563 résultats
198448611New York: George Braziller 1984. First Edition thus. Hardcover in slipcase. VG two vols in faux wood grain slipcase. Facsimile of the Cramer 1958 edition. . George Braziller hardcover
19841411860New York: George Braziller Inc 1984. First Edition Thus First Printing. Softcover. Quartos 2 Volumes. In Very Good condition and housed in published Very Good slip case with chamise. Minor shelf wear. Volume I bound in soft white boards. Volume II bound in light grey covers with light soiling to front cover. Both textblocks clean. Shelved in Case 11. Facsimile of the limited edition published by Gérald Cramer in Geneva in 1958. 1411860. Shelved Dupont Bookstore. George Braziller, Inc unknown
19934356George Braziller 1993 Facsimile reprint. 12.75 x 10 inches. 22 pp. of text 80 unpaginated color illustrations. Introduction by Anne Hyde Greet. Illustrated wraps. Wraps moderately rubbed lightly creased at corners and along edges. Very Good. Soft cover. Very Good. George Braziller paperback
1984stela1442New York: George Braziller Inc. 1984. 1984. folio. pp. 22 & unpaginated. English & French text. profusely illus. in colour & b/w. wrappers & hardcover with dust jacket with chemise & slipcase. Reprint of the original Cramer edition of 1958. Hardcover. New York: George Braziller Inc., 1984. Hardcover
19933879George Braziller 1993. 1993 4to. 22 pp. of text. Introduction by Anne Hyde Greet. Color illustrations throughout. Illustrated wraps. Light edge-wear small patch of scratches at rear wrap where sticker was removed. Very Good. Soft cover. Very Good. George Braziller, 1993. paperback
1993NOWmirTOUTGeorge Braziller Inc 1993-09-17. Paperback. Very Good. 10x0x12. The preface and introduction are in English; poems are in French. A clean tight copy with mild shelf rubbing and edge wear to wraps; bottom fore corners are lightly bumped. Contents unmarked. 4to. Unpaginated. George Braziller Inc paperback
198423749New York: Braziller 1984. Reprint edition. Hardcover. Orig. illustrated boards and printed wrappers in board chemise. Fine in fine slipcase. Miro Joan. 33 x 25.5 cm. Reprint of the Paul Eluard and Gerald Cramer original copy 75 with numerous colored wood-cuts by Miro. 22 page in Introduction in separate stiff wrapper publication by Anne Hyde Greet laid-in. As new. Braziller hardcover
198416449NY: BRAZILLER. 1984. Fine with no dust jacket. 1984. Facsimile. Slipcase. Slipcased. Facsimile Edition. Lovely reproduction of the Swiss limited edition. Fine in publisher's slipcase with the original wrap-around band intact. B . NY: BRAZILLER. 1984 unknown
19842092902138101113Galerie Patrick Cramer 1984. Soft Cover. Fine. Size: 33.5cmx26cm Number of books: 1 Galerie Patrick Cramer paperback
19841575520858Gerald Cramer 1984. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Minor shelf and handling wear overall a clean solid copy with minimal signs of use. 16 pg text with book in slipcase as issued. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Gerald Cramer hardcover
197839308Paris: Maeght 1978. In excellent condition. Original color lithograph by Joan Miró created for the landmark exhibition 100 Sculptures 19621978 at the Musée dArt Moderne de la Ville de Paris. Published by Maeght Paris 1978. A joyful collector-accessible Miró with the full authority of a Maeght-published original. Joan Miró 1893 Barcelona 1983 Palma de Mallorca is one of the great masters of 20th-century art celebrated for his bold colours biomorphic forms and surrealist imagination. His lifelong association with the Galerie Maeght in Paris produced some of the most sought-after prints in the post-war graphic tradition. Mirós lithographs published exclusively by Maeght are prized by collectors worldwide for their authenticity quality and direct connection to the artists creative process.This original color lithograph was created by Miró for the exhibition catalogue of 100 Sculptures 19621978 at the Musée dArt Moderne de la Ville de Paris in 1978 a major retrospective celebrating over fifteen years of the artists sculptural output. Published by Maeght Paris. An affordable and authentic entry into the Miró graphic oeuvre. In excellent condition. Colors vivid. No tears creases or foxing. Ready to frame. Maeght unknown
1965Alibris.0046453Obzor. 1965. Hard cover. Very good. 168 p. Includes illustrations. In Slovak Russian German English and French. . Photographs by Miro Gregor Pavel Janek Karol Kallay Vladimir Kostial Martin Martincek Otakar Nemera Jozef Novy Magdaléna Robinsonová Slavomir Stepánek Anton Stubna Stefan Tamás and Kamil Vyskocil. Obzor hardcover
198484098Paris: S. n. 1984. Fine. S. n. Paris 11 Janvier 1984 13.50 x 10 cm une feuille une enveloppe Autograph signed card from Pierre-André Benoit 8 lines in black ink written from his château at Rivières-de-Theyrargues in the Gard which he has occupied since 1970 addressed to the bookseller Pierre Clerc to whom he extends his wishes for 1984. The card is illustrated on the recto with a reproduction of a drawing by Joan Miró accompanied by a phrase from Saint Teresa of Avila envelope included. The sunny winter favors PAB's good humor: "". une bonne année commencée avec le soleil ce qui donne envie de circuler."" "". a good year begun with sunshine which makes one want to get about."" who suggests to his bookseller friend that he come to lunch at his home soon. Poet painter engraver Pierre-André Benoit or P.A.B. was above all a typographer and printer who created more than 400 illustrated works bringing together the greatest post-war poets with the most talented painters of the second half of the twentieth century. P.A.B.'s productions were first realized on a small press installed in his apartment in Alès. They brought together his poet friends René Char André Breton Paul Éluard Paul Claudel Erik Satie Tristan Tzara and his painter friends Joan Miró Georges Braque Jean Dubuffet Francis Picabia Marcel Duchamp and Pablo Picasso. In 1949 he began to use celluloid engraving which allowed him to make the prints himself and to create the books entirely. From his modern château at Rivières-de-Theyrargues in the Gard he would end up illustrating his works himself while continuing to work with his faithful friends Camille Bryen and Pierre Alechinsky. S. n. unknown