949 résultats
1947015744Paris , Compagnie française des arts graphiques 1947 Reliure
1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
19583887Paris, Maeght Éditeur, 1958. Un volume in-folio, en feuilles, couverture illustrée en couleur, étui-chemise éditeur. - Édition originale de cet hommage à Georges Braque. L'ouvrage est illustré par 4 LITHOGRAPHIES ORIGINALES EN COULEURS EN HORS-TEXTE SUR JAPON NACRÉ(couverture, frontispice et 2 à pleine page). - Tirage : 25 ex. sur Japon Nacré avec suite + 200 ex. sur vélin d'Arches, tous signés par Frank Elgar et Georges Braque. Celui-ci, étant l'un des 25 sur papier Japon nacré (n° 13), comporte LA SUITE COMPLÈTE DES 4 LITHOGRAPHIES SUR JAPON NACRÉ réservée à ces seuls exemplaires.
19683100Paris, GLM (Guy Lévis Mano) 1968. Un vol. grand in-8 (24,5 x 17,8 cm), broché, 24 pages sous couverture rempliée imprimée. Édition originale du recueil de poèmes de Léna Leclercq. Un des 103 sur grand vélin d'Arches, les seuls accompagnés d'une superbe EAU-FORTE ET AQUATINTE EN COULEUR SIGNÉE AU CRAYON PAR JOAN MIRÓ, placée en frontispice.
1963ABE-373493280New York: Harcourt Brace & World Inc. 1963. 1963. large folio. pp. 11 2. original colour lithograph signed & numbered in pencil by Braque. 10 tipped-on colour plates with paper mats. text gathering plates & lithograph all loosely inserted in quartercloth portfolio as issued. First American Edition limited to 330 numbered copies this copy no. 5 of 35 with an original signed lithograph. Signed by Authors. F. Hardcover. New York: Harcourt, Brace & World, Inc., [1963]. Hardcover
51-2111Paris: Editions O. Lazar-Vernet 1962. . Folio. 385 x 288 mm. 15-1/8 x 11-3/8 inches. Sheets loose as issued in original cloth chemise and slipcase. One of 150 numbered portfolios on Johannot paper. With 14 original color etchings by Chagall "Granada" Cramer 51; Kornfeld 121; Braque "Oiseaux" Vallier 183; Max Ernst Spies/Leppien 85 Magnelli Zadkine Gilioli Ubac Bissière Jacobsen Fiorini Bona Dufour Lepâtre Vieillard Paris: Editions O. Lazar-Vernet, 1962. hardcover
19603275PAB, Alès, 1960. Un volume in-8 carré (22 x 22,4 cm), en feuilles, 8 pages, couverture à rabats imprimée du titre sur le premier plat. Édition originale. En frontispice UNE GRAVURE ORIGINALE EN NOIR, SIGNÉE, DE JOAN MIRÓ en frontispice. L'artiste grave sur une feuille de celluloïd, ce qui lui permet d'amincir le fond et de percer des trous, parfois allant à découper des formes en réserves blanches dans la composition. - Édition : 54 exemplaires signés par l’éditeur à la justification (n°35). - Références : Cramer, Miró Les Livres, 64 - Benoit Pierre-André, 378 - Dupin, Miró Graveur T.1, 290.
Das Werkverzeichnis über die Gemälde von Georges Braque. Sämtliche Bilder sind beschrieben und reproduziert. Mit ausführlicher Bio- u. Bibliographie. Das Werk wurde nur in kleiner Auflage gedruckt, und ist komplett heute sehr selten und gesucht. Band 1: 1907-1914. Band 2: 1916-1923. Band 3: 1924-1927. Band 4: 1928-1935. Band 5: 1936-1941. Band 6: 1942-1947. Band 7: 1948-1957. Beiliegt Supplement 1948-1957
19601757Morancé, Paris, 1960. Un volume in-folio (39,5 x 29 cm) en feuilles. 15 pp. + XXXII feuillets sous portfolio cartonné toilé à rabats, jaquette illustrée en couleurs. Nouvelles sculptures et plaques gravées présentées par Christian Zervos. 32 planches en noir et en couleurs reproduisant les œuvres de Georges Braque. 1 DES HUIT EXEMPLAIRES HC COMPRENANT UNE SUPERBE EAU-FORTE ET AQUATINTE EN COULEUR JUSTIFIÉE ET SIGNÉE AU CRAYON PAR GEORGES BRAQUE, lettrés de A à H sur 8. Et parmi ceux-ci l'exemplaire d'Albert Morancé, l'éditeur, avec la gravure EN TROIS ÉTATS de couleur : rose, violet et bleu. Une belle lettre de Braque adressée à Morancé, au sujet du travail de la gravure pour l'album de tête, est insérée dans le portfolio.
196191893Mourlot 1961. Fine. Braque's celestial inferno Mourlot s. d. 1961 25.4 x 32 cm Une feuille encadrée Original lithograph printed by Mourlot on nacré Japan paper signed in pencil by Georges Braque. In 1961 Georges Braque created four lithographs to illustrate Marcel Jouhandeau's Descente aux Enfers published by the Nouveau Cercle parisien du livre in 200 copies on Rives paper. A suite on Japan paper was included with a small number of copies most of them unsigned. This lithograph is one of the rare Japan paper proofs bearing a magnificent original signature by the artist. Like Picasso after him Braque worked directly on the stone in the workshop of Fernand Mourlot the foremost address in Parisian lithography collaborating closely with the pressroom craftsmen to execute his compositions himself. The bird motif which first appeared in the artist's work in 1929 runs throughout this final period in his paintings as in his prints including this lithograph from Descente aux Enfers one of the very last illustrated books Georges Braque would produce. Rare in his uvre the remarkable lightness of colour in this work sets it apart from the other compositions in the book. Birds clouds and sky are woven together with the natural undulations of the Japan paper. Form and colour seem poised to dissolve into the sheet itself leaving for a moment the impression that the artist has signed bare space. A rare and superb lithograph on Japan paper with the artist's manuscript signature in pencil. Two small traces of adhesive on the verso. Mourlot unknown
A marvelous livre d'artiste devoted to Georges Braque, with 27 ORIGINAL LITHOGRAPHS BY BRAQUE (one full-page hors-texte color lithographs with additional hand coloring, and 26 ornaments printed in black) and 12 full-page hors-texte color lithographs by Mourlot after Braque. Edition limited to 250 numbered copies, all printed on fine Arches wove paper. SIGNED IN PENCIL BY BRAQUE AND REVERDY. Large folio (47 x 35.5 cm). Loose as issued in original wraps (with a design by Braque on the front cover) and cloth folding case. FINE AND BRIGHT, with no defects. Vallier 49.
19241674Éditions de la Galerie Simon (D.H. Kahnweiler), Paris 1924. Volume petit in-4 broché (25 x 20 cm), 22 pages, couverture ivoire illustré d'une eau-forte. ÉDITION ORIGINALE illustrée de 4 eaux-fortes d'André Masson, dont celle de la couverture et 3 en hors-texte. Premier livre de Georges Limbour et premier livre illustré par André Masson. Tirage à 112 exemplaires, celui-ci étant l'un des 90 numéroté sur vergé d'Arches (n° 53), SIGNÉ PAR L'AUTEUR ET L'ARTISTE au colophon. Les gravures de Masson les plus authentiquement surréalistes.
16-3701London: Oldbourne Press 1963. Braque Georges 1882-1963 Phoebus Large folio 51 x 37.5 cm. Original stamped boards with linen spine. Phoebus Collotypes. Copy number six of twenty-five with the signed lithograph "Verre et la Pomme " signed by Braque in pencil and numbered 106 of 120. Lithograph printed form the stones by Mourlot. Illustrated with ten collotypes in color after Braque each in a mat bound in publisher's half cloth with textured paper boards 19 3/4 x 14 1/2 in. Ref: Vallier Braque the Complete Graphics no. 189. London: Oldbourne Press, 1963 hardcover
1968128927Galerie Maeght. As New. 1968. Ring-bound. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Ring-bound/corresponds to ASIN: B003X61250. Text pristine & unmarked - uvre Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings 1924 - 1927 Galerie Maeght unknown
1960128928Foundation. As New. 1960. Ring-bound. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked. uvre Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings 1942 - 1947 Foundation unknown
1962128924Galerie Maeght. As New. 1962. Ring-bound. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked - uvre Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings 1928 - 1935 Galerie Maeght unknown
1961128926Galerie Maeght. As New. 1961. Ring-bound. IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Ring-bound correspondes to ASIN: B0048O6XA0 Text pristine & unmarked - uvre Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings 1936 - 1941 Galerie Maeght unknown
1984210618Parigi: Pierre Bordas et Fils 1984. Quartini sciolti in camicia e custodia in tela loose as issued in original cloth chemise and slip-case. Ottimo Fine. Deux lettres de Jean Paulhan et quatre ré";sponses de Georges Braque présentées par Castor Seibel. Deux lithographies de Georges Braque présenté"es par Fernand Mourlot / Due lettere di Jean Paulhan e quattro risposte di Georges Braque riproduzione delle lettere autografe. Testo di presentazione di Castor Seibel. Alcune illustrazioni a colori. <strong>2 litografie originali di George Braque</strong> una in bianco e nero "Essai: pemier lavis" e una in bianco nero e marrone "Epreuve avec le bistre" firmate su lastra e numerate a matita presentate da un testo di Fernand Mourlot "Fernand Mourlot pré";sente deux états iné"dits d'une lithographie de Georges Braque". Misura del foglio e della litografia: cm 31x235. 4to cm 305x25 . pp. 42. Ottimo Fine. Edizione originale di 230 esemplari numerati Original edition of 230 numbered copies. <em>Il volume presenta due prove inedite di una litografia originale di George Braque <strong>"Profil de femme".</strong></em> Pierre Bordas et Fils, hardcover
196191893Mourlot | s. d. [1961] | 25.4 x 32 cm | Une feuille encadrée
194773965Genève-Paris: Éditions des Trois Collines / Fernand Mourlot 1947. Limited edition. Portfolio. Near Fine. 34 x 24 cm. Folio. 181pp. Illustrated wrappers loose in boards and slipcase. Limited to 90 copies of which this is copy 17 of 25 deluxe numbered copies. The deluxe edition includes a color lithograph laid-in signed and numbered by the artist. Printed on Velin d'Arches paper. Signed by the author and artist on the limitation page. Two additional original color lithographs: the cover in three colors and decorating the first page of the main text p.15 in two colors. 57 additional reproductions of paintings including 1 in color. Light wear to the wrappers. Outer slipcase shows some edgewear. Reference: Vallier Braque: The Complete Graphics 28. Éditions des Trois Collines / Fernand Mourlot unknown
1960N - 2026 - 1<p>Authors: Daisetz T. Suzuki E. Herrigel Georges Braque.</p><p>Illustrator : George Braque</p><p>Publisher : Paris Louis Broder1960.</p><p>Artist's book <strong>"Le Tir à l'Arc" The Art of Archery</strong>.</p><p>Selected texts from D.T Suzuki and E. Herrigel "Le Zen dans l'art cavaleresque" 1955 and aphorisms and thoughts by George Braque from his own notebooks "Cahiers d'Art de 1917 a 1952".</p><p>Illustrated by Braque with eight lithographs of which six in color one in black and one in pink and white printed across the spread endpapers with a mirrored composition; together with a black‑and‑white etching on the front wrappers and two woodcuts on gray paper also reproduced on the protective chemise and box.</p><p>Limited edition of 165 numbered copies printed on vélin de chiffon handmade at the Moulin d'Ambert with cover wrappers in Antaimoro paper. Loose as issued preserved in the original silk‑covered hard chemise and housed within the original Japanese‑style silk folding case with ivory clasp.</p><p>Braque's images fuse seamlessly with the accompanying Zen texts creating a visual meditation on focus intuition and the "empty mind" that illuminates the writings of D.T. Suzuki and Eugen Herrigel. Herrigel's Zen in the Art of Archery a classic account of his six‑year immersion in Japanese archery KyūdŠduring the 1920s explores the discipline as a gateway to understanding Zen Buddhism while Suzuki one of the most influential figures in bringing Zen thought to the West provides the philosophical and spiritual framework that illuminates archery as a contemplative path. Woven into this dialogue are Braque's own aphorisms and reflections with their emphasis on nuance intuition and the quiet interior space from which art emerges. Together these elements create a rare and compelling bridge between modern abstract art and Zen philosophy. In very good condition but some age spotting on the paper inside. A small restoration has been carried out on the top inch of the spine of the endpaper barely visible. </p><p>Reference: Dora Vallier 153</p> Louis Broder
16-3705Paris: Editions de la revue Verve 1952. 4to. Original pictorial boards. 26.5 x 35.5 cm. 10½ x 14". French edition.153 1 p. With 27 lithographs many in color 5 of them double-page; plus numerous reproductions of drawings paintings photographs miniatures etc.;boards with color illustration by Georges Braque on front cover.Major double-issue of Verve 27 lithographs by or after Georges Braque 1; Henri Matisse 3 1 of them double-page; Henri Laurens 2; Alberto Giacometti 2; André Masson 3 1 of them double-page; Fernand Léger 3 1 of them double-page; Joan Miro 3 1 of them double-page; Borès 2; Gromaire 1; and Marc Chagall 7 1 of them double-page. The lithographs printed by Mourlot. Paris: Editions de la revue Verve, 1952 hardcover
elala2527<p>Geneva: Edwin Engelberts 1958. First Edition Limited to 106 numbered copies signed by Braque and Char - this one of 40 on Arches with original colour lithograph ‘Le Poète’ by Braque on the wrappers. The first six copies also with a lithographed cover were entirely printed on Japon nacré. The remaining 60 copies were unillustrated. A further 115 copies of the lithograph were separately issued. “Perhaps more than any other contemporary painter Braque has been the subject of handsomely printed tributes to his art.†The Artist and the Book Char was a close friend and collaborator of Braque. He wrote more on Braque than any other painter and Braque illustrated more works by Char than any other artist. All five of Char’s poems in hommage to Braque are printed here for the first time. The Artist & The Book 40. Mourlot 60. Vallier 131. oblong 8vo. ff. 8. lithographed wrs. printed in colour on Japon nacré some wear to extremities neat repair to head of spine</p> Geneva: [Edwin Engelberts], 1958
1959184233Paris: Maeght 1959. A handsome French production First edition deluxe issue number 5 of 50 copies printed on Montval paper and signed by the artist and the poet. This is Pierre Reverdy's final poetry collection "The Freedom of the Seas" illustrated in this grand edition by his lifelong friend George Braque. Reverdy stopped writing poetry during the Second World War but had a surge of inspiration resulted in this collection and one other "Au soleil du plafond". This collection was completed in 1955 but was unpublished until Braque finished his illustrations in 1959 just before the poet's death. A further 200 signed copies on Grand Velin D'arches paper were issued simultaneously. This copy is without the additional lithographs issued with the deluxe limitation. Large folio. With 7 full-page colour plates including cover and frontispiece monochrome lithographs throughout. Original brown illustrated wrappers sheets loosely inserted as issued. With the original grey cloth folder and slipcase. Occasional foxing to contents especially to final gathering; folder and slipcase mottled with a few splits at joins. A very good copy. hardcover
19211775Paris, Editions de la Galerie Simon, [D.H. Kahnweiler], 1921. Petit in-4 (235 x 165 mm mm), non paginé, broché sous couverture de papier ivoire imprimée sur le premier plat. Édition en partie originale, illustrée de 8 bois gravés par Manolo, dont quatre à pleine page. Tirage limité à 112 exemplaires, celui-ci un des 90 exemplaires sur Hollande (n°76) signés à l'encre par le poète et l'artiste. Le seul livre illustré par Manuel Martinez Hugué, dit Manolo. Manolo (1872-1945), sculpteur et peintre catalan né à Barcelone, vint à Paris dès 1892, puis de 1901 à 1910. Juan Gris, Braque et Picasso vinrent le rejoindre, pour d'assez longs séjours, lorsqu'il se fixa à Céret dans les Pyrénées. « Il était un des rares aînés de Picasso à le traiter comme un jeune homme » (Pierre Daix). À partir de 1910, grâce au soutien de D.-H. Kahnweiler, son marchand et l'éditeur de l'ouvrage présenté ici, il obtient du succès : il expose à l’Armory Show de 1913 à New York puis en Allemagne et à Paris. Par la suite, il présente régulièrement ses œuvres aux Etats-Unis, en Espagne et en France. En 1932, la France le célèbre en lui consacrant une importante exposition au Grand Palais. Comme pour les toreros ou les gitanes, la maternité constitue l’un des sujets récurrents de l’œuvre de Manolo : Mère et fils (1929), Maternité au baiser (1929), Maternité (1938), Maternité à la grappe de raisin (1940). Manolo utilise chaque occurrence du thème pour explorer une solution plastique nouvelle.