Joan MiroBiblio.com
2 617 résultats
197513578Paris: Mourlot 1975. Other. 245 by 320mm 9¾ by 12½ inches. Original lithograph in colors printed and published at Mourlot 1975 in Paris. Unnumbered edition published in Lithograph II. Original-Farblithographie gedruckt und verlegt bei Mourlot 1975 in Paris. Nicht nummerierte Ausgabe erschienen in Lithographie II. Mourlot 1047 Mourlot unknown
197513577Paris: Mourlot 1975. Other. In excellent condition. 320 by 245mm 12½ by 9¾ inches. Original lithograph in colors printed and published at Mourlot 1975 in Paris. Unnumbered edition published in Lithograph II. Mourlot 1041 Mourlot unknown
195918109New York: Pierre Matisse 1959. FIRST EDITION. Complete with 22 pochoir reproductions after gouaches by the artist on Arches wove paper with the title page text in French by André Breton table of contents and justification signed by the artist in blue ink and the author in red ink. Complete with 2 original lithographs sheet size 17 ½ x 14†image: 12 x 9 3/4†hand-numbered and signed by Miró in pencil at lower margin each framed. The pochoirs are laid into their original paper folders all in the original illustrated portfolio housed in its beige linen box illustrated in black by Miró on front cover and spine; box has been repaired. First edition of this luxurious publication. No. 109 of 150 copies which include the 2 signed and numbered lithographs the total edition was 384. Miró began the series of gouaches reproduced in Constellations on September 21 1940 in Varengeuville Normandy where he was exiled from Francoist Spain. He created ten of the gouaches before the invasion of France by German troops pushed him to flee the country with his wife and daughter. He completed the twenty-third and final gouache of the series on September 12 1941. The village where he stayed was subject to a blackout and that fact prompted Miro's most luminous and affecting series of paintings the Constellations. <br /> <br /> Miró was originally in discussions with MoMA to exhibit Constellations but it was ultimately with the New York gallery owner Pierre Matisse that the complete series of 22 gouaches would be exhibited Miró having wished to keep the twenty-third in early 1945. It was not until 1959 when Matisse decided to publish reproductions. André Breton had been inspired by the series and wrote poems to accompany each work of art. Of the 384 copies produced only the first 150 included the 2 additional signed and numbered lithographs. <br /> <br /> In his preface to this edition Breton emphasized the historical significance. With the background of war and the occupation of France these works symbolized the triumphal “resistance†of art and the spirit of man in the face of the menace. They became the first new works from Europe to be exhibited in America following the ending of hostilities.<br /> <br /> The 22 works are arranged in the chronological order of their creation thus respecting one of the instructions given by the artist at the time of the New York exhibition. This arrangement was so important to Miró that as early as 1957 he insisted that each one indicate the date and place it was created. This information is reproduced on the back of the gouaches with a facsimile drawing. Pierre Matisse unknown
51-3248New York: Pierre Matisse 1959. Oversized card with text verso. Cramer 58; Queneau 260. New York: Pierre Matisse, 1959. unknown
1959006133New York Pierre Matisse 1959 Arches, 325 x 250 mm Un feuillet plié en deux Edition originale
19443117Paris, Robert-J. Godet, 1944. Un volume in-4 (280 x 190 mm), 62 pages, broché, couverture rempliée. Édition originale. Exemplaire n° 74 sur vélin pur fil de Lafuma. 1 feuillet volant (287 x 194 mm) avec l'eau-forte originale (245 x 131 mm) signée et datée inversement sur le cuivre : "Picasso 23.D.43". 1 des 200 épreuves sur vélin Lafuma. (Atelier Lacourière pour le tirage de la gravure). Picasso grave en décembre 1943 la planche pour le recueil "Contrée" dédié à Youki qui partageait la vie du poète depuis 1930. L'ouvrage, achevé d'imprimer le 31 Mai 1944, a paru après l'arrestation de Robert Desnos par la Gestapo survenue le 22 février. Desnos mourra en déportation le 8 juin 1945 au camp de Térézine en Tchécoslovaquie. Exceptionnelle gravure "surréaliste" de Picasso. L'artiste combine procédés cubistes (l'architecture est identique à la 3ème planche de Saint-Matorel - 1911) et surréalistes avec des réminiscences de gravures précédentes (voir le buste pour l'Anthologie de l'Humour Noir de Breton - 1938-1940)… Réferences : Baer-Geiser 689; Bloch 362; Cramer 39. - ENGLISH DESCRIPTION : - First edition, first printing. 1 loose leaf (287 x 194 mm) with the original etching "Femme assise" (245 x 131 mm) signed and dated on the copper: "Picasso 23.D.43". 1 of 200 proofs on Lafuma vellum (n° 74). (Atelier Lacourière for the printing of the engraving). Historical notice: Picasso engraved this plate in December 1943 for the collection "Contrée" dedicated to Youki who shared the life of the poet since 1930. The work, printed on May 31, 1944, was published after the arrest of Robert Desnos by the Gestapo occurred on February 22. Desnos died in deportation on June 8, 1945 at the Terezine camp in Czechoslovakia. Exceptional "surrealist" etching by Picasso. The artist combines here cubist (the architecture is identical to the 3rd plate of Saint-Matorel - 1911) and surrealist processes with reminiscences of previous engravings (see the bust for the Anthologie de l'Humour Noir de Breton - 1938-1940 )… - Edition: Paris, Robert-J. Godet, 1944. A 4° volume (280 x 190 mm), 62 pages, paperback, folded cover, (n°183 on pur fil Lafuma wove paper). References: Baer-Geiser 689; Block 362; Cramer 39. More pictures on request. Right mouse click for a full screen picture. In mint condition.
7777Affiche, lithographie 60,5 x 95,5. Trace de pli.
1994272670PN. New. 1994. Soft Cover. Date is original print. This is a reprint edition . PN paperback
197236500Paris: Mourlot 1972. In excellent condition. 325 by 250mm 12¾ by 9¾ inches. Original lithograph unsigned Cover of the book Miro Lithographs I Mourlot 1036 Mourlot unknown
49099Poligrafa.1972.In-8 carré toilé avec jaquette ill.en couleurs.En espagnol,français,anglais,allemand.Nombreuses reproductions en couleurs. BE,malgré jaquette salie.
197221809Barcelona, Ediciones Polìgrafa, (1972). Un vol. au format gd in-8 carré (208 x 218 mm) de 40 pp. et lxxviii planches photographiques. Reliure d'édition de plein cartonnage grège agrémenté sur chacun des plats d'une composition de Morò frappé à l'oser noir, sous jaquette illustrée.
197229163624981972, Polígrafa, in-8 cartonné, couverture blanche illustrée, Creacion en el espacio/Creation in space/création dans l'espace/Die raumschöpfungen | Etat : encore sous blister (Ref.: J12484)
199864631Centre Cultural Alcoi 1998. paperback. Bueno. Centre Cultural Alcoi. Alcoi s/f. Textos de Maria Fullana Ovidi Monllor y otros. Rústica . Sin paginar. 32x22. Muy Ilustrado. Centre Cultural Alcoi paperback
1997mon0002853895Novi most 1997-01-01. Unknown Binding. Very Good. . Cover and edges show heavy shelf wear. Pages are clean and intact. Has some minor dirtiness on the outside. There is some slight dirtiness on the textblock/fore edge from handling. rn Novi most unknown
1039186114.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1039186106.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2025x-1039186114FriesenPress 2025. Hardcover. New. 182 pages. 8.00x0.63x10.00 inches. FriesenPress hardcover
50362727like new. unknown
19094996<p>Cuba cronicas de la guerra 3 volumenes vol 1 la campana de invacionvols 2 y 3 la campana de occidentepor jose miro argenterprimera edicion habana cuba 1909 signed con dedicatoria del autor.la obtra consta de 3 volumenes encuadernados en un tomo.encuadernacion original de la epocabuen estado.Libro de historia escrito por el militar y periodista catalán José Miró Argenter 1851-1925 y publicado en la habana la edicion en tres tomos completa en 1909 donde relata la Guerra Necesaria 1895-1898 contra España por la independencia.Es una obra llena de historia nacional donde narra las hazañas de Antonio Maceo su empuje invasor su hidalguía y hombría ante cada combate además cuenta la valentía de otros mambises Quintín Bandera Máximo Gómez Linares Castellanos Castillo y Bermúdez entre otros patriotas.</p><p><strong>José Miró Argenter</strong> Cataluña 4 de marzo de 1851 - La Habana 2 de mayo de 1925 fue un militar y periodista español que luchó a favor de la independencia de Cuba.General de división del Ejército Libertador. Fue miembro del Estado Mayor de Antonio Maceo y participó junto a él en la invasión. En 1899 publicó su obra <em>Cuba: crónicas de la guerra</em> que es un testimonio de su participación en la Guerra Necesaria 1895-1898.</p><p>En la Guerra Necesaria 1895-1898 se levantó en armas en Manzanillo el 22 de febrero de 1895 con Bartolomé Masó al frente de un contingente de patriotas en Holguín con grado de coronel. El 14 de abril de 1895 se batió con una columna española en Ciego La Rioja. Este combate se extendió hasta Los Marcano y Ojo de Agua.</p><p>Después de la llegada a la Isla del mayor general Antonio Maceo el 1 de abril de 1895 Maceo le ratificó el grado y lo incorporó a su estado mayor. Se destacó en el combate de Peralejo el 13 de julio de 1895 por el cual fue propuesto para el grado de general de brigada; pero el Consejo de Gobierno le reconoció el grado el 29 de septiembre de 1895. Días después lo promovieron al cargo de jefe de estado mayor de la columna invasora con la cual salió el 22 de octubre desde Baraguá.</p><p>Estuvo junto a Maceo durante la invasión y en toda la campaña de occidente. Se destacó en el combate de Iguará en Sancti Spíritus el 13 de diciembre de 1895; en Pinar del Río participó entre otros en los de La Lechuza Cacarajícara Rubí en dos ocasiones y Bejerano Gobernadora.Escoltó a Maceo en el cruce por el mar de la Trocha de Mariel a Majana en la noche del 4 de diciembre de 1896. Tres días más tarde resultó herido por única vez en la guerra en San Pedro donde cayó su jefe.</p><p>Por su comportamiento en el combate de Mal Tiempo el 15 de diciembre de 1895 había sido propuesto para el grado de general de división; pero no fue hasta el final de la guerra que el Consejo de Gobierno se lo otorgó con antigüedad. Esto hizo que con carácter retroactivo fuera el primer miembro del Ejército Libertador en obtener ese grado.</p> Libreria e imprenta la moderna poesia hardcover
1942105701Havana 1942. hardcover. very good. Color folding map laid in. 2 illustrations. 3 volumes bound in 2 with the original wrappers bound-in writing on front cover. 8vo modern burgundy cloth with leather labels. pencil marks in margins of vol. I. La Habana: Editorial Lex 1942 1943. Very good.<br/> <br/> unknown
1942105701Havana 1942. hardcover. very good. Color folding map laid in. 2 illustrations. 3 volumes bound in 2 with the original wrappers bound in writing on front cover. 8vo modern burgundy cloth leather labels. pencil marks in margins of vol. I. La Habana: Editorial Lex 1942 1943. Very good .<br/><br/> unknown books
1980feb08440Meridiane 1980. Used. 1980; Romanian Edition of Culoarea visurilor mele Biblioteca de Arta Nr.321; For more details please contact me Meridiane unknown
197413568Paris: Maeght Éditeur 1974. Other. On the full sheet with the usual centre fold as published. In excellent condition. 280 by 568mm 11 by 22¼ inches. Original lithograph in colors printed and published at Arte Adrian Maeght 1974 in Paris. Published folded in the book edition. Unnumbered edition signed in the stone. Mourlot 927; Cramer 183. Maeght Éditeur unknown
197413569Paris: Maeght Éditeur 1974. Other. On the full sheet with the usual centre fold as published. In excellent condition. 276 by 568mm 10¾ by 22¼ inches. Original lithograph Joan Miro 1893 Barcelona - 1983 Calamajor in colors printed and published at Arte Adrian Maeght 1974 in Paris. Published folded in the book edition. Unnumbered edition signed in the stone. Mourlot 926; Cramer 183. Maeght Éditeur unknown
