687 résultats
dola2281New York. Pierre Matisse Gallery c1964. First Edition. Exhibition Catalogue. 8vo. pp. 36. illus. wrs. dola2281 [New York. Pierre Matisse Gallery, c1964] unknown
0500090491.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19786186Leningrad. Aurora Art Publishers. 1978 Titled blue cloth. Folio. First Edition. Profusely illustrated with full page colour plates Some fold-out and further monochrome plates. An exceptionally scarce cataloguing of works by Henri Matisse housed in the Pushkin Museum of Fine Arts and the Hermitage in Leningrad. The paintings and sculptures reproduced in this volume trace the evolution of Matisse's work throughout his life. The splendid plates are accompanied by detailed notes analogies a bibliography and a list of exhibitions. An invaluable reference. Very Fine in Fine Dustwrapper. Aurora Art Publishers. hardcover
1984058862New York: Thames and Hudson 1984. 1st Edition 1st Printing. Hardcover. Fine/Near Fine. Color Illustrations And Plates. Unpaginated. Beige Cloth Stamped In White. 61 Pp. 51 Plates Printed On One Side Only 11 Pp Catalog Of Cut-Outs In Public Collections. The Entire Book Is Printed On Very Heavy High Quality White Paper. Fine. In Dust Jacket Priced $75.00 Fine No Wear But Fraying Across Top Edge Of Spine. . <br/> <br/> Thames and Hudson hardcover
1984045356New York: Thames and Hudson 1984. 1st Edition 1st Printing. Hardcover. Fine/Fine. Color Illustrations And Plates. Unpaginated. Beige Cloth Stamped In White. 61 Pp. 51 Plates Printed On One Side Only 11 Pp Catalog Of Cut-Outs In Public Collections. The Entire Book Is Printed On Very Heavy High Quality White Paper. Fine In Fine Dust Jacket Priced $75.00. <br/> <br/> Thames and Hudson hardcover
1280Zurich. Kunsthaus Zürich 1982. Large 4to. Including the Lebensdaten. Paperbound. In Fine condition. 20020180118. N6923-M55A42002. unknown
stela1727New York: Independent Curators Incorporated 1986. Travelling Exhibition Catalogue. 4to. pp. 64. profusely illus. in colour & b/w. wrs. spine sunned New York: Independent Curators Incorporated, [1986] unknown
stela2450Ann Arbor Michigan: Umi Researches Press 1981. 8vo. pp. xxii 216. b/w illus. biblio. index. cloth Ann Arbor, Michigan: Umi Researches Press, [1981] hardcover
1970stela1438New York: Tudor Publishing Co. 1970. 1970. folio. pp. 126. 32 colour plates & 150 b/w illus. includes a linocut specially executed by the artist in 1938 for the XXe Siècle. bio. cloth. dw. three edge tears. Hardcover. Very Good/Dust Jacket Included. New York: Tudor Publishing Co., 1970. Hardcover
198452662London: Thames and Hudson 1984. First edition folio 63 119 pp. 51 coloured plates three double page with near contemporary inscriptions to the fly leaf giving the book as a work leaving present. Cloth small stain to the upper cover d.w. with the red to the spine faded. (London): Thames and Hudson unknown
1917511934Weimar: Verlag Gustav Kiepenheuer 1917. Softcover. Fine. Issue 5 limited issue "Liebhaber-Ausgabe". Published by Paul Westheim. Slim small quarto. Text in German. Illustrated with tipped-on black and white plates illustrating work by Van Gogh M. Laurencin O. Redon Henri Matisse and Pablo Picasso. Just about fine in sewn wrappers save that it lacks the separate original print by Walter Klemm included only in the limited issue. Copy 70 of 110 numbered copies. Prints articles by Hans Poelzig Paul Westheim and others. Verlag Gustav Kiepenheuer unknown
27318-Cahiers d'Art 1992-. Facsimile of the 1936 edition 1992. Text in French obviously. Cloth. Fine in dustjacket with flash title. Dessins de Henri Matisse 2851171003 -Cahiers d'Art (1992)- hardcover
1915375427New York: Montross Gallery 1915. First edition. Illustrated with frontispiece and photo reproductions of works. Side-sewn printed wrappers. Yapp edge along top a bit pushed in sunning around edges of covers and ownership signature on cover interior near fine with spots on first and last leaf. First edition. Illustrated with frontispiece and photo reproductions of works. Barr 130 Montross Gallery unknown
323688Paris: Claude Duthuit Éditeur 1997. xxiii 391pp. with black and white illustrations. 1 vols. 4to. Brown cloth fine in fine dustjacket. Bois Yve-Alain preface. xxiii 391pp. with black and white illustrations. 1 vols. 4to. With a translation of the preface and the notes in English. Claude Duthuit Éditeur unknown
22072-Thames & Hudson 1957-. First edition. 280x215mm 150 pages. Illustrated with 128 black and white plates and 8 pages in full color. Cloth. Very good in edge-worn price-clipped dustjacket Matisse: Fifty Years of His Graphic Art French artist -Thames & Hudson (1957)- hardcover
1951374447New York: Museum of Modern Art 1951. First edition. Profusely illus. 591 pp. 1 vols. 4to. Cloth-backed boards. Fine in slightly chipped Very Good dust jacket. First edition. Profusely illus. 591 pp. 1 vols. 4to. Inscribed: "en hommage à monsieur Monroe Wheeler avec mes remerciements pour mon exposition au musée Modern dont il fut l'organisateur parfait H. Matisse 1er juillet 52" "In homage to Mr. Monroe Wheeler with my thanks for my show at the Museum of Modern Art which he organized perfectly"<br /> <br /> Henri Matisse-the second-most exhibited artist at the Museum after Pablo Picasso-was the subject of MoMA's first monographic exhibition in 1931. The 1951-52 exhibition was the largest Matisse exhibition to be assembled in the United States to date and covered his pivotal work of the 1930s and the mature cut outs of the 1940s. As Barr writes in one of the letters laid-in "I did not realize that the 1930-40's would prove so rich and important. Frankly I tended to look down on Matisse's paintings of those years. They have changed my mind -- and the length of my text. I also greatly underestimated the interest and importance of the illustrated books of the 1940's."<br /> <br /> Monroe Wheeler 1899-1988 was made Director of Publications in 1939 and became the Museum's first Director of Exhibitions the following year positions which he held until 1967. Wheeler interviewed Matisse in March 1950 and their conversation comprises "Questionnaire II" which was used as one of the primary sources of the text of this volume p. 529. Alfred Barr 1902-1981 the first historian of Modern Art and the author of this volume was the first Director of MoMA from 1929-1943 when he worked as advisory director with his successor Rene d'Harnoncourt. Laid-in to the volume is correspondence from Barr to Wheeler about the progress of the writing of the book and about its publication as well as ephemera related to the exhibition and collected in the years afterwards.<br /> <br /> Contents laid-in include:<br /> - TLS 1 p. on MoMA letterhead annotated April 21 1950 from Barr and written in preparation for the Matisse exhibit mentions his research and help or lack of help from his assistant Bill and suggests that Wheeler try to purchase a painting not accomplished until 1983<br /> - TLS 2 pp. on MoMA letterhead with a few holograph notes at the end July 2 1951 with envelope from Barr and about the delay in finishing the Matisse book in time for the opening of the exhibition discussing the editorial insight of the publications manager Frances Pernas <br /> - 4 short ANS notes from Barr to Wheeler on printed Memorandum stationary of Barr<br /> - 1 ANS note from Rene D'Harnoncourt on printed Memrandom Stationary<br /> - Pierre Matisse calling card<br /> - Errata sheet for the book<br /> - Invitation to the Exhibition opening admitting two folded as issued<br /> - Invitation to the Exhibition opening official after party admitting two<br /> - Matisse obituary clipping from the NYT<br /> - Color postcard for Harmony in Red laid-in at page 345 with the black-and-white illustrations of this work<br /> - Color postcard of Still Life with Oysters 1940 tipped-in at p. 486<br /> - Color postcard of Zulma<br /> - Color postcard of Vase of Anemones<br /> - Color card cut in half Ivy and Flowers docketed on verso<br /> - "Matisse Designed Uncancelled French Stamp" in MoMA envelope docketed as such<br /> - Invitation to the Donation Matisse on January 5 1963. Museum of Modern Art unknown
1951232449Vence France 1951. Printed circa 1980. Gelatin silver print. SIGNED by the photographer lower right beneath the image and dated 1951. 1 vols. 12-1/2 x 8-1/2 inches. Very good. Printed circa 1980 Gelatin silver print. SIGNED by the photographer lower right beneath the image and dated 1951. 1 vols. 12-1/2 x 8-1/2 inches. Superb large portrait of the artist in front of his famous Chapel the work he considered his magnum opus and which he completed in 1951 the year this photo was taken by the acclaimed Russian-born LIFE photographer Dmitri Kessel. unknown
1933219101New York 1933. Variant of the portrait published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half portrait with artist facing left in suit. 1 vols. 35 x 28 cm. Approximately 14 x 10-7/8 inches. Fine. Atelier stamp on verso and docketed by Van Vechten in ink giving the subject of the photograph the date and the number of negative and print "XIII C: 6". Variant of the portrait published in PORTRAITS: the Photographs of Carl Van Vechten 1978 edited by Saul Mauriber. Half portrait with artist facing left in suit. 1 vols. 35 x 28 cm. Approximately 14 x 10-7/8 inches. Rare portrait of Matisse. unknown
aly2348New York: Pierre Matisse Gallery 1978. Exhibition Catalogue. 4to. unpaginated. few illus. mostly b/w. wrs New York: Pierre Matisse Gallery, [1978] unknown
1947518137Buenos Aires: Editorial Victor Leru 1947. Softcover. Very Good. First Spanish language edition. Translated from the French by B. F. Iribarren. Quarto. 248 120 plates 3pp. Illustrated in black and white along with ten tipped-in color plates. Soiling and stains along the edges and spine corners and spine ends bumped a bit of offsetting on the endleaves very good. Reproduces artwork by Pablo Picasso Paul Cezanne Henri Matisse Tsuguharu Foujita and others and prints essays and criticism by Waldemar George Jules Romains Robert Delaunay Tristan LeClerc Paul Valery and others. Editorial Victor Leru unknown
36072Paris: La Bibliothèque Française 1945. Portfolio. 1st edition. Loose sheets as issued in later custom clamshell box with original portfolio cover mounted on front. 4to.<br> One of 3200 Numbered Copies. 111 plates of drawings the first 100 relating to Buchenwald originally drawn on stolen paper plus 6 portraits and 5 aquarelles in color. Captions in French English and Russian. 26 cm. Title page and preface in French. Title translates as "111 Drawings Made in Buchenwald 1944-1945."<br> Very early 1945 publication from the year of liberation. <br> Boris Taslitzky began painting at the age of fifteen and attended the academie Montparnasse and the École des Beaux-Arts in Paris between 1925 and 1933. In 1933 he joined the Association of Revolutionary Writers and Artists A. É. AR where he became general secretary of the section of Painters and Sculptors and then in 1935 he joined the Communist Party.<br> In 1936 during the presentation of Quatorze Juillet by Romain Rolland Taslitzky participated in the exhibition that brought together Picasso Léger Matisse Braque Jean Lurcat Laurens and Pinion in the lobby of the Alhambra Theatre.<br> Taslitzky was captured in June 1940 escaped in August and joined the Resistance. He was arrested again in November 1941 sentenced to two years in prison and then on July 31 1944 he was deported to Buchenwald where he manages to make some two hundred drawings showing life in the camps. "If I go to hell I will make sketches. Besides I have experience I've been there and I've drawn! . " he later said. His mother died at Auschwitz .<br> In 1946 Taslitzky exhibited his works which were inspired by the Resistance and Deportation winning the Prix Blumenthal. He was later awarded the Military Cross and Military Medal and in 1997 he received the insignia of Chevalier of the Legion of Honour under the Resistance and Deportation. He was both witness and actor in the story of French Resistance and the Holocaust.<br> For more on Taslitzky see for example https://boris-taslitzky.fr/fortune-critique/02fortune-critique-1970-2004.ht m <br> SUBJECTS : Concentration camps -- Pictorial works. Buchenwald Camp de Guerre mondiale 1939-1945. Prisonniers et déportés. Camps allemands. Buchenwald. Album. Concentration camps. Pictorial works. Wear to original illustrated cover which has been mounted on front of box but no damage to illustration. Moving early and important. Holo2-125-44. Paris: La Bibliothèque Française unknown
1939510479Editions De La Revue Verve 1939. First Edition. Trade Paperback. FINE. First American Edition printed in Paris. Tall 4to 35.5 cm. Sewn binding in lithographic printed wraps with original art by Aristide Maillol. Illustrated throughout with color and b/w in-text illustrations and photos color tipped-in plates COMPLETE with 16 full-page color lithograph prints by Constanin Guys Georges Braque Georges Rouault Andre Derain Fernand Leger Pierre Bonnard Henri Matisse and Paul Klee. Some trivial rubbing to the wrappers else FINE--very clean and sharp; in original publisher's printed slipcase with color mounted plate showing some wear around the edges but still holding strong and sound; an uncommonly nice example of book quite prone to wear as a massive volume printed in wraps. One of Verve's most elaborate productions and the first double issue a thematic issue devoted to the human figure-- 'a volume of exceptional rechness.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 105. Editions De La Revue Verve paperback
1952510480Editions De La Verve 1952. First Edition. Hardcover. FINE. Tall 4to 35.5cm. Sewn binding in lithographic printed paper over boards with original design by Braques. George Braque honorary double issue Profusely illustrated with original lithographs created for this issue by Miro Bores Chagall Matisse and others. Spine paper chipped at head moderately toned and splitting at a few points otherwise exceedingly clean and sharp internal text with crisp bright paper. COMPLETE with all lithographs. A binding very prone to wear--much nice than commonly seen. Editions De La Verve hardcover
1952165340New York: Simon and Schuster 1952. First Edition. First Edition. Board and jacket design by Henri Matisse. Original "captions" booklet laid in as issued. <br /> <br /> One of the most influential collections of twentieth century street photography a testament to Henri Cartier-Bresson's unique and discerning eye and his ability to capture the emotive nature of his subjects. <br /> <br /> Near Fine in a spectacular Near Fine dust jacket. In a custom green clamshell box with a black leather label on the spine also Fine. The best copy of this title we have ever seen.<br /> <br /> Oversize volume shipping billed at cost. Simon and Schuster unknown
1997167401Paris: Claude Duthuit 1997. Hardcover. First French Edition. Text in French.<br /> <br /> The complete sculptures of Matisse accompanied by a list of exhibitions a bibliography articles and commentary and unpublished selections from the artist's correspondence. <br /> <br /> Faint toning at the jacket extremities else Fine in an about Fine dust jacket.<br /> <br /> Oversize volume shipping billed at cost. Claude Duthuit unknown