48 résultats
36010LONDON MACKENZIE. SIX VOLUMES QUARTO ORIGINAL BROWN CLOTH WITH GILT BUST OF HOGARTH. ALL EDGES GILT. WITH 150 ENGRAVINGS. WITH A BIOGRAPHY. NO DATE BUT CIRCA 1880. A VERY GOOD SET. LONDON, MACKENZIE, hardcover
14180J.DICKS LONDON. LARGE QUARTO RED CLOTH WITH GILT LETTERING AND SMALL GILT TOOLED ETCHING OF HOGARTH AND DOG.THE BOOK CONTAINS SIXTY-EIGHT ILLUSTRATIONS OF HIS WORKS AND COMPREHENSIVE ACCOUNT OF HIS LIFE AND WORK. EXTRA POSTAGE REQUIRED FOR OVERSEAS. J.DICKS, LONDON hardcover
ria9782012522732_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
191363791Hachette, "Les grands graveurs" 1913 1 vol. relié in-8, cartonnage illustré de l'éditeur, 15 pp. et 64 planches hors-texte. De légères salissures au cartonnage, sinon très bon état.
191363791Hachette, "Les grands graveurs" 1913 1 vol. relié in-8, cartonnage illustré de l'éditeur, 15 pp. et 64 planches hors-texte. De légères salissures au cartonnage, sinon très bon état.
1880206161880 The London printing and Publishing company, limited. London and New York, sans date, vers 1880, grand in-4 de (10)-XVIII-201 pp., 150 gravures sur acier sous serpentes, reliure de l'époque de demi-maroquin noir à coins, dos à nerfs, ornés de grecques dorées et soulignés de double-filets dorés, roulettes et fleurons dorés, pâle mouillure marginale aux 3 premiers feuillets de l'ouvrage (portrait d'Hogarth et les 2 faux-titres), bon exemplaire.
1837134323Londres, Baldwin & Cradock, s.d. 1837 In-plano, 65 x 50 x 7 cm., demi-maroquin rouge avec coins, plats de percaline grise, dos richement orné, tranches dorées Reliure anglaise du XIXe siècle. Mors et coins épidermés, coiffe de tête usagée, des rousseurs, déchirure sans manque p. 1, mouillure claire en tête des dernières planches Lowndes, II, 1081.
1854160599Stuttgart: Rieger'sche Verlagsbuchhandlung 1854. Large octavo pp. 1-10 i-xxiv 1-994 engraved frontispiece portrait of Hogarth and 92 steel engravings nineteenth-century three-quarter leather and marbled boards spine panels stamped in gold marbled endpapers. New edition in one volume. Lichtenberg's exhaustive study in preceded by a biography by Franz Kottenkamp. Scattered foxing sometimes heavy throughout the text volume. A few plates are a bit foxed or tanned and several are trimmed close to the caption but overall most are very clean and the paper is closer to cream than tan. Leather rubbed at edges but bindings quite sound. A better than average copy. #160599 Rieger'sche Verlagsbuchhandlung unknown books
110760London: Baldwin Cradock and Joy 1822. Single leaf. Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. § Blake’s one plate was first included in Hogarth’s Works 1790 and is here present in the third state of seven. Bentley Blake Books 475 I. Essick William Blake’s Commercial Book Illustrations XX. Baldwin unknown books
107769London: Boydell and Company c.1795. Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. An exceptionally fine dark impression on bright paper with the original wide margins untrimmed. § Third and best state of seven see below of the single plate Blake engraved for Hogarth’s Works first published by Boydell in 1790 this state appearing in the second undated edition c. 1795. It was the last state of the plate before hands other than Blake touched up the plate. A remarkably crisp and brilliant impression of Blake’s richly detailed rendition of Hogarth’s painting showing the famous scene in which Macheath the highwayman stands chained under sentence of death between his two lovers the jailer’s daughter Lucy Lockit and the lawyer’s daughter Polly Peachum. The plate was next used for an 1822 edition by which time several small changes had been made by another engraver. Bentley Blake Books 475 I. Essick William Blake’s Commercial Book Illustrations XX. Boydell and Company unknown books
175927359London: Printed for T. Caslon and Sold by J. Smith and M. Jackson 1759 1759. First edition. ESTC T10583 which records four copies in the UK BL Cambridge Rylands Trinity and five in the US Boston Public Duke Newberry two at Yale. Title-page a little browned; repairs to the edges; very good copy enclosed in a chemise and marbled paper slipcase. 4ro self-wrappers stitching renewed 30 pages untrimmed. A celebratory poem in four cantos on the four election paintings of William Hogarth The prefatory Advertisement is signed by John Smith who states that he is writing on behalf of the "concealed Author" and that while Hogarth's paintings have been explained by others "none ever gave him Hogarth so much satisfaction as the present Performance." At the conclusion a small notice states that "speedily will be published" a poem on Hogarth's "The Roast Beef of Old England" but that apparently was not published. <br/><br/> London: Printed for T. Caslon and Sold by J. Smith, and M. Jackson, 1759 unknown books
7129The complete suite of six prints with the image of each measuring approximately 12" x 15". Engraved titles and publication credit appears below each image within the plate lines. This suite of prints is from the 1821 restrike by Thomas Cooke. The dire consequences of moral laxity a recurrent theme in Hogarth's work are presented in this tragic tale of an innocent country girl's sojourn to the city. In these six plates Hogarth tracks Mary Hackabout's desperate plight from her arrival in the city into the hands of the notorious procuress Mother Needham to her transformation into a kept mistress street moll prisoner and disease-ridden invalid to her inevitable death from syphilis. Each engraving has been professionally cleaned deacidified and matted in acid-free materials ready for framing. These images are clean clear and bright and will provide hours of pleasurable study of Hogarth's observations and satiric commentary of eighteenth century English society at about one-third of the cost of the original impressions of 1735. Paulson 121-26. <br/><br/> unknown books
7126The complete suite of six prints with the image of each measuring 14" x 17" with the title engraved within the plate lines below each image. This suite of prints is from the 1821 restrike by Thomas Cooke. Rich with Hogarth's characteristic allegory and satire this suite of engravings depicts the "marriage a la mode" an arranged marriage for the mutual profit of the parents between the vainglorious son of the bankrupt Lord Squanderfield and the unwilling daughter of a rich merchant. The unhappy union fraught with mutual despairs and adulteries and its tragic end are vividly recounted. Each engraving has been professionally cleaned deacidified and matted in acid-free materials ready for framing. These images are clean clear and bright and will provide hours of pleasurable study of Hogarth's observations and satiric commentary of eighteenth century English society at about one-third of the cost of the original impressions of 1735. Paulson 228-233. <br/><br/> unknown books
185627689New York: Almon Merwin John A. Gray printer 1856. 8vo. 35 pp. <br><br>Includes the twenty-fourth annual report of the Society and a list of officers. Removed from a nonce volume. A clean very good copy. Almon Merwin (John A. Gray, printer) unknown books
1822247284London: Baldwin Cradock and Joy 1822. Engraving. Image measures 16.5 x 21.5". Sheet measures 18 x 23.5".<br/><br/> This print by William Hogarth represents a myriad of many Hogarthian characters which often straddle the line between humor and tragedy. In this scene English troops are shown marching northward into Scotland to quell uprisings by the Jacobites who were loyal supporters of the recently dethroned Stuart monarch James II. Here despite their dangerous mission the soldiers have become distracted by the bustling area of Tottenham Court Road. Some are accosted by ballad-sellers while others are forcibly intoxicated and one pair of soldiers steal kisses and milk from a young vendor. Only a young drummer boy remains in step despite the chaos. Originally an oil-painting in the Foundling Hospital a philanthropic home for orphaned children which was patronized by Hogarth this engraving was made as a means to raise funds for the hospital. The seemingly odd dedication to the King of Prussia is supposedly due the fact that the print was originally dedicated to George II who stated his displeasure at the portrayal of his army's campaign. Hogarth responded by dedicating the print instead to Frederick the Great. Originally engraved by Luke Sullivan in 1750 the image was "improved and retouched" by Hogarth in on June 1 1761. This plate was reissued in an 1822 publication "The Works of William Hogarth" by Baldwin Cradock and Joy London who purchased the original copper-plates in 1818 from the Boydell sale who had in turn bought the plates from Hogarth's widow. This edition is unique because these were the last prints to be made from the original plates and were restored by the royal engraver James Heath. William Hogarth 1697-1764 is considered by many scholars and print enthusiasts as the grandfather of English graphic satire but he was also an accomplished oil painter portraitist engraver and draughtsman. Hogarth mastered the art of depicting human nature and all of its hypocrisies in society with graphic satire. The universality of his humor and the all-too-human characters featured in his works make Hogarth's satires remarkable. This print represents the epitome of Hogarth's skills as an artist and as a conscientious observer of humanity.<br/><br/> Baldwin, Cradock and Joy unknown books
84402HOGARTH William. HANNAY James. THE COMPLETE WORKS OF WILLIAM HOGARTH: IN A SERIES OF ONE HUNDRED AND FIFTY STEEL ENGRAVINGS FROM THE ORIGINAL PICTURES. WITH AN INTRODUCTORY ESSAY BY JAMES HANNAY. London: The London Printing and Publishing Company Limited n.d. ca. 1880. 200 pp. plates. Thick 4to. half dark brown morocco with gilt ornaments raised bands and burgundy cloth boards. Moderate shelfwear front cover front flyleaf and backstrip detached from block. Light soil to cloth. Two small tears to cloth on rear board. Light soil to one of two illustrated title pages in margin. The plates do not have tissue guards and as such some of the facing text pages are offset. Text block tight. Incomplete: missing 6 plates 124 Tristram Shandy II 128 Burlington Gate 145 Crowns Metres Maces 146 Spillers Ticket 148 London Hospital 149 Arms of the Duchess of Kendall. As is. unknown books
179529152London: John & Josiah Boydell 1795. Engraver Benjamin Smith. 1 vols. 39.8 x 30.1 cm 15-3/4 x 11-3/4 inches. Fine. Engraver Benjamin Smith. 1 vols. 39.8 x 30.1 cm 15-3/4 x 11-3/4 inches. Original Engraved Copper Printing Plate After Hogarth's Self-Portrait. With the engraved legend at the bottom of the plate: "William Hogarth / From the Original Picture in the Collection of John & Josiah Boydell / Published June 1 1795 by J. & J. Boydell in Cheapside & at the Shakespeare Gallery Pall Mall". John Boydell 1719-1804 was a prominent printseller who published some of Hogarth's engravings. Hogarth had himself engraved this image in 1749 using it as a frontispiece for bound volumes of his prints and in 1763 he burnished most of it out changing it into a caricature of Rev. C. Churchill. The original oil painting done in 1745 is in the Tate Gallery London.<br/><br/>UNIQUE. Provenance; Bernard Quaritch; Sale Christie's May 22 1984 Lot 90; Thomas Agnew & Sons London. Exhibited National Gallery of Art Washington D.C. 1971 John & Josiah Boydell unknown books
1822247303London: Baldwin Cradock and Joy 1822. Engraving. Image measures 12.5 x 15 1/8". Sheet measures 17.5 x 23".<br/><br/> Often referred to as the French and Indian War 1756-1763 the otherwise-known Seven Years War reignited British concerns of a French invasion as well as a culturally-ingrained anti-French feeling among the populace. With his usual skill for satirical detail Hogarth allows us to gain the British perspective of a war so often only considered an American conflict. This print and its companion piece "France" illustrate the stark contrasts between the French and their significantly better-off adversaries the English. Here we glimpse at the patriotism of British citizens who are lining up to join the cause against France. This is in contrast to Hogarth's depiction of the poor hungry peasants who are chained and forced into the service across the channel. One man even stands on his tip-toes to meet the height requirements for the British army. A small crowd gathers around a caricature of King Louis XV who is made to curse the British for their naval victories. The robust nature of Hogarth's British people serves as an additional reminder of the superiority of Britain's constitutional monarchy and prosperity. This plate was reissued in an 1822 publication The Works of William Hogarth by Baldwin Cradock and Joy ho purchased the original copper-plates in 1818 from the Boydell sale who had in turn bought the plates from Hogarth's widow. This edition is unique because these were the last prints to be made from the original plates and were restored by the royal engraver James Heath. The print is in very good condition with deluxe margins. Minor wear to margins not affecting the image. William Hogarth 1697-1764 is considered by many scholars and print enthusiasts as the grandfather of English graphic satire but he was also an accomplished oil painter portraitist engraver and draughtsman. Hogarth mastered the art of depicting human nature and all of its hypocrisies in society with graphic satire. The universality of his humor and the all-too-human characters featured in his works make Hogarth's satires remarkable. This print represents the epitome of Hogarth's skills as an artist and as a conscientious observer of humanity.<br/><br/> Baldwin, Cradock and Joy unknown books
18402132London & New York: E. T. Brain & Co 1840. First edition thus. First edition thus. Large quartos. Two volumes. Sumptuously bound by Morrell in full wavy-grained olive morocco with attractive repeating gilt blossom motif on both covers ornate gilt spines dentelles marbled boards. AEG. A prodigious two volume set in striking matched binding by Morrell. 150 full-page exquisite steel engravings by Hogarth. Very slight wear to corners margins of spine in vol. 1 else fine. <br/><br/> E. T. Brain & Co hardcover books
1812141508London: Boydell & Co 1812. Hardcover. Binding copy. Sold as a collection of prints. Text block clean and secure. Quarter leather with marbled boards; marbled end papers. 370 pp. with 44 bw prints one on blue paper. Recollections and anecdotes about Hogarth's life with a wide array of print subjects corresponding to the text contents. Boydell & Co hardcover books
184142521London: Henry Washbourne 1841. New edition revised corrected and somewhat enlarged 8vo pp. xxxvi 256; engraved frontispiece 56 plates additional text illustrations throughout; original blind-tooled plum cloth minor soiling recently rebacked with brown cloth original gilt-lettered spine laid on; small ink stain at bottom edge of frontispiece and tissue guard not affecting image else interior fine. <br/><br/> Henry Washbourne hardcover books
174522239London: Wm. Hogarth 1745. Stiff Wraps. Six original engravings. Fine. Complete set of 6 etchings each 45 x 63.5 cm. plate size with image size 36 x 45.5 cm. on heavy laid paper. Plates are in the following states: Plate one fifth state Plate two third state Plate three second state Plate four probable third state Plate five fourth state Plate six third state. PAULSEN 228-233. Painted by Hogarth between 1743 and 1745 satirizes 18th-century society: the disastrous results of an ill-considered marriage for money or social status. The plate by plate progression captures usury infidelity syphilis murder and suicide. Plates are bright clean and fresh. First and last plates are presented: the contracted marriage and the death of the bride from syphilis the brace on the child's leg denoting the transmission of her mother's disease. Plates 2-5 on request. Wm. Hogarth unknown books
1955173678Oxford: Clarendon 1955. hardcover. fine/very good. With the Rejected Passages from the Manuscript Drafts and Autobiographical Notes. Frontispiece and several other illustrations. 244pp. Short 4to blue cloth d.w. Oxford: Clarendon Press 1955. A near fine copy in a very good dust wrapper.<br/><br/> Small ownership signature of art historian Meyer Schapiro.<br/><br/> Clarendon unknown books
1772D2485London: Printed by W. Strahan for Mrs. Hogarth 1772. Hardcover. Very Good. Quarter red morocco and marbled paper over boards gilt-stamped lettering on spine 5 raised bands. Spine tips and corners bumped and torn else fine. <br/><br/> Printed by W. Strahan, for Mrs. Hogarth hardcover books
299063London: Baldwin Cradock and Joy. Etching and engraving. Sheet measures 12 3/16" x 8 3/8".<br/><br/> Engraving after a painting by the same name with notable changes accompanied by a lengthy inscription written by Hogarth seeking to illustrate and explain the differences between characters caricatures and outre. Hogarth regarded himself as a character artist and found critics' view of him as a caricaturist to be offensive. The original painting depicts four judges in session appearing disinterested and even asleep. In this engraving eight heads float above the judges each drawn in a different style. The bottom of the text reads "The unfinish'd groupe of Heads in the upper part of this print was added by the author in Oct. 1764: It was intended as a further illustration of what is here said concerning Character Caractura & Outre He worked upon it the Day before his Death which happened the 26th of that month." This is the fifth state of five. In good condition toned with some stains and spots. <br><br>William Hogarth 1697-1764 is considered by many scholars and print enthusiasts as the grandfather of English graphic satire but he was also an accomplished oil painter portraitist engraver and draughtsman. Hogarth mastered the art of depicting human nature and all of its hypocrisies in society with graphic satire. The universality of his humor and the all-too-human characters featured in his works make Hogarth's satires remarkable. This print represents Hogarth's skills as an artist and as a conscientious observer of humanity.<br/><br/> Baldwin, Cradock and Joy unknown books
