1 239 résultats
1993ARCanBAR50Boston.: A Bulfinch Press Book Little Brown and Company 1993. 1993. folio. pp. 533. 462 illus. 431 colour. biblio. cloth. dw. back of dw. bit scuffed & rubbed. Exhib. Cat. Hardcover. Boston.: A Bulfinch Press Book, Little, Brown and Company, [1993]. Hardcover
B204425-1Barcelona/Madrid 2014. 155pp. Prof. illus. Lrg. sq. 4to. Cloth. Barcelona/Madrid, 2014. hardcover
1979001997Barcelona: Fundacio Joan Miro 1979. This is a near fine softcover copy of this exhibition catalog with almost no wear. Just slight edge-wear otherwise completely clean inside and out. Spine not creased feels unopened. Text in Catalan. Essays by Francesc Vicens Santiago Amon and E.Roters. Biographical notes. Select bibliography. Many black & white illustrations. 11" high X 8" wide 109 pages. This book will be securely packed and shipped with tracking. Soft Cover. Near Fine. Fundacio Joan Miro Paperback
196960-01571Fine Arts Gallery of San Diego 1969-01-01. Paperback. New. In shrink wrap. Fine Arts Gallery of San Diego paperback
49917223-nnew. unknown
49917223like new. unknown
2026x-1447376897Policy Pr 2026. Hardcover. New. 176 pages. 9.22x6.15x9.21 inches. Policy Pr hardcover
52678New York: Pierre Matisse Gallery. New. 1956. Paperback. 0815000278 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - With two original lithographs by Joan Miró: Cover and fold-out plate. Wraps. 28 pp. Cramer no. 38. Mourlot nos. 171 and 172. -- with a bonus offer-- . Pierre Matisse Gallery paperback
027-8New York: Pierre Matisse Gallery 1956. Wittenborn Art Books distribution. With two original lithographs by Joan Miró: Cover and fold-out plate. Wraps. 28 pp. Cramer no. 38. Mourlot nos. 171 and 172. New York: Pierre Matisse Gallery, 1956. Wittenborn Art Books, distribution. paperback
2025x-1032658991Routledge 2025. Hardcover. New. 288 pages. 10.00x7.00x10.00 inches. Routledge hardcover
2025x-1032868767Routledge 2025. Paperback. New. 288 pages. 10.00x7.00x10.00 inches. Routledge paperback
20182-2851012096Editions Vial 2018. Hardcover. New. 162 pages. French language. 12.13x9.29x0.71 inches. Editions Vial hardcover
20191-3731509369KIT Scientific Publishing 2019. Paperback. New. 138 pages. 8.31x5.83x0.43 inches. KIT Scientific Publishing paperback
20181-373150779XKIT Scientific Publishing 2018. Paperback. New. 116 pages. 8.19x5.59x0.32 inches. KIT Scientific Publishing paperback
1776563123.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6b6130Edizioni acrobat Bologna 1981 138 Seiten mit einigen Abb. Kartoniert. - Text in Italienisch - unknown
15-8089New York: Perls Gallery 1962. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1962. unknown
15-8088New York: Perls Gallery 1961. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1961. unknown
1350345407.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1967s00026257London: Faber & Faber Ltd 1967. First English language edition. Hardcover. Very Good. First printing 1967. Large quarto cloth hardcover heavily illustrated some in color 29 pp. plates clean unmarked text Very Good copy some soiling or age-toning to the pages soiling and discoloration to the covers covers also with rubbing and light wear no dust jacket. Faber & Faber Ltd hardcover
15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
199267972Univ of Pennsylvania Pr. New. 1992. Hardcover. 9065380329 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . Univ of Pennsylvania Pr hardcover
1960W366Paris: Le Club Du Meilleur Livre 1960. Numbered edition . Hardback. Fine. small 8vo. Joan Miro. No 75 of 150 copies. Numbered at rear of the volume and limited to 150 copies for members of the Club du meilleur livre Paris. A print run limited to 4850 copies only. Orange boards. 329pp; 22 lithographs by Joan Miro. 200x180 mm. A superb copy with a clear mylar cover. No fading or marks and no inscriptions. Decorative end-papers. The Miro plates are printed on coloured papers and were photographed by Henry Cohen and 'accompagnées de "proses parallèles".' A fine copy. <br/> <br/> Le Club Du Meilleur Livre hardcover
1971209068Paris: Berggruen & Cie 1971. Softcover. VG. Skinny Octavo.Softcover. Wraps illustrated with lithograph by Miro printed by the Mourlot brothers.24 pages: color illustrations. 22 cm. Berggruen & Cie paperback