949 résultats
51-5822Paris: 1962-1963. Folio. 39.5 x 30cm. Two Signature pages from "Regards sur Paris" presented by L'Académie Goncourt. Paris: André Sauret Editeur. Paris: 1962-1963 unknown
1944Braque1<p><b>BRAQUE Georges 1882-1963</b></p><p>Autograph letter signed " Georges Braque " to Daniel WallardN.p 19th February 1944 4 p. in-12°Date added by another hand some spots</p><p><b>Braque wants to get back to work and painting following a heavy surgery</b></p><p><i>" Mon cher Wallard </i><i>Moi non plus je ne vous oublie pas mais <b>j'ai été retranché de la vie pendant un bon mois</b>. J'ai subit une opération pas grave certes mais qui m'a valu un mois de lit. Les choses ce sont très bien passées et je suis tout heureux de me sentir libéré d'une infirmité qui m'obsédait depuis 5 ans. <b>Je vais maintenant me remettre au travail j'en ai le violent désir</b>. </i><i>J'avais bien reçu votre lettre ou vous me parliez de la nouvelle sur Pierre</i>Seghers<i> mais comme vous le voyez je n'ai pu donner suite à votre désir. Envoyez moi les L.F. que j'attends avec un désir attendri en pensant à ce jeune héros. </i><i>Nous avons bien reçu lard et beurre : Ça tombe à pic ! Merci. </i><i>Dernière minute – recevons 3e colis lard ici le beurre manque totalement. </i><i>–</i><i>Encore merci de la part de ma femme. </i><i>Mille bonnes amitiés pour vous et votre femme. </i><i>G. Braque "</i></p><p>At the writing of this letter Braque had just undergone a surgery for a double ulcer in the stomach Picasso will come to see him every day.First a refugee in the Limousin then in the Pyrenees the Braque couple returned to Paris where they spent the entire time of the war in the workshop built by Auguste Perret rue du Douanier. The painter's last years which stretched from the near end of the war until his death in 1963 were the most brilliant of his career according to John Golding.</p><p><u>Provenance:</u>-Collection Inès et Gérard Sassier-Vente Artcurial 22 oct. 2007</p>
1961697271961 Paris, Nouveau Cercle du Livre, 1961, In folio ,91 pp, très bon état, en feuilles sous emboitage, Bien complet des quatre lithographies de G.Braque tirées par Mourlot et
19381203161938. First Edition. TÉRIADE Efstratios ELEFTHERIADES Efstratios. Verve. Volume 1 Numbers 2-4 Spring 1939 to January-March 1939. Paris: Imprimerie des Beaux-Arts 1937-1939. Thick folio contemporary red cloth. $2200.First American editions of the second third and fourth issues of Verve published in Paris from 1938-39 featuring cover art by Braque Bonnard and Rouault original lithographs by Miró Chagall Matisse Derain Kandinsky and Klee along with numerous héliogravure photographs including Bill Brandt and Brassaï first appearances of select writings by Hemingway and Joyce and articles by Lorca Sartre Gide Bataille Malraux and Valéry. Assembled in a single folio volume with the three original lithographic front covers bound in.""Fifty years ago in Paris the magazine to look for was Verve which first came out in December 1937 and kept going in one form or another till 1960. That first cover by Henri Matisse sang out from the other side of the street in a way that made us run across the road to look at it more closely. And when we turned its pages Verve had a bosomy full-fleshed slightly slithery quality that this former subscriber would know in his sleep"" John Russell. Art critic Efstratios Eleftheriades under the nom de plume ""Tériade"" founded Verve with the financial assistance of David Smart publisher of Esquire. ""The magazine a quarterly review of arts and letters was lavish in design and challenging in content. Teriade's view of the world of art and literature was personal bold and compelling"" Rick Gagliano. Once called ""the most beautiful magazine in the world"" Verve contained original lithographs by the most famous artists of the day Matisse Picasso Braque Léger Miró Chagall many of which appearing here for the first time. The premiere issue of Verve in addition to its original cover by Matisse features original lithographs by Miró and Léger photographs by Man Ray and Brassaï articles by Matisse Gide Dos Passos and Garcia Lorca previously unpublished letters and drawings by Cézanne and the first printed illustration of Picasso's Guernica. The second issue with its original lithographic front cover by Braque includes original lithographs by Kandinsky and Masson photographs by Bill Brandt and Brassaï and the first publication of Hemingway's The Heat and the Cold together with his piece on the filming of The Spanish Earth that was later included in the book The Spanish Earth 1938 as well as the first appearance of James Joyce's Phoenix Park Nocturne. Number 3 with an original front cover by Bonnard offers original lithographs by Chagall Miró Rattner and Klee together with articles by such leading French writers as Valéry Malraux Claudel and Bataille. The culminating issue in this exceptional collection features an original lithographic front cover by Rouault an original double-page lithograph of Matisse's The Dance photographs by Brandt and Brassaï and articles by Michaux Garcia Lorca and Sartre. First American edition published same year as the French with text translated into English by Robert Sage. Hanneman C278. Slocum C93. See also Slocum C70 C90. Owner signature. Plates and text fine minor wear to cloth binding. An excellent copy. hardcover
1971C105950Rizzoli. As New. 1971. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 112 pages; 64 color plates and many black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Rizzoli hardcover
19601497Éditions de la Passerelle, Paris 1960. 1 volume grand in-folio (440 X 350 cm), en feuilles sous couverture illustrée rempliée, chemise et étui peints décorés de l'éditeur. Édition originale illustrée de 3 EAUX-FORTES dorées pour la couverture et 16 GRAVURES ET AQUATINTES ORIGINALES EN COULEURS EN HORS-TEXTE D'ANDRÉ MASSON. Tirage : 160 exemplaires numérotés et nominatifs. Celui-ci tiré sur grand vélin d'Arches. Tous les exemplaires sont signés au colophon par l'auteur, l'artiste et l'éditeur. Les gravures ont été tirées chez Lacourière.
198882918Gallery Books; Et Al. 1988. Hardcover. 9999158862 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- Corresponds to ISBN: 9999158862 and ASIN: B000KVEOM4. 318 pages 528 illus. 31 in color 81 supplementary folio. -- with a bonus offer-- . Gallery Books; Et Al hardcover
25930Paris, 1950, in-4, 40,5 x 28, en feuilles, 60 pages, couverture rempliée sur papier Auvergne teinté, emboîtage toilé doublé de feutrine. Édition originale dédiée à René Char. 5 gravures à l'eau-forte et aquatinte de Braque, imprimées par Visat. Tirage unique à 101 exemplaires tous num. sur chiffon d'Auvergne à la main du Moulin Richard-de-Bas, signé par l'auteur et l'artiste à la justification, celui-ci n° 76, en parfait état. Vallier, 62.
24237P., Paul Birault, 1918, in-8, br., non paginé. Edition originale. 1/90 ex sur vélin fort, seul tirage avec 5 Japon et 5 Hollande. 2 dessins hors texte de Georges BRAQUE. Très bel exemplaire.
196022039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover books
196022039Paris: Albert Morance 1960. First edition. Hardcover. Orig. loose as issued text laid-in brown cloth portfolio front cover lettered in gilt. Near fine. Braque Georges. Text pages unopened. 38.5 x 29 cm. Limited edition copy 24 of 50 with a colored aquatint numbered and signed by Braque in pencil -- "Tete en profil et l'etoile" printed on Rives. VALLIER 152. Title page printed in red and black with additional 32 full page plates of which eight are in color. The plates reflect the influence of classic Greek art and sculpture on Braque emanating from his work during World War II when he produced a collection of small generally flat decorative pieces of sculpture in a style recalling again ancient Greece and centering on vaguely mythological themes. Front cover of portfolio toward the spine slightly toned. Albert Morance hardcover
196115248Paris, Nouveau cercle parisien du livre, 1961. In-folio en feuilles, sous couverture rempliée de papier brun, chemise, étui.
16-3490Paris: Maeght 1959-1968. 5 vols. 4to. Original burlap cloth with embossed silkscreened covers. One volume spiral bound and the others perfect bound.Vol. I: Peintures 1948-1957; Vol. II: Peintures 1942-1947 Vol. III: Peintures 1936-1941; Vol. IV: Peintures 1928-1935 ;Vol. V: Peintures 1924-1927. Very good.ArntzWerkkataloge zur Kunst des 20. Jahrhunderts I p.23. Paris: Maeght, 1959-1968. hardcover
1971105950Rizzoli. New. 1971. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 112 pages; 64 color plates and many black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Rizzoli hardcover
19571543Henri Jonquières, Paris 1957. Un volume in-folio (387 x 292 mm) en feuilles sous couverture imprimée rempliée, chemise-étui de l'éditeur. Fac-similé de l'exemplaire enluminé et offert par Picasso à Dora Maar (édition Fabiani 1942) reproduisant l'ensemble des dessins originaux. Tirage à 2226 exemplaires : 226 sur vélin d'Arches comprenant une gravure à la gouge signée + 2000 sur vélin du Marais. Celui-ci exemplaire de collaborateur, nominatif, SIGNÉ PAR PICASSO AU CRAYON ROUGE à la justification. Exemplaire de choix réservé à M. Robert Rigault, imprimeur pour les Ateliers Duval. Ces exemplaires signés, hors le tirage de luxe avec la gravure et qui ne le sont pas, sont très rares car tous réservés et nominatifs. Parfait état.
19181848Autograph postcard in ink signed in Sorgues 1918. 137 × 90 mm. <p><br /> Braque’s autograph postcard send from Sorgues to his friend Paul Dermée.<br /> <p><p><br /> A cordial message from Sourges where Braque was recuperating from the injury he suffered during the war in 1915: "Mon cher ami je vous envoie un bien cordial bonjour. Je travaille beaucoup. J'espère que de votre côté le recueillement de votre campagne vous est favorable. Il parait que Paris reprend de l'animation. Bien amicalement à vous.â€<br /> <p><p><br /> Paul Dermée was a a Belgian writer poet and literary critic editor of the avant-garde magazine SIC Son Idées Couleurs in 1916 and later the founding-director of L'Esprit Nouveau with Le Corbusier and Amédée Ozenfant.<br /> <p>. unknown
1961C128926Galerie Maeght. As New. 1961. Ring-bound. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Ring-bound correspondes to ASIN: B0048O6XA0 Text pristine & unmarked - uvre Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings 1936 - 1941 -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Galerie Maeght unknown
1960C128928Foundation. As New. 1960. Ring-bound. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked. uvre Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings 1942 - 1947 -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Foundation unknown
1962C128924Galerie Maeght. As New. 1962. Ring-bound. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked - uvre Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings 1928 - 1935 -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Galerie Maeght unknown
1968C128927Galerie Maeght. As New. 1968. Ring-bound. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Ring-bound/corresponds to ASIN: B003X61250. Text pristine & unmarked - uvre Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings 1924 - 1927 -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Galerie Maeght unknown
19582013Édition : 49/95 Avec une lithographie originale signée par l'artiste et l'éditeur
19711753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
1952510480Editions De La Verve 1952. First Edition. Hardcover. FINE. Tall 4to 35.5cm. Sewn binding in lithographic printed paper over boards with original design by Braques. George Braque honorary double issue Profusely illustrated with original lithographs created for this issue by Miro Bores Chagall Matisse and others. Spine paper chipped at head moderately toned and splitting at a few points otherwise exceedingly clean and sharp internal text with crisp bright paper. COMPLETE with all lithographs. A binding very prone to wear--much nice than commonly seen. Editions De La Verve hardcover
194983047Paris: Henri Matarasso 1949. Fine. Henri Matarasso Paris 1949 23 x 28.50 cm Relié First edition one of 170 numbered copies on vélin du Marais the only issue after 30 copies on Arches. Custom chemise and slipcase chemise in half blue box calf flat spine with blind and palladium-stamped lettering date in palladium at foot patterned paper boards slipcase edged in blue box calf patterned paper boards sides and spine in petrol blue paper signed by Boichot. A very fine copy. Illustrated with 3 original etchings in black by Georges Braque and one in black and grey as frontispiece. Signed by René Char and Georges Braque on the colophon. Henri Matarasso hardcover
19211775Paris, Editions de la Galerie Simon, [D.H. Kahnweiler], 1921. Petit in-4 (235 x 165 mm mm), non paginé, broché sous couverture de papier ivoire imprimée sur le premier plat. Édition en partie originale, illustrée de 8 bois gravés par Manolo, dont quatre à pleine page. Tirage limité à 112 exemplaires, celui-ci un des 90 exemplaires sur Hollande (n°76) signés à l'encre par le poète et l'artiste. Le seul livre illustré par Manuel Martinez Hugué, dit Manolo. Manolo (1872-1945), sculpteur et peintre catalan né à Barcelone, vint à Paris dès 1892, puis de 1901 à 1910. Juan Gris, Braque et Picasso vinrent le rejoindre, pour d'assez longs séjours, lorsqu'il se fixa à Céret dans les Pyrénées. « Il était un des rares aînés de Picasso à le traiter comme un jeune homme » (Pierre Daix). À partir de 1910, grâce au soutien de D.-H. Kahnweiler, son marchand et l'éditeur de l'ouvrage présenté ici, il obtient du succès : il expose à l’Armory Show de 1913 à New York puis en Allemagne et à Paris. Par la suite, il présente régulièrement ses œuvres aux Etats-Unis, en Espagne et en France. En 1932, la France le célèbre en lui consacrant une importante exposition au Grand Palais. Comme pour les toreros ou les gitanes, la maternité constitue l’un des sujets récurrents de l’œuvre de Manolo : Mère et fils (1929), Maternité au baiser (1929), Maternité (1938), Maternité à la grappe de raisin (1940). Manolo utilise chaque occurrence du thème pour explorer une solution plastique nouvelle.
