1 239 résultats
51-0131Paris: Mazo 1972. Original lithograph; folded as issued. Mourlot 866. Cramer 160. We can supply all the catalogues raisonnés. Paris: Mazo, 1972. unknown
1058601961 . Lithograph in colours 1961 on BFK Rives wove paper signed with the artist's monogram in pencil numbered from the edition of 75 the total edition included 15 impressions numbered in Roman numerals published by Galerie Maeght Paris 51 x 66.4 cm. 20 x 26 in.<br /> <br /> Cramer Books 70 1961 unknown
1964170908Paris: GLM 1964. With an original signed Miro etching First edition first printing number 45 of 105 copies with an original etching signed by Miro. Hélène Prigogine was a Belgium poet and was the first wife of the Nobel Prize-winning chemist Ilya Prigogine. Quarto. Frontispiece is an original etching with aquatint in colours by Miro. Original white wrappers lettering to front cover in black printed on Arches vellum paper. With glassine dust jacket. Housed in a black cloth flat-back box by the Chelsea Bindery. Fine in fine unclipped jacket. Malet-Cramer 94 hardcover
11-1004Paris: Galerie Maeght 1950. Lithographic poster. 76 x 51 cm. 30 x 20 inches. Apparently a second printing on larger format paper with the lithographed signature lower right. Mourlot 92. Corredor-Matheos5. Marginal tears and pinholes. Paris: Galerie Maeght, 1950. unknown
03-0120Paris: Galerie Maeght 1971. Original lithograph poster. 80 x 56 cm. Printed by Arte Adrien Maeght. Mourlot/ Calas 736. Miró Original Posters 51. Arte Affiches 150. Paris: Galerie Maeght, 1971. unknown
03-0119Paris: Galerie Maeght 1970. Alan Wofsy Fine Arts distribution. Original lithograph poster. 77 x 54 cm. Printed by Arte Adrien Maeght. Mourlot/ Calas 668. Miró Original Posters 41. Arte Affiches 124. Paris: Galerie Maeght, 1970. Alan Wofsy Fine Arts, distribution. unknown
08-1174Barcelona: Òmnium Cultural 1971. Original lithograph poster. 71.5 x 53.3 cm. Printed by La Polígrafa Barcelona. Cramer 958; Corredor-Matheos 81. Barcelona: Òmnium Cultural, 1971. unknown
08-1172Barcelona: La Polígrafa 1971. Original lithograph poster. 75.5 x 56 cm. Printed by La Polígrafa Barcelona. Calas 735; Corredor-Matheos 48. Barcelona: La Polígrafa, 1971. unknown
08-1171Barcelona: La Polígrafa 1976. . Original lithograph poster. 76 x 56 cm. Printed by La Polígrafa Barcelona. Cramer 1100; Corredor-Matheos 89. Barcelona: La Polígrafa, 1976. unknown
08-1163Barcelona: Galeria Joan Prats 1980. Original lithograph poster. 76 x 56 cm. Printed by La Polígrafa Barcelona. Cramer 1215. Barcelona: Galeria Joan Prats 1980. unknown
08-1168Santa Cruz de Tenerife: Colegio de Arquitectos1972. Original lithograph poster. 75 x 58 cm. Printed by La Polígrafa Barcelona. Calas 853; Corredor-Matheos 55. Santa Cruz de Tenerife: Colegio de Arquitectos,1972. unknown
08-1169Barcelona: Colegio de Arquitectos de Cataluña y Balaeres1972. Original lithograph poster. 69.5 x 47.5 cm. Printed by La Polígrafa Barcelona. Corredor-Matheos 61. Barcelona: Colegio de Arquitectos de Cataluña y Balaeres,1972. unknown
08-1165Barcelona: Fundació Joan Miró 1976. Original lithograph poster. 75 x 48 cm. Printed by La Polígrafa Barcelona. Cramer 991; Corredor-Matheos 93. Barcelona: Fundació Joan Miró, 1976. unknown
08-1180Barcelona: 1980. . Original poster. 75 x 56 cm. Printed by La Polígrafa Barcelona. Barcelona: 1980. unknown
1951549457New York: Pierre Matisse Gallery 1951. Softcover. Near Fine. First edition. Small square quarto. 16pp. Illustrated. Stapled lithographed wrappers. Modest toning on wrappers near fine. Exhibition in honor of the Diamond Jubilee of the Philadelphia Museum of Art. Pierre Matisse Gallery unknown
96271Paris Arte Adrien Maeght 1974. . Limited edition number 51 of 150 copies on Arches wove paper signed in red pencil by Miro from an edition of 200 with an additional 20 copies hors commerce; oblong folio 29 x 40 cm; title text and limitation on Arches wove paper 25 lithographs in total 20 colour 5 black and white including wrappers limitation page all bar three double-page; original paper wrappers with first lithograph printed on front spine and back; set of six lithographs in black by or after the same hand one with additions in red ball-point pen in beige paper folder entitled 'documents 1929' housed in publisher's orange cloth covered box with artist's and author's names on spine.<br /> A fine example of the limited edition signed by Miro in red pencil. <br /><br />Both the Spanish artist Joan Miro and the French poet Robert Desnos were prominent figures in the Surrealist movement in Paris where they met in 1925. Miro had long planned to illustrate a book by Desnos but the project was delayed by the outbreak of the Spanish Civil War and subsequently the Second World War in which Desnos was an active member of the French Resistance. He was arrested by the Gestapo in 1944 and sent to several concentration camps including Auschwitz and Buchenwald. Desnos survived the war only to die of typhoid a few weeks after the liberation of the camp where he was held. <br /><br />Nearly thirty years later Desnos' widow approached Miro with the idea of illustrating his works again. In the end they settled on Pénalités de l'enfer ou les nouvelles Hébrides The Penalties of Hell or The New Hebrides Desnos' first work in prose written in Morocco in 1922.<br /> Mourlot 959-90; Cramer 188. Paris, Arte Adrien Maeght, 1974. hardcover
197631441Barcelona: La Poligrafia 1976. Other. In tadellosem Zustand. 750 by 560mm 29½ by 22 inches. Poster the theatre play Quiriquibu by Joan Brossa at theAlianca del Poble Theater in Barcelona printed and published 1976 at La Poligrafia in Barcelona. Edition: 2000 copies. Plakat für das Theaterstück Quiriquibu von Joan Brossa imAlianca del Poble Theater in Barcelona gedruckt und verlegt 1976 bei La Poligrafia in Barcelona. Auflage 2000 Exemplare. Mourlot 1100; Picazo G. Joan Miros Posters no. 89 La Poligrafia unknown
01-1286Paris: Maeght 1961. Original lithograph from Derrière le Miroir N° 128. 380 x 560 mm. Text verso. Center fold. Paris: Maeght, 1961. unknown
197034496Paris: Maeght June 1970. In excellent condition with the usual center fold as issued. 38 x 56 cm 15 x 22 inches. Doppelseitige original Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186 ist dieses Werk ein hervorragendes Beispiel für Mirós charakteristischen abstrakten Kompositionen in satten Primärfarben. Mirós einzigartige visuelle Sprache ist hier sofort erkennbar. Double-page original color lithograph by Joan Miró. Published in Derriére le miroir No. 186 this work is an excellent example of Miró's characteristic abstract compositions in rich primary colors. Miró's unique visual language is immediately recognizable here.Lithographie originale en couleur à double page de Joan Miró. Publiée dans Derriére le miroir n° 186 cette œuvre est un excellent exemple des compositions abstraites caractéristiques de Miró dans de riches couleurs primaires. Le langage visuel unique de Miró est immédiatement reconnaissable ici. Maeght unknown
193848651Paris.: Editions Sagesse. 1938. Full tan polished calf by Pierre-Lucien Martin with his signature gilt to front turn-in and dated 1970 front and rear board with large abstract geometric onlays of crème caramel polished calf turquoise suede doublures and free endpapers smooth spine with title gilt t.e.g. original grey handmade paper wrappers with titles in black to front cover preserved matching wool-lined calf-backed paper board chemise with gilt title to spine and calf-edged slipcase. 8vo. 210 x 174 mm. Leaf with manuscript text by Paalen recto manuscript poem verso leaf with original etching as frontispiece by Miró printed in red on irregularly trimmed yellow paper and signed and numbered from the edition of 75 in pencil printed title three leaves with Paalen's verse leaf with justification recto. Sonja Sekula's copy of 'Sablier Couché' presented by Paalen with a manuscript poem Miró's superb signed frontispiece and bound by Pierre-Lucien Martin.From the edition limited to 75 numbered copies on Arches paper signed and numbered in ink by Alice Paalen on the justification and signed and numbered by Miró on the etched frontispiece.Paalen's presentation is in black ink to the initial blank: 'Celui qui a inspiré ce poèmea disparu comme / une vague disparait dans la mer après s'être élevée haut dans la lumière notre rencontre / a été celle de deux vagues venant en sens contraires / qui s'él`event et se à l'éxtrème de leur élan / à vous qui coulez sur la même pente que moi / Sonia que j'attendais Alice Paalen signed in blue / grey ink'; at the foot of the page Paalen quotes: ''Rendez-vous de rivière eau se recevant des nuages / et des sources eaux qui me lie à ton sort . '.The following page features Paalen's poem 'Mercure éteint' in blue ink. 'Mercure Eteint' was published in Paalen's 1941 collection 'Noir Animal'; here Paalen has dated the poem 'Mexico San Angel / Nuit du 29 mai 1940'. The lines quoted at the foot of the presentation i.e. 'Rendez-vous de rivière . ' is from 'Les Appelants' which also features in 'Noir Animal'. A shortened version of the same quotation appears in a copy of 'Noir Animal' given by Paalen to André and Jacquéline Breton and their daughter Aube.The Sonia of Paalen's enigmatic presentation is the painter Sonja or Sonia Sekula 1918 - 1963 the Swiss-born New York-based Abstract Expressionist painter like Paalen she was also a poet and friend to the Surrealists in exile. Sekula knew Paalen in the 1940s - she remained married to Wolfgang Paalen until 1947 - and the pair had a short-lived but passionate affair: 'During a visit to the Onslow Fords in Morelia Alice had met and fallen in love with the Swiss artist Sonja Sekula who had exhibited in the group show '31 Women' at Peggy Guggenheim in 1943 and was now associated with the 'Indian Space' group in New York around Peter Busa. The two lived an open love affair . ' see Andreas Neufert's biography of Wolfgang Paalen. The presentation detailed above is also listed with the additional detail that Alice and Sonja's relationship had ended by August 1945.Alice Paalen 1904 - 1987 née Phillipot and later Rahon her mother's maiden name Surrealist poet and painter married the Austrian Surrealist Wolfgang Paalen in 1930. She participated in Surrealist activities during the early 1930s and had a significant liaison with Picasso before the publication of her first collection of poetry in 1936 A Mème La Terre the same year that she went to India with fellow poet and Surrealist Valentine Penrose. Further collections followed including the present volume Sablier Couché with the two poems 'Sablier Couché' and 'Muttra' and Noir Animal 1941 before she turned her attention to painting and changed her surname to Rahon. Many of Paalen's presentations feature quotations from her own poems as here.Cramer 5; see Andreas Neufert's 'Paalen: Life and Work Vol. 2 Under the Volcano: The DYN Project and Exile in Mexico 1939 - 1959' Norderstedt 2023 pp. 198 - 199. Editions Sagesse. unknown
197034502Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034499Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034497Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034498Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown
197034501Paris: Maeght June 1970. In excellent condition. 38 x 28 cm 15 x 11 inches. Farblithographie von Joan Miró. Erschienen im Derriére le miroir Nr. 186. Color lithograph by Joan Miró. Appeared in Derrière le miroir No. 186.Lithographie en couleurs de Joan Miró. Paru dans Derrière le miroir n°186. Maeght unknown