautrec's finest illustration but it is the prototype of nearly all modern bestiaries"; Rauch 17; Wittrock Toulouse-Lautrec I 202-224. unknown
189880053Paris: P.V. Stock 1898. Fine. Lithographed cover by Henri de Toulouse-Lautrec P.V. Stock Paris 1898 13 x 19 cm broché First edition with no deluxe paper copies issued. Two small spots of foxing on the upper cover. A handsome copy with an ex-libris pasted on the verso of the upper cover. Work illustrated on the covers with an original lithograph by Henri de Toulouse-Lautrec. P.V. Stock unknown
189880053P.V. Stock | Paris 1898 | 13 x 19 cm | broché
1898142341898 P., Stock, 1898, 1 vol. in-12 (190 x 130 mm) broché sous couverture illustrée par un dessin de Toulouse-Lautrec, de 33 pp.Quelques très rares rousseurs (pratiquement insignifiantes), couverture en parfait état, très rare dans cet état.
