Carracci, Annibale (1560-1609 - inventore) and Aquila Pietro (1640- 169 - incisore / disegnatore).Biblio.com
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51-1610Rome: Dominico de Rossi Jo. Jacobi Jo. Jacobi de Rubeis circa 1690. Oblong folio. 47 x 69 cm. 18.5 x 27.25 inches page size. Suite of 4 unnumbered and 20 numbered engravings. 24 of 25 plates lacking plate no. 9. Housed in a custom portfolio with painted boards leather spine large embossed leather label leather ties and leather corners by the celebrated Russian-American binder Alexandr Sasha Mosalov. OCLC Number: 26691776.Lit. Annibale Carracci e I suoi incisori Ecole française de Rome 1986: D-1-25 Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. hardcover
16778814Roma: Io. Jacobus de Rubeis 1677. First Edition Primera edición. 585x396mm. 23x15½". Roma Io. Jacobus de Rubeis 1677 o anterior. 13 láminas grabadas al aguafuerte incluyendo portada. Junto con: CARRACCI Anibal inventor & MITELLI M. grabador. L'Enea Vagante Pitture Dei Caracci Intagliate E Dedicate Al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolognese Serma. Altezza. Gioseppe Ma. Mitelli. Roma Gio Jacomo de Rossi 1663. 16 ilustraciones sobre 14 láminas grabadas al aguafuerte incluyendo portada. 2 obras en un volumen. En gran folio 585 x 396mm. En total 29 ilustraciones sobre 27 grandes láminas grabadas sobre pinturas inventadas por Carracci para el Palacio Farnese y el Palacio Fava en Roma y Boloña respectivamente. Encuadernación en holandesa del siglo XVIII. -I: Serie completa de 13 láminas numeradas incluyendo portada. Las láminas 2-13 están todas firmadas por Annibal Carraccius y dibujadas y grabadas por Petrus Aquila. Cada una lleva el nombre del impresor estampado "Io. Jacob. de Rubeis" Giovanni Giacomo de Rossi. La segunda lámina contiene la dedicatoria del editor al Cardenal César d'Estrées. La obra salió sin fecha de publicación pero la colección se menciona en el Indice De Rossi de 1677. Las láminas muestran los frescos pintados por Annibale Carracci entre 1596 y 1597 para el Cardenal Odoardo Farnese en el techo del Camerino Farnese en el Palacio Farnese de Roma. Representan los logros de Hércules y otras escenas alegóricas. Referencias: Goldschmidt E.P.<em> Catalogue 163</em> p. 25 -II: Serie completa de 16 láminas sobre 14 hojas representando los frescos realizados por los hermanos Carracci en 1586 en el Palacio Fava de Boloña ilustrando la historia de Aeneas. Referencias: Bertarelli 1940 59; Bartsch XIX.289.46 Io. Jacobus de Rubeis hardcover
2-74048Roma nella stamperia di Lodovico Grigniani senza data ca. 1646 in folio cm. 425 x 28 legatura in piena pergamena antichizzata con fregi e titoli dorati al dorso pp. 4 con frontespizio in cornice xilografica e marca tipografica un ritratto del Carracci inciso in rame e 80 grandi incisioni a piena pagina fuori testo raffiguranti le famose “arti per viaâ€. Il frontespizio non riporta la data di pubblicazione riscontrabile unicamente alla base del ritratto del Carracci. Sembrano mancare le prime 20 pagine di testo ma copia identica a quella censita presso la Library of Congress con la quale è stata collazionata. Ovvero: “Edizione coeva alla prima tiratura: differisce per l 'assenza di data al frontespizio e per contenere oltre a frontespizio elenco delle tavole e ritratto di Annibale Carracci soltanto le stampe e non il testo introduttivo†cfr. Docet. Esemplare in ottime condizioni ben marginoso. unknown
17531715Rome: Venantius Monaldinus 1753. First Edition. Near fine. Oversized folio 17 1/4 x 12 inches 438 x 304 mm; half title engraved portrait of Annibale Carracci on frontispiece with tissue guard rubricated title with large engraved vignette; 10 unnumbered prelim. pages and index LXXIV pages with wide margins and uncut forty engravings on thirty-three numbered plates -of which 11 are oversized and folding- and over 60 large vignettes and historiated initials. Bound in half calf with orange paper-covered boards corners bumped edges and spine rubbed but binding is tight and square paper supple and clean with only minor discoloration and toning to gutters. <br /> Cicognara 3376; Bartsch XXI pp. 103-114 nos.21-64. The superbly engraved plates by Carlo Cesio 1622 - 1682 reproduce the Palazzo Farnese frescoes that Annibale Carracci 1560 - 1609 began in 1597 and completed in 1608 just one year before his death. The frescoes were commissioned by Alessandro Farnese 1468-1549 later Pope Paul III ostensibly in honor of his niece's nuptials and located on the 'piano nobile' of the family's palace which today hosts the French Embassy in Rome. They depict "The Loves of the Gods" and were greatly admired at the time and were later considered to reflect a significant change in painting style away from sixteenth century Mannerism in anticipation of the development of Baroque and Classicism in Rome during the seventeenth century.<br /> "The important cycle of frescoes trompe-l'oeil and architectural framework known as quadratura that make up the barrel-vaulted ceiling of the gallery depict the 'Loves of the Gods' a sophisticated dialogue between the theme of love and allegorical subjects from antiquity." Quoted from World Monuments Fund website. Venantius Monaldinus unknown
1694B6133Bologna: Per gli Eredi d'Antonio Pisarri c. 1694;. Repairs to slightly worn extremities; notations on upper endpaper; plates 7 and 8 with spill staining; generally text and plates are clean and crisp. . Binding: Contemporary vellum with dentelled and filleted gilt panels with gilt floral designed corners. Spine with six 6 horizontal bands manuscript black ink title on one and central gilt ornament in remaining compartments; edges marbled. Notes: Text in Italian.The Italian Ludovico or Lodovico Carracci 1555 – 1619 from Bologna was an early-Baroque painter etcher and printmaker whose works create spiritual emotion and are credited with reinvigorating Italian art especially fresco art which was subsumed with formalistic Mannerism. His studio . propelled a number of Emilian artists to pre-eminence in Rome and elsewhere and singularly helped encourage the so-called Bolognese School of the late 16th century which included Reni one of the authors of this work. Carracci had his apprentices draw studies focused on observation of nature and natural poses and use a bold scale in drawing figures. Ludovico's pupils included Giacomo Cavedone also included in the list of authors of this work. Size: folio 407x272mm. Illustration: Illustrated title with printer's device head- and tailpieces decorative initials sixteen 16 full-page copper engravings including one frontispiece and four 4 oversized folding plates; depicting frescoes - mural paintings and decorations - painted by Ludovico Carracci and his entourage or artists at S. Michele in Bosco in the early 17th century telling of the life of Saint Benedict. Each engraved plate is signed below with the name of its painter as well as by Giacopo Giovannini as its drawer and engraver: Britio #1; Garbieri #211; Guido Reni #3-large folding 15; Lod. Carracci #4 5 6-large folding 7 8 9 12 - the last two large folding 17 18 19; Leonello Sp. #10; L. Massari 13 14; Giac. Cavedoni #16. The frontispiece signed: "Giacomo Giovannini inu. e Scolpi D.D.D. Marc ant.o fabbri forma in Bologa" Provenance: Upper pasted endpaper with bookplate References: Berlin Katalog 4084; Cicognara 3472 re 1776 ed. also refers to the first ed. Pages: Ll: 1f bl. 5ff 33ff. ill: 19ff; 1f. bl.; collation: Frontispiece; Illustrated Title; Serenissima Altezza/Dedication; Lettore Gentilissimo/ Al Sig. Giacomo Giovannini; Innocentius PP. XII.; 33 ff. of descriptive text plus 19 copper-engraved plates. Category: Book Art Architecture & Design; Book Europe Italy; Book Plate Books General; Per gli Eredi d'Antonio Pisarri, hardcover
197193667Phaidon. New. 1971. Hardcover. 0714814717 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in English. Volume 1: 183 pages; Volume 2: 351 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Phaidon hardcover
200593668Harvey Miller Publishers; Et Al. New. 2005. Hardcover. 1872501184 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1872501184. 450 pages. Description: "The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Harvey Miller Publishers; Et Al hardcover
200786905Merigo. New. 2007. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --Text in Italian. 216 pages with many illustrations including color plates. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee Merigo hardcover
1971C93667Phaidon. As New. 1971. Hardcover. 0714814717 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in English. Volume 1: 183 pages; Volume 2: 351 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Phaidon hardcover
197991557National Gallery of Art. New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . National Gallery of Art paperback
2005C93668Harvey Miller Publishers; Et Al. As New. 2005. Hardcover. 1872501184 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1872501184. 450 pages. Description: "The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Harvey Miller Publishers; Et Al hardcover
2007C86905Merigo. As New. 2007. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --Text in Italian. 216 pages with many illustrations including color plates. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Merigo hardcover
1979C91557National Gallery of Art. As New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . National Gallery of Art paperback
174012992S.l. Venetia 1740. 311x234mm. 12¼x9¼". Italia 1585. Grabado. 311 x 234mm. Inscripción en el margen inferior derecho "Gustino Caraci fe.1585 / Pauli Calliari inven. / Antonius Carensanus fo". Muy buena impresión del tercer estado con la adición de los nombres de Agostino Carracci y otros en la plancha. Paolo Veronese fue el mejor exponente del manierismo veneciano del siglo XVI. unknown
199668393Museum; Et Al. New. 1996. Paperback. 1854440926 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pp. With 168 ills. 30 col. . 28 x 22 cm. -- with a bonus offer--; 0.8 x 10.9 x 8.4 Inches . Museum; Et Al paperback
201088245Museum; Yale University Press. New. 2010. Paperback. 0300166400 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English.100 pages; 61 illus. -- with a bonus offer-- . Museum; Yale University Press paperback
2004638175 Continents Editions. New. 2004. Paperback. 8874391293 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 84 pp. With 51 col. Ills. 21 x 21 cm. -- with a bonus offer--; 0.39 x 8.27 x 8.19 Inches . 5 Continents Editions paperback
200069337Gallery. New. 2000. Hardcover. 085331764X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 304 pp. With 243 ills. 113 col. . 28 x 25 cm. In English. C/to: isbn 085331764X -- with a bonus offer--; 1.4 x 11.1 x 9.7 Inches . Gallery hardcover
199568511Art Center. New. 1995. Paperback. 0964426315 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 142 pp. With 86 ills. 74 col. . 30 x 25 cm. Description: "Showcasing drawings by Italian artists of the 16th and 17th centuries selected from a notable private collection this catalogue features fine reproductions and scholarly discussions of 55 sheets many previously unpublished by Sodoma Parmigianino Vasari the Carracci Barocci Tintoretto Reni Domenichino Strozzi Guercino and 39 other artists." -- with a bonus offer--; 0.75 x 12 x 10 Inches . Art Center paperback
198666995Institute; Et Al. New. 1986. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 360 pp. With 487 ills. 23 x 22 cm. -- with a bonus offer-- . Institute; Et Al paperback
60537The Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; S. Anne watches from behind with a hand raised.The preparatory drawing is at the Louvre ex coll. Mariette Inv. 7142.First engraving realized by Annibale Carracci after 1600 showing the signs of a renewed approach to engraving. Remarkable is in fact the strong chiaroscuro emphasized by the hatched background against which are disposed the sculpted figures. Although the figures are engaged in simple and natural activities the composition is carefully studied and masterfully engraved with regular hatchings and signs.This composition became immediately highly popular as its numerous copies testify seventeen are documented.From the second state the name of the publisher was added Nicolaes van Aelst publisher active in Brussels and Rome. In the latter city he had a workshop in via della Pace from 1582 to 1613. Three states of this print are documented however the exemplar at the Museum in Bologna Inv. 4730 is suggested to be a fourth state. Signed above right: 'Annib. Carracius in./ et fecit. 1606./ Nico van Aelst for.' Etching and engraving on laid paper with a vague circular watermark small margins; platemark: 123 x 161 mm total: 125 x 163 mm; state III/3 or III/4; warn out plate on the corners; on the verso cifres in characoal top right and left corner restored lower left margin also; selected literature: Bartsch 1818 XVIII vol. p.186 n. 9; Le Blanc 1854 p. 606 n. 6; Nagler 1858 p. 458 n. 1053; The Illustrated Bartsch 1980 p. 395 9-I 186 and 1996 39 2 Comm. p. 256n. 3906.020. unknown
1883FGN11-B-12London : S. B. Fuller 1883. Leather. Very Good. 11" by 8". None. A beautiful collection of engraved plates depicting French fashions of the late Nineteenth Century. Containing 63 plates of which 49 are hand-coloured 11 are black and white and 3 are black white and sepia. Plates date from 1863 to 1883 and most are from the Journal des Demoiselles with the eight remaining plates being from La Poupee Modele. Many plates are double-page or fold-out. Two of the coloured plates appear twice in the book and one double-page black and white plate appears three times. This is a valuable resource for those interested in Eighteenth Century costume. In a quarter calf binding with marbled boards. Externally a trifle worn. The top portion of the backstrip is lifting. Internally three plates detached but present with many further plates starting. Generally bright with occasional spotting and handling marks. Very Good S. B. Fuller hardcover
60538Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing.Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'.The halos are left blanco no hatchings. Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I. unknown
#[60538]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing. Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'. The halos are left blanco no hatchings. l Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I unknown
158920541589. Engraving on handmade laid paper 7 7/16 x 9 7/8 inches 190 x 250 mm the full sheet with slightly trimmed margins just inside the platemark -5 mm. In very good condition with some very minor mottled light staining on the verso perhaps adhesive residue from a former mount. Condition consistent with age. A 4th state impression of 5 before the addition of the text in the upper right image. unknown
