Canaletto (Giovanni Antonio Canal)Biblio.com
355 résultats
332511Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332510Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332513Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332512Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
246492Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
19-8335London: The Medici Society ca. 1940s. Large format color reproduction print poster 21†x 23â€. Very Good. Minor creasing throughout. Printed in England. Copyright The Medici Society. London: The Medici Society, [ca. 1940s?]. unknown
19-8424London: The Medici Society ca. 1940s. Large format color reproduction print poster 27†x 22â€. Very Good. Printed in England. London: The Medici Society, [ca. 1940s?]. unknown
8755Parr Remi. Canaletto Remi Parr After Canaletto. AN INSIDE VIEW OF THE ROTUNDO IN RANELAGH GARDENS. Engraving with hand-coloring 1751. Robert Sayer London 1751. 10 1/8 x 15 3/4 inches image; 14 x 19 1/2 inches sheet. Engraved by Parr 1723- an English artist known for engraved views of London after the well-known painting of this subject by Canaletto. Canaletto spent many years in England and painted many architectual views. The Ranelagh Gardens was a park in the Chelsea area that served along with Vauxhall as a "pleasure garden" for Londoners in the 18th Century. The Rotunda was used for entertainments including a performance there by Mozart in 1764. A repaired tear in the lower left margin extending only about 1/8 inch into the image; residue from removal of tape around the edges verso else in very good condition. unknown
Volume rilegato in folio con legatura blu e titolo arancio alla coperta anteriore, presente sovracoperta illustrata con minimi segni del tempo alle estremità. Le pagine sono molto ben conservate, solo le ultime con un' impercettibile e piccola piegatura al margine. Ricco di belle illustrazioni. Numero pagine oltre 209 USATO
18943145De la série “Les artistes célèbres” Broché. Très bon Paris Librairie de l’art 1894 1 volume grand in-8°.
1976146567Würzburg : Edition Popp, 1976. 217 S., Ill. Leinen, gebundene Ausgabe, SU.
1977KFZZQ100814DEAGOSTINI 1977. Soft Cover. Fine. KFZZQ100814 DEAGOSTINI paperback
86936Venice c.1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate IX from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790 unknown
86938Venice c.1790 . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate II from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790 unknown
86934Venice c.1790. . Engraving by Visentini after Canaletto 40.5 x 55.5 cm. Plate V from Urbis Venetiarum Prospectus Celebriores.<br /> The most widely known and the best of the many engravings after Canalatto's views of Venice. They were originally commissioned by Consul Smith and based on paintings by Canaletto.<br /><br />"Self-styled as painter architect and engraver Visentini enjoyed a long career in Venice where he was connected to the Academia and to the artistic and publishing circle centred around Consul Joseph Smith. Visentini's etchings are distinguished in the confidence and authority of their perspectival projection and etched line. Visentini's buildings seldom sag and never "sink" under their own weight into the water of the canals as they occasionally might in the work of Carlevaris and Mariechi. Canaletto's compositions are quite various and are refreshingly dramatic in the contrast between the large foreground buildings and the smaller ones in the receding perspective.<br /><br />These views were crucial to forming the image of Venice in the mind of its visitors" Millard.<br /> Venice, c.1790. unknown
2015ABE-1625769811992164 PAGES-22 CM X 28,5 CM-MANQUE COIN INF DR DE COUVERTURE-EDOTORIAL: STREET ART: LE MOUVEMENT ARTISTIQUE DU XXIe SIECLE?-PIERRE BOULEZ DONNE TOUJOURS LE TEMPO, 1P, PHOTO-DE NEW YORK A TEHERAN LE TOUR DU MONDE DU STREET ART, 14 PAGES-EST-CE UN CARAVAGE? ENQUETE SUR LA MANIERE D'IDENTIFIER DES CHEFS-D'OEUVRE INCONNUS, 8P-LE CORBUSIER ARCHITECTE MYTHIQUE, PEINTRE MECONNU, 8P-SINGAPOUR A LA CONQUETE DE L'HEXAGONE, 4P-VAN DER WEYDEN LE FLAMAND EMOTIF, 8P-MARCEL BROODTHAERS L'ARTISTE QUI N'ENTRAIT DANS AUCUN MOULE, 4P-EXPOSITION MUSEE GUIMET, L'ASIE SE DONNE EN SPECTACLE, 6P-56e BIENNALE DE VENISE LE GRAND SAUT DANS LE FUTUR, 14P-ET CANALETTO FIT DE LONDRES UN THEATRE VENITIEN, 6P
196518433Wien, Österreichische Kulturvereinigung, 1965. 131 S., 2 Bll. Zahlr. teils farb. Abb. auf Tafeln. Kl.-4°. OKart. (Gebrssprn.).
Mm 240x315 Classici dell'Arte Rizzoli. Volume cartonato di pp. 128 con LXIV tavole a colori e numerose illustrazioni in bianco e nero. Leggeri segni di umidità ai margini delle carte. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
In 8vo (cm 21x16) brossura editoriale pag. 108 + 120 tav. in b/n. -- Catalogo della mostra Palazzo Grassi. Opere provenienti dalla Polonia.
200139858Mondadori Electa,, 2001. 280 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 28 x 25 cm, kartoniert / Paperback
195777984Rotterdam, 1957. 24,5 cm ; broschiert
Mostra tenutasi presso Barchessa di Villa Morosini, Mirano, 23 ottobre - 19 dicembre 1999. Brossura editoriale in cartoncino flessibile lucido, dalla copertina illustrata. Buonissimoo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità seppia, come i tagli, ricche di riproduzioni di opere pittoriche, a colori e in bianco e nero,nel testo. SCritti di A. Delneri, R. M. Mason, F. Pedrocco, D. Succi. Numero pagine 120. USATO
pp. 121, cm 29x21, brossura, illustrazioni a colori e in nero.
198844247Leipzig, Koehler & Amelang (1988). * Mit zahlreichen farbigen Abbildungen. 113 S. 27 x 24 cm. Original-Leinenband mit farbig illustriertem Original-Umschlag (dieser etwas eingerissen).
19858885Leipzig, Koehler & Amelang (1985). * Mit zahlreichen farbigen Abbildungen. 113 S. 27,5 x 24 cm. Original-Leinenband mit farbig illustriertem Original-Umschlag.
