1 239 résultats
elala2537<p>Paris: Louis Broder 1959. Limited to 150 copies on d'Ambert Rag Wove signed by Miró and Char – this one of 110 regular issue copies. This is the second preferred edition the first to contain the five exquisite small-scale colour etchings with aquatint and one woodcut by Miró. Nous Avons was first published the previous year by Pierre André Benoît with only one etching by Miró. Cramer 53. Dupin 247-52. The Artist & The Book 210. oblong 12mo. pp. 26 ff. 7incl 2 blanks. 5 etchings with aquatint by Miró printed in colours including wrapper illus. tissue guards. uncut. gatherings loose as issued. original wrs. silk clamshell box with woodcut by Miró. on upper cover light wear to box</p> [Paris]: Louis Broder, [1959]
51-3338Saint-Paul France: Fondation Maeght 1965. Original flyer for the "nuits de la fondation maeght." 4pp. 21 x 11 cm. together with the review of the building complex by Ada Louse Huxtable in the Nov. 7 1965 NY Times. Saint-Paul, France: Fondation Maeght, 1965 unknown
1988mon0003493705Fundacio Joan Miro Centre d'Est 1988T. hardcover. Very Good. . Fundacio Joan Miro, Centre d'Est hardcover
1988116150Barcelona: Fundacio Joan Miro Centre d'Estudis d'Art Contemporani 1988. Cloth 540 pages illustrations some colour; 30 cm. Text in Catalan. Near fine. Firm binding clean inside copy. Age toning. Dust jacket with light edgewear protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. Obra de Joan Miro: Dibuixos Pintura Escultura Ceramica Textils = Work by Joan Miro: Drawings Painting Sculpture Ceramics Textiles. 1st. Hardcover. Near Fine/Very Good. 4to. Collectible. Fundacio Joan Miro, Centre d'Estudis d'Art Contemporani Hardcover
1988162028Barcelona: Fundacio Joan Miro Centre d'Estudis d'Art Contemporani 1988. First edition. Hardcover. 556 pages. A comprehensive look at the various works of Joan Miro. Text in Catalan with English French and Spanish translations in the rear with contributions by Oriol Bohigas Jaume Freixa Rosa Maria Malet Margit Rowell Raimon Ribera and Eduard Castellet. Includes some color and numerous black and white illustrations. A tight very good copy with some bumping to the top front corners and with the small rubber stamp of author curator and one time director of The Art Institute of Chicago Douglas Druick to the second endpaper in a near fine dust jacket with the same bumping. This is a heavy and oversized book and will require extra shipping. Fundacio Joan Miro, Centre d'Estudis d'Art Contemporani unknown
1979179848Barcelona.: Centre d'Estudis d'Art Contemporani. 1979. First edition. . Soft cover. . Fine copy. . Folio. . Illustrated in black white and color. Important reference work. Very scarce in this condition. Centre d'Estudis d'Art Contemporani. paperback
197834484Barcelona: Pilografa 1978. In tadellosem Zustand. 700 by 505mm 27½ by 20 inches. Poster for the May 4 - July 23 1978 exhibition at the Salas de la Direccion General del Patrimonio Artistica Archivos y Museos Madrid. Original lithograph in colours published in Barcelona in 1978. Edition: 5000 copies were printed. Plakat für die Ausstellung vom 4. Mai - 23. Juli 1978 in den Salas de la Direccion General del Patrimonio Artistica Archivos y Museos Madrid. In Zusammenarbeit mit der Fundación Joan Miró Parc de Montjuic Barcelona. In einer Auflage von 5000 Stück erschienen bei Poligrafa in Barcelona. Mourlot 1090; Picazo G. Joan Miros Posters no. 90 Pilografa unknown
196951452Genève: Galerie Gérald Cramer 1969. No. 237 of 1650 copies. Oblong 8vo. 25 3 pp. Publisher's card covers with colour illustrated dust jacket with foldover flaps Cramer price list for a 1973 exhibition of Miró's work loosely inserted - single sheet Frontispiece photographic portrait of the artist plus 8 tipped in black and white reproductions of his works. Occasional light wear to the jacket edges else very good. Genève: Galerie Gérald Cramer unknown
51-0136Paris: XXe Siècle 1967. Original lithograph; folded as issued. Mourlot 499 French and 567 English . Cramer 114 XXe Siècle no. 28. We can supply all the catalogues raisonnés. Paris: XXe Siècle, 1967. unknown
2015280078New York: Nahmad 2015. First. hardcover. fine. Miro. Many color plates. Slim oblong folio stiff glossy pictorial boards. New York: Nahmad Contemporary 1025. First Edition. A very near fine copy with small bumps at corners.<br/> <br/> Published on the occasion of the exhibition at Nahmad Contemporary April 30 - July 18 2015.<br/> <br/> Nahmad unknown
1062551971 . Lithograph in colours 1971 on Japon nacré paper signed in pencil from the edition of 120 printed by Mourlot published by Tériade Paris 50.4 x 66.2 cm. 19¾ x 26 in.<br /> <br /> Cramer Books 146 1971 unknown
1062561971 . Lithograph in colours 1971 on Japon nacré paper signed in pencil from the edition of 120 printed by Mourlot published by Tériade Paris 50.4 x 66.2 cm. 19¾ x 26 in.<br /> <br /> Cramer Books 146 1971 unknown
1062531971 . Lithograph in colours 1971 on Japon nacré paper signed in pencil from the edition of 120 printed by Mourlot published by Tériade Paris 50.4 x 66.2 cm. 19¾ x 26 in.<br /> <br /> Cramer Books 146 1971 unknown
195122335EPalma de Mallorca Spain 1951. Original autograph letter signed by surrealist artist Joan Miro written on both sides of a single sheet of his personal 8 1/2†x 11†stationery printed “Son Abrines - Calamayor - Palma de Mallorca†at the upper right. Written by Miro in blue fountain pen in French translated in part: “November 3 ‘51 Dear friend I was afraid that you would have difficulties getting hold of my canvasses because you must understand that for the past year my output has been extremely limited. I absolutely had to exhibit the ‘Tronc d’arbre’ Tree Trunk which I consider to be a very important piece; apart from that Andre Breton has to repair it so as to conserve it better. Would you be so kind as to ask the press to send me as quickly as they can some “papier a report†for the lithography which I will engrave immediately. I live in the country and it is hard for me to get hold of the necessary material. After so many years I can’t find a text for ‘le Piege’ the Trap. These texts. My very best wishes Miroâ€. Fine condition. Spanish painter sculptor and ceramist Joan Miro 1893 - 1983 was one of the best known artists of the Surrealism movement which began in the early 1920s. One of its leaders was the French writer poet and anti-fascist Andre Breton to whom Miro refers in his letter. unknown
1975288568New York: Leon Amiel 1975. Limited. unbound. fine. Joan Miro. A single full-page five-color lithograph unsigned. Page measures approximately 12.5 x 9.75 inches. Printed 1975 in France by Mourlot and published in New York by Leon Amiel. A fine copy.<br/> <br/> Originally printed in the second volume of Miro's cataogue raisonne. One of 5000 copies. --Cramer 198; Mourlot 1046.<br/> <br/> Leon Amiel unknown
1975288570New York: Leon Amiel 1975. Limited. unbound. fine. Joan Miro. A single full-page five-color lithograph unsigned. Page measures approximately 12.5 x 9.75 inches. Printed 1975 in France by Mourlot and published in New York by Leon Amiel. A fine copy.<br/> <br/> Originally printed in the second volume of Miro's cataogue raisonne. One of 5000 copies. --Cramer 198; Mourlot 1043.<br/> <br/> Leon Amiel unknown
1975288571New York: Leon Amiel 1975. Limited. unbound. fine. Joan Miro. A single full-page five-color lithograph unsigned. Page measures approximately 12.5 x 9.75 inches. Printed 1975 in France by Mourlot and published in New York by Leon Amiel. A fine copy.<br/> <br/> Originally printed in the second volume of Miro's cataogue raisonne. One of 5000 copies. --Cramer 198; Mourlot 1041.<br/> <br/> Leon Amiel unknown
1975288572New York: Leon Amiel 1975. Limited. unbound. near fine. Joan Miro. A single double-page five-color lithograph unsigned. Page measures approximately 19.25 x 12.5 inches. Printed 1975 in France by Mourlot and published in New York by Leon Amiel. A near fine copy with several minor pinholes along the centerfold from where it was sewn.<br/> <br/> Originally printed in the second volume of Miro's cataogue raisonne. One of 5000 copies. --Cramer 198; Mourlot 1042.<br/> <br/> Leon Amiel unknown
197229556Santa Cruz de Tenerife: Colegio de Arquitectos de Canarios 1972. Poster 74.8 x 58 cm. 29.4 x 22.8 in. Two small edge nicks. Signed in the plate. Colegio de Arquitectos de Canarios unknown
51-2005Paris: Maeght 1974. Original lithograph. 11 x 22 inches. 28 x 56 cm. Cramer Miró Lithographs Vol. V. no. 926 Cramer Miró Illustrated Books no. 183. Center fold. Paris: Maeght, 1974. unknown
51-2006Paris: Maeght 1974. Original lithograph. 11 x 22 inches. 28 x 56 cm. Cramer Miró Lithographs Vol. V. no. 927 Cramer Miró Illustrated Books no. 183. Center fold. Paris: Maeght, 1974. unknown
39228Paris Galerie Maeght 1949. 1 Doppelbl. unknown
196916453Geneva: Gerald Cramer 1969. First edition. Original Wraps. Orig. illustrated wrappers over stiff boards. Near fine. Miro Joan. 25 pages. Oblong 4to 21 x 29. Eight tipped-in plates. Limited edition copy 1325 of 1650. The cover is an original color lithograph executed for this edition by Miro. Gerald Cramer unknown
197918101001Paris FR: Paris Vogue 1979. 1st Edition 1st Printing. Soft cover. Fine. Over Sized Magazine. 12 1/2 x 9 1/2 inches. 404 pages on heavy paper. First Printing. With color throughout. With small price sticker to front cover. FINE. All corners pointed but for bump to top right corner. Binding firm without stress creasing and square. Without tears creases other bumps or chips. Not marked in any way and very clean glossy and bright. All items carefully wrapped and sent boxed. <br/> <br/> Paris Vogue paperback
118369Paris Maeght Editeur 1950. . Limited edition number 18 of 20 copies on Montval from a total edition of 253 signed by the author and illustrator; folio 37.5 x 28 cm; half-title 72 lithographed illustrations many full-page printed in black and colour by Joan Miro with an additional aquatint and lithographed plate heightened with crayon signed and dated 12 June 1950; original upper wrapper bound in collage of coloured paper and newsprint with lithographed design by Miro; binding signed and dated by Georges Leroux 1962 full beige calf covers decorated with elaborate title composed of onlaid coloured calf over 4 strips of inlaid black calf spine with names of artist and author onlaid in mottled calf gilt edges straw-weave doublures and endpapers calf-backed chemise and slipcase both with lithographed designs by Miro on covers a fine copy.<br /> From the edition de tête with an additional lithograph heightened and signed by the artist.<br /><br />Tzara composed these poems without punctuation or capitalisation in 1945 at the psychiatric hospital of Saint-Alban at the invitation of Dr. Lucien Bonnafé. Miro's early books published before the war were sparsely illustrated and so this is considered his first signigicant artist's book. It also represents the artist's first publishing project in collaboration with Maeght. This copy is one of only 20 examples on velin de Montval. The additional plate has been considerably heightened by Miro in crayon and signed and dated using a mixture of colours. Combined with the exquisite binding by Leroux this is a superlative example of Miro's Parler Seul.<br /> Paris, Maeght Editeur, 1950. unknown
