1 586 résultats
19532092902137306615Bijutsu shubbansha 1953. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
1996125181Bremen: Donat Verlag, 1996. 111 S. ; 27 x 21 cm ; kart. ;
19833679DBAntibes., Musee D'Antibes., 1983. 24 x 22 cm. 55 S. Illustrierter OKarton., 3679D Erste Auflage. Einbandkanten mit kleinen Bereibungen, etwas angestaubt. Sonst gutes Exemplar.
199969278Reunion Des Musees Nationauxfrance. New. 1999. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 344 pp. With 332 ills. 91 col. . 29 x 29 cm. -- with a bonus offer--; 1.5 x 11.34 x 10.87 Inches . Reunion Des Musees Nationaux,france hardcover
19228303New York: Broom 1922. First Edition. Quarto 33.5cm; original pictorial wrappers; 23-67 7pp ads; illus. Some toning dust-soil and scattered foxing to wrappers light wear to extremities a few streaks and scattered stains to rear wrapper with faint foxing to text margins; majority of pages are unopened; complete and Very Good. Late issue of Harold Loeb's extraordinary avant-garde literary magazine published between Rome Berlin and New York from 1921-1924. This issue includes contributions by Jean Toomer Fyodor Dostoevsky Malcolm Cowley Pablo Picasso Louis Grudin Louis Kassak and Albert Ehrenstein et al. See Hoffman The Little Magazine p.261. 8303. Broom unknown
19228718Rome: Harold A. Loeb 1922. First Edition. Quarto 33cm; original pictorial wrappers; pp.273-3522pp; illus. Some toning wear and dust-soil to wrappers with some small tears and creasing as usual to the yapped edges and a small faint stain to front cover; contents clean and complete; Very Good. An attractive issue of Harold Loeb's extraordinary avant-garde literary magazine published between Rome Berlin and New York from 1921-1924. This issue includes contributions by e.e. cummings Robert M. Coates Elinor Wylie Jean Epstein Jeanette Marks Picasso Modigliani and others. Cover design by French painter sculptor and filmmaker Fernand Leger 1881-1955. 8718. Harold A. Loeb unknown
1955147884Paris: Galerie Louise Leires 1955. Signed by Picasso Edition of 50. Signed in pencil lower right by Picasso numbered lower left. Aquatint and drypoint on vélin d'Arches watermarked wove paper all edges untrimmed. Plate size: 64.6 x 49.7 cm. Sheet size: 76.5 x 57 cm. Framed size: 105 x 88 cm. Paper toned hinging tape to upper edge and corners of verso otherwise bright. Presented in a white gold frame with conservation acrylic glazing. Bloch 771; Baer 927. unknown
193777186Paris 1937. Stor 4to. Originalt typografisk omslag. Omfatter s. 105-164. Gjennomillustrert i svart/hvitt. Med et pochoir kolorert litografi av Juan Miró - “Aidez l’Espagneâ€. Large 4to. Publishers typographical wrappers. Contains pages 105-164. Illustrated throughout in black and white With one pochoir coloured lithograph by Juan Miró - “Aidez l’Espagneâ€. Éditions “Cahiers d’artâ€. Fransk. <br/><br/><em>Eksemplaret er noe slitt men komplett med det berømte litografiet av Juan Miró - “Aidez l’Espagneâ€. Heftet tar for seg artikler om Picasso og hans verk “Guernicaâ€. Litografiet av Miró i meget god stand. This copy is somewhat worn still complete with the very famous lithograph by Juan Miró. The content deals mostly with the works of Picasso and “Guernicaâ€. The Miró lithograph in very good condition. </em> unknown
191878956Paris: Mercure de France 1918. Fine. Mercure de France Paris 1918 14.50 x 23 cm relié First edition a first impression copy numbered in the press. Binding in half brown morocco spine in five compartments gilt date at the foot geometric pattern paper boards and endpapers in the same paper top edge gilt wrappers and spine preserved in perfect condition binding signed by T. Boichot. Apollinaire's second major poetic work with bold graphic innovations and a portrait of Guillaume Apollinaire by Pablo Picasso as frontispiece. Some of the best war poems all languages combined are brought together in this collection alongside experimental works such as Les Fenêtres close to Cubism and La Jolie Rousse which were far ahead of their time Cyril Connolly Cent livres-clés de la littérature moderne n° 32. A beautiful copy on non-brittle paper which is unusual and a rare and surprising handwritten inscription signed by Guillaume Apollinaire: à monsieur le critique littéraire de La Libre Parole hommage de Guill. Apollinaire."" To the literary critic of La Libre Parole tribute by Guill. Apollinaire. Who could be the recipient of this inscription unnamed but addressed to a collaborator of the famous anti-Semitic newspaper founded by Édouard Drumont The ostensibly philo-Semitic position of Guillaume Apollinaire is well-known. In an 1899 letter he boasts to Toussaint Luca that he tried to provoke Henri Rochefort who was reading La Libre Parole by deploying L'Aurore in front of him but as the young Dreyfusard regrets without daring to engage the controversy. In 1902 he publicly marked his fraternity with the Jewish people with a new publication in La Revue blanche Le Passant de Prague"": I love Jews because all Jews suffer everywhere. Then in Alcools he will dedicate a poem to the Hebrew religion: ""La Synagogue"". But it is undoubtedly through his poem Le Juif latin published in L'Hérésiarque et Cie that Apollinaire poetically reveals the essence of his particular link with Judaism: that he shares the condition of eternal stranger the feeling of uprooting and the search for identity. It may therefore seem very surprising that this poet whose only trace of political commitment was in favor of Dreyfus dedicated his work to a La Libre Parole journalist even if he is a literary critic. And in fact La Libre Parole does not contain literary columns! A few months before the poet's death this laconic inscription thus proves to be a formidable and final scoff of poetic impertinence to political intolerance. Mercure de France hardcover
191880044Paris: Mercure de France 1918. Fine. Mercure de France Paris 1918 14.50 x 23 cm relié First edition one of the numbered copies from the first printing. Paper slightly brittle at margins of some leaves as usually found handsome copy. Illustrated work with as frontispiece a portrait of Guillaume Apollinaire by Pablo Picasso. Mercure de France unknown
194967462ABParis., La Bibliotheque Francoise., 1949. 34,5 x 27,4 cm. 161 (1) S., 3 Blatt. OFranzösische Interimsbrochur in marmorierter OHalbleinen-Einbandecke, in marmoriuertem OPapp-Schuber., 67462AB Tirée a 320 exemplaires. Umschlag etwas stockig, sonst sehr gutes und frisches Exemplar.
199542.354Madrid: Ed. Casariego 1995. Ed. Casariego unknown
1972002088<p>Barcelona: Editorial Gustavo Gili 1972. Book. Fine. Hardcover. 1st Edition. The sketchbook is bound in full beige cloth 11 x 65 cm. and is a facsimile of an early Picasso sketchbook. The textbook is covered in a glassine printed dust jacket and blind wrappers. 87 pp. This is number 100 of a limited edition of 1000 copies. Both books in original green cardboard box with pasted title label. With a hand written dedication note in French by Gustavo Gili. Text in Spanish French and English. Box measures 205 x 145 cm. Very fine copy. .</p> Editorial Gustavo Gili hardcover
197223266Barcelona: Editorial Gustavo Gill 1972. First edition. Hardcover. All three parts two books and case in fine condition. Picasso Pablo. 87 pages English text 61 pages Spanish text: 13 x 20 cm Limited edition copy 561 of 1000. The tiny Notebook 10.5 x 5 cm. of Picasso's drawings are in facsimile containing 46 sheets: drawings and notes from Picasso's stay in Paris in 1900 and reproduced in collotype and pochoir by Daniel Jacomet. Text and drawings encased in light green box with black paper cover label. Text in stiff white wrappers. Jacqueline Picasso Los Editores. Editorial Gustavo Gill hardcover
197179094BB1971 . 2 Teile. Barcelona: Editorial Gustavo Gili 1971. 15 × 20 cm. 68 S.; ca. 24 Bll. nicht paginiert Engl. broschiert Textbuch: Leinen Skizzenbuch beide in 1 Schuber gut erhalten Text in Spanisch und Französisch. Vorliegend Nr. 320 von 780 gedruckten Ex. unknown
197240267Barcelona: Gustavo Gili 1972. Limited edition. Hardcover. g to vg. 1/1000. Oblong octavo. 87 3pp Text volume. Original glassine over printed dust-jacket and blind wrappers Text volume. Original full beige cloth Sketchbook. Books housed in their original green box with title laid on front board.<br /> <br /> Splendid facsimile of an early Picasso sketchbook bound in beige cloth accompanied by a softcover monograph with text in Spanish French and English. The sketchbook reproduced in facsimile is one of the 17 small original sketchbooks that Pablo Picasso donated to the Museo Picasso in Barcelona. In spite of the initial difficulty in dating the sketchbook seeing as there were no indications as to when the drawings were done it has finally been possible to place them at the end of 1900 thanks to the help of Picasso himself who places their execution at the time of his first trip to Paris. On the pages of the album a view of the surrounding reality was shaped: thirty characters of different ages and sexes belonging to different social strata. This series of drawings was done in the streets and parks of Paris. One of 1000 copies of which this is No. 836.<br /> <br /> Minor shelf wear soiling and rubbing to box. Text in Spanish French and English. Box in overall good binding wrappers and interior in very good condition. Gustavo Gili hardcover
197179094BBBarcelona:, Editorial Gustavo Gili, 1971. 15 × 20 cm. 68 S.; ca. 24 Bll. (nicht paginiert), Engl. broschiert (Textbuch): Leinen (Skizzenbuch), beide in 1 Schuber 2 Teile. (gut erhalten)
19361720London: Zwemmer Gallery 1936. First edition. Illustrated stapled wrappers. 8 pp. Attractive catalogue of a Picasso show printed letterpress on white blue and yellow paper with two mounted plates listing 57 items. Front and rear cover sheets foxed on both sides. Zwemmer Gallery
193989995Paris: Paul Rosenberg 1939. Fine. First presentation at the Paul Rosenberg Gallery in Paris of an artwork foreshadowing the bull of Guernica: The Negro Sculpture before the Window. Paul Rosenberg Paris 1939 11 x 13.5 cm Une feuille pliée 4 pp. Rare first edition of the catalogue for Picassos final exhibition at the Galerie Paul Rosenberg in Paris held from 17 January to 18 February 1939 at 21 rue La Boétie. The front wrapper is illustrated with a black-and-white photograph of the exhibitions centrepiece: La sculpture nègre devant la fenêtre now known as Buste de Minotaure devant une fenêtre Private Collection; see Zervos vol. VIII p. 360. Painted on 19 April 1937 the work is widely regarded as a precursor to the bull of Guernica executed only a few weeks later. An excellent well-preserved copy. The plaquette lists the 33 works exhibited arranged by year of execution- 1936 1937 and 1938. The verso carries the notice of the next exhibition Centenary of Cézanne dated 20 February 1939. These two events were followed only by a final show devoted to Georges Braque before the gallery closed and Paul Rosenberg left France for permanent exile in the United States. The event met with considerable success as reported by the American collector and sculptor Meric Callery to Alfred H. Barr the first director of the Museum of Modern Art in New York: ""R's Rosenberg present show of Picasso is surprising in that it is so pretty colorful and gay. They have had over 600 people per day to see it."" Making Modernism Michael C. FitzGerald 1996 The adjectives pretty colourful and gay may seem surprising given both Picassos style and the political context of 1939. Indeed the exhibition - comprising chiefly still lifes painted between 1936 and 1938 in the Tremblay-sur-Mauldre studio - appears at first sight to contrast sharply with the tragic contemporary events. From 1937 onwards the Nazis began confiscating over 20000 modern artworks to mount the notorious Entartete Kunst Degenerate Art exhibition. Circulated throughout Germanys major cities it culminated in June 1939 in a large-scale auction to finance the war preceded by the burning of more than 5000 paintings in the courtyard of Berlins main barracks. Fully aware of the ongoing tragedy Paul Rosenberg took measures to save as many works as possible organising in the same year the first retrospective of Picasso at the Museum of Modern Art where Guernica was displayed and preserved. In 1940 he took permanent refuge in New York opening his celebrated gallery on 79th Street while some 2000 works he could not take with him were looted by the Nazis. Belying its seemingly innocuous appearance the exhibition of recent works by the foremost representative of so-called Degenerate Art held by a Jewish dealer constituted a genuine act of resistance to the rise of Nazism. Yet it was above all through a single work prominently displayed in the main salon and reproduced on the catalogues front that Rosenberg and Picasso transformed the still-life exhibition into a profoundly political statement. Later known as Buste du Minotaure devant une fenêtre this transitional work as noted by the art historian Vérane Tasseau is highly symbolic: The bull does not stand for fascism but for brutality and darkness Picasso remarked in the autumn of 1944 during an interview with the young painter Jerome Seckler for the American Marxist journal New Masses. Seckler had hoped to elicit from him the assertion that the late 1938 series of still lifes with bull heads was a political statement in continuity with Guernica."" This first bulls head in the still-life series gradually evolved over the course of 1938 into a curious zoomorphic human visage. It is nevertheless still titled in the catalogue La sculpture nègre devant la fenêtre. Although this title was not retained in subsequent monographs it establishes a remarkable link between two major themes in Picassos oeuvre: th Paul Rosenberg unknown
1983143492Arti 1983. Bon Etat aspect 4e plat assez salie intérieur frais. in8. 1983. Broché. Arti unknown
1971104264Madoura. Very Good. 1971. Wraps. Wraps softcover. 1971. Very Good Plus condition. Madoura. Photography of ceramics. ; 8vo 8" - 9" tall . Madoura paperback
