Paul GauguinBiblio.com
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195742Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1892. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
200264Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1903. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
200262Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1903. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
195743Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1892. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1924782471924. Fine. s. d. 1924 9.30 x 7.80 cm autre La Mémoire et l'Imagination. Noa Noa. Unique proof of the woodcut drawn and engraved after Paul Gauguin by George-Daniel de Monfreid between 1904 & 1924 93 x 78 cm one sheet Original proof likely unique of this intermediate state of a woodcut drawn and engraved by George-Daniel de Monfreid after a watercolor by Paul Gauguin. Print on fine cream laid paper annotation by the artist in the left-hand margin. Woodcut drawn and engraved after a watercolor from the Noa Noa manuscript pasted on a page of text of the famous album. The final woodcut will serve as the head of the first illustrated edition of Noa Noa published by Crès in 1924 the first illustrated work after Paul Gauguin and a majestic tribute to one of the precursors of modern art. Superb and significant engraving after a very specific watercolor from Paul Gauguin's manuscript a real breakthrough in text engraved by his closest friend and executor the artist George-Daniel de Monfreid heir to the album he would offer to the French State in 1927. The initial watercolor was cut out in waves around the female figure and pasted on the last chapter to prevent it from being read and thus get the story back on track. Gauguin had also added winding lines starting from the watercolor on the text page thus giving the impression of a cave breaking through the page by the psychic power of the sitting woman whose head diffuses the undulating rays. Monfreid decided to place it at the head of the work accompanied by two birds taken from other works to illustrate the power of the artist and his imagination. A likely unique proof part of 17 known test woodcuts from the early project to publish Noa Noa all made on various fine papers and annotated by the artist. Unique proof of a woodcut engraved after the mystical watercolor erasing the first ending of the story to allow the reader to graphically enter the painted album repeated in the printed version as the initiatory opening of the engraved story. It is from the original illustrated manuscript of Noa Noa brought back from Tahiti by Segalen on the artist's death in 1903 that Monfreid began producing this fundamental work from as early as 1904. This is the second version of this to read and look at notebook. The first manuscript written on the return of his first voyage and entrusted by Gauguin to Charles Morice in 1893 responded to a different project. Gauguin had composed only the text interspersed with blank pages for Morice's poems. But after several years without news Morice preferred to publish a version entirely rewritten by himself in 1901. Gauguin therefore copied his manuscript and illustrated it during his second stay in Polynesia with sketches watercolors and collages. This album that the artist enriched and safely preserved until his death is preserved today at the Musée d'Orsay. It is therefore from this manuscript the only one illustrated that Monfreid composed the edition of Gauguin's Noa Noa. However although Monfreid's publication was forward it took more than twenty years to complete in part due to a copyright dispute with Charles Morice who wanted to be co-author of the forthcoming edition and whose poems would eventually be preserved. The result of several years of reflection and work the 1924 edition is both faithful to the watercolors and woodcut engravings illustrating the precious manuscript and to the whole of Gauguin's Tahitian work who died in indifference. Monfreid thus engraves several drawings from the original notebook and enriches it with woodcuts made from other works of which he is the custodian. Some of these compositions combine several paintings while scrupulously respecting the artist's line transforming the work into a true journey through the painter's works. The very choice of using wood engraving is a tribute to this technique prized by Gauguin who in Pont-Aven produced 10 woodcuts to unknown
194923830Paris: L'Age Nouveau 1949. Fine. L'Age Nouveau Paris Septembre 1949 18 x 23 cm broché First edition. Contributions by Paul Gauguin with unpublished letters Marcello-Fabri J. Follain L. Estang. Issue illustrated with reproductions of works by Maurice de Vlaminck Pablo Bonnard Georges Rouault Pablo Picasso Henri Matisse Roger de la Fresnaye. regarding the ""battle of the Grenoble museum"". Spine sunned covers slightly and marginally faded handsome interior condition. L'Age Nouveau unknown
51-3873Paris: L'Ymagier 9 rue de Varenne 1894-1896. . 2 vols. 278 244pp with hors texte plates. Complete with 8 issues. Original symbolist paper covered boards with later half goatskin spine and corners. 20 x 26cm. With 11 handcolored folding plates printed by Pellerin à Epinal several with repaired tears; original lithographs and woodcuts by Whistler Jarry Bernard et al. Lacking the print by Rousseau. See complete list below.________________________Vol 1: 1894. 278 pp….N°1 : comprising a leaf bearing a title and a miniature by Filiger printed in mauve a Head of a Martyr by R.G. Rémy de Gourmont a drawing by Émile Bernard printed in blue forty old images and vignettes; on large folio Épinal folding images printed in colors 620 x 380 mm and 615 x 395 mm: Jesus sur la Croix…. - - N°2 : with a woodcut in red by Armand Séguin 1869 – 1903 Les Bretonnes Breton women an original print by E. Forbes-Robertson Adam and Eve numerous woodcuts of which two from Indochina printed on 2 ll. of folded China paper lithograph “L’Annonciation†signed R.G. Rémy de Gourmont printed in black an original lithograph by Alfred Jarry Caesar-Antichrist “Bedouin†an unpublished drawing by Emile Bernard and two folding Épinal images: Le miroir du Pâ€echeur des Pyramides 400 x 580 mm and Bonne Bière de Mars 420 x 509 mm. Lacking: an original lithograph by Douanier Rousseau War ….-- - N° 3 :. Numerous illustrations in text and hors texte among them: La Madeleine after a woodcut printed in dark orange by Paul Gauguin “The Bishop†an original woodcut in dark green by Georges d'Espagnat an original woodcut in black by Alice Feurgard an original drawing printed in blue by Emile Bernard an original drawing printed in dark green by Jossot an original woodcut in bistre by M. Delcourt; an Épinal folding image printed in colors Saint Claude…. - - - N° 4 :. Numerous illustrations to text and hors texte including: an original sketch cut onto mahogany wood. “Sainte Gertrude†by Alain Jans Alfred Jarry;a woodcut “La Peur†in black by Georges d'Espagnat an original drawing printed in black by Roderie O'Conor; an original drawing printed in blue by Émile Bernard a folded woodcut very pale 455 x 198 mm two folding Épinal images printed in colors : Saint Nicolas and Notre-Dame des Sept Douleurs….Volume II. Issues 5-8. 224 pages….- N°5 : . Numerous illustrations to text and hors texte including: an unpublished original print and folding plate by Jean-Baptiste Auguste Clésinger of Two Bulls printed in black 281 x 430 mm an original unpublished lithograph by James Abbott McNeill Whistler on China paper between silk paper guards: “Girl With Bowl†Stratis & Tedeschi 118; Way 82; Levy 121; first bearing a title folding facsimile of a vernacular colored image entitled Le vrai portrait du Juif-Errant…A true portrait of the Wandering Jew… 485 x 304 mm folded fragment of an enormous former engraving 368 x 305 mm. Printed by Lefevre-Corbinière….- - N° 6 :. Numerous illustrations to text and hors texte including a folding Épinal image in colors Les 3 Chemins de l’Etnernité. ….- - - N° 7 : . Numerous illustrations to text and hors texte including an original woodcut of Jesus on the cross with Crying Woman by Émile Bernard printed in red on strong grey tinted paper; previous page with clean tear a folding Épinal image in colors showing St. Blaise et St. Guerinand and a color lithograph: L’Arche de Noé. Noah’s Ark from the 12cth Century…. - - - N° 8 : . Numerous illustrations to text and hors texte including: L’Annonciaiton by Emile Bernard; a color Epinal folding plate of Napoleon 1er; a vernacular image of a procession in colors in the form of a folding banner 280 x 475 mm; triangle; an original woodcut“Les Pendus†by Georges D’Espagnat and a red woodcut: Santo Cristo with Christ wearing a skirt….From the Van Gogh Museum:At the fin de siècle printmakers often turned to primitive art forms and popular visual culture for sources of inspiration.In this vein the French Symbolist writers Alfred Jarry and Remy de Gourmont founded L’Ymagier an ambitious art review. Here they presented the works of contemporary printmakers next to examples of medieval woodcuts and popular prints known as Épinal.L’Ymagier’s interest in religious Épinal and medieval woodcuts was rooted in a fervent desire to achieve a more authentic form of modern art. For Jarry archetypal Christian symbols such as the Passion and the Virgin Mary possessed universal meaning of continued importance to contemporary artists.This interest in the past was shared by the artists of the School of Pont-Aven who looked to the traditions and rituals of the Breton peasants for creative inspiration.L’Ymagier helped to revive contemporary interest in the woodcut technique for artists like Edvard Munch and Emil Nolde.Juliet Simpson:Remy de Gourmont's and Alfred Jarry's journal L’Ymagier published in eight issues between October 1894 and January 1896. In attempting to create a 'book of symbols' structured explicitly around the image notably the popular image the L’Ymagier project develops the verbal-visual problematic exemplified by the Symbolist 'illustration'. It also raises some very fundamental questions about artistic homologies in general which test Symbolist theories of synthesis to their limits. As I hope to show Gourmont's and Jarry's appropriation of the popular image as the inspiration ror L’Ymagier becomes a strategy for destabilizing hierarchies or images and texts including Symbolist ones which has both radical aesthetic and political implications.Bolliger Dokumentations-Bibliothek Zur Kunst Des 20. Jahrhunderts II 243; VI 829;Library of Congress Control Number41040620 Paris: L'Ymagier, 9 rue de Varenne, 1894-1896. hardcover
1624Paris Floury 1927. Two volumes in original wraps. 4to. In fine condition. The 1st edition not the reprint. perfect condition unknown
1980C86473AW Fine Arts. As New. 1980. Hardcover. 0915346370 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 272 pp. Illustrated. Reprint. Text in French. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . AW Fine Arts hardcover
198086473AW Fine Arts. New. 1980. Hardcover. 0915346370 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 272 pp. Illustrated. Reprint. Text in French. AW Fine Arts hardcover
200359939Milan Italy: Skira Editore. New. 2003. Hardcover. 8884915295 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 368 pp. With 290 ills. 248 col. . 29 x 25 cm. -- with a bonus offer-- . Skira Editore hardcover
20032993Skira Editore 2003. 245 x 29 cm in good condition Skira Editore unknown
1951179330Paris: La Palme 1951. hardcover. near fine. 54pp facsimile of the original manuscript printed in color; 39pp of text by Huyghe in French. Tall slim 8vo color pictorial boards printed by Mourlot printed mylar wrapper. Very small bookseller's plate on front attached endpaper. Paris: La Palme 1951. A near fine copy of this uncommon book.<br/> <br/> Signature of Art historian Meyer Schapiro on front attached endpaper.<br/> <br/> La Palme unknown
200370997ADAGP. New. 2003. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . ADAGP paperback
83358Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1889. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
83357Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1889. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
83356Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1889. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
83359Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1889. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ria9781138405790_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Depicts the experiences of the French artist while living on a Polynesian island and discusses the culture of the natives of the island. hardcover
19852-0710301057Kegan Paul Intl 1985. Paperback. New. 1st edition. 138 pages. 9.25x6.25x0.50 inches. Kegan Paul Intl paperback
29944998-nnew. unknown
29944998like new. unknown
2017x-1138405795Taylor & Francis 2017. Hardcover. New. 148 pages. 9.21x6.14x1.45 inches. Taylor & Francis hardcover
19212004New York: Boni & Liveright 1921. First edition. 186 pp. Original publisher's illustrated paper boards. Spine slightly darkened an about fine copy in the publisher's box which duplicates the front cover artwork. The box has some wear and several corners are reinforced with old tape one closed tear on the right side. The box is very scarce. One of 990 numbered copies. Translated by Van Wyck Brooks. Preface by Emil Gauguin. Boni & Liveright unknown
mon0000157983Routledge 2017-06-28. Hardcover. Good. 3.6772 in x 9.2030 in x 6.1353 in. Ex-library book usual markings. Clean copy in good condition. Routledge hardcover
