Goya, Francisco deBiblio.com
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1649321Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648322Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648321Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648323Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648324Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2018586Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2018585Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2018587Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2018588Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648790Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648792Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648791Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1648789Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1797. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 109, Delteil 111.
0006131Madrid: Calcografia for the Real Academia c.19th Century. Unclear. Print. Fair. PRINTS. Francisco Jose de Goya y Lucientes 1746-1828. "No Grites Tonta. Don't Scream Stupid. Caprichos Plate 74." Madrid: Calcografia for the Real Academia c.19th century. Following Harris this print seems to be a seventh edition with black instead of blue ink or perhaps a working proof. This is the case because the following characteristics do not line-up cleanly with Harris's notes on editions: 1. the paper is laid. 2. without watermarks. 3. the plate is unbevelled. 4. the ink is black. Burnished etched print with aquatint on thick white or possibly cream chain-laid paper with black ink. Image of a woman being surprised by hobgoblins with satrical caption. Spanish language. Sheet: 12 1/4 x 8 1/2 inches. Plate: 8 3/4 x 6 inches. 1 oz. 2 pp. Minute tear at top edge of sheet reinforced with Japanese tissue. The sheet has rippling and foxing around the edges but when framed this is not noticeable. It mostly affects the sheet around the image. Good to Fair. REFERENCES: Beruete y Moret 94. Delteil 111. Harris 109. Lefort and Hofmann 74. Loga 694. Mayer II.74. "Goya wrote of this Capricho 'Poor Paquilla! She was looking for the footman and runs into the goblin but don't be afraid: it's plain that Martinico is in a good mood and won't do her any harm.' A preparatory drawing of the print in red crayon is in the Prado No. 78. The copperplate is in the Calcografia. Madrid: Calcografia for the Real Academia unknown
19230006147Madrid: Calcografia for the Real Academia 1923. 5th Edition 1 of 100. Print. Very Good. PRINTS. Francisco Jose de Goya y Lucientes 1746-1828. "Ni por esas Neither do these Los Desastres de la Guerra The Disasters of War Plate 11." Madrid: Calcografia for the Real Academia 1923. 5th edition limited to 100. Aquatint copper-plate etching with lavis drypoint and burin lettered and faintly numbered in plate. Printed black on thin laid paper with vertical chain-lines and Joseph Guarro castle watermark along bottom edge. Sheet: 13 1/4 x 10 5/8 inches. Plate: 8 1/4 x 6 3/8 inches. "War always weakens and often completely shatters the crust of customary decency which constitutes a civilization. Beneath it lies - What Look through Goya's 'Disasters' and find out. The abyss of bestiality and diabolism and suffering is almost bottomless." - Aldous Huxley "The Complete Etchings of Goya" p. 12. "The Disasters of War" produced between 1810 and 1820 was not published until March of 1863 thirty-five years after Goya's death. The 80-to-85 plate series is Goya's caustic though humanitarian witness to the Peninsular War between Spain and Napoleon's French Empire which lasted from 1808 to 1814. Reaching beyond the particulars of Spain's immediate situation Goya instead condemned war's general irrationality and brutality the result of which as seen today in Palestine is always suffering pain and death. As such Goya's series of etchings transcends time and space touching on the eternal nature of man's inhumanity to man. It is considered the seminal work for social protest art. "The Disasters of War" was the title the Royal Academy of Fine Arts of San Fernando gave to the first published edition of Goya's etchings; Goya also referred to the series as "Ravages" and wrote a title on an early album of proofs given to a friend that read "Fatales consecuencias de la sangrienta guerra en Espana con Buonaparte y otros caprichos enfaticos Fatal consequences of the bloody war in Spain with Bonaparte and other emphatic whims." This plate captioned "Ni por esas Neither do these" forms a small sub-series with Plates 9 and 10 all of which deal with sexual violence as a war tactic and its title is a direct continuation of the previous two. Robert Hughes long the art critic for Time Magazine described this print in his 2003 biography of Goya as: "Compositionally the most developed of the three rape scenes an image that shows to a sublime degree what power Goya could develop when his talent for showing awful events in terms of utter compositional starkness was fully at work. The man a French soldier is dragging his victim backward over some obstacle. There is a brutal tension in their arms which creates the unifying diagonal of the design: the man pulling the woman's body helplessly extended. On the earth at her feet is a naked baby torn from her and thrown away. Behind them a second soldier is overwhelming another woman who holds up her hands in a useless prayer of supplication." And to the left of the composition a church haunts this scene of war between two ostensibly Christian countries like a specter. While in the lower right corner of the print almost lost in the darkness is a man hunched over in despair. One infers the man is related to one of the women and is on the verge of witnessing the rape that is likely to follow. Hofer translates the print's captioned title simply as "Or these" and Hughes as "Nor those." Goya's friend Juan Agustín Cean Bermudez 1749-1829 composed the series's piquant titles from Goya's own notes though another hand actually etched them. Their laconic power has been lasting: the contemporary artist John Baldessari 1931-2020 borrowed this print's title for an exhibition and catalog of his own. The print's copperplate is today found in the Calcografia while the original drawing from around 1810 to 1814 is in the collection of the Prado and is numbered 167. The preparatory drawing is in reverse in sepia pen and ink with red crayon retouches. Harris Harris describes the 5th edition of "Disasters" as having a "tendency to over-ink the plates" with "a curious spotty effect." But that same gritty blown-out visuality of the edition movingly parallels Goya's disturbed war-crime imagery in a manner similar to Xerox-ed punk flyers that use the disintegration of the surface image to reflect social disintegration. This print's paper is toned in sections from past matting and has four small pieces of tape on its verso from framing. Otherwise in very good condition. References: Beruete y Moret 113. Delteil 130. Harris 131. Hofer 11. Hofmann 155. Hughes "Goya" pp. 291-292. Huxley "The Complete Etchings of Goya" p. 12. LeFort 155. Loga 695. Mayer III.11. Madrid: Calcografia for the Real Academia unknown
16-4470Madrid: Edición de la Calcografía Nacional Real Academia de San Fernando para el Banco de España 1966. Original aquatint and etching from the 1966 edition. 37.5 x 26.5 cm. sheet size. Time stain along right side margin 3.5 cm. from the platemark. Printed on rag paper with the blind stamp of the Real Academia de San Fernando. Harris no. 42; this edition printed after the Harris catalogue was published in 1964. Grabado original. Edición de la Calcografía Nacional Real Academia de San Fernando para el Banco de España 1966. Tamaño del papel: 38x26 cm. Huella impresa: 20x15 cm. Sello en seco de la Real Academia de San Fernando. Se entrega enmarcado. Muy buen estado de conservación. Madrid: Edición de la Calcografía Nacional (Real Academia de San Fernando) para el Banco de España, 1966. unknown
1818CCC-626apla6. edition emery 1818, 2eme edition. Paris, Chez Eymery, Delaunay, Mad. Ladvocat , 1818. In-8 (20 x 12), reliure demi-chagrin marron, 396 pages. Bien complet du portrait en couleurs du roi Zaïde (frontispice) et du plan du Radeau. Photos possibles, bon exemplaire.
322118Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
322119Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
322120Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
322121Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 18th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2019__1771887648Apple Academic Pr Inc 2019. Hardcover. New. 1st edition. 298 pages. 9.25x6.25x0.75 inches. Apple Academic Pr Inc hardcover
1930Biblio1070Estampe. eaux-forte lavis burin . no 69 de la suite "Los desastres de la guerra" publiée originalement en 1863 posthume. Ce tirage de 1930 constitue l'avant dernière 6ième édition sur 7 la dernière et finale tiré à 100 ex sur vergé avec filigrane.voir photo Excellent état.Feuille - sheet = 368 x 278image - 201 x 155 Real Academia de Bellas Artes de San Fernando
173653Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
