710 résultats
2016156430New York: Cheim & Read 2016. Hardcover. VG. Color wraps. 44 pp. profusely illustrated in color. On title page: J Lasker. Issued in conjunction with a 2016 exhibition of artwork by American artist Jonathan Lasker b. 1948. With an essay by Raphael Rubinstein and many full-color examples. A large-format catalogue oversized. Cheim & Read hardcover books
195356898New York: International Publishers 1953. 1st ed. Paperback. Near Fine. 24p. Wrapper. 20cm. Fading at fold; otherwise As New. <br/><br/> International Publishers paperback books
195319032New York: International Publishers 1953. 24p. staplebound pamphlet slightly worn. RodrÃgues was a leader of the Cuban Popular Socialist Party; Colon a New York-based Puerto Rican communist writer. International Publishers unknown books
197960819La Habana: Editora Politica 1979. Paperback. Very Good. frontis portrait 118p. Original wrapper. 19cm. Spanish text. <br/><br/> Editora Politica paperback books
2005103117Barcelona: Mayo Ediciones 2005. Second Edition. Hardbound. As New. Color illustrated boards. 191 pp. profusely illustrated in color. Text is in Spanish. Mayo Ediciones hardcover books
177420167Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Joseph telling his brothers of his prophetic dreams "Hear my dream which I dreamed. I thought we were binding sheaves in the field: and my sheaf arose as it were and stood and your sheaves standing about bowed down before my sheaf . I saw in . another dream as it were the sun and the moon and eleven stars worshipping me."<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
200788323Santiago de Chile: Museo Nacional de Bellas Artes Septiembre y Octubre 2007. 34 cm. Textos:. 2 vols. 30;30p color plates wrps. in cardboard splicase. Double catalogue set of exhibition presenting the recent art production of artist José Balmes b. Barcelona 1927 exiled in Chile since 1939 and his wife muralist and painter Gracia Barrios b. Chile 1927 Museo Nacional de Bellas Artes unknown books
2012101472México D.F: Universidad Nacional Autónoma de México Facultad de Arquitectura; Universidad Autónoma Metropolitana División de Ciencias y Artes para el Diseño 2012. 26cm. Colección Arquitectura 221p color duotone & b/w plates facs. plans elevations bibliographical references p.207-212 hemerografía bio/chron. color pict. fldg. wrps. OCLC: 824631200 A detailed study leads to a thorough understanding of the work of architect Jose Luis Benlliure considered one of the most important twentieth century in Mexico. An analysis of his work at each stage with a linking to the architectural culture in Mexico illustrated withextraordinary sketches drawings and watercolors conducted during his fruitful life. Contents: Índice -- Presentación UNAM -- Presentación UAM -- Agradecimientos -- Prólogo -- "En los espacios proyectados por José Luis Benlliure uno quisiera estar siempre" -- Primer acercamiento a la línea cultural de la obra arquitectónica de Benlliure -- Periodización -- Primera etapa: trabajos escolares 1944-1950 -- Segunda etapa: 1950-1961 -- Tercera etapa: 1962-1985 -- Cuarta etapa: reconstrucción postsismo de edificios 1985-1994 -- Primera etapa: 1944-1950: Las contradicciones de la Escuela de Arquitectura de la UNAM -- La dicotoma entre dibujo y arquitectura -- Dos proyectos sobresalientes de Benlliure en el primer curso de composición arquitectónica -- Benlliure: Le Corbusier o Mendelsohn -- Algo más sobre su experiencia extraescolar -- Segunda etapa: 1950-1961: La integración plástica -- La búsqueda de identidad nacional de la arquitectura en los años cincuenta. Contradicciones y proclamas -- Otras líneas nacionalistas: Luis Barragán Enrique del Moral Enrique Yánez y otros. La posición de José Luis Benlliure -- La posición de José Luis Benlliure -- El proyecto del Seminario Menor de la Ciudad de México -- Conjunto Aristos 1957-1961 -- La volumetria del conjunto -- El conjunto Aristos hacia la calle Aguascalientes -- El espacio interno del conjunto -- La modernidad en los edificios de oficinas y la aportación de José Luis Benlliure -- Edificio de oficinas. Arquitecto José Hanhausen -- Tercera Parte: 1962-1985: La obra de Benlliure en esta etapa -- Acerquémonos ahora a las obras más representativas. El proyecto para el edificio de la Organización Panamericana de la Salud en Washington 1960 -- La Torre Peugeot de Buenos Aires1961 y otros concursos internacionales -- Las casas habitación de encargos privados. Valle de Bravo -- Características de la arquitectura original -- Cuarta Parte: 1985-1992. La intervención postsismo en edificios del centro de la Ciudad de México: La polémica respecto a la reconstrucción de los edificios del centro de la Ciudad de México -- Acerquémonos a la obra de la Dirección de Arquitectura del INBA y de José Luis Benlliure en el centro de la ciudad -- El proyecto poniente de la Alameda -- Las ampliaciones de la Cámara de Comercio de la Ciudad de México y del Museo de San Carlos -- Apéndice. José Luis Benlliure profesor de la Escuela de Arquitectura de la UNAM: Las vicisitudes de la enseñanza de la historia de la arquitectura -- La linea ideológica del seminario de Juan de la Encina -- Benlliure y la transformación del Seminario de Historia -- El plan de estudios de 1967 y los cambios en las asignaturas de historia -- Idearios -- Conceptos fundamentales del arte -- Operatividad del plan y el papel de José Luis Benlliure -- José Luis Benlliure y el Autogobierno -- Bibliografía -- Hemerografía -- Listado cronologíco de la obra del arquitecto José Luis Benlliure. LIMITED EDITION OF 1000 Universidad Nacional Autónoma de México, Facultad de Arquitectura; Universidad Autónoma Metropolitana, Divi unknown books
1996143100Boston: Faber and Faber 1996. Hardcover. xviii 166p. very good first US edition in boards and unclipped dj. Autobiography and study of the gay and Jewish characters and themes in his books. Faber and Faber hardcover books
197810074Buenos Aires :Ediciones Dead Weight 1978. Paperback. Very Good. Limitation of 3000. Slim softcover in illustrated wraps. Pages bright and tidy. Glossy plates of paintings flawless and bright. Lightest edge wear if any. Arriving First Class. Buenos Aires :,Ediciones Dead Weight paperback books
2003URAPJUD00CTColumbia University Press c2003. Fine. Raphael Marc Lee. Judaism In America. New York: Columbia University Press c2003. 234pp. 8vo. Hardcover. Book condition: Near fine. Dust Jacket Condition: Near fine. Columbia University Press hardcover books
1918176373Paris: H. Laurens 1918. Limited 428 / 550 copies printed. Paperback. Fair only sold as reading copies and reference copies ONLY. Covers chipped or torn with loss text is complete not pretty to look at in original wraps very loose. NOT returnable due to weight. Beige cloth with mounted title from original paper wraps on cover spine and rear panel. xii 519 pages with approximately 500 illustrations. Text is in French. Edited by É. Chavannes after the death of the translator./ Originally published in 4 collections or series 1st ser. in 1679; 2d and 3d in 1701; and 4th in 1818 The plan of the work was developed by Shen Xinyou from an album prepared by Li Liu-fang and the first three series were edited by with the help of Li Yu who also contributed the introduction to the 1st ser. Wang Gai and his brothers Wang Shi and Wang Nie were chiefly responsible for preparing the commentaries and reproducing the plates from famous masters. The 4th ser. was largely the work of Ding Gao./ Contains the first three series. Limited to 550 copies this being number 428. "Translation and commentary by Raphael Petrucci augmented by a preface a biographical dictionary of painters and a vocabulary of technical terms; illustrated with about five hundred engravings." Shipping weight is 17 pounds. H. Laurens paperback books
1918173971Paris: H. Laurens 1918. Limited 428 / 550 copies printed. Hardcover. VG covers are somewhat soiled but sturdy. Contents clean with two old repairs to inner tears on the first three leaves not bad. Beige cloth with mounted title from original paper wraps on cover spine and rear panel. xii 519 pages with approximately 500 illustrations. Text is in French. Edited by É. Chavannes after the death of the translator./ Originally published in 4 collections or series 1st ser. in 1679; 2d and 3d in 1701; and 4th in 1818 The plan of the work was developed by Shen Xinyou from an album prepared by Li Liu-fang and the first three series were edited by with the help of Li Yu who also contributed the introduction to the 1st ser. Wang Gai and his brothers Wang Shi and Wang Nie were chiefly responsible for preparing the commentaries and reproducing the plates from famous masters. The 4th ser. was largely the work of Ding Gao./ Contains the first three series. Limited to 550 copies this being number 428. "Translation and commentary by Raphael Petrucci augmented by a preface a biographical dictionary of painters and a vocabulary of technical terms; illustrated with about five hundred engravings." Shipping weight is 17 pounds. H. Laurens hardcover books
177420169Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows King David having subdued Syria returning to Jersusalem with armour made of gold.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
19901951Buenos Aires: Ediciones de Arte Gaglianone 1990. First Edition. Hardcover. Very good. 4to. Original hardback binding. Signed by Kosice. Heavily illustrated monograph documenting the primacy of Kosice's contributions to the international art world. Ediciones de Arte Gaglianone hardcover books
199462213Paris: Grasset 1994. Mass Market Paperback. 472p. first edition pocket-size wraps. Afro-Martinique novelist. Grasset paperback books
1983160268San Fernando: Diputación de Cádiz 1983. 108p. 110p. xl color plates with text in Spanish prologo texto original de la Costitucion very good first edition in red faux-leather cloth over boards and gilt corners bumped in lightly-rubbed unclipped dj. The 1812 constitution of Cádiz. Diputación de Cádiz unknown books
185822679Madrid: Imprenta de las Novedades 1858. Period tan qtr-leather binding with marbled paper boards. Speckled edges. Overall VG pos/one map folded irregularly. 184; 78 2; 16; 24; 39 1; 24; 23 1; 6 fold-out maps. 7-1/2" x 4-1/2" <br/><br/>8 works bound together; all scarce- no copies of any title located on OCLC. Imprenta de las Novedades hardcover books
1925116103Guatemala City: Self-published by the author 1925. Paperback. 189p. first edition slightly worn self-wraps with a small triangle clipped from corner of rear wrap and last few interior leaves not affecting text. Satiric antiimperialist novel rather unlike a lot of his later work. Satiric antiimperialist novel rather unlike a lot of his later work. "Guatemala's most important modernist writer" Foster Latin American Writers on Gay and Lesbian Themes p. 36 develped a complex spiritual philosophy of love that encompassed and transcended body sexuality. Self-published by the author paperback books
196626557Havana: Ministeres des Affaires Etrangers 1966. First edition. Paperback. Near Fine. Stapled illustrated wrappers. 33 pp. Text in French. Not dates but from 1966. Includes some grainy black and white photographs. A close to fine copy. Author not stated but from other sources we know that Carlos Rafael Rodriguez was involved. Ministeres des Affaires Etrangers paperback books
2015154630Madrid: Rosendo Naseiro 2015. Hardcover. VG. Gray cloth with color illus. laid on front cover 44 pp. color & BW illus. Text is in Spanish and English. Considers one specific still life painting "Bodegon con cesta de melocotones y plato de peras y manzanas" Still Life of a Basket of Peaches and a Plate of Pears and Apples found in the collection of Spanish businessman Rosendo Naseiro of Madrid. It has been attributed to the work of Spanish painter Diego Velazquez. But could he have painted it An interesting detailed analysis that includes close-up views. Scarce. Rosendo Naseiro hardcover books
2002170035Durham NC and London TX: Duke University Press 2002. First edition. Softcover. 88 pages. The simultaneous paperback issue of this collection of poems. A clean very near fine copy in wrappers. Signed and warmly inscribed by Campo to fellow poet Marie Ponsot on the title page in the year of publication. A nice association copy. Duke University Press unknown books
187434193Madrid: Imp. de J. Noguera a cargo de M. Martínez 1874. 8vo 9". 121 pp. <br><br>A study of the English colonial system as practiced in the area that became the U.S. the study from a Spanish scholarly perspective. NUC and WorldCat locate only three copies in the U.S. Discarded as part of the New York Public Librarys "Pamphlet Volume Preservation Project": now stapled and in a library pamphlet binder with cloth spine. Library acquisition number stamp in a lower margin. Imp. de J. Noguera a cargo de M. Martínez hardcover books
191087074Madrid: Alonso 1910. hardcover. fine. 168pp. 8vo modern mustard cloth original wrappers bound in. Madrid: Alfredo Alonso 1910. Fine. --Palau 129159<br/><br/> Alonso unknown books
177420170Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows the moment during the Last Supper when Jesus announces that one of the twelve disciples will betray him.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
