Georges BraqueBiblio.com
948 résultats
2003Y-127-456Allemandi 2003. Hardcover. Good. Former library book. Edition 2003. Ammareal gives back up to 15% of this item's net price to charity organizations. Allemandi hardcover
BN107307Allemandi. Hardcover. Georges Braque. Order and emotion. Ediz. illustrata <br/><br/>Georges Braque. Order and emotion. Ediz. illustrata Allemandi hardcover
1528523504.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196435514Paris: Maeght Editeur 1964. 38 x 28 cm 15 x 11 inches. Original lithograph. It was produced for the ´Hommage a Georges Braque´for the issue of the Derrière le miroir and originally published in 1964. Depicting three white doves with a violet background. Maeght Editeur unknown
1956B-23-030010Jeanne qu'on brûla verte. Georges Braque René CHAR. Published by P.A. Benoit Alès Summer 1956.Rene Char poem on Joan of Arc burned in the greenness of her youth with a reproduction of a drawing of George Braque for the title. Total edition of 99 numbered copies this one is n. 37 of 87 in Velin de Rives signed by PAB Pierre Andre Benoit. In tiny format 85 x 85 mm PAB (Pierre Andre Benoit)
19-8776Paris: Braun et Cie ca. 1960s. Large format color reproduction print poster 12†x 9â€. Very Good. Printed in France. Copyright Braun et Cie. Paris: Braun et Cie, [ca. 1960s?]. unknown
196191893Mourlot 1961. Fine. Braque's celestial inferno Mourlot s. d. 1961 25.4 x 32 cm Une feuille encadrée Original lithograph printed by Mourlot on nacré Japan paper signed in pencil by Georges Braque. In 1961 Georges Braque created four lithographs to illustrate Marcel Jouhandeau's Descente aux Enfers published by the Nouveau Cercle parisien du livre in 200 copies on Rives paper. A suite on Japan paper was included with a small number of copies most of them unsigned. This lithograph is one of the rare Japan paper proofs bearing a magnificent original signature by the artist. Like Picasso after him Braque worked directly on the stone in the workshop of Fernand Mourlot the foremost address in Parisian lithography collaborating closely with the pressroom craftsmen to execute his compositions himself. The bird motif which first appeared in the artist's work in 1929 runs throughout this final period in his paintings as in his prints including this lithograph from Descente aux Enfers one of the very last illustrated books Georges Braque would produce. Rare in his uvre the remarkable lightness of colour in this work sets it apart from the other compositions in the book. Birds clouds and sky are woven together with the natural undulations of the Japan paper. Form and colour seem poised to dissolve into the sheet itself leaving for a moment the impression that the artist has signed bare space. A rare and superb lithograph on Japan paper with the artist's manuscript signature in pencil. Two small traces of adhesive on the verso. Mourlot unknown
191771952Paris: Nord-Sud 1917. Fine. Nord-Sud Paris Décembre 1917 20 x 28 cm agrafé First edition. Literary contributions by Georges Braque Pensées et réflexions sur la peinture Guillaume Apollinaire Chant d'amour Léonard Pieux Clameurs Vincent Huidobro Poème Paul Dermée Poème Roch Grey Ténare J. Frantz Simon Chanteuse and Pierre Reverdy Galeries. A small mark at the foot of the page featuring Clameurs by Léonard Pieux first leaves slightly turned down at the foot. Rare copy of this significant Dada magazine. Nord-Sud unknown
194382920Paris: Seghers 1943. Fine. Seghers Paris 1943 17 x 21.50 cm broché First edition of this illustrated issue with 5 reproductions of works by Georges Braque. Spine slightly warped with a small tear at foot. Contributions by Jean Paulhan: ""Braque le patron"" André Frénaud: ""Noël 39"" Robert Ganzo: ""Poèmes"" Georges Ribemont-Dessaignes ""Le grand désert"" Gabriel Audisio: ""Paris la poésie"". Seghers unknown
3734072<p>The Hague: Servire Press February 1935. 15pp. Octavo 8¾ x 5½ inches. Printed self-wrappers. Overall toning and some light foxing to wraps and margins of some pages; very good.</p> <p>“In later years Braque Eugene Jolas Matisse Andre Salmon and Tristan Tzara published jointly a Testimony against Gertrude Stein 1935 in which they denied her understanding of their work of Cubism and of painting in general. According to Braque ‘Miss Stein understood nothing of what went on around her’; and Salmon echoed this condemnation: ‘I had thought along with all our friends that she had really understood things. It is evident that she understood nothing except in a superficial way.’†NAW Published as “Transition Pamphlet no. 1. This is a supplement to Transition 1934–1935 no. 23 Not for sale separately.â€</p> unknown
19-8637Paris: Braun et Cie ca. 1960s. Large format color reproduction print poster 24†x 19â€. Very Good. Printed in France. Copyright Braun et Cie. Paris: Braun et Cie, [ca. 1960s?]. unknown
ART492M1985, Galerie Adrien Maeght. In-4, broché, environ 50p. Nombreuses illustrations in et hors texte en couleurs ainsi qu’en noir et blanc. Exemplaire dans un état correct, les pages sont en parfaite état cependant la couverture présente de légères griffure et la 4eme de couverture est légèrement tâché.
1955560Lithographie en noir et blanc de George Braque. Imprimée par Mourlot sur papier vélin. Issue de "Souvenirs et portraits d'artistes". Taille de la page : 248 x 324 mm, taille de la lithographie sur la page : 140 x 200 mm. Montée sur un papier noir en guise de socle, papier que l'on peut retirer si on le souhaite. Mention "George Braque/Profil de femme (M.25)/Lithographie originale" à l'arrière de la page.
1963035648Monte Carlo: Andre Seurat 1963. Book. Near Fine. Soft cover. 183pp.Pictorial wraps.Birdlike design. Very well preserved. Housed in a slip case that is worn on its corners. Includes 3 original lithographs: the cover frontispiece and title page. As well as 166 colored illustrations. The cover is illustrated and wrapped in a glassine jacket missing the spine. Georges Braque's lithographs particularly from his later career post-1945 are known for their rich colors painterly textures and exploration of recurring themes like birds still lifes and mythological figures using the medium's ability to layer colors and create visual intensity often departing from strict representation to imbue objects with symbolic universal meaning within abstracted forms. He embraced lithography as a more painterly technique than etching developing a distinct vibrant style in his later years characterized by thick expressive strokes and complex color harmonies. . Andre Seurat Paperback
1955B-23-030012BENOIT Pierre-André. Salut à René Char. Alès PAB March 1955. First edition. Total edition of 99 numbered copies from 1 to 95 on Velin de Rives five in Roman numbers from I to IV on China paper with an added engraving. This copy is n 60 of 95 on velin de Rives signed and numbered by PAB Pierre Andre Benoit in pencil with a reproduction of Braque drawing in the title page and a poem in homage to René Char. In-12th 175 x 115 mm. PAB (Pierre Andre Benoit)
195330759Paris: Berggruen & Cie. 1953. 12 Bll. unpag.: 2 S. Text v. Michel Seuphor und 19 farb. Abb., von denen 8 (1 doppelseitig) in farbiger Schablonen-Technik von Jacomet gedruckt wurden. Der Einbandvorderdeckel ist eine farbige Lithographie von Braque gedruckt von Mourlot. Auflage: 1200 Exemplare. -- Text by M. Seuphor, 19 plates of which 8 (1 double) in colored pochoirs printed by Jacomet. Cover in colored litho by Braque printed by Mourlot. Edition of 1200 copies. OKart. 22x12 cm.
Gaensheimer, Susanne: Georges Braque 1906 - 1914. Inventor of Cubism. Exhibition: Düsseldorf, Kunstsammlung Nordrhein-Westfalen, 2021. 256 pages, fully illustrated in colour. Hardback. 29 x 25cms. Catalogue of 60 works from public and private collections, focused on Braque's paintings in the context of technological advancements and the acceleration of daily life at the turn of the century. With essays on the origin and development of cubism, Braque's early years in Montmartre and his connection with the Fauvists. Text in English and German. Catalogue of 60 works from public and private collections, focused on Braque's paintings in the context of technological advancements and the acceleration of daily life at the turn of the century. With essays on the origin and development of cubism, Braque's early years in Montmartre and his connection with the Fauvists. Text in English and German
19201783Paris, Imprimerie Bernouard (avec étiquette de relais contrecollée sur la couverture : Éditions de la Galerie Simon, Paris), 1920. Une plaquette in-4 (288 x 190 mm) brochée, 16 feuillets, non coupé. 2 GRAVURES ORIGINALES DE ANDRÉ DERAIN EN HORS-TEXTE. Edition originale tirée à 155 exemplaires numérotés. Celui-ci un des 1/125 sur vergé d'Arches, signé par l'artiste. ENGLISH : Originally published by Bernouard the book was taken over by D.-H. Kahnweiler after he started the Galerie Simon with his label affixed to the front cover. François Bernouard was an inspiration as editor for Kahnweileir for both typography and aesthetic of modern book conception he will do for 2 decades. One of 125 copies signed by Derain.
12369350612Hardcover. GOOD. Hardcover No DustjacketShelf wear Tight binding Clean unmarked text hardcover
(16) p., 24 tav. a col., (4) ; 27 cm. Collezione : couleurs des maitres. Testo in francese. Cartonato. Come nuovo. ****.
19537322Sans lieu (Lot), Souillac, 1953. Grand in-8 broché de 48 pages, couverture rempliée bleue imprimée en blanc et gris. Petit manque de papier au bas du dos, coins très légèrement frottés, belle condition générale cependant.
1953102299Souillac, Le Point, Revue artistique et littérature, n° XLVI 1953 In-4 broché 25,6 cm sur 19,5. 48 pages. Bon état d’occasion.
QWA-15297Souillac/Mulhouse, Revue Artistique et Littéraire, 1953, gr. in-4 br. (20 x 26), 48 p., N° XLVI de la revue Le Point, Octobre 1953, photos de l'artiste en noir faites en exclusivité pour le Point par Robert Doisneau, reproductions, fac-similé, couverture rempliée, très bon état.
Paris, Les Editions Braun et C.ie, (1946), in-8 max, cartone editoriale con sovraccoperta figurata a colori, pp. (20). Con 24 tavole a colori. Collection "Couleurs des Maîtres", publiée sous la direction de George Besson. Ottime condizioni salvo mancanze al dorso ed ai margini della sovraccoperta.
pp. 68 con ill. in b/n e 24 tav. a col. stampate solo al recto. Volume facente parte della collana "Couleurs des maitres". Le tavole sono precedute dalla prefazione di Stanislas Fumet. Testo in francese.
