41 [With Title Page Illustration by Marc Chagall] Fefer, Itzik; Chagall, Marc (illustrator)Biblio.com
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194343074New York: Folks-farlag Alveltlekher Yidisher kultur-farband 1943. First edition Original boards 8vo 125 pages including illustrations. 21 cm. In Yiddish. Title translates as “Red-Army-ish.â€<br> Holocaust-era collection of poetry by famed Soviet Yiddish poet Itsik Fefer with a title page illustrated by Marc Chagall.<br> Fefer “first joined the Jewish Labor Bund but in 1919 became a member of the Communist Party. Soon after his debut as a Yiddish poet 1920 he became prominent in Soviet-Yiddish literature. In 1922 he formulated his literary credo of proste reyd "simple speech". By nature lyrical and even sentimental his Yiddish was rich and idiomatic and his verses rhythmic and musical. He harnessed himself to the party line and played a central role in the Soviet-Yiddish literary hierarchy.†Encyclopedia Judaica.<br> SUBJECTS: World War 1939-1945 -- Poetry. Yiddish poetry. OCLC: 10793191<br> Light wear to spine but otherwise fresh. Very Good Condition YID-46-22-CCLEXGG. New York: Folks-farlag Alveltlekher Yidisher kultur-farband unknown
1990231441Éditions André Sauret et Éditions Michèle Trinckvel 1990. First printing thus. Hardcover in dust jacket in publisher's slipcase. Fine in fine dust jacket in lightly rubbed near fine slipcase. Translated from French by Tanya Leslie. Text in French and English. Éditions André Sauret et Éditions Michèle Trinckvel hardcover
1991202134Mexico: Fundacion Cultural Televisa 1991. First. paperback. very good. Exhibition Catalogue Octubre 1991 - Enero 1992. Profusely illustrated in color. 508pp. tall thick 4to glossy pictorial wrappers. Mexico: Fundacion Cultural Televisa 1991. Very good.<br/> <br/> Fundacion Cultural Televisa unknown
50-0678Berlin: Galerie Nierendorf 1965. Exhibition poster. 70 x 48 cm. Berlin: Galerie Nierendorf, 1965. unknown
197342580New York: Tudor Publishing Company 1973. First American edition. Hardcover. g- to vg. Folio 13 x 10". 199 3pp. Original acetate over illustrated dust-jacket . Grey cloth with gold lettering to spine and front cover. Illustrated throughout in color and black & white including an original lithographic frontispiece by Marc Chagall.<br /> <br /> "Marc Chagall's "Biblical Message" provides a comprehensive view of the artist's series of 17 large oil paintings and 38 gouaches on Old Testament themes. In these paintings Chagall makes the Bible contemporary by conveying the emotional psychological and philosophical essence of the biblical stories being told" From the Publishers. <br /> <br /> The striking lithographic frontispiece was printed by Mourlot in Paris. Tudor Publishing Company hardcover
196912033Boston: Boston Book and Art Shop Inc 1969. First American Edition. Hardcover with slipcase. Near Fine/Near Fine slipcase. Marc Chagall. 4to. Pp. 179. Illustrated throughout including original lithograph as frontis. Notes and catalog by Fernand Mourlot and Charles Sorlier. Cream cloth lettered in black slight toning to spine in cardboard slipcase. Lacks dustjacket. Third volume in the series on Chagall's lithographs. Boston Book and Art Shop, Inc hardcover
195622222Paris: Mourlot 1956. Other. In excellent condition. 355 by 260mm 14 by 10 inches. Original color lithograph by Marc Chagall. Edition of 6500 unsigned and unnumbered from Verve Vol. VIII Nos. 33/34 — Drawings for the Bible 1956. Published by Tériade Paris 1956. Printed by Mourlot and Draeger Paris. Sheet: 355 by 260mm 14 by 10 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.Verve 1937–1960 was the legendary French art and literary review published in Paris by Tériade. Nos. 33/34 1956 'Drawings for the Bible' is dedicated to Chagall's first great suite of biblical lithographs—16 in color and 12 in black-and-white—created especially for this volume alongside full heliogravure reproductions of his 105 Bible etchings made between 1930 and 1955. The lithographs were printed by Mourlot Frères and Draeger Frères in Paris. This double-issue completed on 10 September 1956 is one of the most significant Chagall publications of the postwar period. The individual lithographs separated from their bound volumes are among the most desirable original Chagall prints available to collectors today.This original color lithograph sheet: 355 by 260mm 14 by 10 inches depicts 'Title pageThe BibleÂ’ TitelblattDie BibelÂ’ Verve 33/34 - Originalfarblithographie'. Published in 1956 Edition of 6500 by Tériade Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 118 Mourlot unknown
16-4763Saint Paul de Vence: March 30 1985. Color photograph. 11 x 16 cm.Jewish Telegraphic Agency April 2 1985:"Marc Chagall the Russian born Jewish painter many of whose masterpieces were on Jewish themes was buried today at Saint Paul De Vence the village in the south of France where he lived and worked for the past 20 years. He died last Thursday at the age of 97.There were no religious rites. Chagall’s widow Valentina Brodsky said the artist had specifically requested that there be no religious service at his burial. A family member recited the Kaddish but without the required minyan.The funeral was attended by a handful of family members and close friends and by diplomats of three nations. Two representatives of the Soviet Embassy in Paris were present as were French Foreign Minister Roland Dumas Minister of Culture Jack Lang and Israel’s Ambassador to France Ovadia Soffer.".L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: March 30, 1985 unknown
16-4762Saint Paul de Vence:March 30 1985. Color photograph. 11 x 16 cm. Signed by hte photographer.Jewish Telegraphic Agency April 2 1985:"Marc Chagall the Russian born Jewish painter many of whose masterpieces were on Jewish themes was buried today at Saint Paul De Vence the village in the south of France where he lived and worked for the past 20 years. He died last Thursday at the age of 97.There were no religious rites. Chagall’s widow Valentina Brodsky said the artist had specifically requested that there be no religious service at his burial. A family member recited the Kaddish but without the required minyan.The funeral was attended by a handful of family members and close friends and by diplomats of three nations. Two representatives of the Soviet Embassy in Paris were present as were French Foreign Minister Roland Dumas Minister of Culture Jack Lang and Israel’s Ambassador to France Ovadia Soffer.". Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence:March 30, 1985 unknown
1975189590New York & Paris: Leon Amiel Publisher / Maeght Editeur 1975. First edition. Oblong hardcover. Features text by De Mandiargues in English. A nicely printed book with numerous color and black and white illustrations along with an original 2 page color lithograph. A fine copy in yellow cloth boards and in a very good plus price clipped dust jacket with a few tears tiny chips and other light wear. Lithograph in fine condition. Leon Amiel Publisher / Maeght Editeur unknown
1971328144New York: Metropolitan Opera Association Inc 1971. Hardcover. Near Fine/Near Fine. First edition. Folio. A little fading along the top edge of the boards else fine in a near fine dustwrapper with some age-toning. Metropolitan Opera Association, Inc hardcover
19-8634Zurich: Stehli Freres S.A. ca. 1960s. Large format color reproduction print poster 15†x 42â€. Very Good. Minor creasing in top margin. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1960s?]. unknown
19-8633Zurich: Stehli Freres S.A. ca. 1960s. Large format color reproduction print poster 15†x 42â€. Very Good. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1960s?]. unknown
Q-0805200355Schocken Books 1946-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Schocken Books paperback
1973mon0004119982Tudor Pub. Co 1973T. hardcover. Good. 1.2000 12.6000 10.0000. Tudor Pub. Co hardcover
19861607529Crown 1986. Reissue. hardcover. Used-Very Good. Cloth dj. 4to. illus. Minor rubbing to dj. not clipped. First printing complete number line. Very sound overall. Crown unknown
1972029932Monaco: André Sauret 1972. Book. Good. Hardcover. 1st Edition. 250mm x 330mm. Jacket has moderate general wear and no tears. Finger marking to bottom corner of page-block. Name to ffep and half-title page. The usual foxing to rear of original lithograph which is otherwise in very good condition. 247pp HEAVY BOOK - ADDITIONAL INTERNATIONAL SHIPPING CHARGE. André Sauret Hardcover
1997Q-1565843223New Press 1997-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! New Press paperback
D03G-02619George Braziller Inc. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. George Braziller Inc. unknown
19732111902158900020Abe shuppan 1973. Soft Cover. Fine. Volume: 1 Abe shuppan paperback
1947059176Paris: Les Editions Du Chene 1947. First Edition . Soft cover. Very Good/Very Good Dustjacket. 15" Tall. 8 Pp. Plain Card With Attached Dust Jacket 15 1/4" X 11 1/8". 15 Fine Full-Color Tipped-In Plates With An Additional Mounted Plate On The Front Of Dustjacket. Contents Lightly And Evenly Aged But Offsetting Browning To Center Of Title Page From Exposed Card Cover Opposite. Likewise To Verso Of Last Card With Mounted Plate On Other Side. Dust Jacket Dusty Small Water Spot Small Chip At Center Of Spine. <br/> <br/> Les Editions Du Chene paperback
22075-Thames & Hudson 1957-. First edition. 280x225mm 152 pages with index. Illustrated with 147 black and white plates plus 6 pages in colour. Decorated cloth. Very good in edge-worn dustjacket with closed tears Marc Chagall: The Graphic Work Russian artist French artist -Thames & Hudson (1957)- hardcover
1945H13578Mount Vernon NY: Printed by Peter Bielenson; Editions Hemispheres 1945. First printing. Hardcover. Very Good. 320 printed this one not numbered from the Bielenson estate but not so identified. Quarto blue paper covered boards very good plus copy with a few tiny spots to front cover some faint offsetting to endpapers otherwise hansome crisp copy. Chagall's drawings printed in blue. Printed by Peter Bielenson; Editions Hemispheres hardcover
198364616Art Books Intl Ltd. Very Good in Very Good dust jacket. 1983. Reprint. Hardcover. 0933516940 . English And French Edition; 15 X 2 X 11 inches; 259 pages . Art Books Intl Ltd hardcover
1972014688Monaco: Editions André Sauret 1972. 1st Edition . Hardcover. Near Fine/Near Fine. 4to - over 9¾ - 12" tall. Bound in gray cloth with black lettering. Includes original lithograph which is in fine condition the rear of which is lightly tanned being made on a different paper <br/> <br/> Editions André Sauret, hardcover
