949 résultats
cROU-819Paris,NRF,Gallimard,1948 ;in-12°, broché,couverture imprimée et illustrée en sépia et vert ; 160pp.,4ff.
2124In 12 broché faux-titre,titre,218 pages Gallimard éditeur 1948 édition originale numérotée sur papier de châtaignier. Couverture illustrée d'un petit dessin de BRAQUE
1948013037Paris Gallimard NRF 1948 In-12 Broché, couverture illustrée Dédicacé par l'auteur
1948014253Paris Gallimard NRF 1948 In-12 Broché, couverture illustrée Dédicacé par l'auteur
L15820Gallimard, 1948. In-12 br. Couverture de Georges Braque. E.O. ex. num. sur papier de châtaignier.
5627(Paris): Gallimard (1948).Pictorial wrappers, 217 pp. Cover illustrated by Georges Braque. First edition. Of 2250 copies constituting the édition originale,broché. bon état
199347874New Haven, London : Yale University Press, 1993. 312 Seiten : Ill. ; Sprache: Englisch Leinen
awd-79Traduction de Jean Beaufret, René Char, P. A. Benoit, Dominique Fourcade. Dessin de Georges Braque. Alès, P. A. B., 1960. In-12 oblong en feuilles, couverture imprimée (12 pp.) Édition originale imprimée à 99 ex. regroupant quatre textes de Pindare dans ces nouvelles traductions. Lithographie en noir de Georges Braque en frontispice. Rare. Bon état.
A marvelous livre d'artiste devoted to Georges Braque, with 27 ORIGINAL LITHOGRAPHS BY BRAQUE (one full-page hors-texte color lithographs with additional hand coloring, and 26 ornaments printed in black) and 12 full-page hors-texte color lithographs by Mourlot after Braque. Edition limited to 250 numbered copies, all printed on fine Arches wove paper. SIGNED IN PENCIL BY BRAQUE AND REVERDY. Large folio (47 x 35.5 cm). Loose as issued in original wraps (with a design by Braque on the front cover) and cloth folding case. FINE AND BRIGHT, with no defects. Vallier 49.
1957M592Arthaud, 20 avril 1957, petit in-4 (24x21cm), 168+7n.p., cartonnage toilé, jaquette noire rempliée illustrée d'un dessin de Jean Cocteau.Exemplaire réalisé d'après la maquette de Jacques Roblin.
19669962Bordas 1966 64 pages in8 carre. 1966. relie jaquette. 64 pages.
51-5822Paris: 1962-1963. Folio. 39.5 x 30cm. Two Signature pages from "Regards sur Paris" presented by L'Académie Goncourt. Paris: André Sauret Editeur. Paris: 1962-1963 unknown
1938TN242526Arthur Tooth & Sons London 1938. 1st Edition. SOFTCOVER. 4to in printed stiff card covers unpaginated approx. 16pp on thick paper 34 item catalogu with 4 tipped-in b/w plates __CONDITION : A well preserved clean and tight VERY GOOD copy flat crease to top corner tip of front cover mildly mirrored by leaves and rear cover. A nice copy of a rare survival. . __We always ship in PROTECTIVE CARD PARCELS Arthur Tooth & Sons, London paperback
200772943Gallery. New. 2007. Hardcover. 1930743734 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 188 pp. With 228 ills. 117 col. . 30 x 28 cm. -- with a bonus offer-- . Gallery hardcover
011644NYC: privately printed 0. No Binding. Good. Jacques Sarlie 1915 -1988 had one of the largest private collections of Picasso in the US having established a personal acquaintance with Picasso in France when he was stationed there in the US Army in WWII. Picasso was one of the few individuals to whom Picasso sold his work directly. In his Manhattan apartment had nearly two dozen Picassos plus important work by other French artists. This brochure was for a private showing at his home at 455 East 57th Street to benefit the Scholarship Fund of the Radclliffe College Fund of New York. One sheet folded vertically once printed cover and then photoset typed list of all the art in his home listed clockwise by rooms and hallways by artist titlle then date of the work. The brochure is undated but we assume it proiceeds a photo-article of his the collection in his resiudnece in Vogue March 1956. privately printed 0 unknown books
19571543Henri Jonquières, Paris 1957. Un volume in-folio (387 x 292 mm) en feuilles sous couverture imprimée rempliée, chemise-étui de l'éditeur. Fac-similé de l'exemplaire enluminé et offert par Picasso à Dora Maar (édition Fabiani 1942) reproduisant l'ensemble des dessins originaux. Tirage à 2226 exemplaires : 226 sur vélin d'Arches comprenant une gravure à la gouge signée + 2000 sur vélin du Marais. Celui-ci exemplaire de collaborateur, nominatif, SIGNÉ PAR PICASSO AU CRAYON ROUGE à la justification. Exemplaire de choix réservé à M. Robert Rigault, imprimeur pour les Ateliers Duval. Ces exemplaires signés, hors le tirage de luxe avec la gravure et qui ne le sont pas, sont très rares car tous réservés et nominatifs. Parfait état.
19573181Henri Jonquières, Paris 1957. Un volume in-folio (387 x 292 mm) en feuilles sous couverture imprimée rempliée, chemise-étui de l'éditeur. Fac-similé de l'exemplaire enluminé et offert par Picasso à Dora Maar (édition Fabiani 1942) reproduisant l'ensemble des dessins originaux. Tirage à 2226 exemplaires : 226 sur vélin d'Arches comprenant une gravure à la gouge signée + 2000 sur vélin du Marais. Celui-ci exemplaire de luxe (n° 140) comportant LA LINOGRAVURE ORIGINALE gravée en 1939 et signée au crayon de couleur (vert) par PICASSO. Notre épreuve, imprimée sur une feuille de vélin d'Arches (37,5 x 28,2 cm), porte la justification 140/226 au crayon noir et la signature au crayon vert. La signature au crayon de couleur est très recherchée des amateurs. Catalogues raisonnés : Bloch 326 ; Baer 1028 ; Cramer Les Livres illustrés 84 ; MoMA 1017.1964.1-2.
88426aafParis, Flammarion / Bâle, Musée des Beaux-Arts, 1990, in-4to, 422 p., illustré en couleurs et en noir, avec catalogue de l’exposition du Musée des Beaux-Arts de Bâle (16 p.), brochure originale illustrée.
19461304Éditions de la Revue Verve, Tériade, Paris 1948. In-4 sous cartonnage recouvert d'une chemise illustrée rempliée. Couverture et page de titre en couleur spécialement composés par Picasso pour cet important numéro : 19 PLANCHES EN COULEURS contrecollées et nombreuses héliogravures en noir imprimées par Draeger Frères. Superbe exemplaire, à l'état de neuf. Provenance de l’exemplaire : Alice Tériade épouse de l’éditeur.
Book show very light shelf wear to covers only. Binding is solid and square, text/interior is clean and free of marking of any kind. Large format book, 126 pages with 48 large prints and descriptions/critical remarks on opposite pages. Very nice introduction to the subject.
2005Q-377571488XHatje Cantz Publishers 2005-02-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Hatje Cantz Publishers hardcover
1466584Pantheon. Collectible - Very Good. Condition: Very Good ; Oblong hardcover in dustjacket with slipcase. First Edition thus. Reproductions of four color etchings by Georges Braque. Bilingual Edition. Condition is Very Good in a Very Good dustjacket. Book has clean covers and pages sharp corners and a tight square binding. Jacket is clean and crisp with no rips or tears. Slipcase has mild soiling and rubbing. Photos upon request. Pantheon hardcover
19666717New York: Pantheon Books Bollingen Foundation Collection 1966. Bilingual Edition Bollingen Series LXXXII. Hardcover. pp. 71. Oblong 4to. measuring 11" x 14" 28 x 36 cm. Publisher's original tan cloth over boards with gilt lettering to the spine. Four striking illustrated colour plates by noted French painter draughtsman and printmaker Georges Braques especially reproduced for this book. No detectable flaws: extremities and contents without blemish with firm sound binding; fine and housed in original price-clipped dustjacket now housed in protective mylar cover. Lacking the original slipcase. Near fine. Translation of: L'ordre des oiseaux. Text in English and French. <br/><br/>"When Georges Braque was preparing a series of etchings of birds to be published on the occasion of his eightieth birthday it was learned that St.-John Perse had just completed a poem on the theme of birds. The poet agreed to permit the first publication in the limited edition L'Ordre des Oiseaux with twelve original etchings by Braque. The four reproduced in this book were inspired directly by the poem. Among his last works these etchings mark a change from the static forms in Braque's earlier plates to a more dynamic conception. Perse on his part added to his text several pages of aesthetic meditation referring mainly to the metamorphic vision of the painter and to Braque's birds in general. Braque who with Picasso created cubism and carried it to noble poetic heights embodied in the four plates he created for Perse a generalized sense of power flight grace and space. The poet moves in his text from a particular observation of the flight of birds to reflections on the significance of their movement through space and its impact on man's consciousness. He uses the birds of Braque by relating the process of changing form in flight to the changing form of an etching as the artist carries it through its several states. Robert Fitzgerald poet and Boylston Professor of Rhetoric and Oratory at Harvard University translated St.-John Perse's Chronique and three lyric plays by Paul Valery published in Bollingen Series." Pantheon Books | Bollingen Foundation Collection hardcover
10828Solange Thierry Editeur / Bibliothèque des Arts Paris. In-4°, reliure pleine toile noire sérigraphiée en creux du titre sous jaquette et sous emboittage, 255 pages, ensemble pondéreux abondamment illustré en vignettes et à pp en couleurs et en noir, bibliographie et repères, très bel ensemble.
1947116827GenÂve - Paris : Editions des Trois Collines 1947. 305x225mm. 57 reproductions en n/b 2 lithographies : couverture supÂŽrieure et frontispice brochÂŽ. Couverture rempliÂŽe. Sous cartable rigide renforcÂŽ avec du plastique addhÂŽsif et emboitage usÂŽ. Exemplaire sur papier vÂŽlin du marais numÂŽrotÂŽ n.¡ 60 / 90 et signÂŽ par lÕauteur et lÕartiste. Couverture infÂŽrieure dÂŽtachÂŽe autrement bon ÂŽtat intÂŽrieur propre. 1661 Editions des Trois Collines unknown
