1 177 résultats
1996319454Cologne: Wildenstein Institute/ Taschen K ln 1996. Revised Edition. Illustrated. Folio. Original blue cloth. Fine in slipcase. Revised Edition. Illustrated. Folio. Catalogue in English French and German. Wildenstein Institute/ Taschen,, K ln unknown books
197823613New York: Metropolitan Museum of Art 1978. Paper wrappers. A very good crisp copy. 181 pp. Illus. with color plates & b/w photos. Sm. 4to. . Metropolitan Museum of Art unknown books
200741582Williamstown MA: Sterling and Francine Clark Art Institute 2007. First Edition. Quarto 30cm.; publisher's cloth in pictorial dust jacket; xi1313pp.; color illus. throughout. Light wear to jacket extremities and corners else Very Good or better. Sterling and Francine Clark Art Institute unknown books
1991403365Paris: La Bibliothéque des Arts 1991. 5 volumes folio. Numerous color plates and black and white illustrations throughout. Original blue cloth gilt-lettered on front covers and spines; pictorial dust jackets. A few with minor nicks some slight fading at edges light shelfwear. FIRST EDITION. <br/><br/> La Bibliothéque des Arts hardcover books
759589 1 p. 8vo orig. printed gray pebbled paper wrappers spine a bit sunned stitched as issued. Paris: Galerie Georges Petit: 1889.<br /> <P> The scarce catalogue of a storied exhibition of Monet and Rodin at the Galerie Georges Petit organized in the summer of 1889 to coincide with the Paris Exposition Universelle. Monet displayed 145 of his recent works and Rodin 36. Up to that point the art world had rejected Monet's groundbreaking compositions but this event proved to be a turning point in his career. The two essays printed herein by the critics Octave Mirbeau and Gustave Geffroy on Monet and Rodin respectively praise the artists' originality and daring.<br /> <P> The installation of the exhibition did not unfold smoothly. Put in place on the morning of the vernissage Rodin's sculptures obscured many of Monet's paintings leading Monet to worry in a letter to Georges Petit that his best works would be "lost." According to Edmond de Goncourt the normally soft-spoken Rodin made aware of Monet's consternation blurted "I don't give a damn about Monet I don't care about everyone else I will just take care of myself!" The tension between the artists soon dissipated and the exhibition proved an enormous success and precipitated the recognition of Monet as a visionary. Mere acquaintances before this exhibition the two artists maintained a regular correspondence until Rodin's death in 1917.<br /> <P> The catalogue chronologically lists the 145 works selected by Monet executed between 1864 and 1889 and the 36 sculptures by Rodin. The owners of many of the pieces are provided. We find a handful of contemporary observations written in the margins as well as a skilled sketch of a Rodin on p. 84.<br /> <P> In his review of the exhibition the journalist and critic Charles Frémine wrote in Le Rappel: "The one seems to complete the other. Rodin could find no better frame for his sculpture than the painting of Claude Monet.At first glance one sees that they are a force unto themselves. One is really in their space and nature is at home here. It is to nature alone that they address their work.Result: surprise novelty originality.What they found is life."<br /> <P> A near fine copy; minor wear to the extremities. unknown books
2004177670Hiroshima Japan: The Executive Committe of Exhibition Monet 2004. Softcover. VG light bumping to corners. Color illustrated wraps with white lettering 226 pp richly illustrated throughout in color with several illustrations in bw. Text in Japanese and English. Exhibition catalogue with descriptions of each piece in Japanese and English. Includes bibliographical references. The Executive Committe of Exhibition, Monet unknown books
1985129092Boston MA: Museum of Fine Arts 1985. Revised second edition. Softcover. 57 pages. Introduction by Alexandra R. Murphy. Essay by Elizabeth H. Jones. Includes 39 color illustrations. A near fine copy in wrappers. Museum of Fine Arts unknown books
14636Eminent French Impressionist painter. 2 page Autograph Letter Signed measuring 9" x 7" in French from Giverny Eure France July 6 1914. Monet writes to his friend author Lucien Descaves regarding a visit. An interesting letter imparting details about how three prolific French creative thinkers arranged time together for friendship and the exchange of ideas. Monet writes in full: <br/><br/>"It's agreed for Thursday morning. You are to catch the 8:32 train at St. Guyner par Vernon where you will find my car. I am working very hard at the moment but I take a rest from 10:30 a.m. to 2:00 p.m. You are not bothering me at all and I will be delighted to see you and Mrs. Descaves. I have written to Gustave Geffroy and I hope he is not in ill health. In all friendship and see you Thursday." Signed in his hand "Claude Monet." <br/><br/>Monet 1840-1926 moved with his family to Giverny in 1883 where he enjoyed continued artistic and commercial success for the rest of his life. His friend Lucien Descaves was also a great creative mind. A novelist and founding member of the Académie Goncourt a French literary society founded in opposition to Académie française Descaves was a frequent visitor to Monet's house at Giverny. Gustave Geffroy who Monet mentions in the letter was an author and art critic as well as a fellow founding member of Académie Goncourt who admired Monet. Geffroy was one of the first historians of the Impressionist movement. The letter provides important evidence of how these three creative minds arranged time together for the exchange of artistic ideas. Matted with a picture of Monet in his later years and framed to an overall size of 26.25" x 18". With folds otherwise in good condition.<br/>----<br/><br/>Monet Claude. Eminent French Impressionist painter. 2 page Autograph Letter Signed in French from Giverny France July 6 1914. Monet writes to his friend author Lucien Descaves. An interesting letter imparting details about how three prolific French creative thinkers arranged time together for friendship and the exchange of ideas. Monet writes in full: "It's agreed for Thursday morning. You are to catch the 8:32 train at St. Guyner par Vernon where you will find my car. I am working very hard at the moment but I take a rest from 10:30 a.m. to 2:00 p.m. You are not bothering me at all and I will be delighted to see you and Mrs. Descaves. I have written to Gustave Geffroy and I hope he is not in ill health. In all friendship and see you Thursday." Signed in his hand "Claude Monet." Monet famous lilies painting are all from his Giverny garden. His friend Descaves A novelist was a frequent visitor to Monet's house. Gustave Geffroy who Monet mentions in the letter was one of the first historians of the Impressionist movement. Framed with a picture of Monet overall size of 26.25" x 18 inches. unknown books
197857793NY: Metropolitan Museum of Art 1978. Square 4to pp. 180. Illustrated with photographs and 80 color plates map. Published to accompany an exhibit. Foreword by Philippe de Montebello introduction by Charles S. Moffett and James N. Wood article by Daniel Wildenstein. Paper wraps. Whole volume curled near spine cover somewhat scuffed and slightly creased edges slightly spotted o/w VG. Metropolitan Museum of Art unknown books
188826669Paris: Administration du "Bulletin de l'imprimerie" 1888. First edition. 8vo. ix 343 pp. 6 plates text illustrations adverts. Printed paper wrappers with a short chip lacking at the base of the spine. Near fine. A review of printing techniques including stereotype electro-galvanography photogravure phototypie photochromie and typochromie. More than a hundred illustrations detailing processes with six plates from a variety of processes including progressive and full color photoglyptique photogravure and phototypique photolithography. An authoritative compendium of the processes in use at this time. Roosens and Salu #8177. Nadeau Encyclopedia of Printing Photographic and Photomechanical Processes cccxiv and p. 377. <br/><br/> Administration du "Bulletin de l'imprimerie" unknown books
1872049448Paris: Imprimerie de Jules Clavye 1872. 401p. b/w text illus. original stiff printed wrappers bound in brown half-cloth with marbled stiff boards leather spine label with gilt lettering. Imprimerie de Jules Clavye unknown books
1999KFZZQ100281Yomiuri Shimbun 1999. Soft Cover. Fine. KFZZQ100281 Yomiuri Shimbun paperback
19-8663Springdale CT: Springdale Graphics ca. 1987. Large format color reproduction print poster 23†x 35â€. Very Good. Printed for Philadelphia Museum of Art. Copyright Springdale Graphics. Springdale, CT: Springdale Graphics, [ca. 1987]. unknown
89519Malines (Belgique), Aux Editions du C.E.L.F., 1951. 16 x 20, 115 pp., broché, bon état (signature d'ex-propriétaire sur la page de faux-titre).
RO30075479LES EDITIONS HOLBEIN. non daté. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé environ 9 + 6 pages. Nombreuses illustrations contre collée. Ecritures au stylo en page de titre.. . . . Classification Dewey : 750-La peinture et les peintres
163740303Rouen, Jean Le Boullenger, 1637. In-4 de (682) ff., maroquin brun janséniste, dos à nerfs, blason doré dans l'angle gauche supérieur du premier plat, dentelle intérieure, tranches dorées sur marbrures (Dupré).
163021071Lyon, Louis Muguet, 1630. In-4 de [8]-1036 pages chiffrées par erreur 1046 et 422-[2] pages, pleine peau retournée. [+4; A-Xxxx4; Aaaaa-Qqqqqq4; R2; A-Ggg4].
20021179Malourène, 2002, in-8 broché de 126 pages, couverture illustrée, vignettes noir et blanc in et hors-texte. Bel exemplaire à létat quasi neuf.
37992préface de Michel Etalon - Inguiniel : Malourène, 2002 - in-12 broché, 126 pages - bon état -
26023Catalogue de vente à Paris, le 13 décembre 2006 par Artcurial. In-4, br., 332 n° décrits, nombreuses reproductions. Préface de Pierre Assouline.
21540Liège, 1992 25 x 30, 186 pp., très nombreuses illustrations en couleurs, quelques unes en N/B, broché, très bon état.
68000aafNeuchâtel, Ides et Calendes, 1978, in-4to, 236 p., rich. ill., reliure en toile originale, avec jaquette.
82230aafKöln, Benedikt Taschen, 1990, gr. in-4to, 228 S, reich ill. + 2 Faltafeln, ill. Original-Pappband.
429910Editions Cercle D'Art Paris 1990 In-4 ( 330 X 245 mm ) de 132 pages, reliure éditeur sous jaquette illustrée en couleurs. Illustrations noir & couleurs dans et hors-texte. Bel exemplaire sous adhésif transparent.
1952007257Antwerpen 1952 L Opdebeek Paperback 1° Edition
