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3190New York: George Braziller. Near Fine in Very Good dust jacket. 1962. First Edition. Hardcover. 0807604232 . Includes the TWO ORIGINAL LITHOGRAPHS CREATED ESPECIALLY FOR THIS VOLUME. Cover is red cloth with gold lettering on front and spine. DJ covered by original glassine as issued B/W monochrome photo appears to be of Jerusalem off in the distance on both endpapers. Pages are clean and tight. Translated by Elaine Desautels. Printed in France; published in association with Horizon Magazine. Mark Zakharovich Shagal known today all over the world as Marc Chagall was born on July 7 1887 in Vitebsk Belorussia. Chagall's exposure to Cubism resulted in his attempts to incorporate the Cubist multiple points of view and geometrical shapes into his compositions.These earlier life and educational experiences clearly influence Chagall's later work as seen in this volume. "Each of the twelve stained-glass windows reproduced on the following pages is preceded by a preparatory set of drawings and models whose number media dimensions and order of presentation are exactly the same in sequence of each tribe and are arranged as follows." Contents: Original lithographs; Introduction; Dimensions.; Reuben; Simeon; Levi; Judah; Zebulun; Issachar; Dan; Gad; Asher; Naphtali; Joseph; Benjami; Chagall in Reims; Drawings Related to the Windows. The Synagogue of the Hadassah-Hebrew University Medical Center was dedicated on February 6th 1962 as part of Hadassah's Golden Anniversary celebration. The floors and interior walls are made of Jerusalem Stone and the Synagogue is illuminated by a hanging lantern and by sunlight which streams through the magnificent Chagall Windows. Marc Chagall who was present at the dedication spoke of the joy he felt in bringing "my modest gift to the Jewish people who have always dreamt of biblical love of friendship and peace among all people; to that people who lived here thousands of years ago among other Semitic people. My hope is that I hereby extend my hand to seekers of culture to poets and to artists among the neighboring people. " The creation of the Windows was a labor of love to Chagall and his assistant Charles Marq both of whom worked on the project for two years. Marq developed a special process of veneering pigment on glass which allowed Chagall to use as many as three colors on a single uninterrupted pane rather than being confined to the traditional technique of separating each color pane by lean strips. To ensure that each window received the proper light Marq came to Jerusalem and made tests on the spot where each of the windows was to be placed. The Windows represents the 12 sons of the Patriarch Jacob from whom came the Twelve Tribes of Israel. Chagall's Windows are populated by floating figures of animals fish flowers and numerous Jewish symbols. To fully understand the significance of the Windows they must be viewed against Chagall's deep sense of identification with the whole of the Jewish history its tragedies and victories as well as his own personal background in the shtetl of Vitebsk where he was born and grew up. "All the time I was working " he said "I felt my father and my mother were looking over my shoulder and behind them were Jews millions of other vanished Jews of yesterday and a thousand years ago. " Very oversized 5.5#. HMVV. ; Color and B/W Illustrations; 10 x 13 1/4; 210 pages; Cover has light bumping and shelf wear few very faint and small scuff marks. Sunning of top of pages some dark smudging on bottom corners of some of the pages visible only on the outside does not intrude into page at all; ca. 1 1/2" x 3/4" faint glue residue mark possibly from name label at top of front end paper. DJ has some rippling as does the accompanying glassine cover original. 1/4" x 1/2" triangular nick at top of spine tiny bit of DJ and glassine missing rest still present. 1" closed tear at top of back through DJ and glassine; some edgewear to top and bottom. . George Braziller hardcover
196921215811969. Paris: Andre Sauret.1969. Folio. Original tan cloth with black lettering to spine and pictorial dust jacket; contains two original lithograph on dust jacket and forntispiece; pp. 179 3; fine. First edition of the third catalogue raisonne of Chagall's lithographs with an introduction by Julien Cain legendary general administrator of the Bibliotheque Nationale de France before the Nazi occupation.Julien Cain writes in his introduction to this spectacular and invaluable contribution to the iconic artists mesmorising ouevre ""Chagall's secret is that he remained without theory without method.he was content instead to 'sing like a bird'"" emphasizing Chagall's refusal to abide by prescriptive artsitic philosophies. He goes onto quote the artist himself ""What seems strange is clear"".Catalogue and notes are by Ferdinand Mourlot and Charles Sorier. hardcover
1962184813New York: George Brazillier & André Sauret 1962. First edition in English with two original Chagall lithographs bound in as issued. This colourful volume presents Chagall's stained-glass windows; 12 designs depicting the ancient tribes of Israel. The series was met with worldwide praise and recognized as a fine specimen of modern religious art. The windows were first exhibited in Paris in June 1961 and later at the Museum of Modern Art in New York before they found a permanent home at the Hadassah-Hebrew University Medical Centre in Jerusalem in February 1962. The Jerusalem Windows published the same year as the French edition Vitraux pour Jerusalem remains the definitive work on the windows and is renowned for the richness of its illustrations. Chagall produced 2 original lithographs especially for this book and directed the printing of a further 36 lithographs of preparatory colour designs. Tall quarto. Illustrated throughout with 2 original lithographs and 36 colour preparatory lithographic designs some of which are in 20 colours all printed by Mourlot Fréres with further black and white photographs and illustrations. Original red cloth spine and front cover lettered in gilt pictorial endpapers. With dust jacket. A couple of bumps spot of wear to bottom edge of front board foxing to endpapers edges and occasionally margins abrasion and overprice sticker to front free endpaper; jacket clipped edges nicked with a few short closed tears light foxing to verso: a very good copy in like jacket. hardcover
07-0355Saint Paul: Fondation Maeght 1967. Exhibition poster. Original lithograph. 86 x 57 cm. 34 x 22.5 in. Edtion of 2000. Mourlot 476. Sorlier Chagall's Posters p. 52. Wrinkling in lower left side margin. Saint Paul: Fondation Maeght, 1967 unknown
1965W2555Paris: Mourlot 1965. Marc Chagall was a Russian-born Jew who become one of the most influential artists of the 20th century. Offered here is an original color lithograph from his portfolio "Bible Lithographs" published in Verve in 1956. The image was later pictured in the catalogue for the grand opening of the Marc Chagall National Museum in Nice in 1973. Not long before Henri Matisse's death in 1954 Pablo Picasso remarked "When Matisse dies Chagall will be the only painter left who understands what colour really is." This lithograph demonstrates the core truth in that judgment. "David and Bathsheba" is one of Chagall's most sought-after lithographs and it has frequently been the featured illustration in books about them. In Charles Sorlier's Chagall: Le Livre des Livres / Illustrated Books it is the frontispiece the rear cover illustration and the image that illustrates the issue of Verve in which it was first published. Image/sheet size is 14 inches by 10 ¾ inches. In as-new condition: clean bright and crisp. Mourlot 132. Original. Single Sheet. Fine. Illus. by Marc Chagall. Folio - over 12" - 15" tall. Fine Art Print. Mourlot
1962252225New York: Braziller 1962. hardcover. fine/near fine. Chagall Marc. Text & Notes by Jean Leymarie. Illustrated with 2 original color lithographs & 106 plates including 64 in full color. 4to red cloth pictorial d.w. slighted roughed at edges. New York: George Braziller 1962. First American edition. A fine copy in a near fine dust wrapper.<br/> <br/> Finely printed with hand-composed type and the two original lithographs created by Chagall especially for this book.<br/> <br/> Braziller unknown
196225690NY: George Braziller 1962. Light edgewear to boards. Dj shows moderate edgewear and several closed tears. Gift inscription at second flyleaf. Two original lithos present. Hard Cover. Very Good/Good. George Braziller Hardcover
51-6078New York: circa 1965. Red cloth-covered illustrated cloth board with the following Handwritten at the top in gold ink: "À Mr. et Mrs. Schack en bon souvenir de Marc Chagall / N. Y"; matted and preserved behind glass in wood and cloth frame wired for hanging. Frame: 27 1/4 x 23 1/4 in.; Image size 10 1/4 x 8 1/2 in.From the Collection of Professor Roberto Severino Washington D.C.Wraps browned with edge wear scuffs creases and folds and small losses ink manuscript and stickers on front and 1 1/2-in tear to back cover; spine creased with losses and tears at head and tail; interior with light toning offsetting light to heavy foxing and small damp stains not impacting images. 1 frontespizio e 60 belle vedute in calcografia. Il frontespizio è ritagliato e applicato su una carta in principio di volume. New York: circa 1965 paperback
196281278New York: George Braziller 1962. First English Language Edition. First Printing. Folio 33.5cm; red cloth with titles stamped in gilt on spine and front cover; photo-illustrated endpapers; publisher's dustjacket and original acetate overlay; publisher's slipcase; 1011-2106pp; illus. Fine in a Fine unclipped dustjacket priced $35 showing some trivial wear at the crown; acetate overlay is a bit wavy else Near Fine; gentle sunning to slipcase extremities else very Near Fine. Pre-eminent modern artist Marc Chagall was nearly 70 when he began working on his first major stained glass projects during the mid-to-late 1950's. In 1959 he was commissioned to create a set of stained glass windows for Abbell Synagogue at the Hadassah-Hebrew University Medical Center in Jerusalem. Upon completion the Jerusalem Windows enjoyed two short exhibitions in Paris and New York before their permanent installation in the synagogue in 1962. These twelve masterpieces in stained glass each representing one of the twelve tribes of Israel are showcased in this lush folio which also includes two original lithographs Chagall created exclusively for this publication.<br /> <br /> Readers may observe the development of the windows through a procession of preparatory sketches in pencil ink and watercolor; the final models are represented on full page color plates 36 total. Additional commentary by Jean Leymarie explains the religious significance of each subject as well as Chagall's artistic intentions. An additional chapter details the assembly of the windows themselves and the book concludes with a selection of sketches and paintings related to the project. George Braziller unknown
19621395875Monte Carlo: André Sauret 1962. First English Language Edition. Hardcover. Quarto 210 pages. In Very Good minus condition with a Very Good minus dust jacket. <br /> <br /> Bound in red cloth with gilt lettering to spine and front board. Mild shelf wear to boards including rubbing to cloth and age-toning to text block light foxing to top; occasional age-toning to margins of interior pages artwork unaffected; signed by previous owner to front free endpaper; includes two original lithographs created especially for this book on pages 4 and 9. <br /> <br /> Dust jacket protected by a mylar covering; black spine with yellow lettering. Mild shelf wear to dust jacket including chipping with material loss to margins and corners; small closed tear to top margin of front cover; price uncut: "$35". <br /> <br /> Shelved in Case 11. 1395875. Shelved Dupont Bookstore. André Sauret hardcover
196251563E-104: George Braziller / Andre Sauret. Very Good in Very Good dust jacket. 1962. First Edition; First Printing. Hardcover. Hardcover. 4to. George Braziller. 1962. 210 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. Both lithographs are present. Slipcase worn and starting to split at the joints. DJ has light shelf-wear present to the DJ. No ownership marks present. Bound in cloth boards with gilt titles present. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Chagall's celebrated stained-glass windows symbolizing the twelve tribes of ancient Israel are reproduced and presented together with notes on their historical meanings and artistic creation and significance. E-104; 4to 11" - 13" tall; 211 pages . George Braziller / Andre Sauret hardcover
1962240490Monte Carlo: Andre Sauret 1962. First. hardcover. fine/near fine. Chagall Marc. Text & Notes by Jean Leymarie. Illustrated with 2 original color lithographs & 106 plates including 64 in color. Tall 4to black-lettered gray cloth pictorial d.w. very slight edgewear. Monte Carlo: Andre Sauret 1962. First edition. A fine copy in a near fine dust wrapper and original acetate overwrapper.<br/> <br/> A handsome book with hand-composed type and two lithographs especially created by Chagall for this book printed by Mourlot Freres.<br/> <br/> Andre Sauret unknown
1962168473Monte Carlo: Andre Sauret 1962. First. hardcover. near fine/very good. Chagall Marc. Text by Jean Leymarie. Beautifully illustrated with 2 original color lithographs and numerous other color and black and white plates throughout. 210 pages with text in French. Large 4to pale gray cloth d.w. Monte Carlo: Andre Sauret 1962. First edition.<br/> <br/> A near fine copy in a very good wrapper with a light wear at spine ends. Ownership signature of art historian Meyer Schapiro.<br/> <br/> Andre Sauret unknown
1958B-2022-1111Derrière le miroir N.107-108-109 June-July 1958 "Sur quatre murs" Paris. With 4 original lithographs by Miró Chagall Giacometti Tan-Coat. Texts by Léger Kandinsky Matisse Miró and Bazaine.<br />In very good conditions. Maeght Editeur
195723397Paris: Maeght Editeur 1957. Portfolio. Very Good. Impressive 1957 Marc Chagall portfolio #99-100 in the formidable "Derriere Le Miroir" series issued by Maeght Edituer of Paris. 4 original color lithographs 2 of them gate-folds and 3 original lithographs in black-and-white. A bright presentable copy of this the 1st and only edition. Light wear along the spine just a bit of very mild soiling to the front panel. Folio pictorial wrappers loose signatures as issued complete. Essay "Chagall a Sa Juste Place" by Jean Paulhan. Maeght Editeur unknown
16-3584Monte Carlo: André Sauret 1960-1974. 4 vols. in original dust-jackets . French text.Lacking the other original lithographs.Very good. Monte Carlo: André Sauret, 1960-1974. unknown
12-0043Monte Carlo: André Sauret 1960-74. Large 4to. First four of six volumes without lithographs. Text in German. Very good or better in dust jackets. Monte Carlo: André Sauret, 1960-74. unknown
19626073ANDRE SAURET1962 FRANCE 1962. First Edition. . Hardcover. Fine. Price negotiable RARE! MORE PHOTOS OF BOOK EMAILED UPON REQUEST; Book <br/> <br/> ANDRE SAURET,1962 FRANCE hardcover
65678New York 1945 Hardcover. Binding Pulled. Drawings by Marc Chagall. Inscription in Yiddish. Bookplate. Good New York, 1945 hardcover
192948295Paris: Au sans pareil 1929. Fine. Au sans pareil Paris 1929 13 x 19.50 cm broché First edition one of 1000 numbered copies on alfa paper the only printing with 9 on Japan paper and 31 on Hollande paper. Surprising autograph inscription dated and signed by Philippe soupault "" A Laurent Tailhade en témoignage de mon admiration."" With 4 drawings by Marc Chagall. Two tears glued to head and foot of a joint spine and covers slightly and marginally sunned as usual. Au sans pareil unknown
197214689Paris Maeght Éditeur 1972. Folio. 28 pp. Illustrated in colour and b/w. Containing 3 original lithographs by Marc Chagall frontcover and 2 other 1 double-page. unknown
19193687Budapest: Ma Krausz J. és Társa 1919. Fine condition. 13 x 9 cm. Ma Krausz J. és Társa unknown
1962373915New York: Braziller; Monte Carlo: Andre Sauret 1962. First American Edition. Two original lithographs profusion of color and black and white illustrations. 1 vols. Folio 13.25 X 10.25 inches. Original light gray cloth lettered in black. Fine copy in illustrated dust jacket. Chagall Marc. First American Edition. Two original lithographs profusion of color and black and white illustrations. 1 vols. Folio 13.25 X 10.25 inches. This work chronicles and beautifully illustrates Chagall's designs for the TWELVE brilliant windows of the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Braziller; Monte Carlo: Andre Sauret unknown
68365Skira 1956. First edition first printing. SIGNED. Fine bright white woven boards with red titles and design in like dust jacket. An absolute exquisite copy given that it is fully signed by the artist Marc Chagall on the full title page which also includes an original drawing by Chagall blending into the original color plate. Clean text with highly decorative color plates and text by Chagall. Decoratively signed in full by Marc Chagall on the colorful frontispiece which includes a drawing with his signature and the date 1975 Skira , 1956 hardcover
196036841Paris: Mourlot 1960. In ausgezeichnetem Erhaltungszustand. 35 x 26 cm 13.75 x 1025 inches. Original color lithograph by Marc Chagall from Original Lithograph 1960. Published by Mourlot Paris 1960. Printed by Mourlot Paris. Sheet: 35 x 26 cm 13.75 x 1025 inches. One of Chagall's most celebrated biblical prints — a collector's original not a reproduction. Marc Chagall 7 July 1887 – 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealism—yet belonging to none—he was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Nice—inaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.This original color lithograph was produced during Chagall's most prolific printmaking period printed at the celebrated Mourlot studio in Paris under the supervision of master lithographer Fernand Mourlot. The Mourlot studio was Chagall's primary printmaking partner from 1950 onwards and its impeccable technical standards ensured that each impression faithfully conveyed the luminosity and color of the original stone drawings.This original color lithograph sheet: 35 x 26 cm 13.75 x 1025 inches depicts 'Creation - Die Schöpfung'. Published in 1960 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's biblical lithographs are among the most sought-after prints in his œuvre combining deep spiritual feeling with the dreamlike palette and symbolic imagery that define his unique vision. Collectors of 20th-century graphic art prize these works for their authenticity as original lithographs—not reproductions—and for their place in one of the most celebrated print suites of the postwar era. Die Auflage betrug 6500 Exemplare unsigniert und nicht nummeriert. Mourlot 234 Cramer 42 Mourlot unknown