Parmelin HélèneLivre Rare Book
2 935 résultats
198089444Robert Laffont 1980 In-8 broché 21,5 cm sur 13,5. 249 pages. Bon état d’occasion.
1994131304Christian Bourgois 1994 In-8 broché 20 cm sur 12. 248 pages. Couverture avec photo en noir et blanc sur fond blanc. Bon état d’occasion.
191913090BBMünchen:, Delphin, 1919. Gr.-8°. 127 S., 30 sw-Abbildungen, broschiert 2., unveränderte Auflage. (Rücken repariert; Umschlag mit Randläsuren und kleinen Fehlstellen; leicht angestaubt; altersgemäss gut erhalten)
198822619BBStuttgart:, Hatje, 1988. 4°. 200 S., zahlreiche Farb- und sw-Abbildungen, broschiert (Einband mit leichten Gebrauchsspuren; sonst gut erhalten)
19877089030München: Villa Stuck 1987. 254 Seiten. Mit zahlreichen Illustrationen. 4° (25-35 cm). Illustrierte Orig.-Broschur. [Softcover / Paperback].
192270745Berlin, Der Sturm, 1922. 56 S. Mit 17 Tafeln. 8°, OKart.
1991AUB-9388Paris, éd. Calmann-Lévy 1991. Bel exemplaire broché, in-8, 347 pages avec index + planches.
198135515BBWien/München/Zürich/New York, Molden, 1981. 31 cm. 152 S., überwiegend Ill. (z.T. farb.). OLwd., mit Schutzumschl. Su gebräunt, leicht bestossen, Textbräunung.
198137178BBWien/München/Zürich/New York, Molden, 1981. 31 cm. 152 S., überwiegend Ill. (z.T. farb.). OLwd., mit Schutzumschl. Insgesamt mit leichter Bräunung, sauber und gut erhalten.
198099464Milano Fabbri Editori 1980 1 vol. relié in-4, cartonnage sous jaquette illustrée, 152 pp., nombreuses photos en noir et en couleurs de l'auteur. Texte en italien. Très bon état.
198099464Milano Fabbri Editori 1980 1 vol. relié in-4, cartonnage sous jaquette illustrée, 152 pp., nombreuses photos en noir et en couleurs de l'auteur. Texte en italien. Très bon état.
19802401BBMilano Fabbri Ed. 1980. 4° 152 S.: Zahrl. Abb. OLwd. m. O.Umsch. sehr gut. Zust. Sprache: Italienisch
197799919202Edita / Bibliothéque Connaissance des Edita / Bibliothéque Connaissance des Arts 1977, In-4 reliurede l'éditeur pleine toile rouge sous jaquette illustrée, 112 pages. Nombreuses photos noir et blanc et couleurs et "8 PAGES EXUBERANTES ET EXCLUSIVES" offertes à l'auteur par PICASSO. Parfait état.
1950106751950 Paris, Le Courrier Graphique, chez Albert Cymboliste, 1950.In-4. 307-(7) pages. Broché, couverture illustrée en couleurs et rempliée. Tirage limité à 1800 exemplaires numérotés. Belle couverture illustrée d'une lithographie en couleurs d'Edouard GOERG. Études et nombreuses reproductions de : Bérard, Chagall, Cochet, Denis, Falké, Frélaut, Goerg, Humbert, Jacquemin, Jouve, Laurencin, Mahn, Marchand, Masson, Matisse, Picasso, Rouault, Trémois, Van Dongen et Villeboeuf.
19589481Paris, Le Courrier Graphique, Albert Cymboliste, 1958 ; in-4, broché ; 307, (7) pp., couverture rempliée entièrement illustrée d'une lithographie à cinq couleurs de E. Goerg.
195030801Paris, Le Courrier Graphique 1950. Edition Originale - In-4 relié (29,3 x 23,3 cm), reliure demi-basane brun-clair à coins, couverture conservée (complète) lithographiée en couleur d'Édouard Goerg - Avec une bibliographie de chaque artiste, importante iconographie, certaines reproductions P.P. - 307 pages + Table.- 1780g.- Edition au tirage limité et numéroté 1/1800 exemplaires (n° 758).- Dos un peu pâmi, reliure en excellent état, intérieur très frais.
196048558Alès.: PAB. Pierre. André. Benoit. 1960. Loose as issued in original publisher's printed wrappers with flaps original drypoint engraving on celluloid 'Homme Grec Barbu' by Picasso to front cover original publisher's patterned paper-covered board chemise with title in black to spine and matching slipcase. Folio. 512 x 340 mm. Leaf with title leaf with Picasso's original drypoint engraving on celluloid as frontispiece leaf with Pindar's dedication in Greek two leaves with Pindar's verse in Greek original drypoint engraving recto leaf with translator's credit leaf with Pindar's dedication in French two leaves with Pindar's verse in French translated by Jean Beaufret leaf with original drypoint engraving and final leaf with justification and achevé d'imprimer. A superb example of this superb collaboration between Picasso and PAB.From the edition limited to 50 copies with this one of 44 signed and numbered in pencil on the justification by the publisher and artist; six copies numbered in Roman numerals as well as six hors commerce copies were also issued.Picasso's four original drypoint engravings are titled as follows: 'Homme Grec Barbu' for the front cover; 'Lutteur avec Lance et Bouclier'; 'Athlète de Face'; 'Athlète au Repos'.'Pindar's Eighth Pythian Ode was after Ovid's Metamorphoses 1931 and Aristophanes's Lysistrata 1934 the third and last text from classical antiquity which Picasso illustrated . At the request of P.A. Benoit Picasso executed four drypoints on celluloid for Pindar's text . The Eighth Pythian Ode was presented i.e. sung in 446 BC at Aegina in honour of a certain Aristomenes who had won the wrestling competition at the Pythian Games at Delphi. Pindar celebrates the youth's splendid victory but also mourns the transience of happiness and glory by evoking the sad fate of the defeated.' Patrick Cramer.Cramer 108; Baer 1077 - 1080. PAB. (P[ierre]. A[ndré]. B[enoit].). unknown
1942016351New York View editions - Editor Charles Henri Ford. 1942 format journal En feuilles
19926051794Ste Nvelle, Editions du Chene 1992. 4°. (12), 548 pp., Abbildungen im Text. Original Leinwand. Tadelloses Exemplar aus privater Sammlung.
199226227Du Chêne, /Centre national des lettres 1992 Traduit par William O. Desmond - Avec la collaboration de Marilyn McCully
1992138201992 Paris Chêne 1992 Un volume in-4°, 548 pp. Reliure éditeur à la Bradel, premier plat illustré d'une reproduction d'un autoportrait de Picasso, dos titré, jaquette en papier calque titrée bleu. (un tout petit manque calque au coin, ). Riche iconographie s. Notes. Ce volume retrace la vie de Picasso de son enfance à sa vingt cinquième année. Il s'achève alors que le peintre s'apprête à peintre Les Demoiselles d'Avignon.
1940510631Editions de la Revue Verve 1940. First Edition. Hardcover. FINE/NEAR FINE. First American Edition with tipped in 'Occupation of Paris' notice. Tall 4to 35.5cm. sewn binding in Henri Matisse-designed lighograph printed cover on black paper over cards often mistaken for the DJ itself with original brown kraft paper lithographed dust jacket. The dust jacket was often treated as a throwaway especially since it was taped over making it impossible to see the beautiful Matisse covers without tearing it; they are quite uncommonly seen. We have not attempted removing the dust jacket here though we have supplied a photograph from another copy showing the design. This is a unique opportunity to for a collector to have not only a copy of the book as issued with the jacket but a uniquely clean and fresh copy of the cover itself entombed within the protection of the jacket. The book itself is exceedingly clean and sharp. Illustrated throughout in color and black and white with contributions from Verve's usual suspects: Matisse Miro Picasso Rouault Braque and a spectacular center-fold lithograph by Pierre Bonnard. In spite of the statement in the 'Occupation notice that half the American edition was lost this is not a terribly scarce book -- perhaps because subscribers immediately recognized the significance of what it represented namely the destruction of the thriving modern art movement in France at the hands of the neo-classical obsessed Nazis. But the jacket and condition make this an uncommon survival. Editions de la Revue Verve hardcover
1940212337Paris: Verve 1940. First edition. Softcover. Volume Two Number Eight. Text in English with contributions by Julian Cain Paul Valery Pierre Reverdy Adrienne Monnier and others. Includes illustrations of works by Georges Rouault Henri Matisse Georges Braque Andre Derain Pablo Picasso. Includes a color lithograph of "Sunset Over the Mediterranean" by Pierre Bonnard. An about very good copy in wrappers with an illustration by Henri Matisse and with a chip to the top of the spine and front cover copy and some other light wear. Internally a clean copy. Internally a clean copy. Verve unknown
1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
19501298Éditions de la Revue Verve, Paris 1950. 1 volume in-4 (35,5 x 26,5 cm) broché, 76 pages, couverture/jaquette en couleur rempliée. L'illustration comprend : - Couverture originale en deux couleurs composée spécialement par Chagall. - 26 interprétations des Contes de Boccace, au lavis et à pleine page par Marc Chagall. - L'illustration comporte en outre les reproductions des peintures du manuscrit des Ducs de Bourgogne. Celles-ci en couleurs avec rehauts dorés et contrecollées (Bibliothèque de l’Arsenal). Textes de Jacques Prévert, Frantz Calot. Édition originale en français. Très bel exemplaire.
