Paul GauguinBiblio.com
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20934Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1893–94 printed and published 1921. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
98500Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894/95. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
98298Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1893/94. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
98498Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894/95. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
98487Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1894/95. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
19744646Milano: Rizzoli Grandi monografie d'arte 1974. Rilegato tela sovracoperta custodia cloth dust jacket slip-case. Ottimo Fine. Introduzione di Marc Sanson. 109 tavole in nero e colori applicate n.t. e XLIV grandi tavole a piena pag f.t. Folio. pp. 168 tavole. Ottimo Fine. Prima edizione First Edition. Rizzoli, Grandi monografie d'arte hardcover
0266567835.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
036666820X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366668161.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0260274224.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19474446441<p>12.5" by 9.5" 204pp facsimile reproduction in french dustjacket is bright with some edgewear and small missing pieces there is pen writing on the blank spine of the dustjacket unmarked.</p> Victor Petterson's Bokindustriaktiebolag hardcover
1961466462Oxford : Bruno Cassirer 1961. First Edition. Hardcover. Date cannot be verified. First UK edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains well-preserved overall. Physical description; 85 unnumbered pages : color illustrations ; 32 cm. Notes; The Ms. previously published in facsimile as Manuscrit-ined it de Noa-Noa. Sagot et Le Garrec1954. Subjects; Gauguin Paul 1848-1903. Painters France ; Biography. Painters French Polynesia Tahiti Island ; Biography. Painters. Painting French. Tahiti French Polynesia : Island. Oxford : Bruno Cassirer hardcover
1987106033Tahiti : Edition De L'Association Des Amis Du Musee Gauguin ; New York : ""gauguin And Oceania Foundation"" 1987. First Edition. Hardback. An exceptional copy in the original pictorial Dutch Linen. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Scans and additional detail on request. ; 132 pages; Physical desc. : 132 p. : col. Ill. ports. ; 41 cm. Subject: Gauguin Paul 1848-1903 - Correspondence. Painters - France - Correspondence reminiscences etc. Tahiti. Facsimile ed. Of Gauguin's original Noa Noa manuscript of 1895. Text in French with English translation by John Donne. In this. Tahiti : Edition De L'Association Des Amis Du Musee Gauguin ; New York : ""gauguin And Oceania Foundation"" hardcover
1961green125605. Very Good. . with dustjacket price clipped 1961 Bruno Cassirer Oxford clean bright copy . 1961. Hardcover. hardcover
1947mon0003080318Jan Forlag 1947. Hardcover. Good. . Some staining here and there to boards minor bumping/rubbing at edges. Pages clean binding sturdy. Jan Forlag hardcover
1926157706Berlin: Ganymed Presse for Marees Gesellschaft 1926. Gauguin in Tahiti First edition thus number 22 of 80 copies of the deluxe issue rarely found with the portfolio which includes a previously unpublished original woodcut. This fine facsimile of Gauguin's autobiographical tale of his first two years in Tahiti 1891-3 was based on the Louvre manuscript and "represents an important project in book-making by this major artist" Garvey. Gauguin's arrival in Tahiti coincided with the funeral of Pomare V the last king "a symbolic marker of the demise of 'authentic' Polynesian culture. This overlap is enough to make Noa Noa apparently irresistible as a source of information about his life in Tahiti: through a series of intimate cross-cultural encounters it provides the script of his attempt at 'going native' He may have initially intended the publication of Noa Noa to coincide with the exhibition of his Tahitian work that was held at the Galerie Durand-Ruel in Paris following his return to France in 1893 but it remained incomplete when the exhibition opened in November 1893 At some point before returning definitively to Polynesia in July 1895 Gauguin enlisted Charles Morice who had written the catalogue essay for his exhibition to help develop the project and their collaboration led to the version that is now known as the Louvre manuscript" Goddard pp. 64-8. The conceit was that Gauguin and Morice would alternate chapters although the exact division of labour remains unclear. "What is clear however is that Gauguin did not spend his time passively awaiting Morice's revisions and additions. Instead he began actively to conceive of the text as part of a larger performative project that could serve to promote his image as an artist-savage. During gatherings in his Paris studio whose decorative scheme was in itself a 'visual manifesto' for his primitive persona he gave readings from his work in progress". The present edition had a total print run of 400 copies: 80 specially bound in citron morocco as here the remainder in a raffia binding. A significantly revised version of the text had been published in 1901 followed by another in 1924 although "that gives no sense of the physical appearance of the volume". During the inter-war years the Marees Gesellschaft 1917-1929 was among the finest European fine art printers issuing work by among others Van Gogh Matisse Max Beckmann and Oskar Kokoschka. It was founded "as a collaboration between influential art historian and critic Julius Meier-Graefe and avant-garde publisher Reinhard Piper named after the now largely forgotten German realist painter Hans von Marées 1837-1887 whom Meier-Graefe revered. As a special imprint they issued lavishly produced illustrated books and portfolios" MoMA. Portfolio and large quarto. Portfolio with 14 collotype reproductions of watercolours and original woodcut each with the blind stamp of Ganymed Press on image window-mounted on 13 card leaves. Quarto with many full-page and in-text collotype reproductions of watercolours drawings woodblock prints and photographs. Portfolio: original raffia blue printed label to front stiff card flaps with cloth mounts. Quarto: original citron morocco-grain skiver gilt-lettered spine gilt fillet frame to covers top edge gilt. Portfolio: some flaking of raffia largely to spine toning to flaps: very good. Quarto: signature on front free endpaper of Emil Oberholzer Jr d. 1981 authority on church history. Without pictorial dust jacket. Spine and periphery of covers toned extremities rubbed some minor stripping inner hinges partially cracked but sound: very good. Garvey The Artist and the Book 115. Linda Goddard Savage Tales: The Writings of Paul Gauguin 2019. hardcover
1961BOOKS246911New York NY: Reynal and Company. G/G. ca1961. . Cloth w/DJ. translated from the original manuscript by Jonathan Griffin. Postscript by Jean Loize . 4to. 36 plates DJ rubbed price clipped yellowing fading . Reynal and Company hardcover
9043New York: Nicholas L. Brown. 1919. Hardcover. Sm 8vo 7.75" x 5.25" gray cloth spine brown paper over boards paper title label at spine. 2 148 pp. 5 pages of pub. ads. 10 b&w illus. plates. Bookseller's ticket of "G.F. Warfield & Co. Hartford Conn." at rear pastedown. CONDITION: Good spine cocked and darkened head and foot of spine bumped some occasional toning to pages. Later edition. New York: Nicholas L. Brown. 1919 unknown
1987323913Tahiti: Amis du Musee Gauguin 1987. hardcover. near fine. Gauguin. Many color illustrations with facsimile letters of Gauguin. Folio burlap with inlaid picture on front cover. Tahiti: Association des Amis du Musee Gauguin 1987. Text in French and in English. A very nice clean copy. Near fine.<br/> <br/> Amis du Musee Gauguin unknown
45128535like new. unknown
1987207526Tahiti / New York: Edition de l'Association des amis du Musée Gauguin / Gauguin and Oceania Foundation 1987. Hardcover. VG. Large Quarto. Hardcover. Bound in rough textured burlap like cloth with black stamped titles and pasted on illustration. 132 unnumbered pages : color illustrations portraits ; 41 cm. Facsimile. ed. of Gauguin's original Noa Noa manuscript of 1895. Edition de l'Association des amis du Musée Gauguin / Gauguin and Oceania Foundation hardcover
20022511P-5949A-41BAVANT ET APRES 2002-01-01. paperback. Very Good. 11x0x15. This Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity check your package for this month's charity. Reuse-Recycle-Rebook! AVANT ET APRES paperback
1901223068Paris: Editions de LA PLUME 1901. Rilegato mezza pelle half-leather binding. Molto buono Very Good. Dedica e firma autografe dell'Autore: Charles Morice Inscribed and signed by the Author. Bibliografia: "<em>Gauguin Tahiti l'Atelier des Tropiques p. 138-142</em> ". <br /><br />. 16mo cm 195x132. pp. 246. Dedica e firma autografe dell'Autore: Charles Morice Inscribed and signed by the Author. Molto buono Very Good. Piccole abrasioni al dorso e ai bordi della copertina Small abrasions on the spine and on the cover's edges. Edizione originale. <em>Noa Noa è"; il più famoso degli scritti tahitiani di Paul Gauguin. Presentando con passione i costumi la storia e i paesaggi di Tahiti quest'opera è anche un'autobiografia del pittore. Scritto nel 1893 a Parigi da appunti presi a Tahiti questo libro voleva illuminare il pubblico sulle tele dipinte in Polinesia che sembravano troppo misteriose o esoteriche. Alcune pagine sono vere e proprie accuse contro la società" occidentale. Gauguin chiese al suo grande amico Charles Morice poeta simbolista di formattare il "libro per far capire la sua pittura". Ma la pubblicazione del testo completata nel 1894 ha incontrato molti ostacoli. Nel 1897 dopo i tentativi falliti di Charles Morice Gauguin cercò";" di farlo pubblicare a Tahiti ma invano: "Spero ancora di vedere Noa Noa stampato prima di morire" scrisse poi a Morice. Parte del testo apparve su La Revue Blanche nel 1897 e poi per estratti nel 1901 su La Plume e L'Action humaine. Morice allora manovra per pubblicare Noa Noa senza informare Gauguin. Il 12 aprile 1901 Gauguin pubblicò"; anche alcuni brani sul giornale tahitiano per il quale lavorava Les Guêpes prima di trasferirsi nelle Marchesi. Dopo aver chiesto l'aiuto di Mallarmé Morice riuscì finalmente a pubblicare Noa Noa nel luglio 1901 per suo conto. Ma l'edizione non è approvata da Gauguin a causa di problemi di copyright mal negoziati. Rifiutò" la proposta di Morice di farsi spedire 100 copie ma chiese segretamente a Daniel de Monfreid: "Abbiamo stampato Noa Noa a mia insaputa. Se ci metti le mani sopra mandamene una copia" novembre 1901. Gauguin non riceverà"; mai una sola copia e morirà senza aver visto finalmente pubblicato il suo manoscritto più importante. </em> <em>Quando Gauguin si impegnò a scrivere il racconto del suo primo soggiorno a Tahiti poco sicuro delle sue capacità di scrittura chiese a Morice allora a Bruxelles di rivedere il manoscritto di Noa Noa. Morice ha svolto questo compito e ha pubblicato il testo riveduto su La Revue blanche. I commentatori concordano nel considerare che l'intervento di Morice ha distorto il lavoro di Gauguin. Quando Gauguin morì nel 1903 Morice gli rese omaggio a Le Mercure e alla fine della sua vita pubblicò" un libro che fu una delle prime biografie a lui dedicate. </em> Editions de LA PLUME, hardcover
195425667Paris 1954. Faksimile der Originalausgabe Nr. 215/1000 Expl.N.a.V. Sagot 2°. br. Kunst unknown
101548946X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
