Ludovico CarracciBiblio.com
557 résultats
332945Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332943Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332944Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
332942Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1983LFA-126722015Un ouvrage de 135 pages, format 215 x 305 mml, illustré, relié simili-cuir, publié en 1983, B.N.P., bon état
59783River landscape with figures. A road descending towards the center of the composition. The river flows from right to left to open sea where some sailing boats are. Mountains in the background. High trees on the left and on the right. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '27.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 279 x 402 mm total: 286 x 410 mm; in good conditions unknown
59787Landscape high trees on the left a village on the left background trees and some figures in the middle a pond in the center foreground. A man on a horse seen from behind riding towards the right background. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'Lud. Carache delin:' numbered '16.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 284 x 406 mm total: 297 x 422 mm; in good conditions. Attached to a steel engraving by Jean-Baptiste-Marie Bury 1808-ca.1881 after Jean Arnould Leveil 1806-1866 with Roman ruines. unknown
#[59782]River landscape with figures on the left. In the center a bridge on the river mountains towards the right a city on the left. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '34.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' l Etching on fine laid paper with margins; platemark: 283 x 401 mm total: 290 x 419 mm; in very good conditions unknown
#[60538]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing. Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'. The halos are left blanco no hatchings. l Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I unknown
Bologna, Alfa, 1956, 8vo (cm 20 x 15) brossura editoriale con sovraccoperta illustrata a colori, pp. 178 con 86 illustrazioni in nero in fondo al testo, Catalogo Mostra 1 Settembre - 31 Ottobre 1956 Bologna, Palazzo dell' archiginnasio.
199225082Aosta, Fabbri Editori, 1992. 4°. Mit zahlreichen farbigen und s/w Abbildungen, 327 S., Orig-Kart. - Chefs d'oeuvre du Musée Puskin de Moscou. Dessins italiens du XV au XVIIIe siècle. / Masterpieces of the Pushkin Museum of Moscow. Italian Drawings from the XV to the XVIII centuries. Ausgabe in Italienisch - Französisch - Englisch. Good copy.
In-folio pp. XXXII e 75 tav. f.t. Esemplare a fogli sciolti conservati in cartella edit. ill. e in custodia.
1965110354Princeton, New Jersey, Princeton University Press 1965. xvii, 290 S. und Tafelteil mit 289 S/W.-Abbildungen. 4to. OLwd. mit OU.
Mm 175x255 Volume rilegato di pp. XII-140+indice+126 illustrazioni in bianco e nero su tavole fuori testo, dorso in tela. Buono stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 175x250 Volume rilegato di pp. 57+tavole in bianco e nero con 52 illustrazioni in bianco e nero, a cura del Gabinetto Disegni e Stampe degli Uffizzi XLIV. In ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1974119957Bologne Arnaldo Forni Editore 1974 1 vol. en feuilles in-folio, en feuilles sous chemise cartonnée illustrée à lacets, 40 gravures à pleine page légendées en italien. Belle reproduction en fac-similé de l'édition de 1660. Très bon état.
1974119957Bologne Arnaldo Forni Editore 1974 1 vol. en feuilles in-folio, en feuilles sous chemise cartonnée illustrée à lacets, 40 gravures à pleine page légendées en italien. Belle reproduction en fac-similé de l'édition de 1660. Très bon état.
Mm 210x210 Brossura originale con copertina illustrata, 154 pp. con 77 tavole in nero comprese nel testo, presentazione di Didier Bodart, Opera in buone condizioni complessive, spedizione in 24 ore dalla conferma dell'ordine.
Mm 250x295 Volume in copertina rigida, sovraccoperta editoriale, cartone protettivo originale, 334 pagine con 410 illustrazioni in nero e a colori nel testo. Condizioni del libro: nuovo - brand new. Spedizione in 24 ore dalla conferma dell'ordine.
Mm 250x300 Nuova edizione riveduta ed ampliata. Volume in copertina rigida, sovraccoperta originale, custodia editoriale protettiva in cartone, 224 pagine profusamente illustrate in nero e a colori nel testo con una appendice di Carlo Giovannini. Condizione del libro: nuovo-brandnew. Spedizione in 24 ore dalla conferma dell'ordine.
Mm 250x300 Volume in copertina rigida con sovraccoperta editoriale, cartone protettivo, 143 pagine profusamente illustrate in nero e a colori. Appendice documentaria di Carlo Giovannini. Opera in condizioni di nuovo - brand new. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
71-2467London: Jones & Co. circa 1836. Steel engraving. 10 1/2 x 8 in. sheet. Very Good some toning and foxing in sheet margins. London: Jones & Co., [circa 1836]. unknown
60538Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; in this copy the figure of St. Anne standing in the back watching over the scene is missing.Signed above right: 'Ani: Car in./ Nicolaus fran.ur Maffei / fecit'.The halos are left blanco no hatchings. Engraving on paper; trimmed within platemark; total: 130 x 159 mm; on the verso traces of previous mounting; selected literature: Bartsch XVIII.186.9; De Grazia Bohlin no. 20 copy I; Bohn 1995 no. 3906.020 copy I. unknown
In 8 grande, pp. 303-314 con ill. in b/n n.t. Br. ed. Saggio relativo alle origini secentesche del paesaggismo declinato nelle tre scuole principali: fiamminga per lo studio del vero, veneta con Tiziano per lo studio del colore e del chiaroscuro, bolognese con Annibale Carracci, il quale, riassumendo le due tendenze precedenti, diede vita ai primi esempi di quel paesaggio che fu poi detto classico o italiano.
