Claude MonetBiblio.com
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23711Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1877. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
23709Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1877. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
23710Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1877. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
23712Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1877. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1817NG430001817-1818 (reprint 1991) 332 p., paperbound. Good copy. Extraits du Nouveau Dictionnaire d’Histoire Naturelle (2e édition, 36 volumes, 1817-1819).
Mm 140x200 Collana "Quaderni di letteratura e d'arte". Volume nella sua brossura originale, viii + 112 pagine. Opera in buone condizioni, presenta una firma alla prima carta, una scritta in chiusura del volume, sottolineature nel testo. Spedizione in 24 ore dalla conferma dell'ordine.
1990RO20271863NON PRECISE. 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 12 PAGES. . . . Classification Dewey : 20-Bibliothéconomie et sciences de l'information
2004R260270658astronomical society of the pacific. 2004. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 380 pages.. . . . Classification Dewey : 520-Astronomie et sciences connexes
1969R160127245COLLECTION DES CAHIERS CONFIDENTIELS SUR L'AUTOMOBILE. 1969. In-12. Broché. Bon état, Tâchée, Dos plié, Intérieur acceptable. 230 pages.. . . . Classification Dewey : 700-LES ARTS
190013587JLondon: 3 pages octavo February 28 1900. A remarkable historic letter quoted and discussed in Daniel Wildenstein’s definitive Claude Monet biography Monet or the Triumph of Impressionism page 348. Written in French on the printed stationery of the Savoy Hotel in London during one of Monet’s most important periods while he was painting his classic series of the bridges over the Thames river and the Houses of Parliament attempting to capture the unusual and often spooky effects of light and fog while looking out his window at the Savoy Hotel. Monet has dated the letter at 10 a.m. and literarily stops in the middle of painting to quickly write to his wife. “.A few words in haste between two strokes so that you get news before you leave for Rouen.†Monet’s son is ill with the measles and is staying with English friends who were taking care of him while he recovers. “.I could not see Michel yesterday because Mr. Darby was not expected to come back here unless Michel felt worse and he did not show up which is a good sign. I will go immediately to see him tonight because he must be truly bored but as the days grow longer I am more and more busy. I think I will take care of him for the revision but without letting him now.†Monet’s great friends French politician Georges Clemenceau and art critic and Monet supporter Gustave Geffroy visited Monet during his London sojourn. “.Clémenceau and Geffroy left a while ago we dined together yesterday at the restaurant at the Savoy after we saw the Minstrels at St. James. Both of them were very nice and did not prevent me at all from working.†Monet then remarks on his artist friend the great American painter John Singer Sargent who had worked in France becoming good friends with Monet and after the public scandal of Sargent’s daring Portrait of Madame X had relocated to London. “.I just received a note from Sargent who apologizes for not having come by to see me because he has people sitting for him morning and afternoon. He invited me for dinner this coming Monday so that I may meet a couple of young artists who love my work.†Often waiting hours for just the right effect of light to take place while painting a scene Wildenstein writes in his biography “Like a sentinel on the city wall the painter would lie in wait for the returning effect. When it came Monet rushed to his canvas abandoning everything else.†In this letter Monet finds that the light has reached the right effect and time has come to return to his painting. “.But here comes my effect. I must leave you for today. I send you tender hugs and all of my thoughts. Love to Germaine. Regards to Miss Jeans. Your old man who loves you Claude.†Wildenstein remarks that when Monet came to receive Sargent at the Savoy “.the visitor was ‘a little astonished by some of the canvases but full of admiration for others’. In fact the main impression Sargent took away was of too many pictures in progress simultaneously.he watched Monet struggling surrounded by 80 canvases searching desperately for the right one when the effect he was waiting for occurred and as often as not unable to lay hands on it until the effect had passed.†Wildenstein also notes that in Geffroy’s book Claude Monet he devotes four pages to his visit to Monet at the Savoy quoting Geffroy “.Whenever the fog had completely blotted out the the view Monet would remark: ‘Theres no more sun and stop painting. When a little later he would all of the sudden pick up his palette again saying ‘The sun is back ‘ his guests were often bemused. It took them a good while before they could discern the faint premonitory glow of the emerging sun. Monet alone had been able to detect it.†3 pages, octavo unknown
192488745Paris: s. n. 1924. Fine. s. n. Paris s. d. 1924 13.5 x 21.7 cm Agrafé Very rare first edition printed by the Bureaux de l'armée nationale only two copies recorded in the CCF: ASOM and Nanterre.A pleasant copy.The pamphlet brings together the texts of two lectures: the first delivered on 19 June 1924 in Hanoi the second on 10 December 1924 in Paris; both advocate for a systematic effort to provide indigenous populations with access to education.A former captain in the colonial artillery Paul Monet 18841941 was then head of the Annamite Students' Residence in Hanoi. He would soon gain attention for echoing Roland Dorgelès' stance on the exploitation of indigenous labour by French companies Les Jauniers 1930. s. n. unknown
192488745s. n. | Paris s. d. [1924] | 13.5 x 21.7 cm | Agrafé
124543876X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1926LS030520-02Éditions Bossard Paris / Bocca Freres Turin 1926. Hardcover. Good. 8vo in 1/4 marbled leather over marbled boards. Original front wrap bound in. 145 pp. Leather cracked at the ends of the joints. Slight wrinkle to paper on front board. Binding is strong. Text block is tight. Bookplate on front pastedown. Text is clean throughout. Photos are of the actual book you will receive. Ships wrapped in bubble wrap and packed securely in a box. Éditions Bossard, Paris / Bocca Freres, Turin hardcover
1994LFA00b0cN° 125 - Juillet-août 1994 : Revue de 130 pages, format 285 x 220 mm, illustrée, brochée
20014000929532001 2001. Beaux Arts Magazine Hors-Série - Le Musée Marmottan Monet 2001
2010ABE-166238079093652 PAGES-IN 4-MONET AU XXe SIECLE UN PONT VERS L'ART ABSTRAIT, PAR HENRI FULLER-LE MUSEE MARMOTTAN FAIT DIALOGUER MONET ET SES HERITIERS ABSTRAITS", AVEC JACQUES TADDEI-LA DERNIERE PERIODE DE MONET, UNE REVOLUTION DE LA PERCEPTION, CLEMENCEAU CRITIQUE D'ART ET PANEGYRISTE DE MONET-MONET INVENTEUR DE LA PEINTURE MODERNE-LES HERITIERS DE MONET, POLLOCK, MASSON, SAM FRANCIS-JOHN MITCHELL A VETHEUIL LE VILLAGE DE MONET UNE PEINTRE AMERICAINE DANS LE SILLAGE DU MAITRE FRANCAIS-PORTFOLIO L'HOMMAGE DE L'ABSTRACTION A L'ART DE MONET, LES PROLIFERATIONS DE JEAN PAUL RIOPELLE, LA VISION STRATIFIEE DE GERHARD RICHTER, ROTHKO ET LE FLAMBOIEMENT DU MONDE, JACKSON POLLOCK ALL OVER, VIERA DA SILVA ARCHITECTE DE LA LUMIERE-BIOGRAPHIES DES PEINTRES EXPOSES-MONET EN QUELQUES DATES-(EM22)
2016ABE-1627846044188148 PAGES-22 CM X 28,5 CM-CRITIQUE POUR HERGE INTIME DE BENOIT MOUCHART, 1P, 2 PHOTOS-LES 50 MEILLEURES EXPOSITIONS DE LA RENTREE-MAGRITTE ETAIT IL UN ARTISTE CONCEPTUEL?, 8P-STREET ART, , 6P-EXPOSITION MONET HODLER MUNCH, 6P-ENQUETE: COMMENT LES ENTREPRISES VOGUENT SUR LES RIVAGES DE L'ART, 6 PAGES-HERGE OU L'ART D'UN GENIE TRES DISCRET, 6 PAGES-REMBRANDT DU PRODIGE AU MIRACLE, 6 PAGES-PAUL IRIBE DE COCO A L'ART DECO, 1P, 2 PHOTOS-BEN AGITATEUR DEPUIS 1955, 4 PAGES-LEGERES DECHIRURES SANS MANQUE EN UNE-
44844270like new. unknown
93669Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1885. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
93667Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1885. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
93668Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1885. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
93670Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1885. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
123416Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1884. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
123417Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1884. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
