945 résultats
51-4001Alès France: PAB Pierre André Benoit 1964. Original wraps and glassine. Small folio. 24pp. 33 x 25.2 cm. with the hors texte etching by Braque. One of 75 numbered copies signed by the author/publisher.Braque's last graphic work. He died Aug. 31 1963 and the etching was printed by the Crommelynck brother in Paris in Sept. 1964. Dora Vallier no. 192; Luc Monod no. 1377.Offsetting of the etching to a following page almost like a counter proof.Expertise by Elvire Poulain-Marquis &Pierre Poulain : 06 07 79 98 61 5 rue de Saintonge 75003 Paris.BRAQUE Georges. Les Petites Heures de Thouzon. Alès Pierre. André. Benoit 1964.In-4 en ff. couv. impr. rempliée.Gravure originale de Braque.Tirage limité à seulement 75 exemplaires signés au justificatif par P.A.B.L'impression n'étant pas terminée à la mort de Braque la gravure resta non signée. Bel exemplaire transfert de la gravure sur le feuillet suivant Alès, France: PAB [Pierre André Benoit], 1964. paperback
196174964Lausanne : La Guilde du Livre 1961. 325x270mm. XXXIII - planches en couleurs et n/b reliure d'diteur. Bel exemplaire. 1155 La Guilde du Livre unknown
1013803337.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
194855693New York: Curt Valentin 1948. First American edition. Quarto. 93 1pp. Original pictorial dustjacket with full page b/w photograph of Braque at rear over illustrated brown cloth with decorative brown lettering to front and spine. 16-page booklet translated by Frechtman laid in. Delightful illustrated ideas 92 pen and ink drawings about art and life by the renowned French master. Dj browned with wear and some discoloration along edges. Moderate chips at top of spine and lower front left corner creasing and sporadic chipping along edges. Binding with light wear along edges a one inch closed tear at upper front and back joint and a two inch closed tear to lower front joint. Dj in overall fair binding in good interior in good condition. Curt Valentin unknown
196022039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover
42171Paris Centre Georges Pompidou 1982. 4° 223 S. teilw. farb. Abb. Brosch. Tadell. 010 Paris, Centre Georges Pompidou, 1982 unknown
196338629Paris: Maeght 1963. Browning of former passepartout visible. Else in very good condition. 60 x 435 cm 23.5 x 1725 inches. Original lithograph. Printed by ARTE in 1963 on behalf of the Galerie Maeght in Paris. Color lithograph after Georges Braque for an exhibition at Galerie Maeght in 1967 here the special edition on Velin BFK Rives without the text of the poster. "Oiseau et Lotus" Bird and Lotus is a work by Georges Braque one of the leading figures of the Cubist movement alongside Pablo Picasso. Braque's contribution to modern art particularly through Cubism emphasized abstraction the breaking up of objects into fragmented shapes and the exploration of multiple perspectives simultaneously.Though I can't provide specific details about a single artwork titled "Oiseau et Lotus" without more context it's likely that this work would reflect Braque's characteristic use of geometric forms and muted color palettes to depict natural subjects in an abstract way.In the context of his later works Braque moved away from the strict geometric forms of early Cubism and started incorporating more organic shapes and elements of nature. Birds Oiseaux and plants Lotus were recurring motifs in his post-Cubist period when he focused on the lyrical still-life approach that is often seen in his paintings from the 1930s and 1940s. Georges Braque was a major 20th-century French painter collagist draughtsman printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905 and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. Maeght unknown
1965186884Paris: Maeght Éditeur 1965. First edition number 81 of 150 copies printed on velin de Rives. This issue of Derrière le miroir No. 138 was published to coincide with an exhibition of Braque's works at Galerie Maeght. Most of the artworks exhibited are reproduced at the rear. Folio. With 5 lithographs 4 in colour in three sizes: covers 38 x 57 full-page 38 x 28.5 cm or double-page 38 x 55.5 cm. 8 pages of monochrome photographic illustrations. Original lithographed wrappers lettering to front cover in grey sheets loosely inserted as issued. All housed in the publisher's beige boards with lettering to spine in black with matching slipcase paper label to front lettered in black. A little rubbing to slipcase. A fine copy. hardcover
1963186882Paris: Maeght Éditeur 1963. First edition limited issue number 104 of 150 numbered copies printed on velin de Rives paper. This issue of Derrière le miroir No 135-136 reproduces text and artwork from two previous collaborations Aventure Méthodique and La Liberté des mers in which Braque provides illustrations for Reverdy's poetry. Folio. With 4 colour lithographs in three sizes: covers 38 x 57 cm full-page 38 x 28.5 cm or double-page 38 x 55.5 cm. Illustrations in the text throughout. Original lithographed wrappers lettering to front cover in black sheets loosely inserted as issued. All housed in the publisher's grey boards with lettering to spine in black with matching slipcase paper label to front lettered in black. Slipcase a little rubbed. A fine copy. hardcover
196558646Paris France: RMN. As New. 1965. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 40 pp. With 23 ills. 4 col. . 32 x 24 cm. -- with a bonus offer-- . RMN paperback
15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
50-1129New York Graphic Society. Silkscreen print. 18 x 28 inches. Mounted on board. New York Graphic Society. unknown
9065380329.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SONG9065380329Brand: Univ of Pennsylvania Pr 0000-00-00. hardcover. Used: Good. 9.00x1.25x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Univ of Pennsylvania Pr hardcover
199267972Univ of Pennsylvania Pr. New. 1992. Hardcover. 9065380329 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . Univ of Pennsylvania Pr hardcover
1955002703<p>Harcourt Brace and Company 1955. 1st Edition. Hardcover. Very Good/Good. Braque Georges. This is the American edition of the French version which constituted a double number of Verve magazine #31-32. Tan decorated paper-covered boards under orange dust jacket folio 157 pp. Wear to bottom of spine edgewear and small chips to jacket 1/2" chip at tail of spine panel. 20 color lithographic plates and the rest in heliogravure. Extra postage required for international shipping--6 pounds package weight.</p> Harcourt, Brace and Company hardcover
19551401481New York: Harcourt Brace and Company 1955. First American Edition. Hardcover. Quarto 156 pages. In Very Good condition with a Good dust jacket. Spine orange with black lettering. Dust jacket protected with a mylar covering price uncut: "$25.00." Rubbing with mild tearing along most of edges of dust jacket. Large tear to dust jacket at top edge of rear cover. Some material loss to dust jacket at top corner of rear board and at head of spine. Mild scuffing to dust jacket. Rubbing to head and tail of book spine and to edges and corners of boards. Textblock clean. Shelved in Case 11. 1401481. Shelved Dupont Bookstore. Harcourt, Brace and Company hardcover
EEZZ3607Paris Verve 1955. 36 x 268 cm. 156 S. Mit mit 120 s/w Tafelabb. in Heliogravüre und 20 Farbtaf. davon 11 Farblithographien u. 9 in Mischtechnik Farblithos u. Heliogr. gedruckt bei Mourlot bzw. Draeger. Illustr. Orig.-Pappband Ecken bestoßen Rücken restauriert Einband gering fleckig. Ausgabe für Großbritannien der als Vol. VIII Nr. 31/32 der Zeitschrift »Verve« erschienenen »Carnets intimes«. Paris, Verve 1955. unknown
1955mon0000575107Verve 1955T. hardcover. Acceptable. in x in x in. Ex-library REFERENCE book usual marking. Clean copy in good condition. Some fading and staining of cover. Some marking due to age on pages but overall book remains in good condition considering age. Verve hardcover
1955310934New York: Harcourt Brace 1955. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Illustrated boards. Fine in chipped illustrated orange dust jacket. Bookplate. First American Edition of a double number 31-32 of Verve in the French edition. Produced under the direction of Teriade by the Master Printers Draeger Frères as for the heliogravures in black and in colours and by Mourlot Frères for the lithography in colours. Folio. Harcourt Brace unknown
195527299New York - Paris: Harcourt Brace and Company - Verve 1955. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Testi di Will Grohmann e Antoine Tudal. Con un apprezzamento di Rebecca West. Questo libro la cui copertina è"; stata appositamente disegnata dallo stesso Braque costituisce un numero doppio 31-32 di Verve nell'edizione francese. È stato riprodotto sotto la direzione di Teriade dai Maestri Stampatori Draeger per quanto riguarda le eliografie in bianco e nero e a colori e da Mourlot per la litografia a colori. Cm 36x27. pp. 156. Molto buono Very Good. Sovracoperta leggermente sciupata ai margini con strappetti e una mancanza in corrispondenza del dorso Some chipping and nicks around top and bottom of dust jacket. Prima edizione First Edition. Verve Anthonioz 1988 Anthonioz Michel Verve. The Ultimate Review of Art and Literature 1937-1960. New York Harry N. Abrams 1988. <em>Le illustrazioni del volume eliotipie e litografie realizzate dai maestri stampatori Draeger e Mourlot costituiscono una scelta curata direttamente dall'Artista di <strong>pagine dai carnets de travail</strong> che Braque aveva in precedenza sempre rifiutato di pubblicare.</em> <em>Per quasi 50 anni gli<strong> album di schizzi </strong>di Georges Braque sono stati il suo bene più prezioso. Le tele che gli hanno valso il primato tra i pittori viventi sono state da lui volentieri cedute a musei e collezioni private di tutto il mondo. Non così gli <strong>schizzi i guazzi e gli acquerelli </strong>da cui molti di questi dipinti sono stati tratti. Fino ad ora pochissime persone li hanno visti. E quando Braque ha finalmente acconsentito alla loro pubblicazione sotto la supervisione della grande casa editrice Verve non ha comunque permesso che gli album di schizzi fossero portati via dal suo studio; sono stati fotografati lì". La loro riproduzione in questo volume mette in luce i suoi metodi e rivela la reazione primaria dell'artista alla bellezza e al mistero del mondo esterno.</em> Harcourt, Brace and Company - Verve, hardcover
51-4637Paris-Monte Carlo: Imprimerie Nationale-André Sauret 1962. . Three original color lithographs on Arches wove sheets loose as issued. Edition of 150. 39 x 30cm. This is a section from the full portfolio. Text by Armand Salacrou. References: Dora Vallier p. 298: a b c.; Fernand Mourlot 105 106 107; Luc Monod Manuel de l'amateur de livres illustrés modernes no. 9522; OCLC Number:10029307. Paris-Monte Carlo: Imprimerie Nationale-André Sauret, 1962. unknown
50-0670Paris: Galerie Maeght ca. 1955. Poster. 73 x 40 cm. Paris: Galerie Maeght, ca. 1955, unknown
16-6277Paris: Editions de la Revue Verve 1938. Small foliio. 26.5 x 36cm. Original wraps. with design by Braque.Very good.Numéro 2 mars 1938 : couverture illustrée par Georges Braque ; textes de Reverdy Joyce Hemingway Bataille Michaux. Héliogravure couleurs et or d'après Ingres Giotto. Photographies de Blumenfeld Brassaï. Quatre lithographies originales : deux de Kandinsky et deux d'André Masson.Contient : le Bal des Sauvages la Peinture de la réalité au XVIIIe siècle Dans le sang des martyrs Guernica par Picasso Aristide Maillol etc. Articles de André Gide Georges Bataille René Huyghe Henri Michaux André Malraux Ambroise Vollard etc. Paris: Editions de la Revue Verve, 1938 paperback
1955109479Paris : Editions de la Revue Verve 1955. 365x265mm. Bon tat. Cet ouvrage contient un ensembre de dessins provenant des carnets de travait de Georges Braque la couverture a t spcialement excute par lÕartiste et contient une lithographie en couleurs tire par Mourlot. 1854 Editions de la Revue Verve unknown
