89 résultats
200873608Hatje Cantz. New. 2008. Hardcover. 3775721916 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 140 pp. With 147 ills. 117 col. . 29 x 25 cm. -- with a bonus offer-- . Hatje Cantz hardcover
199870995Brame & Lorenceau. New. 1998. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Brame & Lorenceau paperback
2008DADAX3775721916Hatje Cantz 2008-10-01. First Edition. hardcover. New. 9.65x0.59x11.22. Buy with confidence. Excellent Customer Service & Return policy. Hatje Cantz hardcover
2012104500UC Press Distribution. New. 2012. Hardcover. 3777459216 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 248 pages; over 200 illustrations many in color. -- with a bonus offer-- . UC Press (Distribution) hardcover
1342New York. The Abbeville Press. 1995. Large 4to. Paperbound. Distel Ann Douglas Druick Gloria Groom Rodolphe Rapetti Julia Sagraves Kirk Varanedoe Gustave Caillebotte Urban Impressionist Musee d' Orsay of Paris/ Art Institute Of Chicago/ Abbeville Press NY 1985 - First in English edition. First Printing; 4to 351 pages; Illustrated. Fine in color illustrated wraps. Still in the original glassine package. Never opened. This exhibition which began at the Grand Palais in Paris was organized to commemorate the 100th anniversary of the death of Gustave Caillebotte 1848-1894. The catalogue presents 89 paintings and 28 of his drawings and studies many of them from private collections. unknown books
1989171016Paris: Galerie Brame et Lorenceau 1989. First edition. Hardcover. Exhibition catalog for a show that ran February 28 through March 24 1989. Text in French with a preface by Pierre Wittmer. Includes 8 black and white and 63 color illustrations. A fine copy in red cloth boards and with the small rubber stamp of author curator and one time director of The Art Institute of Chicago Douglas Druick to the front free endpaper. No dust jacket as issued. A nice copy with an interesting provenance. Galerie Brame et Lorenceau unknown books
1996173044London and Ghent: Royal Academy of Arts in association with Ludion Press 1996. First edition. Softcover. 247 pages. Features text by Anne Distel Douglas W. Druick Gloria Groom Rodolophe Rapetti D.R. Beech Julia Sagraves Maryanne Stevens Pierre Wittmer and with an essay by Kirk Varnedoe. Includes numerous color and black and white illustrations. A clean near fine copy in wrappers with some very minor wear. Royal Academy of Arts in association with Ludion Press unknown books
1976145314Houston TX: Museum of Fine Arts 1976. First edition. Oblong hardcover. 223 pages. Exhibition catalog for a show that ran October 22 1976 through January 2 1977 in Houston and then February 12 through April 24 1977 in Brooklyn. Catalogue by J. Kirk T. Varnedoe Thomas P. Lee with text contributions by Marie Berhaut Peter Galassi and Hilarie Faberman. Includes 14 color and numerous black and white illustrations. A tight close to near fine copy with a former owner signature to the front free endpaper in a near fine dust jacket with a few tiny edge tears. Museum of Fine Arts unknown books
199040940Saint-Rémy-en-l'Eau: Editions d'Art Monelle Hayot 1990. First Edition. Folio 30.5cm.; publisher's cloth in pictorial dust jacket; 344pp.; color illus. throughout. Light shelf wear some minor finger-soil to textblock else Very Good or better. Includes excerpts from "Traité de la Composition et de l'Ornement des Jardins" by L.E. Audot 1859. Text entirely in French. Editions d'Art Monelle Hayot unknown books
1978114537Paris La Bibliothèque des Arts 1978 1 vol. relié in-4, cartonnage sous jaquette illustrée, 270 pp., nombreuses reproductions en noir et quelques-unes en couleurs, index, bibliographie, 477 numéros décrits. Très bon état.
1978114537Paris La Bibliothèque des Arts 1978 1 vol. relié in-4, cartonnage sous jaquette illustrée, 270 pp., nombreuses reproductions en noir et quelques-unes en couleurs, index, bibliographie, 477 numéros décrits. Très bon état.
16591Paris, Brame & Lorenceau, 1998, catalogue d'exposition, Brame & Lorenceau, IN-4 cartonné carré, 131 pp, illustrations; TRES BON ETAT
5020Paris, Grand Palais, 1974. In-8 carré, broché.
2005ART1297MEdité par La Bibliothèque des Arts, 2005. Exposition du 24 juin au 23 octobre 2005 à Lausanne. (24,3x29cm.) 191pp. Broché, couverture souple illustrée. Très bon état.
1995168301Paris Chicago IL New York: Réunion des Musées Nationaux : Musée d'Orsay / The Art Institute of Chicago in association with Abbeville Press 1995. First edition. Softcover. 351 pages. Exhibition catalog for a show that ran September 16 1994 through January 9 1995 in Paris and then traveled to Chicago IL and Los Angeles CA for additional dates. Text by Anne Distel Douglas W. Druick Gloria Groom Rodolphe Rapetti Julia Sagraves and Kirk Varnedoe. Includes numerous color and black and white illustrations. A tight near fine copy in wrappers. Réunion des Musées Nationaux : Musée d'Orsay / The Art Institute of Chicago in association with Abbeville Press unknown books
199552047New York, London, Paris : Abbeville Press, 1995. 351 Seiten; zahlr. Ill. ; Sprache: Englisch Leinen
35059<div class="truncated-text" aria-hidden="true"><div class="LinesEllipsis LinesEllipsis--clamped"><div>Exposition à la Maison Caillebotte (Yerres), du 08 mai 2026 au 18octobre 2026. Le catalogue La nature n'est pas un décor défend une idée simple et radicale : la nature n'est pas un arrière-plan, mais une présence active qui transforme le regard et met la peinture à l'épreuve. De Claude Monet,<span class="LinesEllipsis-unit"><span></span></span><span><wbr><span class="LinesEllipsis-ellipsis">…</span></span></div></div></div><div class="real-text" aria-hidden="false">Exposition à la Maison Caillebotte (Yerres), du 08 mai 2026 au 18octobre 2026. Le catalogue La nature n'est pas un décor défend une idée simple et radicale : la nature n'est pas un arrière-plan, mais une présence active qui transforme le regard et met la peinture à l'épreuve. De Claude Monet, figure fondatrice par son travail sur la lumière et la sensation, aux artistes contemporaines Jacques Truphémus, Evi Keller, Malgorzata Pasko, Youcef Korichi, Markus Lüpertz, Charlotte de Maupeou, Erik Demazières et Ronan Barrot, l'ouvrage suit une filiation vivante où le paysage, plutôt que de reproduire le réel, en révèle les forces et les tensions.<br>Riche de contributions et d'analyses d'oeuvres, cet ouvrage bilingue propose une lecture sensible et exigeante du paysage en peinture, et invite à redécouvrir la nature comme un sujet majeur, vivant et prodondément contemporain.</div> Paris, 2026 Maison Caillebotte / in fine 136 p., nombreuses fig. couleur, broché 19,2 x 26,5
2016119258HAZAN. New. 2016. Paperback. 2754108688 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in French. -- with a bonus offer-- . HAZAN paperback
2008246898Ostfildern-Ruit: Hatje Cantz 2008. 139 Seiten, zahlr. teilw. farb. Abb. 4° Kart.mS. Ausstellungskatalog Bremen, Kopenhagen und Madrid "Über das Wasser - Gustave Caillebotte. Ein Impressionist wird wieder entdeckt" neuwertig*.
2008110643Ostfildern, Hatje-Cantz 2008. 2008. 4°, 139 S. mit vielen meist farbigen Abbildungen, Orig.-Klappenbroschur.
200587190La Bibliothèque des Arts, 2005. 29 cm ; kart.
Caillebotte2<p><strong>CAILLEBOTTE Gustave 1848-1894</strong></p><p>Autograph letter signed " G Caillebotte " to Claude Monet<br />N.p.n.d Friday Petit-Gennevilliers after 1887 3 pp. in-8° in black ink<br />On laid bifolio paper watermark " Delta Mille Fine "</p><p><strong>Caillebotte makes an appointment with Monet in Vernon close by to Giverny and also hopes to encounter with their mutual friend Renoir</strong></p><p><strong><em>" I have covered a lot of canvases and wasted a lot of colour "</em></strong></p><p><em>" Mon cher ami</em><br /><strong><em>Nous passerons à Vernon mardi</em></strong><em> – nous y dînerons – Je compte sur vous pour diner.</em><br /><em>Je ne sais pas où on dine mais vous aurez tous les renseignements au bateau.</em><br /><em>Nous n'arriverons pas beaucoup avant l'heure du dîner car nous partirons de Poissy le où nous couchons lundi soir.</em><br /><strong><em>J'espère que Renoir sera avec nous.</em></strong><br /><em>Donc arrangez-vous de toute façon pour venir et même nous accompagner. Les occasions de se voir n'étant pas si nombreuses que cela.</em><br /><strong><em>Avez-vous travaillé </em></strong><br /><strong><em>Moi j'ai couvert beaucoup de toiles et gâché pas mal de couleur. Si l'année continue à être passable comme temps je finirai peut-être par avoir travaillé.</em></strong><br /><em>Tout à vous</em><br /><em>G Caillebotte "</em></p><p>The two painters had become friends as early as 1882 when they shared the same workshop. Horticulture in addition to painting was the other common passion of the two friends. Thus they experimented on their canvases but also in their respective gardens in Giverny and Petit-Gennevilliers.</p><p>Caillebotte in addition to his prodigious pictorial work never ceased to maintain the links between the Impressionists even after the break of the group in 1887. He organized many exhibitions discreetly bought paintings from his friends helped them when they were in need like Monet or Pissarro. Caillebotte managed to forge close friendships with most of the Impressionists as evidenced by his rich correspondence even though he died at only 45 years old.</p><p><u>Provenance:</u><br />Archives Claude Monet 13 Decc. 2006 n°40<br />Then private collection</p>
152862Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1882. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
152865Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1882. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
152863Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century c. 1882. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
