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5989POESIE 84, n° 2, mars-avril 1984. In-8, broché.
6856France-Loisirs, 1994. In-8* cartonne sous jaquette illustree.
199780814Sigmaringen, Thorbecke Verlag, 1997. Ausstellungskatalog (Ausstellung im Museum Würth, Künzelsau vom 2. März bis 1. Juni 1997), 2 Bände: Großformatiger Bildband (28 x 22,5), mit sehr zahlreichen Abbildungen, 347 S., Leinen-Einband gebunden mit illustr. Schutzumschlag und Begleitband 104 S., mit einzelnen Abbildungen, kartoniert
5339Publication nouvelle, en fac-simile, du Cahier réalisé par Paul Gauguin à Otaïti, en 1983, précédé d'un volume de commentaires et documents réunis par Victor Merlhès intitulé Le Cahier pour Aline, Histoire et significationWilliam Blake and Co. Edit., Bordeaux / Société des Amis de la Bibliothèque d'Art et d'Archéologie, Paris, 1989.Photocomposé en Garamond corps 11 ; tirage limité à 1000 exemplaires dont 300 exemplaires de tête sur vélin d'Arches 160 g numérotés 1 à 300 sur vergé Van Gelder numérotés 301 à 1000 ; broché sous couverture rempliée vélin d'Arches 250 g ornée d'une vignette en quadrichromie présentés sous coffret éditeur imprimé d'une page manuscrite en fac-simile de Paul Gauguin ; broché. 17 x 22 cm. 92 p., ill. en noir, 62 p., 17 x 22 cm.Fac-simile réalisé en phototypie rehaussée au pochoir, à la main, sur papier teinté dans la masse par l'atelier Jacomet.
189684738s. l. Tahiti 1896. Fine. ""I'm gifted he says to the point of making others jealous."" s. l. Tahiti août 1896 20.50 x 27 cm quatre pages sur deux feuillets Yes I have sarcasm in my words yes I do not know how to flatter and bend my back how to beg in official salons I am nothing but a braying schemer but if I had submitted - yes I would be comfortable."" Long autograph letter dated August 1896 and signed by Paul Gauguin to painter Daniel de Monfreid. Four pages in black ink on two lined sheets. Small tears to margins not affecting the text traces of folds inherent to sending. In the midst of his descent into hell abandoned in his Tahitian artificial paradise Gauguin feels cursed : Definitely I was born under a bad star. he laments. His quest for primitive freedom leaves him in destitution and misery. Suffering agony the painter sends paintings to one of his few supporters his faithful friend Daniel de Monfreid - but writes the wrong address. Published in Lettres de Paul Gauguin à Georges-Daniel de Monfreid 1918 p. 146 n° XXIII; our letter reveals the name of Émile Schuffenecker his friend and associate on the Paris stock exchange and then Pont-Aven - anonymized in the published version - whom Gauguin vilifies on numerous occasions in these pages. This exceptional missive was written in Tahiti where the painter had returned the previous year bidding a final farewell to the old Europe. Gauguin had just come out from a stay in hospital in Papeete to treat his bruised legs following the beating he had received in Concarneau two years earlier for defending his muse Annah the Javanese. The painter could not escape the aftermath of this altercation and suffered from a terrible purulent eczema on his leg as well as syphilis drowning his torments in alcohol. The letter is a perfect example of Gauguin's correspondence from the summer of 1896 which ""smells of the fever that has seized a mind overheated by pain and lack of sleep"" David Haziot. In his confusion the painter misspelt the address of Monfreid's studio at the Cité Fleurie a famous chalet-like artists' residence where Gauguin had stayed : I sent you a bunch of paintings last month. I'm afraid for them because it seems to me that I put 55 Bd Arago instead of 65 This mailing included his composition Eihaha Ohipa painted in his studio in Punaauia and now kept at the Pushkin Museum in Moscow. Shipped via a naval officer - fees to be paid by Monfreid - the paintings did not arrive until November. Beyond his feverish fears Gauguin delivers in these lines a true manifesto of his integrity as an artist - the perfect counterpart to his famous Christlike self-portrait Near Golgotha painted around the same period. To him his destiny and generosity are nothing short of Christ-like: in the most difficult moments of my life I more than shared with unfortunate people and never had any reward other than complete abandonment. He had in fact helped display Schuffenecker's paintings in Impressionist exhibitions saved his friend Laval from suicide and opened his purse to so many others. Instead of returning the favor Schuffenecker prefers to feel sorry for himself: Schuff really wrote me a crazy and unfair letter and I don't know what to answer because he is a sick mind . he would be more unhappy than me who has glory strength and health. Let's talk about it! I'm good at making others jealous he says. Gauguin who had always refused to make concessions and compromise is finally betrayed by one of his closest relations Schuffenecker who becomes in the letter a true Judas Iscariot: Schuff has just made a useless petition I believe for the State to come to my aid. This is the thing that can offend me the most. I'm asking friends to help me out for the time it takes to get back the money I'm owed and their efforts to recover it but begging the State was never my intention. The painter reaches a point of no return not only bruised in his flesh but also unknown
189684738s. l. (Tahiti) août (1896) | 20.50 x 27 cm | quatre pages sur deux feuillets
4268P., Plon, 1986, 1 vol. in-8 br. sous couv. ill., de 342 pp.
ANAIS-0870705180The Museum of Modern Art New York. hardcover. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. The Museum of Modern Art, New York hardcover
200236085The Museum of Modern Art New York. Fine in Fine dust jacket. 2002. Hardcover. Two volume set in slipcase. Fine condtition in fine jackets. In fine cloth slipcase inside original box. ; Volumes I & II; 4to 11" - 13" tall . The Museum of Modern Art, New York hardcover
2002SONG08707051802002-07-15. Box. hardcover. Used: Good. 9.25x2.50x12.50. Buy with confidence. Excellent Customer Service & Return policy. hardcover
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200212433NAP<p>This set of 2-volumes is in very good condition. There are no markings in the book. Dust jacket very good; very very minor signs of shelf/edge wear. No slip case. 2002. Ships within 24 hours.</p> The Museum of Modern Art, New York hardcover
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2002Q-0870701525The Museum of Modern Art New York 2002-07-15. Paperback. New. In shrink wrap. Looks like an interesting title! The Museum of Modern Art, New York paperback
321339Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1894. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321341Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1894. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321338Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1894. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
321340Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century ca. 1894. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
62114Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
96805Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
62115Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
154476Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
96806Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown