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2008224568Providence: Paranoia Publishing 2008. Magazine. 72p. 8.25x10.75 inches illustrations photos ravings hallucinations fantasies etc. very good magazine in slick stapled pictorial wraps. Six page article by AIDS-denier Cantwell. Paranoia Publishing unknown books
2008__1434696715Bibliobazaar 2008. Paperback. New. 96 pages. 8.00x5.00x0.22 inches. Bibliobazaar paperback
2008__1434696723Bibliobazaar 2008. Paperback. New. large print edition. 108 pages. 9.69x7.44x0.26 inches. Bibliobazaar paperback
8vo., First Edition thus, with portrait frontispiece, title in red and black, and numerous coloured and monochrome photographs and reproductions in the text; grey cloth, upper board with mounted illustrations, gilt back, patterned endpapers, a near fine copy in publisher's pictorial board slip-case.
185530061855. Mezzotint on steel. 130mm by 185mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
185530121855. Mezzotint on steel. 170mm by 225mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Some ink residue in title from time of printing. unknown
185530101855. Mezzotint on steel. 190mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. One small mark in title area and one tiny indentation below title area. unknown
185530071855. Mezzotint on steel. 170mm by 250mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
185530111855. Mezzotint on steel. 185mm by 235mm platemark 290mm by 425mm sheet. East Bergholt House was the birthplace of Constable. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of faint foxing spots and a small handling crease within the platemark. unknown
185530131855. Mezzotint on steel. 170mm by 205mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530161855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. A couple of small indentations in title area. unknown
339118Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
339119Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
339120Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
339121Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1830–49. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
185530151855. Mezzotint on steel. 170mm by 240mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530141855. Mezzotint on steel. 245mm by 185mm platemark 425mm by 290mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Scattered foxing. unknown
185530031855. Mezzotint on steel. 175mm by 210mm platemark 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530081855. Mezzotint on steel. 130mm by 185mm image 290mm by 425mm sheet. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. unknown
185530041855. Mezzotint on steel. 170mm by 150mm image 425mm by 290mm sheet. 'Willy Lott's House is situated on the edge of the river Stour close to Flatford Mill; it is a principal object in many of Constable's pictures. Willy Lott a farmer was born and died in it having passed a life of more than eighty years without having spent four whole days away from it. The figure on horseback was sketched from Constable's father'. From 'English Landscape Scenery' 1855. John Constable RA was an English Romantic landscape painter. He believed that imagination and emotion were an important part of artistic expression and so incorporated these tenets into his lush idyllic scenes. Beginning in 1829 Constable worked closely with David Lucas to produce the mezzotints as a general survey of his work. Tiny spot in platemark. unknown
Roy. 8vo., First Edition, with very numerous reproductions (many full-page) throughout, and pictorial endpapers; brown cloth, gilt back, a near fine copy in dustwrapper. Nice copy of a standard refence.
Wear, creases and spots to cover. Interior pages clean and unmarked; tight binding. 762 pages. The Walter Pach translation with a new introduction by Robert Motherwell.
20171-3319506471Springer 2017. Paperback. New. 112 pages. 9.25x6.25x0.50 inches. Springer paperback
6350482David Fulton Publishers Ltd. pp. 128 . Papeback. New. David Fulton Publishers Ltd. unknown
ria9781853468025_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Managing Pupil Assessment and IEPs the allocation of support and monitoring of provision dealing with outside agencies in-service training and development plans budget plans and getting value for money and reporting to Governors. N paperback
