Chagall, Marc, Leymarie, JeanBiblio.com
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D03G-02619George Braziller Inc. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. George Braziller Inc. unknown
1988149849PARK LANE 1988 hardback book and dust jacket in near fine condition. Hardcover. Near Fine/Near Fine. PARK LANE hardcover
mon0000100098George Braziller 1962-01-01. Hardcover. Good. 1.3000 13.3000 10.2000. Hardcover in dust jacket and original glassine clear protective cover. Includes two original lithographs by Marc Chagall. Internally the book is Very good. Light bump to head of dust jacket. Original letter laid in from Horizon Publishers regarding the book dated 1962. Dust jacket is VG- Light bump to head of spine. One 1/4"" closed tear to foot of front panel. Touch of rubbing along foot edge of dust jacket on front and rear. VG- George Braziller hardcover
1962102129First 1962 edition.: George Braziller. Fine in Fine dust jacket. 1962. Hardcover. Tall hardcover monograph in bright red cloth gilt titles to cover and spine; in publisher's acetate protected pictorial dustjacket. First Edition1962. Book and jacket are both in near fine to fine condition. This edition was designed and printed with full creative imput from Marc Chagall: it includes two oiriginal full color lithographs prepared by the artist for this editioin and printed by Mourlot Freres Paris. Along with full color fine reproductions throughout. Laid in is a four page Horizon Magazine description and promotional letter to the reader dated September 14 1962 wherein the Co-Publisher Horizon describes in detail the production of the book along with the close workings with the artist. Small sticker memory to upper corner of the front endpaper as well as a smaller one on the upper corner of the front flyleaf. Large 4to. 213 pp. ; 4to 11" - 13" tall . George Braziller hardcover
1988Q-0517658305Random House Value Publishing 1988-04-09. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Random House Value Publishing hardcover
1975Q-0807608076George Braziller Inc 1975-09-17. Paperback. New. New. In shrink wrap. Looks like an interesting title! George Braziller Inc paperback
1962219682NY: George Braziller / Monte Carlo: Andre Sauret 1962. First American edition. Hardcover. A few very small minor black smudges to the back cover else very good plus clean & tight condition / several tiny chips to the still bright dust jacket with acetate cover / cardboard slipcase a bit discolored photographs upon request. Size: 10.25"x13.25" red cloth two original lithographs created by Chagall for this work and printed by Mourlot Freres 104 plates with 64 in colour 211pp. George Braziller / Monte Carlo: Andre Sauret hardcover
19629438Monte Carlo: Andre Sauret 1962. First Edition. Hardcover. Very good/very good. Folio 210pp. illustrated. A very good copy in the publisher's grey cloth gently bumped at the corners. In a very good dust jacket with some corner wear and the original clear outer dust jacket which has a large piece missing from the front panel else complete. This is the true first edition whcih includes two bound-in lithographs executed by Chagall. This French issue textually identical to the New York issue appears to be differentiated by the grey cloth binding and the "Andre Sauret" imprint on the jacket spine. It seems to be significantly scarcer in commerce than the American issue. A stunningly beautiful book one of Chagall's great achievements. Andre Sauret hardcover
1962171817George Braziller 1962. First U.S. edition. Hardcover in dust jacket in publisher's mylar cover. Housed in publisher's cardboard slipcase. Faint wear still fine in fine dust jacket in publisher's mylar cover and good only tape-repaired publisher's slipcase. George Braziller hardcover
196779558New York NY: George Braziller 1967. First Revised Edition. Hardcover. Good. Marc Chagall. xix 1 111 11 pages. Note on fep. Includes Introduction as well as the dimensions of the preparatory drawings The Stained-Glass Windows and the Details. Some scuffing and wear to cover and corners. Minor spine weakness at third color plate restrengthened with glue. Each of the twelve stained-glass windows reproduced is preceded by a preparatory set of drawings and models whose number media dimension and order of presentation are exactly the same in the sequence of each Tribe and are arranged as follows: -------------------------------------------------------------------------------------------------------------Height Width First sketch pencil pen and India ink.7-7/8'' X 5-7/8'' Preparatory drawing India ink and wash.15-7/7-8" X 11 -5/8" First color skitch India ink and watercolor.7-7/8'' X 5-7/8" Small model gouache and collage.8-5/8'' X 18-7/8" Final model gouache and collage.16-1/2'' X 12-1/2" Marc Chagalla born Moïche Zakharovitch Chagalov;7 6 July 1887 - 28 March 1985 was a Russian-French artist of Belarusian Jewish origin. An early modernist he was associated with several major artistic styles and created works in a wide range of artistic formats including painting drawings book illustrations stained glass stage sets ceramic tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" though Chagall saw his work as "not the dream of one people but of all humanity". For decades he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass he produced windows for the cathedrals of Reims and Metz windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings including part of the ceiling of the Paris Opéra. He had two basic reputations: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris where "he synthesized the art forms of Cubism Symbolism and Fauvism and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist whose work was one long dreamy reverie of life in his native village of Vitebsk." In 1960 he began creating stained glass windows for the synagogue of Hebrew University's Hadassah Medical Center in Jerusalem. Leymarie writes that "in order to illuminate the synagogue both spiritually and physically" it was decided that the twelve windows representing the twelve tribes of Israel were to be filled with stained glass. Chagall envisaged the synagogue as "a crown offered to the Jewish Queen" and the windows as "jewels of translucent fire" she writes. Chagall then devoted the next two years to the task and upon completion in 1961 the windows were exhibited in Paris and then the Museum of Modern Art in New York. They were installed permanently in Jerusalem in February 1962. Each of the twelve windows is approximately 11 feet high and 8 feet 2.4 m wide much larger than anything he had done before. Cogniat considers them to be "his greatest work in the field of stained glass". In 1973 Israel released a 12-stamp set with images of the stained-glass windows. The windows symbolize the twelve tribes of Israel who were blessed by Jacob and Moses in the verses which conclude Genesis and Deuteronomy. In those books notes Leymarie "The dying Moses repeated Jacob's solemn act and in a somewhat different order also blessed the twelve tribes of Israel who were about to enter the land of Canaan. In the synagogue where the windows are distributed in the same way the tribes form a symbolic guard of honor around the tabernacle." Leymarie describes the physical and spiritual significance of the windows: The essence of the Jerusalem Windows lies in color in Chagall's magical ability to animate material and transform it into light. Words do not have the power to describe Chagall's color its spirituality its singing quality its dazzling luminosity its ever more subtle flow and its sensitivity to the inflections of the soul and the transports of the imagination. It is simultaneously jewel-hard and foamy reverberating and penetrating radiating light from an unknown interior. At the dedication ceremony in 1962 Chagall described his feelings about the windows: For me a stained glass window is a transparent partition between my heart and the heart of the world. Stained glass has to be serious and passionate. It is something elevating and exhilarating. It has to live through the perception of light. To read the Bible is to perceive a certain light and the window has to make this obvious through its simplicity and grace. The thoughts have nested in me for many years since the time when my feet walked on the Holy Land when I prepared myself to create engravings of the Bible. They strengthened me and encouraged me to bring my modest gift to the Jewish people-that people that lived here thousands of years ago among the other Semitic peoples. George Braziller hardcover
196215334JMonte Carlo: Andre Sauret 1962. First Edition. Contains two original color lithographs created and printed by Chagall with Mourlot Freres the great Paris art lithographers. Both lithographs are in fine condition. Text in English. Bound in full gilt-stamped red cloth. Large volume measuring 12 1/2 tall x 9 1/2 inches wide cloth 211 pages. Fine in near fine dust jacket with the original clear acetate present as well. Andre Sauret hardcover
19621703013George Braziller 1962. 1st Edition. Hardcover. Very Good/Very Good. The first edition with two original lithographs by Chagall. Very good with the original acetate dust jacket. Rare thus. George Braziller hardcover
19-9432New York: George Braziller 1967. . Folio. 120 pp. Red cloth-covered boards. Pictorial color dust jacket with protective brodart mylar cover. Very good with chipped and stained dust jacket and edgewear along binding. Ex-library. Mostly full-page color plates. First revised edition. Stamped nameplate and embossed stamp reading “Library of Pasquale Iannetti.†Printed in the Netherlands. New York: George Braziller, 1967. hardcover
196251563E-104: George Braziller / Andre Sauret. Very Good in Very Good dust jacket. 1962. First Edition; First Printing. Hardcover. Hardcover. 4to. George Braziller. 1962. 210 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. Both lithographs are present. Slipcase worn and starting to split at the joints. DJ has light shelf-wear present to the DJ. No ownership marks present. Bound in cloth boards with gilt titles present. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Chagall's celebrated stained-glass windows symbolizing the twelve tribes of ancient Israel are reproduced and presented together with notes on their historical meanings and artistic creation and significance. E-104; 4to 11" - 13" tall; 211 pages . George Braziller / Andre Sauret hardcover
1962BC06E-007Gearge Braziller Inc. 1962. Book. Illus. by Chagall Marc. Very Good. Hardcover. 1st Edition. Folio - over 12" - 15" tall. Hardcover in lightly worn acetate covered DJ. Book is COMPLETE. no slipcase. Gearge Braziller, Inc. Hardcover
1962252225New York: Braziller 1962. hardcover. fine/near fine. Chagall Marc. Text & Notes by Jean Leymarie. Illustrated with 2 original color lithographs & 106 plates including 64 in full color. 4to red cloth pictorial d.w. slighted roughed at edges. New York: George Braziller 1962. First American edition. A fine copy in a near fine dust wrapper.<br/> <br/> Finely printed with hand-composed type and the two original lithographs created by Chagall especially for this book.<br/> <br/> Braziller unknown
3190New York: George Braziller. Near Fine in Very Good dust jacket. 1962. First Edition. Hardcover. 0807604232 . Includes the TWO ORIGINAL LITHOGRAPHS CREATED ESPECIALLY FOR THIS VOLUME. Cover is red cloth with gold lettering on front and spine. DJ covered by original glassine as issued B/W monochrome photo appears to be of Jerusalem off in the distance on both endpapers. Pages are clean and tight. Translated by Elaine Desautels. Printed in France; published in association with Horizon Magazine. Mark Zakharovich Shagal known today all over the world as Marc Chagall was born on July 7 1887 in Vitebsk Belorussia. Chagall's exposure to Cubism resulted in his attempts to incorporate the Cubist multiple points of view and geometrical shapes into his compositions.These earlier life and educational experiences clearly influence Chagall's later work as seen in this volume. "Each of the twelve stained-glass windows reproduced on the following pages is preceded by a preparatory set of drawings and models whose number media dimensions and order of presentation are exactly the same in sequence of each tribe and are arranged as follows." Contents: Original lithographs; Introduction; Dimensions.; Reuben; Simeon; Levi; Judah; Zebulun; Issachar; Dan; Gad; Asher; Naphtali; Joseph; Benjami; Chagall in Reims; Drawings Related to the Windows. The Synagogue of the Hadassah-Hebrew University Medical Center was dedicated on February 6th 1962 as part of Hadassah's Golden Anniversary celebration. The floors and interior walls are made of Jerusalem Stone and the Synagogue is illuminated by a hanging lantern and by sunlight which streams through the magnificent Chagall Windows. Marc Chagall who was present at the dedication spoke of the joy he felt in bringing "my modest gift to the Jewish people who have always dreamt of biblical love of friendship and peace among all people; to that people who lived here thousands of years ago among other Semitic people. My hope is that I hereby extend my hand to seekers of culture to poets and to artists among the neighboring people. " The creation of the Windows was a labor of love to Chagall and his assistant Charles Marq both of whom worked on the project for two years. Marq developed a special process of veneering pigment on glass which allowed Chagall to use as many as three colors on a single uninterrupted pane rather than being confined to the traditional technique of separating each color pane by lean strips. To ensure that each window received the proper light Marq came to Jerusalem and made tests on the spot where each of the windows was to be placed. The Windows represents the 12 sons of the Patriarch Jacob from whom came the Twelve Tribes of Israel. Chagall's Windows are populated by floating figures of animals fish flowers and numerous Jewish symbols. To fully understand the significance of the Windows they must be viewed against Chagall's deep sense of identification with the whole of the Jewish history its tragedies and victories as well as his own personal background in the shtetl of Vitebsk where he was born and grew up. "All the time I was working " he said "I felt my father and my mother were looking over my shoulder and behind them were Jews millions of other vanished Jews of yesterday and a thousand years ago. " Very oversized 5.5#. HMVV. ; Color and B/W Illustrations; 10 x 13 1/4; 210 pages; Cover has light bumping and shelf wear few very faint and small scuff marks. Sunning of top of pages some dark smudging on bottom corners of some of the pages visible only on the outside does not intrude into page at all; ca. 1 1/2" x 3/4" faint glue residue mark possibly from name label at top of front end paper. DJ has some rippling as does the accompanying glassine cover original. 1/4" x 1/2" triangular nick at top of spine tiny bit of DJ and glassine missing rest still present. 1" closed tear at top of back through DJ and glassine; some edgewear to top and bottom. . George Braziller hardcover
19623266New York: George Braziller 1962. First edition. Hardcover. Orig. red cloth. Fine in fine dust wrapper. Chagall Marc. 210 pages. Folio 33.5 x 25 cm. Including the two original color lithographs. Text and Notes by Jean Leymarie. Compiled by Andre Sauret text composed by hand in "Romain Du Roi" printed by The Imprimerie Nationale De France. The 36 preparatory color designs some of which are in 20 color were transfered to the stones by Charles Sorlier under the direction of Marc Chagall and printed by Mourlot Freres. Lovely very fresh copy. George Braziller hardcover
1962240490Monte Carlo: Andre Sauret 1962. First. hardcover. fine/near fine. Chagall Marc. Text & Notes by Jean Leymarie. Illustrated with 2 original color lithographs & 106 plates including 64 in color. Tall 4to black-lettered gray cloth pictorial d.w. very slight edgewear. Monte Carlo: Andre Sauret 1962. First edition. A fine copy in a near fine dust wrapper and original acetate overwrapper.<br/> <br/> A handsome book with hand-composed type and two lithographs especially created by Chagall for this book printed by Mourlot Freres.<br/> <br/> Andre Sauret unknown
1962ABE-347212092New York: George Braziller Inc. in association with Horizon Magazine 1962. 1962. folio. pp. 210 2 leaves. 2 original colour lithographs by Chagall printed by Mourlot Freres. profusely illus. many colour. cloth cover fore-edge margins soiled. dw. Hardcover. [New York]: George Braziller, Inc., in association with Horizon Magazine, [1962]. Hardcover
02-1130New York: Braziller 1962. With two original color lithographs M.365 and M.366 and 36 color lithographs after Chagall by Charles Sorlier. Excellent original dust jacket with price clipped. Cramer. no. 49. Ex libris on paste-down of Deana N Bezark born Newberger 1908 – 1998. Parents: Herman Hyman Newberger and Johanna Yoheved Newberger born Fischer. Deana married Leslie Bezark. Leslie was born in 1906 in Chicago Cook County Illinois. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs some in twenty colors were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs along with two original lithographs by Chagall were printed by Mourlot Frerès. New York: Braziller, 1962. unknown
196225690NY: George Braziller 1962. Light edgewear to boards. Dj shows moderate edgewear and several closed tears. Gift inscription at second flyleaf. Two original lithos present. Hard Cover. Very Good/Good. George Braziller Hardcover
07-0750New York: Braziller 1962. WIth two original color lithographs M.365 and M.366 and 36 color lithographs after Chagall by Charles Sorlier. Original Dust jacket with tears and loss of part of front flap.Fold mark at edge of upper right corner of many pages. Not very perceptible in the lithographs. Cramer. no. 49. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs some in twenty colors were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs along with two original lithographs by Chagall were printed by Mourlot Frerès. New York: Braziller, 1962. unknown
195735542Paris: Mourlot 1957. In excellent condition. 23 x 20 cm 9 x 775 inches. Original color lithograph by Marc Chagall. Edition of 6000 unsigned and unnumbered from Jacques Lassaigne Marc Chagall 1957. Published by Mourlot Paris 1957. Printed by Mourlot Paris. Sheet: 23 x 20 cm 9 x 775 inches. A luminous evocation of Chagall's beloved France from one of the 20th century's greatest colorists. Marc Chagall 7 July 1887 28 March 1985 was one of the most celebrated and beloved artists of the 20th century. Born Marc Zakharovich Shagal in Vitebsk Belarus then part of the Russian Empire he trained in Saint Petersburg before moving to Paris in 1910 where he became part of the vibrant avant-garde of Montparnasse. Drawing on Jewish folk tradition Russian culture and the imagery of his Belarusian childhood Chagall developed a uniquely dreamlike visual language infused with lovers floating above villages fiddlers on rooftops animals angels and mystical biblical scenes. Associated with Fauvism Cubism and Surrealismyet belonging to nonehe was the quintessential 'School of Paris' master. His monumental stained-glass windows ceiling paintings including the Paris Opéra and tapestries brought his vision to public spaces worldwide. Chagall's work is held at MoMA in New York the Tate in London the Centre Pompidou in Paris the Guggenheim and the Musée National Marc Chagall in Niceinaugurated in 1973 and dedicated to his biblical message cycle. He remains one of the most sought-after names in 20th-century prints with original lithographs consistently coveted by collectors worldwide.The 1957 monograph 'Marc Chagall' by art critic Jacques Lassaigne published by Fernand Mourlot in Paris contained a suite of original color lithographs specially created by Chagall for the publication. Printed at the celebrated Mourlot studiowhere Chagall had worked closely with master lithographer Fernand Mourlot since the 1940sthe volume was issued in an unsigned and unnumbered edition of 6000 copies distributed internationally. The lithographs from this monograph are prized for their intimate scale and the characteristic warmth of Chagall's palette in this period.This original color lithograph sheet: 23 x 20 cm 9 x 775 inches depicts 'The ladder selfportrait - Die Leiter'. Published in 1957 Edition of 6000 by Mourlot Paris this work is a fine example of Chagall's graphic production of the period printed at the celebrated Mourlot studio in Paris under the direct supervision of Fernand Mourlot. Each color was applied from a separate lithographic stone resulting in the luminous layered palette that makes Chagall's prints instantly recognizable. Chagall's images of Paris the Côte d'Azur and the South of France reflect his deep love for his adopted homeland. From the rooftops of Montparnasse to the luminous bays of Nice and Vence these lithographs capture a France bathed in the artist's signature warm light and poetic fantasy. In excellent condition. Colors vivid and unfaded. No tears creases or foxing. Ready to frame. Mourlot 200 Mourlot unknown
195725621Paris: Mourlot 1957. In excellent condition. 22.9 x 202 cm 9 x 8 inches. Original lithograph in colours published in the series by J. Lassaigne in 1957 Paris. Edition 6000 unsigned and unnumbered copies. Mourlot 200 Mourlot unknown
