Miro, GabrielBiblio.com
2 617 résultats
19173373978Madrid.: Atenea. 1917. . Hardcover. Sobrecubierta deslucida. Intonso. Good. 25 cm. 2 v. Tomo I: 1916; Tomo II: 1917. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Sobrecubierta deslucida. Intonso. Literatura española 821.134.2-97"19" Historia general de la iglesia cristiana 27-312.80:82 Atenea. hardcover
19353702366S.l.: Amigos de Gabriel Miró. 1935. Hardcover. Cubierta deslucida. Good. 25 cm. 2 v. Encuadernación en tapa dura de editorial. Colección 'Obras completas de Gabriel Miró' numero coleccionv. 5-6. Miró Gabriel 1879-1930. Prólogo por Ricardo Baeza. Jesucristo. Obras literarias. Pasión . Cubierta deslucida. Literatura española 821.134.2-97"19" Historia general de la iglesia cristiana 27-312.80:82 Amigos de Gabriel Miró. hardcover
Litografia orig. a col. cm. 38x28. Tratta da "Derrière le Miroir"
1025655613.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
199031731Paris, Fourbis, 1990, in-8, 14pp, broché, Exemplaire en parfait état de l'édition illustré d'hors texte de Juan Miro. 14pp
10543Paris. Editions Fourbis. 1990. Grand in-8°, reliure de fort cartonnage, fenêtre sur le premier plat laissant voir une gravure intaille de Joan Miró, signée. Couvertures conservées. Frontispice et une planche hors texte de Joan Miró. Non paginé [40 pages]. Le livre et la gravure gaufrée de Miró sont en très bon état.
45357Fourbis.1992.Petit in-8 carré;couv.rempliée rouge avec étiquette.H-T de Joan Miro. Etat neuf.
99-0039Paris: Maeght 1969. Original slipcase with with two original aquatints by Miró on the covers both with small losses. Dupin 463 and 464. 23 x 25 inches. 50 x 60 cm. Lacks the prints except for the 2 color aquatints on the covers. 15 leaves on Rives: title pages colophon signed by both Miró and Leiris; Achevé d'imprimer and 11 of 14 poems by Leiris each on a separate leaf.One of 75 signed and numbered portfolios. Cramer 130. Paris: Maeght, 1969. unknown
1965173321Paris: Presse artisanale de Gaston Puel 1965. No. 8 of 50 with signed etching one of the 50 printed on vellum of Rives of a total of 350 copies of this printing. Paperback. VG as new. Small white printed paper with glassine cover 162 x 128 mm loosely folded contents include one etched plate signed in pencil by Miro and limitation statement at rear. Sheets and pages are unopened. This copy signed and numbered viii/xxx in pencil by Miro. Glassine protective sheet over etching. Extremely rare printed in this format after the large format of 1964 which had 17 prints by Miro. Presse artisanale de Gaston Puel paperback
1965173321Paris: Presse artisanale de Gaston Puel 1965. No. 8 of 50 with signed etching one of the 50 printed on vellum of Rives of a total of 350 copies of this printing. Paperback. VG as new. Small white printed paper with glassine cover 162 x 128 mm loosely folded contents include one etched plate signed in pencil by Miro and limitation statement at rear. Sheets and pages are unopened. This copy signed and numbered viii/xxx in pencil by Miro. Glassine protective sheet over etching. Extremely rare printed in this format after the large format of 1964 which had 17 prints by Miro. Presse artisanale de Gaston Puel hardcover books
131991973. In-8 carré, 146-(2) pp., broché, couverture illustrée (bords de la couverture un peu frottés). Joint : feuillet d'addenda.
055813Paris Adrien Maeght (Presses De L'imprimerie Arte) 1973 in 4 carré (20,5x21) 1 volume broché, couverture illustrée en couleurs, 148 pages et un faux-feuillet volant d'additif, nombreuses photographies en noir et blanc et en couleurs, et 2 lithographies originales hors-texte de Joan Miro. Introduction de Joan Teixidor. Textes de Jacques Dupin et de André Pieyre de Mandiargues. Biographie, bibliographie, et liste des oeuvre. Bel exemplaire
196519388AB1965. Paris Maeght 1965. 38 : 28 cm. 28 páginas con muchas ilustraciónes 8 láminas en color. Cartóne original ilustrado en colores. Las lámines en color son de by Miro 2 Ubac Giacometti Bonard Kandinsky Chagall página doble. - Derrier le Miroir No. 156. paperback
196517626AB1965. Paris Maeght 1965. 38 : 28 cm. 28 pages with many b/w illustrations 8 coloured plates. Coloured illustrated original boards. The coloured plates are by Miro 2 Ubac Giacometti Bonard Kandinsky Chagall double page. - Derrier le Miroir No. 156. hardcover
196519388ABParis, Maeght, 1965. 38 : 28 cm. 28 páginas con muchas ilustraciónes, 8 láminas en color. Cartóne original ilustrado en colores.
196517626ABParis, Maeght, 1965. 38 : 28 cm. 28 pages with many b/w illustrations, 8 coloured plates. Coloured illustrated original boards.
200023535München, Staatsgalerie moderner Kunst, 2000. 4°. Mit zahlreichen farb. Bildtafeln und einigen s/w Textabbildungen. 257 S., 1 Bl. Orig.-Pappband. - Zeigt Werke von Cy Twombly, Jannis Kounellis, Joseph Beuys, Richard Long, Willem de Kooning, Georg Baselitz, Gerhard Richter, Andy Warhol, Dan Flavin, Katharina Fritsch, Jeff Koons, Damien Hirst, Pablo Picasso, Joan Miró u.a. Schönes und sauberes Exemplar.
2023__3727238747Stämpfli Verlag AG 2023. Paperback. New. German language. 7.64x5.12x0.59 inches. Stämpfli Verlag AG paperback
19401730601940. HUGNET Georges. Complete set of all four "butterfly books" each in original wrappers as issued; oblong 16mo. 95 x 145 mm in a cloth folding box. Paris: The Author 1940-1941. Each of these four pamphlets was clandestinely printed at the beginning of the German occupation and distributed only among close friends of the artist and poet Georges Hugnet 1906-1974 an active figure in Dada and Surrealist circles. The first in this series "Non vouloir" is one of only 20 copies printed on verge antique from an edition of just 26 total it is printed in red and features a reproduction of an illustration by Miró on the title-page verso and is inscribed by "a CecileEluard de tout coeur Georges Hugnet". The second in the series "Pablo Picasso" is one of 200 copies printed in brown with black zincographs by Picasso engulfing the text throughout. The third is "Marcel Duchamp" from an edition of 200 copies printed in blue features a single print tipped onto the title-page verso of the "Moustache and Beard of L.H.O.O.Q." -- arguably the cornerstone of Dadaism -- in which Duchamp's original metal stencil was applied in graphite on paper by pochoir. "Like the smile of the Cheshire Cat Duchamp's graffiti additions to the Mona Lisa now hover in space" d'Harnoncourt & McShine p. 304. "The stencil was originally made for the addition of those details to the reproduction of L.H.O.O.Q. in The Box in a Valise" Bonk p. 241. The final one "Au 'depens des mots'" is one of an edition of 200 printed in gold with black accents on the title-page. Inscribed "a ma petite CecileEluard de tout coeur Georges Hugnet". Each of the butterfly books is a rare survival; together they form an outstanding group much like the artists themselves. A rare survival in immaculate condition. Goeppert Pablo Picasso: The Illustrated Books 35. Schwarz The Complete Work of Marcel Duchamp 483. Johnson Artists' Books in the Modern Era 1870-2000 115. Naumann 5.33 p. 143. hardcover
1978RO30346117Chez l'auteur. 1978. In-4. Broché. Etat d'usage, Couv. convenable, Dos frotté, Papier jauni. 52 pages. Texte en espagnol. Nombreuses illustrations en couleur dans et hors texte. Rousseurs. Couverture rempliée. Nombreuses pliures sur les plats.. . . . Classification Dewey : 460-Langues espagnole et portugaise
193991467Paris: 1939. Modern artists rally support for the children of the Spanish Civil War First edition one of 101 numbered copies signed by Spender Aragon and each of the nine contributing artists including Miró and Kandinsky. This work was sold to benefit the Spanish Republican Children's Fund. A further 12 copies were printed for contributors. The text consists of Spender's poem "Fall of a City" printed in the original English and in the French translation of Aragon. The artists each of whom has signed their contribution are Joan Miró Wassily Kandinsky John Buckland-Wright Stanley William Hayter Josef Hecht Dalla Husband Roderick Mean Dolf Rieser and Luis Vargas. Many were strongly influenced by the horrors of the Spanish Civil War. Miró although never an explicitly political artist was asked on Franco's death in 1975 what he had done to resist the dictator. He responded "Free and violent things". He was exiled in Paris during the civil war made propaganda images for the republican cause and in January 1937 painted the haunting Still Life with Old Shoe which his biographer Jacques Dupin called "Miró's Guernica" Adams. While it is unclear who commissioned the work the typography was completed by Gonzalo More of New York and the plates were printed by Atelier 17 and Henri Hecht. A sister portfolio Solidarité was published the year before to benefit the same cause. Octavo. With 9 loose engravings on full-sheet Montval handmade paper with deckled edges each signed in pencil lower right by the artist with the original tissue guards. Text in English and French. Original wrappers printed in black. With original card chemise slipcase lacking. Housed in a green morocco-backed clamshell box by the Chelsea Bindery. Chemise split to spine wrappers and contents in excellent condition. Cramer Miro 81. Tim Adams "Joan Miró: A Life in Paintings" The Guardian 20 March 2011. unknown
052884Sydney National Art Gallery of New South Wales 1953 in 8 (24,5x18) 1 fascicule broché, 36 pages, avec des reproductions en noir et blanc (Selected works reproduced in black and white). A loan exhibition arranged between the French and Australian Governments through the Boards of Trustees of the National Galleries of Australia for exhibition in the Commonwealth, January - September, 1953. Catalogue éditée à l'occasion de exposition de prêt d'oeuvres de peintres vivants de l'Ecole de Paris: FRENCH PAINTING TODAY, organisée entre les gouvernements français et australien par l'intermédiaire des conseils d'administration des National Galleries of Australia pour une exposition dans le Commonwealth, janvier - septembre 1953. Préface en français et en anglais. Notice sur les peintre en langue anglaise. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1998KFZZQ100897Yomiuri Shimbun 1998. Soft Cover. Fine. KFZZQ100897 Yomiuri Shimbun paperback
24060Barcelone, 1975, in-4, 133 p., broché, couverture originale illustrée. Catalogue catalan-espagnol-français-anglais-allemand paru à l'occasion de l'inauguration de la fondation Joan Miró en juin 1975.
1987RO80215117Centre d'étude d'Art contemporain. 1987. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Brochure de 3 pages. Quelques photographies en couleurs dans et hors texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
