2 617 résultats
19467044Paris, imprimerie Henry Maillet, 1946. In-4 en feuilles de [4]-64 pages sous chemise à rabats imprimée en vert.
Pieghevole (cm 16,5 x 12,5) con foto in b/n di Miro' mentre osserva un suo quadro, ill. in b/n a doppia pagina. Testo di presentazione di Gillo Dorfles, pittore e filosofo fra i fondatori del MAC (Movimento per l'Arte Concreta), alla mostra di Miro' del 1952 alla galleria dello Zodiaco di Roma. Dalla presentazione di Dorfles: 'Oggi, dopo la morte di Klee, Joan Miro' rappresenta forse la personalita' piu' viva e attuale nella pittura europea. Proprio perche' la sua arte, nutrita di tutte le esperienze dell'ultimo cinquantennio, e' a sua volta la progenitrice di nuove forme artistiche proiettate verso il futuro'.
A9781350345362Hardback. New. Over 60 years on from its inception the celebrated Fun Palace civic project – developed in the 1960s by the radical theatre director Joan Littlewood and the architect Cedric Price – continues to capture the architectural imagination. Despite the building itself never being realized much of the previous analysis of the Fun Palace has been devoted to Price and his drawings. The critical role that Littlewood played however remains largely unrecognized by architectural scholarship and a whole area of the project’s cultural agenda remains overlooked. <i>Architecture Media Archives</i> is the first serious study of the complex relations between Littlewood and Price reframing the Fun Palace as an extended media project and positioning Littlewood more clearly as co-designer. Drawing on extensive archival material the book considers how due to a lack of institutional support the aims of the Fun Palace – to transform the passive mass-audiences of post-war consumer society into active citizens through forms of self-directed pleasure-led and open exchange – were realized through different ‘sites of information’ throughout the 1960s. From broadsheets pamphlets and journals to films and press news the book addresses the conditions of production circulation storage and reception of these ‘sites’ and reveals how they not only recorded the transformation of the project but also fundamentally enhanced and informed its meaning in specific ways. The book also raises important questions about the agency of the Fun Palace archive in shaping the reception of the project in the decades since its inception presenting its analysis through a novel ‘Fun Palace Reception Index and Chart’ fundamentally altering our view of the project itself and transforming the way in which we understand the technological and cultural production of the 1960s. hardcover
B9781350345409Paperback / softback. New. <p>Over 60 years on from its inception the celebrated Fun Palace civic project – developed in the 1960s by the radical theatre director Joan Littlewood and the architect Cedric Price – continues to capture the architectural imagination. Despite the building itself never being realized much of the previous analysis of the Fun Palace has been devoted to Price and his drawings. The critical role that Littlewood played however remains largely unrecognized by architectural scholarship and a whole area of the project’s cultural agenda remains overlooked.<br /><br /><i>Architecture Media Archives</i> is the first serious study of the complex relations between Littlewood and Price reframing the Fun Palace as an extended media project and positioning Littlewood more clearly as co-designer. <br /><br />Drawing on extensive archival material the book considers how due to a lack of institutional support the aims of the Fun Palace – to transform the passive mass-audiences of post-war consumer society into active citizens through forms of self-directed pleasure-led and open exchange – were realized through different ‘sites of information’ throughout the 1960s. From broadsheets pamphlets and journals to films and press news the book addresses the conditions of production circulation storage and reception of these ‘sites’ and reveals how they not only recorded the transformation of the project but also fundamentally enhanced and informed its meaning in specific ways. <br /><br />The book also raises important questions about the agency of the Fun Palace archive in shaping the reception of the project in the decades since its inception presenting its analysis through a novel ‘Fun Palace Reception Index and Chart’ fundamentally altering our view of the project itself and transforming the way in which we understand the technological and cultural production of the 1960s.</p> paperback
1990203636Couverture souple. Broché. 48 pages.
196320587ABZch., Conzett & Huber, 1963. 4°. 80 S. OKt.
37881catalogue de l'exposition présentée à New-York à la galerie Pierre Matisse du 17 novembre au 19 décembre 1981 - un volume (21x26,7 cm), impression sens dessus-dessous, 44 pages - 2 planches en couleurs contrecollées et 22 pages consacrées à chacun des deux artistes illustrées dans et hors-texte en noir - bon état -
199332029S.l., Flammarion, (1993). Un fort vol. au format in-4 (338 x 248 mm) de 479 pp. Reliure d'édition de pleine percaline ébène, sous jaquette illustrée et coffret cartonné.
1999012000Paris Galerie Daniel Lelong - Successio Miro 1999 In-4 Cartonnage toilé, jaquette illustrée
2001012002Paris Galerie Daniel Lelong - Successio Miro 2001 In-4 Cartonnage toilé, jaquette illustrée
2013014894Paris Galerie Daniel Lelong - Successio Miro 2013 In-4 Cartonnage toilé, jaquette illustrée
2018014895Paris Galerie Daniel Lelong - Successio Miro 2018 In-4 Cartonnage toilé, jaquette illustrée
015749Paris Galerie Lelong 0 In-4 Cartonnages toilés, jaquettes illustrés, rhodoids
010985Paris Daniel Lelong 0 grand in-quarto (259 X 329 mm) Cartonnage toilé, jaquette illustrée
2001012724Paris Daniel Lelong 2001 grand in-quarto (259 X 329 mm) Cartonnage toilé, jaquette illustrée
2018014213Daniel Lelong - Successio Miro 2018 In-4 carré Cartonnage toilé et jaquette illustrée de l'éditeur
19840045601984 Paris, Daniel Lelong, 1984-2001. Quatre volumes grand in-quarto (259 X 329 mm) toile bleu marine, titre sur le premier plat et au dos en blanc, jaquette papier couleurs à rabats, étui carton muet pour le quatrième et dernier tome. Petite déchirure en tête du dos de la jaquette du tome III, consolidée au scotch blanc, rousseurs très claires sur les contreplats des tomes II et III.
198432422Paris Daniel Lelong, 1984-1991. 3 volumes in-4 reliés sous jaquette illustrée (33 x 25;7 cm). Tirage limité à 2 600 EXEMPLAIRES numérotés pour le premier tome, 2 000 exemplaires pour les deuxième et troisième tomes. Le Tome I contient 3 bois gravés originaux couleurs (couverture, frontispice et une planche page 9) - Le tome II contient 3 bois gravés originaux, dont 2 en couleurs et un en noir (couverture, frontispice et planche page 8) - Le tome III trois bois gravés originaux, dont 2 en couleurs et un en noir (couverture, frontispice et page 10).Petit ex-libris que la contre-couverture. Ensemble en parfait état, aussi bien les jaquettes que l'intérieur, très frais.
51351Flammarion.1993.In-4 toilé noir avec jaquette illustrée en couleurs et étui assorti..Index.480 p.Etat de neuf.
1973184241New York: Rizzoli 1973. Hardcover. VG/VG/Fair Book itself and dj are very clean and clear. Slipcase has foxing spots and overall wear. Tan cloth boards with black spine lettering; color illustrated dust jacket with black lettering; full pagesoil survey of st. lawrence county new york color illustrated frontispiece; 237 pp; 317 illustrations with 285 in color. Issued in plain cardobard slipcase. "Joan Miro has especially executed for this book 2 original woodcuts in Joan Barbara's atelier in Barcelona. They are to be found on the cover on the frontispiece and on page 9." This is volume 2 of a 3 volume set. Rizzoli hardcover books
1993320291993. S.l. Flammarion 1993. Un fort vol. au format in-4 338 x 248 mm de 479 pp. Reliure d'ÂŽdition de pleine percaline ÂŽbÂne sous jaquette illustrÂŽe et coffret cartonnÂŽ. L'ouvrage s'agrÂŽmente d'une abondante iconographie. ''Loin de limiter son ÂŽtude ˆ la seule peinture de Mir˜ Jacques Dupin l'a ÂŽlargie au champ illimitÂŽ de ses curiositÂŽs. Sont ainsi abordÂŽes les incursions de l'artiste dans des territoires aussi diffÂŽrents que la sculpture la lithographie l'illustration de livres la cÂŽramique l'art mural les dÂŽcors et costumes pour la scÂne.'' Coiffe supÂŽrieure de la jaquette trÂs lÂŽgÂrement ÂŽlimÂŽe. Du reste trÂs belle condition. b42961 unknown
Das komplette Werkverzeichnis der Gemälde über Joan Miró. Sämtliche Bilder sind farbig abgebildet. Mit sehr ausführlichen Angaben zur Provenienz, Ausstellungen und Bibliographie.
2009195695Barcelona: Ediciones Poligrafa 2009. Hardcover. Very Good. Dj has general wear. Spanish language text. Tan boards white illlustrated dj. 95 pages : color illustrations. Includes bibliographical references pages 94-95. Ediciones Poligrafa hardcover
697943Paris: Weber Lelong 1984. Band 1 apart. - Nummer 1059 von 1600 im Druckvermerk nummerierten Exemplaren der Deutschen Ausgabe. - Der erste Band des Werkverzeichnisses versammelt Joan Mirós druckgrafische Arbeiten der Jahre 1928 bis 1960. - Mit dem eigens von Miró gestalteten Schutzumschlag und zwei eingebundenen farbigen Original-Holzschnitten. - Schuber etwas angerändert. Sonst sauberes und wohlerhaltenes Exemplar. 0 0 0 Paris: Weber Lelong 1984. unknown
