399 résultats
9245Victor Havard, Paris, 1886. In-12, broché, 384 pp. Géricault - Jean-Baptiste Corot - François Millet - Jules Dupré - Eugène Delacroix - Narcisse Diaz - Théodore Rousseau - Eugène Fromentin - Daubigny - Troyon - Ernest Meissonier - Decamps - Thomas Couture - Edouard Manet - Gustave Doré ...
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
51-1940Paris: Circa 1822. Handcolored lithograph in reverse of the image by Volmar reworked by Géricault catalogued by Delteil as A.6. Image is the same size 19.5 x 25.4 cm. on sheet size 26 x 36.7 cm. Printed on on rag paper watermarked "S." Letter G. printed lower right beneath the image. Beraldi XII p. 252. Paris: Circa 1822 unknown
1840P5323Paris: Chez Gihaut Freres c.1840. Very Good . Notes: Gihaut Freres 1815-1871Firm of printsellers founded by Antoine François Gihaut from Normandy moved to Paris c.1815. Firm taken over by his sons the brothers Jean François and Michel Ange in 1822 and expanded into publishing. In 1829 got brevet to act as lithographic printers but ceased to print themselves after 1839 contracting out work to Auguste Bry. Only published lithographs specialists in albums and in Géricault Charlet and Bellangé. Last brother died in 1871. Image Size : 311x410 mm 12.24x16.14 Inches Platemark Size : Paper Size : 400x538 mm 15.75x21.18 Inches Coloring: Hand Colored Medium: Lithograph Categories: Military Others; Chez Gihaut Freres unknown
199768930Gallery; Et Al. New. 1997. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 352 pp. With 429 ills. 34 col. . 31 x 23 cm. -- with a bonus offer--; 1.34 x 12.05 x 8.74 Inches . Gallery; Et Al hardcover
8163Bernheim-Jeune, Editeurs d'Art, Paris, 1954. In-4, plaquette agrafée, non paginée [18 pp.]. Préface duduc de Trévise - Gros [30 n°]. - Géricault [39 n°]. - Delacroix [48 n°].
Mm 130x220 Brossura editoriale con bandelle di pp. 80, in lingua francese, in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 240x315 Classici dell'Arte Rizzoli. Volume cartonato di pp. 164 con con 64 tavole a colori e numerose illustrazioni in bianco e nero. Apparati critici e filologici a cura di Philippe Grunchec. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
18-3599New York: Salander-O'Reilly Galleries 1987. 4to. 48 pp. Very Good. Soft Cover. Printed paper wraps. Color and B&W plates throughout. Scarce.From the Collection of the Art Historian Peter Selz. New York: Salander-O'Reilly Galleries, 1987. paperback
321411Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1819–20. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321412Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1819–20. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321410Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1819–20. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321413Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1819–20. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332572Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1820 or later. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332571Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1820 or later. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332570Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1820 or later. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332573Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1820 or later. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
71-5433Paris: French Publisher circa 1855. Original engraving. 13 x 16.5 cm sheet. Good print mounted to another support sheet trimmed to the plate mark. Paris: French Publisher, circa 1855. unknown
1969KFZZQ100751DEAGOSTINI 1969. Soft Cover. Fine. KFZZQ100751 DEAGOSTINI paperback
1981KFZZQ100853Daily News Agency 1981. Soft Cover. Fine. KFZZQ100853 Daily News Agency paperback
18688Imprimerie Nationale, 2001 -In-4 relié sous jaquette illustrée, 296 x 250 mm. 149 pages liste des oeuvres in fine. Très bel exemplaire.
Mm 240x310 Catalogo delle mostra della Galleria nazionale del Grand Palais di Parigi e della mostra del Museo d'Arte di Philadelphia. Volume cartonato rigido di 406 pagine, sovracoperta editoriale illustrata, ricco apparato iconografico in bianco e nero e a colori. Esemplare in ottimo stato. Testo in francese - french text. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Texte du psychanalyste et musicologue Michel SCHNEIDER sur le "Le Radeau de la Méduse", "Scène de naufrage" du peintre Théodore Géricault (1791-1824), mort de la même mort que ses naufragés, et dont le tableau très dégradé, "mort-vivant", est "frappé de la maladie même qui emporta les malheureux qu'il représente"; bibliographie; reproductions couleurs du tableau et de détails, d'oeuvres diverses et d'études. Exemplaire bien complet de sa jaquette et avec dédicace manuscrite de l'auteur. Français
199117179[s.l., Paris], Gallimard, 1991 1 volume 19,3 x 25,4cm Cartonnage éditeur sous jaquette aux 1er plat et dos illustrés couleurs. 179p.; illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Bon état.
Mm 155x235 Brossura editoriale con bandelle, 344 pagine, alcune illustrazioni in bianco e nero fuori testo. Diverse sottolineature e postille a matita nel testo, peraltro uona copia. Testo in lingua francese - french text. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.