Gauguin, Paul; Morice, CharlesBiblio.com
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1904e6921Paris: Éditions de La Plume. Rebound with original volume bound in. Leather cover in VG condition with minor corner wear. Original card cover rubbed with age toning. Front cover with two tears of approximately two and three inches from gutter. Pages darkening. Inscription on fep. Teg. 1904. Deuxième Édition. Half leather marbled board cover. 210mm x 140mm 8" x 6". 239pp. Text in French. . Éditions de La Plume hardcover
1939014564Praha: R. Skerik 1939. Decorative Cloth Hard Cover. Near Fine. 172p. Czech languge. Five hand mounted plates of his art at the beginning of major chapters. J.R. Marek the major Czech art critic has a three page survey at the end of the book. Copies have become scarce in recent years. R. Skerik unknown
1961BOOKS246911New York NY: Reynal and Company. G/G. ca1961. . Cloth w/DJ. translated from the original manuscript by Jonathan Griffin. Postscript by Jean Loize . 4to. 36 plates DJ rubbed price clipped yellowing fading . Reynal and Company hardcover
1926157706Berlin: Ganymed Presse for Marees Gesellschaft 1926. Gauguin in Tahiti First edition thus number 22 of 80 copies of the deluxe issue rarely found with the portfolio which includes a previously unpublished original woodcut. This fine facsimile of Gauguin's autobiographical tale of his first two years in Tahiti 1891-3 was based on the Louvre manuscript and "represents an important project in book-making by this major artist" Garvey. Gauguin's arrival in Tahiti coincided with the funeral of Pomare V the last king "a symbolic marker of the demise of 'authentic' Polynesian culture. This overlap is enough to make Noa Noa apparently irresistible as a source of information about his life in Tahiti: through a series of intimate cross-cultural encounters it provides the script of his attempt at 'going native' He may have initially intended the publication of Noa Noa to coincide with the exhibition of his Tahitian work that was held at the Galerie Durand-Ruel in Paris following his return to France in 1893 but it remained incomplete when the exhibition opened in November 1893 At some point before returning definitively to Polynesia in July 1895 Gauguin enlisted Charles Morice who had written the catalogue essay for his exhibition to help develop the project and their collaboration led to the version that is now known as the Louvre manuscript" Goddard pp. 64-8. The conceit was that Gauguin and Morice would alternate chapters although the exact division of labour remains unclear. "What is clear however is that Gauguin did not spend his time passively awaiting Morice's revisions and additions. Instead he began actively to conceive of the text as part of a larger performative project that could serve to promote his image as an artist-savage. During gatherings in his Paris studio whose decorative scheme was in itself a 'visual manifesto' for his primitive persona he gave readings from his work in progress". The present edition had a total print run of 400 copies: 80 specially bound in citron morocco as here the remainder in a raffia binding. A significantly revised version of the text had been published in 1901 followed by another in 1924 although "that gives no sense of the physical appearance of the volume". During the inter-war years the Marees Gesellschaft 1917-1929 was among the finest European fine art printers issuing work by among others Van Gogh Matisse Max Beckmann and Oskar Kokoschka. It was founded "as a collaboration between influential art historian and critic Julius Meier-Graefe and avant-garde publisher Reinhard Piper named after the now largely forgotten German realist painter Hans von Marées 1837-1887 whom Meier-Graefe revered. As a special imprint they issued lavishly produced illustrated books and portfolios" MoMA. Portfolio and large quarto. Portfolio with 14 collotype reproductions of watercolours and original woodcut each with the blind stamp of Ganymed Press on image window-mounted on 13 card leaves. Quarto with many full-page and in-text collotype reproductions of watercolours drawings woodblock prints and photographs. Portfolio: original raffia blue printed label to front stiff card flaps with cloth mounts. Quarto: original citron morocco-grain skiver gilt-lettered spine gilt fillet frame to covers top edge gilt. Portfolio: some flaking of raffia largely to spine toning to flaps: very good. Quarto: signature on front free endpaper of Emil Oberholzer Jr d. 1981 authority on church history. Without pictorial dust jacket. Spine and periphery of covers toned extremities rubbed some minor stripping inner hinges partially cracked but sound: very good. Garvey The Artist and the Book 115. Linda Goddard Savage Tales: The Writings of Paul Gauguin 2019. hardcover
1961green125605. Very Good. . with dustjacket price clipped 1961 Bruno Cassirer Oxford clean bright copy . 1961. Hardcover. hardcover
1961466462Oxford : Bruno Cassirer 1961. First Edition. Hardcover. Date cannot be verified. First UK edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains well-preserved overall. Physical description; 85 unnumbered pages : color illustrations ; 32 cm. Notes; The Ms. previously published in facsimile as Manuscrit-ined it de Noa-Noa. Sagot et Le Garrec1954. Subjects; Gauguin Paul 1848-1903. Painters France ; Biography. Painters French Polynesia Tahiti Island ; Biography. Painters. Painting French. Tahiti French Polynesia : Island. Oxford : Bruno Cassirer hardcover
1987106033Tahiti : Edition De L'Association Des Amis Du Musee Gauguin ; New York : ""gauguin And Oceania Foundation"" 1987. First Edition. Hardback. An exceptional copy in the original pictorial Dutch Linen. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Scans and additional detail on request. ; 132 pages; Physical desc. : 132 p. : col. Ill. ports. ; 41 cm. Subject: Gauguin Paul 1848-1903 - Correspondence. Painters - France - Correspondence reminiscences etc. Tahiti. Facsimile ed. Of Gauguin's original Noa Noa manuscript of 1895. Text in French with English translation by John Donne. In this. Tahiti : Edition De L'Association Des Amis Du Musee Gauguin ; New York : ""gauguin And Oceania Foundation"" hardcover
19474446441<p>12.5" by 9.5" 204pp facsimile reproduction in french dustjacket is bright with some edgewear and small missing pieces there is pen writing on the blank spine of the dustjacket unmarked.</p> Victor Petterson's Bokindustriaktiebolag hardcover
1985AUGaGAUG11Oxford: Phaidon 1985. 1985. 8vo. pp. 160. 40 colour & 63 b/w illus. biblio. index. cloth. dw. Hardcover. Oxford: Phaidon, [1985]. Hardcover
1987025101and Oceania Foundation". Very Good. 1987. Burlap Binding. 128 pages plus various size inserts in the reproduction of Gauguin's journal color & b/w illus a copy ink presentation inscription on half title page.; Folio . and Oceania Foundation" unknown
1920mon0003764214Nicholas L. Brown 1920T. hardcover. Good. . Ex- library book with stamps/ stickers. General shelf/ handling wear to the cover mainly. rn Nicholas L. Brown hardcover
S00OS-01680Nicholas L. Brown. Used - Acceptable. Acceptable condition. No Dust Jacket French Polynesia Tahiti A reading only copy. Boards/spine/hinges may be broken detached or missing. All pages of text are present but they may include extensive notes/highlighting be heavily stained or detached. May be missing non-text pages e.g. end pages half title title frontispiece. Nicholas L. Brown hardcover
1919605New York: Nicholas Brown 1919. Hardcover. Very Good. Bookplate Very Good condition Nicholas Brown hardcover
1947012349Sweden: Jan Forlag 1947. Hardcover with Dust Jacket. Near Fine/Very Good. Illustrations by Paul Gauguin. Text in French.<br /> <br /> Facsimiles of Gauguin's notebooks with color plates; quarter buckram over paper boards spine and cover with printed titles; Pictorial dust jacket. Bindings are tight and square. Text clean Moderate age-toning. Modest shelf handling wear. The Dust Jacket was printed after a Gauguin design and is in a new clear protective Mylar sleeve. The jacket has small loss at the top of the spine. Small folio; 12.5 inches tall; 204 pages. <br /> . Gauguin documented his travel experiences during his first trip to Tahiti in 1893 in his journal Noa Noa Tahitian for fragrance with a collaboration between his friend symbolist poet Charles Morice and then completed the project during his second visit in 1895 adding numerous watercolors woodcuts and photographs to the journal. The jacket was printed after a Gauguin design. Jan Forlag hardcover
1926311648Munchen; Berlin: Marees-Gesellschaft. Verlag R. Piper & Co. Hersteller: Ganymed 1926. Number LVI of LXXX copies specially bound limitation notice on front pastedown. Collotype facsimile reproducing in color the artist's watercolors photographs line drawings and woodcuts. 4 204 i.e. 210 pp. 1 vols. 4to 12-1/4 x 9-1/4 in. Bound in original citron morocco rebacked. Some dustsoiling to covers internally clean. Without the very rare portfolio and without dust jacket. Number LVI of LXXX copies specially bound limitation notice on front pastedown. Collotype facsimile reproducing in color the artist's watercolors photographs line drawings and woodcuts. 4 204 i.e. 210 pp. 1 vols. 4to 12-1/4 x 9-1/4 in. The deluxe issue of this beautifully produced facsimile in color of Gauguin's original manuscript of his collaboration with the Symbolist poet Charles Morice. A version of the collaboration appeared in Gauguin's lifetime but "Gauguin recopied and amplified his manuscript adding watercolors woodcuts and an occasional photograph" and it is this manuscript now in the Louvre on which the present facsimile is based; Gauguin's "visual interpretation of this primitive culture in powerful rhythmic and totemic designs . represents an important project in book-making by this major artist" Garvey. Garvey The Artist and the Book 115; Castleman Century pp. 22-4 82-3 Marees-Gesellschaft. Verlag R. Piper & Co. Hersteller: Ganymed unknown
1924D8880Paris: G. Cres et Cie 1924. Hardcover. Very Good. Navy blue cloth paper spine label; 8vo; 8 154 5 with original front wrap bound in. Original front wrap very lightly chipped along the edges with closed tears at flaps but holding. A nice bright copy. Beautifully illustrated. <br/><br/> G. Cres et Cie hardcover
1947302348Stockholm: Jan Forlag 1947. Reproduit en Offset sur papier Chiffon. Printed in Sweden. 1 vols. 4to. Cloth spine and patterned boards. Fine in VG dj. Reproduit en Offset sur papier Chiffon. Printed in Sweden. 1 vols. 4to. Jan Forlag unknown
1961AUGaGAUG99New York: Reynal And Company c1961. 1961. 4to. pp. 36. 47 plates incl. frontis.; most colour. cloth lower extremities bit frayed. dw. First Edition of the English translation from Gauguin's original manuscript. F. Hardcover. New York: Reynal And Company, [c1961]. Hardcover
196016490New York: Reynal 1960. Hardcover. Orig. decorated sandlewood cloth. Near fine in spine darkened very good dust wrapper. 36 pages in text. 30 x 23 cm. Illustrated with fascimiles of all the water-colors. Translated from the original manuscripts by Jonathan Griffin. Postscript by Jean Loize. Reynal hardcover
192977555Paris:: G. Cres et Cie. 1929. Edition Definitive. publisher's wrappers illustrated in color. Spine tanned with a 1-1/2" chip at the bottom affecting lettering and tiny chips at the top; a little tanning and light rubbing; contents fine. . 8vo. Bois Dessines et Graves d'Apres Paul Gauguin par Daniel de Monfreid. G. Cres et Cie., unknown
1926000724<p><strong>Scarce first edition of Gauguin's complete diary manuscript. Limited to 320 copies of which this is no. 60.</strong></p><p><strong>Description:</strong> Publisher's cloth binding title blocked in red to upper cover and spine. Quarto: 31 × 25 cm; pp. 204. Tipped in label of the Marées-Gesellschaft Hylas motif. Numerous mostly tipped in illustrations. Printed on specially made untrimmed handmade paper that imitates the feel of the original manuscript.</p><p><strong>Condition:</strong> Despite its age a very well-preserved copy with no significant signs of wear.</p><p><strong>Notes:</strong> The editor Julius Meier-Graefe - one of the most influential art critics of his time - had already outlined Gauguin's significance for the development of European art in his "Entwicklungsgeschichte der modernen Kunst" 1904. He saw 'Noa Noa' not just as a simple notebook but as an independent Gesamtkunstwerk consisting of a network of text and images which he believed should be made accessible to the public.</p><p>As the printing processes available at the time did not allow for colour-accurate reproductions the complex and expensive collotype process was used to reproduce the original manuscript now in the Louvre. Collotype printing is still considered the highest quality process today as it reproduces colour nuances brush structure and paper texture much more faithfully than conventional printing processes. To give the edition an authentic resemblance to the original handmade paper specially produced for this purpose was also used for printing. Meier-Graefe personally supervised every step of the printing process to ensure that the colours of the original watercolours had the 'Blindheit' blindness und 'Gleißkraft' brilliance that Gauguin had described in his letters Meier-Graefe 1926.</p><p>However 'Noa Noa' represents not only the pursuit of perfection but also the yearning for authenticity in an increasingly technological world.</p> Marées-Gesellschaft/R. Piper hardcover
198710114Tahiti: Foundation 1987. Fine. 1987. Hardcover. 2950176305 . 16 X 11 inches; tan buckram lettered in black with color illustrated front cover label; color & halftone reproductions facsimiles throughout. Without slipcase. Text in French & Japanese. The original Noa Noa facsimile enriched for the first time with most of the illustrations from the 1895 manuscript . Foundation (1987) hardcover
19887110CB1988. Tahiti Ed. de l'Association des Amis du Musée Gauguin 1988. Folio. Ca. 100 S. Mit zahlr. Illustr. Farb. illustr. Orig.-Leinwandband. unknown
19873112733Tahiti/new York: Foundation. Fine with no dust jacket. 1987. First Edition; First Printing. Hardcover. First edition thus Facsimile edition of Gauguin's original Tahitian diary featuring his text with faithfully reproduced illustrations. Folio 16' X 11 1/2" unpaginated Fine copy in Dutch linen covers with pictorial color plate laid-onto front cover. Lacks the plain card slipcase. Printed in Paris. A lovely production. BC ; 8vo 8" - 9" tall . Foundation. hardcover
1961048044New York: Reynal / William Morrow 1961. First American Edition 1st Printing. Hardcover. Near Fine/Near Fine. Color Plates. 36 Pp. Many Color Plates At End. Orange Cloth Stamped In Brown And Black. First English Language Translation From The Original Manuscript. Undated But Postscript By Loize Is Dated 1961. Book Is Near Fine; Three Small Strips Of Unaccountable Browning On Endpapers We Have Another Copy Like This Similar So Not Damage Specific Only To This Copy. Dj Near Fine About 1/8" Taller Than Book But Undamaged Price Clipped But Trace Of $ Remaining. <br/> <br/> Reynal / William Morrow hardcover
