Raphael

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Tovar Rafael introduction;ABAA

Diego Rivera: Arte y Revolucion

Vasco del Campo Don RafaelABAA

Discurso Pronunciado en la Real Chancilleria de Granada el Dia 2 de.

1803607371803. Granada 1803. Granada 1803. Remarks by the Recently Appointed President of the Supreme Court of Grenada Vasco del Campo Don Rafael. Discurso Pronunciado en la Real Chancilleria de Granada el Dia 2 de Enero de 1802 por El Exmo. Sr. Don Rafael Vasco Caballero del Orden de Santiago y de las Reales Maestranzas de Ronda y Granada; Regidor Perpetuo del Aquel Ilustre Ayuntamiento; Teniente General de los Reales Exercitos; Gobernador y Capitan General del Exercito Costa y Reino de Granada y Presidios Menores de Africa; Presidente de Esta Real Chancilleria De la Junta de Reales Obras de la Plaza de Malaga De la Mayor de Caminos de Este Reyno Los de Cordoba y Jaen; Superintendente de los del Obispado de Malaga Y de las de Sanidad Establecidas en el y su Costa; Inspector de las Companias de Invalidos Las de Infanteria Fixa y Torreros del Distrito Etc. Etc. Granada: En la Imprenta de Moreno 1803. iv xix pp. Quarto 8" x 5-1/2". Contemporary mottled sheep gilt frames to boards. Light rubbing to extremities with minor wear to spine ends and corners a few minor scuffs to boards tiny manuscript label to rear cover marbled endpapers crack between front free endpaper and following endleaf which is detached text notably fresh. An attractive copy. $250. First edition. This book reproduces the text of a speech given by military leader Don Rafael Vasco del Campo shortly upon his elevation by the King of Spain to the Presidency of Granada's Supreme Court of Justice. Don Vasco who distinguished himself in the service of the Spanish Crown in Mexico proclaims his humility before the office of his charge never before entrusted to a military man and invokes education as an antidote to envy hate revenge and thoughts of theft lies and deception. He also challenges the need for capital punishment and other legal injustices. During his short-lived presidency over Granada's highest court the region enjoyed peace and a flowering of the arts which ended with Napoleon's invasion of Spain and the subsequent popular uprisings against the Spanish Crown. No copies located on OCLC. Palau Manual del Librero Hispano-Americano 353024. unknown books

The Lawbook Exchange Ltd · États-Unis250,00 $US≈ 211,52 €

RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520ABAA

Doorway to Vatican Loggia

177217013Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Three repaired tears to the left blank margin. Sight size: 31 1/8 x 18 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 17; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books

Donald Heald Rare Books · États-Unis3 500,00 $US≈ 2 961,35 €