Wilson Vasquez, Goya (Author)Biblio.com
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2026x-1529237874Bristol University Press 2026. Paperback. New. 248 pages. 9.22x6.15x9.21 inches. Bristol University Press paperback
SKU1026556Editions Du Phaidon. Good. Editions Du Phaidon Phaidon Verlag; Vienne 1937. Hardcover. Text in French. Good green cloth binding with gilt lettering on black label on front board and gilt lettering on spine binding sturdy and intact some use/handling marks mild shelf wear small rub mark bottom text block corner some sunning and mild scattered foxing to text block edges book slightly bent upward at spine and fore-edge in a Good some age toning/foxing to panels sunned spine some handling/rub marks edge/corner wear with few small tears to edges 2 inch tear top front panel edge near corner Dust wrapper. Oblong 4toquarto or approx. 9.5 x 12 inches 14pp. introduction 85 b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. Please Note: Depending on site actual book for sale may differ physically from picture listed. Additional Scans are available for any item please inquire. Editions Du Phaidon hardcover
671Paris: Office du Livre / Editions Vilo 1973-1975. Two volumes complete. The definitive catalogue raisonne of Goya's drawings. Large 4to publisher's cloth. Fine in near fine djs. An excellent set. <br/><br/> Paris: Office du Livre / Editions Vilo, 1973-1975 hardcover
19553935Paris: Skira Peinture - Couleur - Histoire 1955. Rilegato tela sovracoperta cloth dust jacket. Ottimo Fine. Etude critique et historique par Enrique Lafuente Ferrari. Ouvrage publié sous le haut patronage de l'Académie Royale des Beaux-Arts de San Fernando. Con 41 tavole a colori applicate. Testo francese. 4to. pp. 152 tavole. Ottimo Fine. . Skira, Peinture - Couleur - Histoire hardcover
1648766Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648764Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648765Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648763Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1922ST20816Munich: Hugo Schmidt 1922. No. 423 OF 500 COPIES of the "Engraved Edition. 305 x 205 mm. 12 x 8". 6 leaves followed by plates.With a foreword by Valerian von Loga. <br/> HANDSOME CRIMSON MOROCCO GILT BY OTTO DORFNER stamp-signed on rear turn-in covers with a strapwork frame in an Art Deco design raised bands strapwork ornaments at head and foot of spine gilt lettering in one panel turn-ins with thick and thin gilt rule marbled endpapers top edge gilt other edges untrimmed. WITH 83 COPPERPLATE ENGRAVINGS all with tissue guards. Spine gently faded to a soft rose a scattering of small faint spots to leather but A FINE COPY--entirely clean fresh and bright internally and the binding with almost no signs of wear.<br/> <br/> The sumptuous Hugo Schmidt edition of Goya's striking satirical "Caprices" is presented here in a lovely Dorfner binding. Francisco de Goya y Lucientes 1746-1828 conceived of this series of 80 prints as a critique of the ills he saw plaguing late 18th century Spanish society. The suite focuses on the nobility the Church and the Inquisition but also addresses more general societal concerns such as child abuse superstition and poor education. Its general message is in keeping with the Enlightenment philosophy of the day; philosopher Alexander Nehamas writes that in these artworks Goya advocates for a society in which "freedom in place of custom knowledge instead of ignorance and morality where custom held sway will remove the 'lies and prejudices' that stand in the way of human happiness." However the "Caprices" represent more than just a period critique: art historian Carl O. Schniewind writes that "in a way it may be said that modern art was born in these compositions which break away once and for all from the domination of eighteenth century tradition." Originally executed in etching and aquatint this suite of prints demonstrates Goya's ability in the medium with wonderful depth and subtlety of shading skillfully reproduced in copper engraving in the current edition. Publisher Hugo Schmidt who released high quality art books and facsimiles in the first two decades of the 20th century had published a reproduction of "Los Caprichos" in photogravure in 1918. The publisher's note here dated December 1922 tells us that the present edition with Goya's works expertly reproduced in copperplate by the art printers J. B. Obernetter was prompted by a lively scholarly interest in the 1918 edition. Both Schmidt editions begin with an introduction by art historian Valerian von Loga 1861-1918 who taught at the University of Berlin and is best known for his monograph on Goya. Our copy is distinguished by its binding executed by one of the leading artisans of the period. Otto Dorfner 1885-1955 taught at the School of Applied Arts in Weimar and at the Bauhaus workshop before founding his own school to teach binding. He was awarded a number of international prizes and is particularly noted for his work with the Cranach Press. His bindings tend to be elegantly understated but executed with exemplary craftsmanship and using the best materials. Our binding which falls squarely into the Art Deco mode is almost radically decorative by comparison. Hugo Schmidt unknown
192840.404Madrid: Librería de Pedro Videl 1928. 1ª ed. Holandesa tela editorial. 22.5x32. 31 láminas 2h. Librería de Pedro Videl hardcover
198938184Madrid: Sílex 1989. FIRST EDITION of this meeting of the minds between the greatest Spanish painter of the 18th and 19th centuries and the greatest Spanish novelist of the 20th. The 80 plates of Goya's Caprichos are reproduced on the odd-numbered pages one to a page. Facing each one are the comments of Camilo José Cela Nobel Prize for Literature 1989. This copy includes AN ORIGINAL DRAWING BY CELA ON THE TITLE-PAGE an imitation of Goya's famous self-portrait plate 1 of the Caprichos WITH SOME OF THE FEATURES ALTERED TO RESEMBLE CELA. Signed in full dated October 10 1991 and localized Guadalajara. With a warm presentation inscription to a friend. Large 8vo. Publisher's cloth with dustjacket. FINE AND BRIGHT WITH NO DEFECTS. Unique. <br/><br/> Sílex hardcover
199913368733Museo del Prado 1999. First R. S. Johnson Fine Art. Softcover. Very Good slight wear and yellowing of pages. Museo del Prado paperback
1969324200New York: Dover Publications 1969. First Edition; First Printing. Softcover. Very Good in wraps. Owner name inked on front pastedown.; 192 pages. Dover Publications unknown
110154Madrid Rafael Esteve for the artist 1799. . First edition one of approximately 300 copies; quarter broadsheets 311 x 205mm; 80 plates on a single uniform stock of unwatermarked laid paper; etchings with burnished aquatint many with drypoint and/or burin fine impressions printed in sepia printing with great contrasts and bright highlights the aquatint just beginning to show a little wear on some plates with the scratch on plate 45 with wide margins some pale spotting mainly on the first few pages otherwise in very good condition; black morocco binding by Lebrun signed on the spine and dated Paris 1844 on the rear cover tooled in gilt with the Self-Portrait of plate 1 and the name of the artist on the front cover the motif and title of plate 32 on the back cover marbled endpapers; within a matching red morocco box with the name of the artist the title and the name of the binder on the spine the inside with a black and gilt morocco inlay showing all the tools used for the binding.<br /> The complete set of eighty etchings with burnished aquatint drypoint and engraving 1797-1798 on laid paper. A very good set from the first edition published by the artist in an edition of approximately three hundred copies. With Los Caprichos Goya for the first time made his vision of the more sinister side of Spanish society and the human soul in general accessible to a wider audience beyond his small group of friends and patrons. Goya was commercially ambitious and set himself an enormous undertaking prepared over several years and based on hundreds of drawings. Harris has estimated that he produced 300 sets i.e. 24000 impressions of the Caprichos making it at the time the largest series of prints ever conceived by a single artist. But the bitter reality was that perhaps only some thirty sets of this first and only lifetime edition were sold. In 1803 the artist gave the plates and the remaining impressions to the King presumably to escape the wrath of the Inquisition.<br /><br />In hindsight Los Caprichos is the pivotal work of Goya's entire oeuvre. In one grandiose dark symphony he unleashes both his unsparing satirical sense and his wild imagination plate after plate tied loosely together by related motifs and laconic often mysterious titles. The only plate without an engraved title is perhaps the most famous of all: the artist overcome by sleep with his head resting on a table is surrounded by creatures of the night: owls bats a cat and a lynx. On the front of the table the following words appear vaguely out of the aquatint surface: El sueño de la razon produce monstruos. The phrase is ultimately untranslatable as sueño can mean both 'sleep' and 'dream'. This ambiguity does Reason dream up monsters or do monsters arise as Reason sleeps is characteristic of the entire series. Having first conceived it as the title page Goya changed his mind and placed it as plate 43 right in the middle of the series dividing the series roughly into two parts. The first part is largely devoted to satires of courtship and prostitution mocking the vanities and pretensions of the young and old. It is in the nightmarish second part that the monsters arise witches and demons fly and goblins awake. Beyond the mere evocation and critique of superstition and witchcraft the precise meaning of these later plates is even more cryptic. Concealed through visual puns word play and allusions to proverbs they often ridicule the idle and ruling classes the clerics and the nobility.<br /><br />Wickedly satirical and subversive as the Caprichos are in their imagery and content they also represent a technical revolution. Having previously created a number of competent yet ultimately conventional etchings after Velazquez Goya in this series suddenly and completely mastered the aquatint method. In particular through his use of blank paper for glowing highlights among dense shades of grey and black he created images of dramatic and disturbing beauty. What makes Los Caprichos one of the greatest unified series of images ever produced is not just his extraordinary draughtsmanship or his technical mastery nor his sharp satirical wit but the intensity of his imagination and the depth of his humanity.<br /> Madrid, Rafael Esteve (?) for the artist, 1799. unknown
175246Madrid: Ediciones de la Mota 1978. Goya's acerbic critique of the decline of society Commemorative limited edition number 147 of 250 copies with a hand-engraved sterling silver replica of the plate used to print the portrait of Goya from a total edition of 280 copies. This copy unusually has a signed and notarized certificate of authenticity from the publisher apparently acquired after publication. Goya created Los Caprichos between 1797 and 1798 shortly after becoming deaf from a prolonged illness. As a result he was increasingly withdrawn and isolated a state reflected in the etchings first published as an album in 1799. They criticize "the innumerable foibles and follies to be found in any civilized society and from the common prejudices and deceitful practices which custom ignorance or self-interest have made usual" Goya quoted by Gussak p. 84. 3 vols folio. Original leather portfolios 525 x 405 mm spines lettered and tooled in gilt floral gilt borders on covers. Vol. I: 2 blank bifolia 5 text bifolia plates 1-20 each within bifolium of printed text etched metal plate 165 x 119 mm window-mounted within brown moire silk-covered board 205 x 385 mm; Vol. II: 2 blank bifolia plates 21-50 each within bifolium of printed text; Vol. III: 2 blank bifolia plates 51-80 each within bifolium of printed text. In original leather-entry cloth slipcases. Plates and contents fine and bright; spines of portfolios and extremities of slipcases rubbed small numbered stickers to slipcases of Vols. I and II small repaired abrasion to spine of Vol. III portfolio minor damp stain at foot not affecting contents edges of slipcase a little worn. A very good set. David Gussak The Frenzied Dance of Art and Violence 2022. hardcover
19782822147Barcelona.: Gustavo Gili. 1978. Paperback. Good. 20 cm. 202 p. Encuadernación en tapa blanda de editorial ilustrada. Colección 'Colección Punto y Linea ; Serie Gráfica'. Goya Francisco de 1746-1828. Introducción y catálogo crítico de Enrique Lafuente Ferrari. "Esta edición reproduce las ochenta estampas de la primera edición más cuatro complementarias". Los caprichos. Lafuente Ferrari Enrique. 1898-1985 . ISBN: 8425208971 Artes gráficas. Grabados. Goya y Lucientes Francisco de. Caprichos 76 Goya y Lucientes Francisco de. Caprichos 76 Gustavo Gili. paperback
19491388394Barcelona: Instituto Amatller de Arte Hispanico 1949. Limited edition 817/1025. Hardcover. Quarto 105 pages unnumbered leaves of plates. In Fair plus condition with a Good slipcase. Slipcase in purple cloth. Light shelf wear. Spine is brown with gold print. Boards quarter bound with brown leather to spine and purple cloth to boards. Toning and surface tears to spine. Text block has brown tinted top edge. Bookplate on front pastedown ink notation throughout printed matter. Illustrated: b&w and color. Text in Spanish. <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. <br /> <br /> <p>NOTE: Shelved in Locked Annex Area Netdesk Column QD ND-QD. 1388394. FP New Rockville Stock. Instituto Amatller de Arte Hispanico hardcover
51-6153Paris: Jean de Bonnot 1970. Folio. 46 x 32 cm. Sheets loose as issued in black silk portfolio. 80 plates. Publisher states these were pullled from the original metal plates."Chacune des gravures est garantie par Jean de Bonnot comme étant une épreuve directement tirée de la gravure originale de Goya."."L’éditeur d'art Jean de Bonnot perpétue la tradition des beaux livres reliés plein cuir tranches de têtes dorées faits de bon papier vergé et filigrané.Les collections signées Jean de Bonnot font le bonheur des bibliophiles et des amateurs d’ouvrages parfois épuisés ou très anciens réédités dans les règles de l’art. Chaque volume est unique avec des décors aux fers gravés et ciselés à la main des gravures d’époque des signets tranchefiles culs de lampes originaux."81 ff. dont 80 planches desCaprices finement reproduites d'après les originaux sur vélin pur fil de Lana.Exemplaire en bonne condition en feuilles sous étui-boîte recouvert de soiemoirée noire avec titre doré au dos.OCLC Number / Unique Identifier:1131432438.Expertise by Bernard Portheault 8 rue des Pichots 41500 Mer France. Paris: Jean de Bonnot, 1970. unknown
1969Q-0486223841Dover Publications 1969-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1798161001798. Pasta española. hardcover
1272606279.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
64453Eds Tartessos Barcelona s.d. 1957 In-4 34 cm 16pp. illustr. 82 planches hors-texte reliure cart. de l'editeur Nb-0203 unknown
76543Guillermo Blazquez 2008. Guillermo Blazquez unknown
195528231Barcelona: Ed. Tartessos s.a. ca. 1957.- 180 páginas sin numerar siendo las 16 primeras de texto y las 164 restantes ilustradas con 82 láminas a una sola cara; Folio 335 x 239 cm; Portada a dos tintas con el título en grandes letras en tinta roja; Cartoné Ed. con camisa. Libro en excelente estado a excepción de la camisa que está ligeramente ajada. PINTURA DIBUJO Y GRABADO ESPAÑOLES Libro en español Ed. Tartessos hardcover
$A20202.- Madrid. 2008. Guillermo Blázquez Editor. 37x26 cms. 1 tomos. 480 pgs. Aguafuertes reproducidos por heliograbado. Encuadernación en rústica conservada en un estuche en terciopelo edición en rama. . . ISBN 13: 9788496539181. Arte / Grabados paperback
