Grohmann, WillAntiquariat.de
69 résultats
195868706(Stuttgart), W. Kohlhammer, (1958). 138 S. Mit 1 Titelbild, zahlr. s/w Abb. im Text u. auf 48 Tafeln, außerdem 35 montierte Farbtafeln. 4to. 30 cm. OLn. mit illustr.Orig.-SU.
1912104266BBParis, Eugeène Figuière et Cie., (27. 12. 1912). 8°. 44 S., [38] Bl. mit 26 Tafeln. OBr. Douzième édition (fictive). (Collection "Tous les Arts").
1912ST20811Paris: Eugène Figuière et Cie 1912. FIRST EDITION. PRESENTATION COPY. 240 x 185 mm. 9 1/2 x 7 1/2". 44 pp. 2 leaves. <br/> STRIKING 3-D OPTICAL ILLUSION BINDING BY A. CONTRERAS stamp-signed on front turn-in WITH AN ALL-OVER DESIGN OF CUBES rendered in black white and silver morocco smooth spine. In older probably original brown woodgrain drop-back box backed with black buckram. With 26 black & white photographic reproductions of works by Cézanne Picasso Derain Braque Metzinger Laurencin Gleizes Léger Duchamp Picabia and original owner Juan Gris printed on glossy white paper. WITH A HALF TITLE INSCRIPTION in French OF GREAT IMPORTANCE FROM ONE OF THE CO-AUTHORS translated as: "To the painter Juan Gris with all my best wishes Metzinger." Occasional underlinings in blue pencil. Text leaves with overall light browning and occasional foxing due to paper stock lower corner of half title restored and fore edge with minor chipping otherwise a fine copy the plates clean and bright and the binding unworn.<br/> <br/> Penned by two Cubist artists this is a highly resonant association copy of the first major treatise on the Cubism movement presented to noted Cubist painter Juan Gris and later put into an illusionistic binding composed of variably colored cubes that seem to jump off the surface. Albert Gleizes 1881-1953 and Jean Metzinger 1883-1956 had painted in both Post-Impressionist and Fauvist styles before their interest in exploring form and structure as well as light and color led them to the style that would become Cubism. Influenced by Cézanne's "brick-by-brick" technique and Poincaré's writings on space and time the new movement sought to examine objects from a mobile perspective and to depict multiple views of a subject in one painting. In "On Cubism" they explain: "An object has not one absolute form; it has many. It has as many as there are planes in the region of perception." The work features black & white illustrations of Cubist paintings by the authors and by fellow pioneers Picasso Braque Derain and Juan Gris to whom this copy was presented by Metzinger. Born in Madrid as José Victoriano González-Pérez 1887-1927 Gris studied engineering before moving to Paris to pursue art. First working as an illustrator for periodicals he was inspired by Metzinger to begin painting seriously. His training in engineering helped him appreciate the importance of mathematics in painting a realization triggered according to art historian John Richardson by Metzinger's painting "Le Goûter Tea Time" exhibited at the Salon d'Automne in 1911. Our volume was later in the collection of and probably bound for Chilean architect and collector Carlos Alberto Cruz 1939-2022. We have been unable to find more information on our binder "A. Contreras" but it seems possible that he was also Chilean as the Valparaiso-based Cruz owned a number of bindings signed with that name. Eugène Figuière et Cie unknown
196450670ABWien, Paul Neff 1964. Gr.8°. 526, (2) S. OLwd mit OU. Ein Gelenk minimal angeplatzt. Schutzumschlag etwas angerändert bzw. mit kl. Einrissen.
198213576Hamburg, Hamburger Kunsthalle, 1981/1982. 135 S. Mit sehr zahlr., tls. farb. Abb. 4to. OBrosch.
192265058ABWien., Burgverlag., 1922. 23 x 16 cm. 103 S. Illustrierter OHalbleinenmit farbiger montirter ERinbandillustration., 65058AB 1. Auflage. Kleines Exlibris auf Innendeckel, Vorsatzpapier im unteren Drittel der Falz etwas angerissen. Papierbedingt leicht nachgedunkelt. Insgesamt sehr gutes Exemplar.
199165653New York, Andre Emmerich Gallery, 1990/1991. Titel u. 3 Bl. Zwischentitel auf orangerotem Karton, 20 farbige Tafeln. Quer-8vo. Illustr. OKart. mit Spiralbindung.
199468885(Shipley, West Yorkshire, Jonathan Silver, 1994). [38] Bl. Mit 85, überwiegend ganzseitigen Abb. Quer-8vo (21 x 28 cm). Illustr OKart.
198873831Los Angeles, Los Angeles County Museum of Art / New York, Hatty N. Abrams, (1988). 288, [24] S. Mit 208 s/w u. 235 farbigen, teils ganzseitigen Abb. (davon 3 ausklappbar). OLn m. SU u. farbig illustr. Vorsätezn.
197013607DBStuttgart., Verlag Gerd Hatje., 1970. 30 x 25,5 cm. 227 S. OLeinen mit illustriertem OUmschlag., 13607D Erste Auflage. Umschlagkanten nachgedunkelt, mit Randbereibungen und zwei kleinen, hinterlegten Einrissen. Sonst gutes Exemplar.
1974153349New York: The Museum of Modern Art MOMA 1974. Hardcover. Later printing. Near Fine missing the dust jacket. The Museum of Modern Art [MOMA] unknown
195065002Paris, Edition Verve, 1950. [30] S. Orig.-Klappen-brosch. mit 4 Umschlag-Illustr. (davon 1 farb.).
199765704Rottach-Egern, Edition G. A. Richter, 1997. 183 S. Mit zahlr. tls. farb. Abb. 4to (ca. 30,5 x 21,5 cm). OPp. mit VDeckel-Illustr.
198073783Berlin, 1980. 257 S. Mit zahlr. tls. farb. Abb. 4to (29,5 x 21 cm). OKart. mit farb. VDeckel-Illustr.
196368770Monte Carlo, André Sauret, (1963). 183 S. Mit 151 farbigen Abb., davon 3 Original-Lithographien. 4to (32 cm). Illustr. OKart. mit Orig.-Pergamin-Umschlag im dunkelbraunen OPp.-Schuber.
1961140784New York, Saidenberg Gallery. 1961. 8 Seiten. 6 Abbildungen 8vo.OBroschur.
19262308160155xbvkTokyo, Showa 15-7-28 (July 28, 1926). Titlepage, Colour-plate (painting), 21 singleside printed black-and-white plates (20 paintings, 1 drawing), 6 pages of text on thick paper, 1 sheet colophone / publ. ads. - Strong colourful designed cardboard binding with large gilt artist's name - indicating his signature - at frontpanel in the publ. cardboard-slipcase with large japanese title-label; 4to.(ca. 27 x 20 cm).
193027284Paris, Editions "Ars", (1930). 8°. 17 S., 1 Bl. + 20 Tafeln / 20 plates; 18 S., 1 Bl. + 24 Tafeln / 24 plates. OKart. Original cased boards. Erste Ausgaben. 1st Editions. - Zwei Kataloge der legendären Pariser Edition über den russischen Avantgarde-Maler Clément Redko während seiner Pariser Zeit (1927-1935) sowie über den ungarisch-französischen Bildhauer und Puppenkünstler Joseph Csaky, dem Pionier der kubistischen Plastik. Two catalogues of the legendary Paris Edition primarily about the Russian Avant-garde painter Clement Redko showing his Parisian period and secondly the Hungarian-French sculptor and doll artist Joseph Csaky, a pioneer of the cubistic sculpture. Unbedeutender, schwacher Lichtrand auf Umschlag von 1. Cover of 1 sunned along the margin.
