Miro, JoanBiblio.com
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197134485Barcelona: Pilografa 1971. In tadellosem Zustand. 84 x 66 cm 33 x 26 inches. Poster for the celebration of the II Catalan legal congress that took place in 1971 organized by the Bar Association of Barcelona. Original lithograph in colours published in Barcelona in 1971. Edition: 1000 copies were printed. Plakat zur Feier des II. katalanischen Rechtskongresses der 1971 stattfand und von der Anwaltskammer von Barcelona organisiert wurde. Original-Farblithographie veröffentlicht in Barcelona 1971. Mourlot 1090; Picazo G. Joan Miros Posters no. 90 Pilografa unknown
1959015476Köln DuMont 1959 In-8 carré Cartonnage de L'éditeur Dédicacé par l'illustrateur
1928198044Paris: Edition Jeanne Bucher 1928. Limited Edition. Hardcover. Fair in boards. Binding cracked after 2nd FEP. Shelfwear on front/rear panels. Bottom front corner bumped.; Number 82 of 300 limited edition copies. Edition Jeanne Bucher hardcover
19282448<p>Paris Edition Jeanne Bucher. 1928. Drawings in color by Joan Miró. 8 color pochoirs after drawings by Miró colored by Jean Saudé on Arches paper. 4to published in a folio of 14pp. One of the limited edition of 300. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black numbers and green sun. Interior lined with black paper. 11 5/8 x 10 5/8 x 5/8. Housed in a new black clam shell case. Signed and dedicated by Lise Hirtz to Jane de Margerie. RARE. Miro created one of the most imaginative books for children and far beyond its time. Joan Miró was studying art in Barcelona and moved to Paris in 1919 He was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists.</p><p> In August 1927 Paul Eluard sent Miro the poems by Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. In October 1927 Miró completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed by Miro for the colored plates which were then colored by the pochoir process by Saudé. Edition is limited to 300 copies. On Arches. </p><p> Ref: Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992. Cramer. Joan Miró Catalogue Raisonné des Livres Illustrés no. 1. Johnson. Artists' Books in the Modern Era p. 98. Andel. Avant-Garde Page Design 1900-1950 p. 330.</p> Éditions Jeanne Bucher hardcover
19282419<p>Paris Edition Jeanne Bucher. 1928. MIRO JOAN 1893-1983. HIRTZ LISE. IL ETAIT UNE PETITE PIE THERE WAS ONCE A SMALL MAGPIE Drawings in color by Joan Miro. A folio of 8pp. of pochoir prints. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black and green letters and lined with black paper. 11 5/8 x 10 5/8 x 5/8. RARE. Enclosed in a black linen contemporary clam shell box. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona.He moved to Paris in 1919 he was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems of Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed for the colored in plates which were created by Saudet. Edition is limited to 300 copies. Printed on Arches. Signed and dedicated by Lise Hirtz to Jane de Margerie. Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992</p> Lisa Hirtz, Pierre Chareau's gallery.
19282419<p>Paris Edition Jeanne Bucher. 1928. MIRO JOAN 1893-1983. HIRTZ LISE. IL ETAIT UNE PETITE PIE THERE WAS ONCE A SMALL MAGPIE Drawings in color by Joan Miro. A folio of 8pp. of pochoir prints. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black and green letters and lined with black paper. 11 5/8 x 10 5/8 x 5/8. RARE. Enclosed in a black linen contemporary clam shell box. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona.He moved to Paris in 1919 he was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems of Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed for the colored in plates which were created by Saudet. Edition is limited to 300 copies. Printed on Arches. Signed and dedicated by Lise Hirtz to Jane de Margerie. Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992</p> Lisa Hirtz, Pierre Chareau's gallery. books
19282448<p>Paris Edition Jeanne Bucher. 1928. Drawings in color by Joan Miro. 8 color pochoirs after drawings by Miró colored by Jean Saudé on Arches paper. 4to published in a folio of 8pp. One of the limited edition of 300. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black numbers and green sun. Interior lined with black paper. 11 5/8 x 10 5/8 x 5/8. Housed in a new black clam shell case. Signed and dedicated by Lise Hirtz to Jane de Margerie. RARE. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona and moved to Paris in 1919 He was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists.</p><p> In August 1927 Paul Eluard sent Miro the poems by Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed by Miro for the colored plates which were then created by Saudet. Edition is limited to 300 copies. On Arches. </p><p> Ref: Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992. Cramer. Joan Miró Catalogue Raisonné des Livres Illustrés no. 1. Johnson. Artists' Books in the Modern Era p. 98. Andel. Avant-Garde Page Design 1900-1950 p. 330.</p> Éditions Jeanne Bucher, Paris hardcover books
115074Paris Jeanne Bucher 1928. . Limited edition number 6 of 20 copies on Japon numbered & signed by the artist and author on the justification from a total edition of 300 4to 32.3 x 24.3 cm; illustrated with eight full-page pochoir plates coloured by Saudé with an extra suite in black; original illustrated cloth portfolio wrapper bound in black calf by Miguet with cut-outs showing coloured morocco spots of the suede guards inspired by plate V text in red blue and green gilt to spine chemise and slipcase a fine copy.<br /> Miro's first artist's book. One of 20 copies on Japon with an extra suite in black. <br /><br />Lise Deharme is widely known for being a Surrealist muse after André Breton referred to her as 'La Dame au Gant' The Lady with the Glove in his book Nadja. She was also photographed Man Ray and hosted salons popular with the leading artists and writers of the time such as Joyce and Picasso. Although her legacy mainly remains in the shadow of the prominent male members of the Surrealist movement she was not merely a hostess but a prominent writer and editor of the magazine Le Phare de Neuilly.<br /><br />Colette and Jean-Paul Miguet who were active between 1951 and 1981 were among the most prolific designer bookbinders of the second half of the twentieth century. 'Their productions range from the purest classic to the most modern original creation without ever falling into the binding-object which for them is a heresy. . Boundless advocates of high quality book binding these two craftsmen argue that the bookbinder must never betray the author in the design of a set or possibly the illustrator but must define graphics and colours that will interpret them best and this in a perfection of execution' Julien Fléty Dictionary of French Binders 1988.<br /> Paris, Jeanne Bucher, 1928. hardcover
1188Paris, Éditions Jeanne Bucher, novembre 1928. In-4, 24 feuilles, chemise de toile grise illustrée en noir et vert par Miro, et avec la signature à l’encre noire par l’artiste.Édition originale de ce recueil de 10 chansons (dont 7 pour Hyacinthe, le fils de l'auteure), manuscrites et reproduites en fac similé.Illustré de 8 gouaches de Miro à pleine page, reproduites au pochoir par l'atelier de Jean Saudé, c'est le premier ouvrage illustré de Joan Miro.Jeanne Bucher (1872-1946), fondatrice en 1925 de la Galerie Jeanne Bucher à Paris, est l’une des premières à exposer des artistes d’avant-garde : Picasso, Braque, Klee, Kandinsky, Miro, Vieira da Silva, Nicolas de Staël, etc. Elle fonde en parallèle un atelier d'édition qui de 1925 à 1943, édite environ 28 livres d'artistes mêlant poésie et gravure.Lise Hirtz (1898-1980 - son vrai prénom est Anne-Marie), épouse en décembre 1928 Paul Deharme, pionnier de la radio. Amie intime de Paul Éluard, André Breton, Man Ray, Valentine Hugo, Gisèle Prassinos, Jean Cocteau..., elle devient dans les années 1930 l’une des muses du cercle surréaliste : elle fut "la dame au gant" pour Breton ; la "femme à la bouche qui rêve" pour Éluard ; et Man Ray la portraitura en "Dame de Pique".Tiré à 300 exemplaires non paginés, dont 20 sur Japon et 280 sur Arches. Rare envoi autographe signé sur le titre : "Préservez nous de nos amis pour nos ennemis... à Madame Paule de Beaumont qui fut une ennemie. Très très gentiment Lise Deharme". Paule de Beaumont (1894-1934) — née Paule-Thérèse Dreyfus — épousa le comte Jacques de Beaumont, diplomate et esthète, et fut une figure brillante mais discrète du milieu littéraire et artistique parisien de l’entre-deux-guerres. Avec ironie, Lise Deharme semble détourner la célèbre phrase attribuée à Voltaire : "Préservez-moi de mes amis ; mes ennemis, je m’en charge.", pour adresser cet hommage acide à Paule de Beaumont, qui fut sans doute une délicieuse ennemie. Cet envoi incarne parfaitement l’esprit de Lise Deharme et sa renommée de "Dame de Pique" du surréalisme.Manquent le feuillet de dédicace au compositeur Georges Ouric et celui de justification. Chemise très légèrement salie, un lien déchiré.Cramer, Joan Miró, Les livres illustrés, nº 1.
20041831663Published by CRC Press 2004. 1st edition. Hardback. Very Good. Slightly better than very good condition with no wrapper. This volume includes a botanical chemical pharmacological and therapeutic survey of these species and a review of traditional uses. It covers cultivation harvesting drying storage and yield along with economic importance and market trends. Edited by Manuel Miro Jordal. Blue glazed boards. B/w illustrations a couple of colour illustrations. 232 pages including index. Boards lightly scuffed. Board corners lightly bumped. Contents clean. Published by CRC Press hardcover
2004SONG0415322464CRC Press 2004-06-17. 1. hardcover. Used: Good. 7.25x0.75x10.00. Buy with confidence. Excellent Customer Service & Return policy. CRC Press hardcover
200846975Bielefield: Kerber Verlag 2008. Large 8vo. 264 pp. Publisher's card covers with flaps. Colour illustrated throughout. A little light edge wear very good. Bielefield: Kerber Verlag unknown
1969RO30320682Unesco. 1969. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 109 pages. Texte sur une ou plusieurs colonnes. Ex-libris sur le 1er plat.. . . . Classification Dewey : 300-SCIENCES SOCIALES
197074079México City: n. pub 1970. 14p. wraps. The Spanish anarchist exile had edited the anarchist youth newspaper 'Ruta' during the Civil War. n. pub unknown books
Mm 230x300 Brossura originale, 283 pagine profusamente illustrate a colori nel testo in lingua inglese - english text. Spedizione in 24 ore dalla conferma dell'ordine.
1776563123.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197231180New York: Tudor Publishing Company 1972. 1st Edition. Hardcover. Dust Jacket Included. Miro. Miro. 1st Edition. Hardcover. Taillandier Yvon; Miro Joan. INDELIBLE MIRO: Aquatints Drawings Drypoints Etchings Lithographs Book Illustrations Posters / by Yvon Taillandier. with an Introd. by Joseph E. Young Translated from the French by Phyllis Freeman: New York: Tudor Publishing Company 1972. First English Edition. Folio. pp. 202. profusely illustrated. many colour many full & double-page six fold-outs. three colour lithographs including one original lithograph as dustwrapper. A fine copy in like dustwrapper with a small bump to the top edge in the publisher's blue paper covered cardboard slipcase in essentially fine condition. Freitag 6586. Tudor Publishing Company hardcover
1972018310New York: Tudor Publishing Company 1972. Book. Very good condition. Hardcover. First Edition. Folio. 202 pages of text. Hardcover binding in almost new condition except for minimal sunning to the top and bottom edges. The original unclipped dustjacket has a few tiny tears and creases with minimal shelfwear; protected in archival mylar. The text contains two original color lithographs made especially for this publication. The text contains more than 100 additional illustrations. The text is clean and unmarked. First edition. Tudor Publishing Company Hardcover books
anglais In-4 de 202 pp.; album toilé bleu sous jaquette illustrée de l'éditeur. Illustrated with 2 original color lithographs, plus 115 color and black & white plates, some double-page and folding. Frontispice Lithograph pulled by Jean Célestin at Mourlot and Lithograph on pages 16-17 pulled at the Imprimerie Arte by René Le Moigne. Petites usures aux bords de la jaquette, intérieur frais.
192258200Paris, A la Maison des Amis des Livres, mars 1922, 1922 in-8, agrafé, 32 pp. Textes de Léon-Paul Fargue, Paul Leclère, Gabriel Miro, Michel Yell, etc.
192258200Paris, A la Maison des Amis des Livres, mars 1922, 1922 in-8, agrafé, 32 pp. Textes de Léon-Paul Fargue, Paul Leclère, Gabriel Miro, Michel Yell, etc.
1993BN81329Madrid Ave del Paraíso Ediciones 1993 1993. 1993. Interiores de Miro en el Pabellon Mudéjar de Sevilla. <br/><br/> Madrid Ave del Paraíso Ediciones 1993 unknown
1993105756Madrid Ave del Paraíso Ediciones 1993 1 vol. broché in-4, broché, couv. illustrée, 216 pp., nombreuses reproductions en couleurs. Texte en espagnol. Très bon état.
1993105756Madrid Ave del Paraíso Ediciones 1993 1 vol. broché in-4, broché, couv. illustrée, 216 pp., nombreuses reproductions en couleurs. Texte en espagnol. Très bon état.
3638795128.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
