Hazama, InosukeAntiquariat.de
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193818411ABTokyo, Atelier-sha, 1938 (Shówa 13). 19 : 13 cm. Coloured plate, title, 48 pages plates, 34 pages, 4 unnumbered pages, including 2 pages advertisements. Publisher's illustrated wrappers.
192045202Munich: Kurt Wolff Verlag 1920. First edition. Very good plus. Second year in a single bound volume of the Expressionist journal of the visual and literary arts with the scarce original lithographs and woodcuts by Masereel and others. The second two-book volume of the ambitious and influential Expressionist annual founded by Heise and Mardersteig who met as university students. To satisfy publisher Kurt Wolff half of each volume was dedicated to "poetry and humanity" the remainder given over to contemporary visual art and critical reaction. Among the contributors to this lavishly illustrated second volume are Rabindranath Tagore Franz Werfel Anatole France; Nele van de Velde Ernst Bloch and Ernst Josephson; plates include original lithographs and woodcuts by Karl Schmidt-Rottluff Frans Masereel Max Kaus Georg Erlich Erich Heckel and André Rouveyre. 14'' x 10.5''. Quarter vellum with gilt-stamped red paper boards red and gilt paper label mounted to spine. Plates in color and black and white tipped in to both volumes; all plates present and corresponding to index including original prints. 332 pages. Moderate edgewear to boards. Faint foxing to endpapers; previous owner's name in pen to title page. Kurt Wolff Verlag unknown
1952ABE-1763681762825TIRAGE ARGENTIQUE NOIR ET BLANC-20,3 CM X 26,5 CM-AU DOS: CACHET HUMIDE DE LA PHOTOGRAPHE, MENTION MANUSCRITE "H. MATISSE DANS LE JARDIN DE LA CHAPELLE DE VENCE AVEC LA MERE SUPERIEURE DU FOYER LACORDAIRE ET R. P. LUCAS 1952" "REF 135"-1 DECHIRURE (1 CM) EN MARGE SUP
ABE-1764331232572TIRAGE ARGENTIQUE NOIR ET BLANC-18 CM X 24 CM-AU DOS CACHET HUMIDE DE LA PHOTOGRAPHE
192088540Galerie Georges Bernheim jeune & Cie | Paris 1920 | 12.2 x 15.5 cm | Agrafé
6938Editions Irus et Vincent Hasma, Paris, 1996. Fort in-4, reliure pleine toile éditeur sous jaquette illustrée en couleurs, bien complet de son coffret cartonné, 557 pp. Préface, par Isabelle Monod-Fontaine - Contre vents et marées - Automne 1939 - Nice, le Régina : fin 1939-début 1940 - L'exode, mai-août 1940 - Fin 1940 : Nice et le Régina - 1941 : Nice, le Régina - 1942 ...
1972ART2318ESSAI21972 / 365 pages. Broché. Editions Hermann.
194351973Les amis de Gabriel Hanotaux | Royat 1943 | 22.50 x 28.50 cm | broché
lc_45497Walther Konig Verlag (26 mai 2011)
1978156821978. Paris Michel Héron éditeur 1978 - Broché 15 cm x 21 cm 3 pages recto+ 8 dessins recto - Texte de Hector Bienaimé (Michel Héron) envoi du préfacier - Non coupé état neuf
lc_57755Cerf (3 novembre 1993)
6924Editions du Cerf/Menil Foundation/Editions d'Art Albert Skira, Paris, Houston, Genève, 1993. Fort in-8, reliure pleine toile éditeur sous jaquette illustrée, 477 pp. Avant-propos, par Dominique de Menil - Matisse et le sacré, par Marcel Billot - Henri Matisse, M.-A. Couturier et L.-B. Rayssiguier : 4 décembre 1947... - 8 août 1954 - Annexes - Plan - Table des illustrations - Bibliographie - ...
6925Vence, 1955. In-8, broché sous couverture illustrée en couleurs, 45 pp. La chapelle du Rosaire, par Henri Matisse - Planches.
195485986Sous étui chemise éditeur. Couverture souple rempliée illustrée d'une composition de Matisse. Étui partiellement fissuré en pied.
42497Texte d'introduction par Elie Faure - Colmar : Le Point (Revue Artistique et Littéraire), 1937 - in-8 broché (19,5x26 cm) sous couverture rempliée, 143 pages - un portrait photographique ou dessiné, un texte de présentation ( Nesto Jacometti, Charles Terasse, André Rouveyre, Marcelle Marty, Maurice Raynal, entre autres) et une à trois reproductions en noir pour chaque artiste - bon état (sinon petites rousseurs en couverture et première de couverture légèrement poussiéreuse) -
6926Grégoire Gardette éditions, s.l., 1993. In-4, broché sous couverture rempliée et illustrée en couleurs, 159 pp. Préface, par Xavier Girard - 1942... - 1954 - Correspondance.
Dominique Fourcade, edNot in perfect condition. unknown
1954mon0003032331The Beechhurst Press 1954. Hardcover. Good. . Scarce. 8 plates and three pages of text laid in as issued in cardboard case with ties. Ex-library labeling on covers and on some of the backs of the plates- plates themselves unmarred! All pages clean. The Beechhurst Press hardcover
6089HENRI MATISSE 1869-1954. Matisse was a celebrated French modernist artist.ALS. 1pg. August 30 1927. N.p. An autograph letter signed H. Matisse in French. Writing to artist Charles Thorndike 1875-1935 following what seems to have been an unfulfilling visit to Thorndikes home Matisse mentions several other Modernists. In translation the letter reads: Dear Friend My journey was good and hot which suited me and the change of location has changed my disposition the cold has descended on my throat and bothers me much less than in Kermouster. I am quite upset to have been such a bad guest and very touched by all your care I do not dare think while seeing this beautiful weather about all the pleasure that I could have been able to take prolonged walks and bathing as well as good humor which would have been less unpleasant for you I would not know how to live well lying down I am touched by your kindness. I have asked Mr. Joly to instruct you to give the friends I was to see Signac and Mr. Louis Talek or Pahadi my regrets and thanks to Dr. Brandes. I have fairly good news from Madame Matisse. While waiting for the pleasure of seeing you then I will be tough I hope please accept my best friendship. H. Matisse. Signac was Neo-Impressionist painter Paul Signac 1863-1935 while Joly was probably Post-Impressionist Jean Joly 1900-1952. The recipient Thorndike was an American-born artist who lived in Kermouster in the Brittany region of France. There he entertained several significant artists of the period. The letter is in very good condition. unknown
99252Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1916. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
99249Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1916. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
99251Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1916. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
99250Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1916. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1979KFZZQ100755DEAGOSTINI 1979. Soft Cover. Fine. KFZZQ100755 DEAGOSTINI paperback
242086415Taschen. GF665 2009 2 hardcovers is slipcase very good condition <p><b>A perfect facsimile of Jazz a 20th century masterpiece<br><br> </b><i>This two-volume edition includes a perfect facsimile of Matisse's seminal cut-out work: </i>Jazz<i>. At last readers can experience Jazz</i><i> as if holding the 1947 original.</i><br><br> The reputation of <b>Henri Matisse 1869–1954</b> as the most important artist of the modern era is rivaled only by Picasso—who himself said ""All things considered there is only Matisse."" Towards the end of his monumental career as a painter sculptor and lithographer an elderly sickly Matisse was unable to stand and use a paintbrush. So at almost 80 years of age he developed a new technique: he drew shapes on colored paper cut them out and pasted them together. These <i>gouaches decoupées</i><b> </b>gouache cut-outs represented <b>a revolution in modern art</b> yet their simplicity was dismissed by many critics as the folly of a senile old man. Later critics realized that <b>Matisse had found a brilliant solution to the age-old conflict between line and color</b>—one that would profoundly influence generations of artists to come.<br><br> <b>Printed in exactly the same colors using paper and inks similar to</b> <b>the</b><b> 1947 edition</b> the facsimile volume allows readers to experience <b><i>Jazz</i></b> in its original unbound form. <b><br> Printed in 18 colors on a small offset press 4 pages at a time to obtain the highest fidelity to the original<br> Printed on Old Mill in 190 g/m² from Italian paper mill Fedrigoni. This paper is of archival quality and has a felt-like softness much like handmade paper<br> As with the original this reprint is unbound and folded in signatures of 4 pages. It is protected by a French folded jacket and a hard-backed cover<br><br> The second volume provides a thorough historical context to Matisse's cut-outs</b> tracing their genesis in his 1930 trip to Tahiti through to his final years in Nice. Also included are other pivotal works from his later career including his contributions to <i>Verve</i> magazine and his exquisite decoration of the Vence Chapel. <b>Includes rare and historic photographs</b> by Matisse taken in Tahiti as well as <b>photos of Matisse by Henri Cartier-Bresson </b><b>Brassaï</b> and the filmmaker <b>Murnau.</b> The text is supplemented by <b>quotations from Matisse Picasso E. Tériade </b>the publisher of <i>Jazz</i> and <i>Verve</i> the poets Louis Aragon Henri Michaux and Pierre Reverdy and Matisse's son-in-law Georges Duthuit.<br> </p> Taschen hardcover
