Paul MONETBiblio.com
127 résultats
192488745Paris: s. n. 1924. Fine. s. n. Paris s. d. 1924 13.5 x 21.7 cm Agrafé Very rare first edition printed by the Bureaux de l'armée nationale only two copies recorded in the CCF: ASOM and Nanterre.A pleasant copy.The pamphlet brings together the texts of two lectures: the first delivered on 19 June 1924 in Hanoi the second on 10 December 1924 in Paris; both advocate for a systematic effort to provide indigenous populations with access to education.A former captain in the colonial artillery Paul Monet 18841941 was then head of the Annamite Students' Residence in Hanoi. He would soon gain attention for echoing Roland Dorgelès' stance on the exploitation of indigenous labour by French companies Les Jauniers 1930. s. n. unknown
1926LS030520-02Éditions Bossard Paris / Bocca Freres Turin 1926. Hardcover. Good. 8vo in 1/4 marbled leather over marbled boards. Original front wrap bound in. 145 pp. Leather cracked at the ends of the joints. Slight wrinkle to paper on front board. Binding is strong. Text block is tight. Bookplate on front pastedown. Text is clean throughout. Photos are of the actual book you will receive. Ships wrapped in bubble wrap and packed securely in a box. Éditions Bossard, Paris / Bocca Freres, Turin hardcover
1930cfe14146New York : Exotica Club 1930. 1st Edition 1st Printing. Hardcover. Very Good/No Jacket. Vincente Minelli. From the recently auctioned collection of Caroline Riesor Rau and David Wallerstein--this copy is inscribed by the illustrator and future husband of Judy Garland--Vincent Minelli to Caroline Riesor Rau " Not nearly nice enough for you but it will do to put gin glasses on-Vincente Minelli"--on the half title page. Very rare to find a signed copy by Minelli--signed in 1930 before he was well known and before Judy Garland starred in the Wizard of Oz in 1939. 7 Beardsley like wiid-cut black and white semi erotic drawings. A very good copy without the rare dustjacket. Burgundy cloth boards with silver lettering and decorations on front board and spine--although the spine is just a bit faded. The burgundy cloth on the rear boards has some light streaking--uncut paper edges. A clean copy and mostly tight hinges. Caroline Rau was married to David Wallerstein--who was on the board of directors of Disney ABC and later on McDonalds. He was a persona friend of Walt Disney and his wife was a well known Chicago socialite. <br/> <br/> Exotica Club hardcover
193028647New York: Privately Printed Exotica Club Inc 1930. First Edition; First Printing. Hardcover. Very good in boards. No dust jacket. Fading to spine. Privately Printed (Exotica Club, Inc) hardcover
1930005394New York: Privately Printed Exotica Club Inc 1930. 290pp/illus. The rare original 1930 edition with 7 Beardsley like drawings by the then unknown Minnelli. Judy Garland's husband. Spine faded. First Edition. Cloth. Very Good/No Jacket. Illus. by Minnelli Vincente. 4to - over 9¾" - 12" tall. Privately Printed (Exotica Club, Inc) hardcover
1985stela1483Lausanne-Paris: La Bibliothèque Des Arts 1974-1985. 1985. 4 volumes. folio. pp. 461; 305; 312; 443. French text. over 1983 illus. in b/w & colour. illus. endleaves. bio. index. cloth. dw. minor edge wear light stain to back cover of volume 4. Catalogue Raisonné. Freitag 6687. Hardcover. Very Good/Dust Jacket Included. Lausanne-Paris: La Bibliothèque Des Arts, 1974-1985. Hardcover
1986669BB1986. Zürich SV International 1986. 28cm x 23.5cm. 181 pages. Original Softcover Paperback. Very good condition with only minor signs of wear. German Edition / Deutsche Ausgabe. Includes for example: Claude Monets Nympheas in Basel 1949 und 1969 Leihgeber/ 'Le Spleen de Giverny' Massifs de Chrysanthemes/ Zufluchtsort einer ungestorte Meditation/ Le Bassin aux nympheas/ Paysages d'eau et de reflets/ Eine Wenig Banale Ausstellung/ Wasser Seerosen Planzen auf einer sehr grossen Flache/ Verjungende Aufschwunge un grausame Enttauschungen anmerkungen/ Srom ohne Ufer/ Anmerkungen zu Claude Monets Seerosen/ Jenseits des Impressionismus / Monet Sehen/ Der Neue Bildbau/ Unter dem Horizont/ Bilder einer stromenden Welt/ Bild und Betrachter/ Monets Welt in Giverny/ Das 'Monet revival' der funfziger Jahre Anmerkungen/ Claude Monet 14 November 1840 - 5 December 1926 was a founder of French impressionist painting and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression Sunrise Impression soleil levant. Claude Monet was born on 14 November 1840 on the 5th floor of 45 rue Laffitte in the 9th arrondissement of Paris.3 He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet both of them second-generation Parisians. On 20 May 1841 he was baptized in the local parish church Notre-Dame-de-Lorette as Oscar-Claude but his parents called him simply Oscar.34 In 1845 his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery business but Monet wanted to become an artist. His mother was a singer. On 1 April 1851 Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques-François Ochard a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857 he met fellow artist Eugène Boudin who became his mentor and taught him to use oil paints. Boudin taught Monet "en plein air" outdoor techniques for painting. Both received the influence of Johan Barthold Jongkind. On 28 January 1857 his mother died. At the age of sixteen he left school and went to live with his widowed childless aunt Marie-Jeanne Lecadre. When Monet traveled to Paris to visit the Louvre he witnessed painters copying from the old masters. Having brought his paints and other tools with him he would instead go and sit by a window and paint what he saw. Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them was Édouard Manet. In June 1861 Monet joined the First Regiment of African Light Cavalry in Algeria for a seven-year commitment but two years later after he had contracted typhoid fever his aunt intervened to get him out of the army if he agreed to complete an art course at an art school. It is possible that the Dutch painter Johan Barthold Jongkind whom Monet knew may have prompted his aunt on this matter. Disillusioned with the traditional art taught at art schools in 1862 Monet became a student of Charles Gleyre in Paris where he met Pierre-Auguste Renoir Frédéric Bazille and Alfred Sisley. Together they shared new approaches to art painting the effects of light en plein air with broken color and rapid brushstrokes in what later came to be known as Impressionism. Monet's Camille or The Woman in the Green Dress La femme à la robe verte painted in 1866 brought him recognition and was one of many works featuring his future wife Camille Doncieux; she was the model for the figures in Women in the Garden of the following year as well as for On the Bank of the Seine Bennecourt 1868 pictured here. Camille became pregnant and gave birth to their first child Jean in 1867. After the outbreak of the Franco-Prussian War 19 July 1870 Monet took refuge in England in September 1870 where he studied the works of John Constable and Joseph Mallord William Turner both of whose landscapes would serve to inspire Monet's innovations in the study of color. In the spring of 1871 Monet's works were refused authorisation for inclusion in the Royal Academy exhibition. In May 1871 he left London to live in Zaandam in the Netherlands where he made twenty-five paintings and the police suspected him of revolutionary activities. He also paid a first visit to nearby Amsterdam. In October or November 1871 he returned to France. Monet lived from December 1871 to 1878 at Argenteuil a village on the right bank of the Seine river near Paris and a popular Sunday-outing destination for Parisians where he painted some of his best known works. In 1874 he briefly returned to Holland. In 1872 he painted Impression Sunrise Impression soleil levant depicting a Le Havre port landscape. It hung in the first Impressionist exhibition in 1874 and is now displayed in the Musée Marmottan Monet in Paris. From the painting's title art critic Louis Leroy coined the term "Impressionism" which he intended as disparagement but which the Impressionists appropriated for themselves. Also in this exhibition was a painting titled Boulevard des Capucines a painting of the boulevard done from the photographer Nadar's apartment at no. 35. There were however two paintings by Monet of the boulevard: one is now in the Pushkin Museum in Moscow the other in the Nelson-Atkins Museum of Art in Kansas City. It has never become clear which painting appeared in the groundbreaking 1874 exhibition though more recently the Moscow picture has been favoured. Monet and Camille Doncieux had married just before the war 28 June 1870 and after their excursion to London and Zaandam they had moved to Argenteuil in December 1871. It was during this time that Monet painted various works of modern life. Camille became ill in 1876. They had a second son Michel on 17 March 1878 Jean was born in 1867. This second child weakened her already fading health. In that same year Monet moved to the village of Vétheuil. On 5 September 1879 Camille Monet died of tuberculosis at the age of thirty-two; Monet painted her on her death bed. Wikipedia paperback
1991403365Paris: La Bibliothéque des Arts 1991. 5 volumes folio. Numerous color plates and black and white illustrations throughout. Original blue cloth gilt-lettered on front covers and spines; pictorial dust jackets. A few with minor nicks some slight fading at edges light shelfwear. FIRST EDITION. La Bibliothéque des Arts unknown
1995Q-0865591342Thames & Hudson 1995-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Thames & Hudson paperback
1985G0865650616I3N00Vendome Press The 1985. Hardcover. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Vendome Press, The hardcover
1909205221New York: Self-Published 1909. First Edition; First Printing. Ephemera. Autograph letter in French signed by Claude Monet regarding the shipment of his paintings one page on his personal stationery measuring 8.25 by 5.25 inches. Created in Giverny France on December 6 1909. Sunning fading to the ink and evidence of mounting on the verso.; Penned and signed by Claude Monet.; Signed by Author. Self-Published unknown
1984BN254838Aurora Art Publishers - Leningrad - 1984. 1984. Claude Monet - Paintings in Soviet Museums - Illustrator: Svetlana Gubanova Design - Übersetzer: Hugh Aplin and Ruslan Smirnov - aus dem Russischen - Vorwort: Nina Kalitina - weitere Mitwirkende: Anna Barskaya and Eugenia Georgievskaya notes on the plates <br/><br/>Claude Monet - Paintings in Soviet Museums - Illustrator: Svetlana Gubanova Design - Übersetzer: Hugh Aplin and Ruslan Smirnov - aus dem Russischen - Vorwort: Nina Kalitina - weitere Mitwirkende: Anna Barskaya and Eugenia Georgievskaya notes on the plates Claude Monet Aurora Art Publishers -, Leningrad - unknown
190480561Paris: Galerie Durand-Ruel 1904. Fine. Galerie Durand-Ruel Paris 1904 10 x 17.50 cm relié First edition of the exhibition catalogue presenting 37 works by Claude Monet at the Galerie Durand-Ruel from 9 May to 4 June 1904. During the exhibition most of the paintings were immediately purchased by American collectors. Binding in vellum-effect paper boards names of the catalogue preface writer and the painter inscribed in ink water-effect paper endpapers covers and spine preserved curious ex-libris drawn by H. P. Gassier glued to a pastedown endpaper binding signed Gonon. Preface by Octave Mirbeau. A rare and pleasant copy. Galerie Durand-Ruel hardcover
192891988Plon. As New. 1928. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 128 pages; illustrated. -- with a bonus offer-- . Plon paperback
197669717New York: Acquavella Galleries Inc. Fine. 1976. Softcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - Color illus. 4to. Biographical Notes Selected Bibliography. Printed in conjunction with the exhibition October 27 - November 28 1976; text by Andrew Forge. Illustrated with 68 color plates. Benefit for The New York Hospital -- with a bonus offer--; 4to - over 9¾" - 12" tall . Acquavella Galleries, Inc. paperback
1922106191Les Editions G. Crès & Cie. As New. 1922. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 362 pages. -- with a bonus offer-- . Les Editions G. Crès & Cie. hardcover
1996BN51717München: Prestel 1996. Erstauflage EA. <br/><br/>Ausstellungskataloge München: Prestel unknown
1996BN51682München: Prestel 1996. Erstauflage EA. <br/><br/>Ausstellungskataloge München: Prestel unknown
1996BN52576München: Prestel 1996. Erstauflage EA. <br/><br/>Ausstellungskataloge München: Prestel unknown
1996BN54276München; Prestel 1996. Erstauflage EA. <br/><br/>Ausstellungskataloge München; Prestel unknown
1996BN57344Wien : Österreichische Galerie Belvedere 1996. <br/><br/>Kunst Wien : Österreichische Galerie Belvedere unknown
1996BN48981München New York: Prestel 1996. Erstauflage dieser Ausgabe. <br/><br/>Biographie München, New York: Prestel unknown
1969201100London: Lefevre Gallery 1969. 60 pages illustrations some colour; 25 cm. Exhibition held at the Lefevre Gallery London 8th May to 7th June 1969. Good. Firm binding clean inside copy. Moderate edgewear to wraps age toning. Includes a checklist of 21 oil paintings illustrated with scholarly catalogue entries. 1st. Paperback. Good. 8vo. Lefevre Gallery Paperback
1976TN251686Acquavella Galleries New York 1976. 1st Edition. SOFTCOVER. 4to in colour printed stiff glossy card covers 16pp text on thick matt paper plus 68 full page colour plates 8pp catalogue and bibliography at rear __CONDITION : A well preserved FINE very clean and tight copy neat ink name on front fly-leaf covers very slightly tanned. A nice copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Acquavella Galleries, New York paperback
1969mon0000017750Lefevre Gallery 1969. Paperback. Good. Covers show some browning and discoloration from age and edges show some flaring rubbing and separation. Pages show some foxing and brown spots from age. Lefevre Gallery paperback
