710 résultats
19999666Durham: Duke University Press 1999. Uncorrected proof. 98 pp. Fine in glossy illustrated wrappers. Durham: Duke University Press, unknown books
1991227277Tempe: Bilingual Press 1991. Paperback. 101p. very good first edition trade paperback in blue wraps with white spine. Short stories. Bilingual Press paperback books
198043388Caracas: Banco Central de Venezuela 1980. Illustrated French fold paper wrappers. Offsetting to rear wrapper minor edgewear still near fine. 50 pp. Illus. with b/w photos. 8vo. OCLC locates three copies: Universities of Pittsburgh Mass. and Texas at Austin. [Banco Central de Venezuela] unknown books
1803607371803. Granada 1803. Granada 1803. Remarks by the Recently Appointed President of the Supreme Court of Grenada Vasco del Campo Don Rafael. Discurso Pronunciado en la Real Chancilleria de Granada el Dia 2 de Enero de 1802 por El Exmo. Sr. Don Rafael Vasco Caballero del Orden de Santiago y de las Reales Maestranzas de Ronda y Granada; Regidor Perpetuo del Aquel Ilustre Ayuntamiento; Teniente General de los Reales Exercitos; Gobernador y Capitan General del Exercito Costa y Reino de Granada y Presidios Menores de Africa; Presidente de Esta Real Chancilleria De la Junta de Reales Obras de la Plaza de Malaga De la Mayor de Caminos de Este Reyno Los de Cordoba y Jaen; Superintendente de los del Obispado de Malaga Y de las de Sanidad Establecidas en el y su Costa; Inspector de las Companias de Invalidos Las de Infanteria Fixa y Torreros del Distrito Etc. Etc. Granada: En la Imprenta de Moreno 1803. iv xix pp. Quarto 8" x 5-1/2". Contemporary mottled sheep gilt frames to boards. Light rubbing to extremities with minor wear to spine ends and corners a few minor scuffs to boards tiny manuscript label to rear cover marbled endpapers crack between front free endpaper and following endleaf which is detached text notably fresh. An attractive copy. $250. First edition. This book reproduces the text of a speech given by military leader Don Rafael Vasco del Campo shortly upon his elevation by the King of Spain to the Presidency of Granada's Supreme Court of Justice. Don Vasco who distinguished himself in the service of the Spanish Crown in Mexico proclaims his humility before the office of his charge never before entrusted to a military man and invokes education as an antidote to envy hate revenge and thoughts of theft lies and deception. He also challenges the need for capital punishment and other legal injustices. During his short-lived presidency over Granada's highest court the region enjoyed peace and a flowering of the arts which ended with Napoleon's invasion of Spain and the subsequent popular uprisings against the Spanish Crown. No copies located on OCLC. Palau Manual del Librero Hispano-Americano 353024. unknown books
198243395Caracas: Ediciones de la Presidencia de la República 1982. Edición Facsimilar. Illustrated paper wrappers. A very good copy small tear to top edge. 46 pp. 8vo. Ediciones de la Presidencia de la República unknown books
198035781Caracas: Academia Venezolana Correspondiente de la real Española 1980. First edition. Stapled paper wrappers. A very good clean copy small crease to one corner leaves lightly browning. 61 pp. Illus. with 8 plates. 8vo. Acto celebrado el 24 de marzo de 1980 en el Paraninfo del Palacio de las Academias Nacionales. Academia Venezolana Correspondiente de la real Española unknown books
1986124298Spain: PhotoVision 1986. First edition. Hardcover. Text in English and Spanish. Attractive collection of pairs of black and white photographs. An about very good copy with a long gift inscription on the front free endpaper and a shorter one on the front pastedown otherwise a nice copy in a very good dust jacket with a jagged tear to the bottom of the front panel and some tears to the top of the spine and some minor soiling as well. Still a presentable copy of a relatively uncommon book. PhotoVision unknown books
20001337177Wilmette IL: Chiron Publications 2000. Softcover. 10mo; VG-/paperback; black spine with light blue and white text; covers have very light wear to exterior; intact covers; text block exterior edges show minimal wear; some pencil marginalia and underlining; tight binding; pp 104. 1337177. FP New Rockville Stock. Chiron Publications unknown books
1962140044Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Draft script for the 1963 film. <br/><br/>Four street urchins bet weekly on the horse races and decide to steal a dime from the church one week in order to allow Jesus to be a partner in their scheme. They win an exorbitant amount only to have the winning ticket float away on the breeze. <br/><br/>Set in Tijuana Mexico. <br/><br/>Yellow titled wrappers rubber-stamped production No. 17 dated July 30 1962 with credits for screenwriters Laslo Vadnay and Hans Wilhelm. 108 leaves with last page of text numbered 103. Mechanical duplication with blue revision pages throughout dated August 6 1962. Pages Very Good plus wrapper Very Good plus bound with three gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
19991325861Ciudad de Mexico: INBA/Landucci Editores 1999. Hardcover. Quarto; pp 449; VG-/G-; black spine with white and blue text; dust jacket has slight soiling to exterior; some rubbing wear to edges; mild toning to flap edges; cloth shows minimal wear to exterior; strong boards; text block shows only mild tone to exterior edges; interior clean; profusely illustrated; text in Latin American; arts - Spanish; additional shipping may be necessary due to size/weight restrictions for international/expedited orders;. 1325861. Shelved Dupont Bookstore. INBA/Landucci Editores hardcover books
1929027743Berlin: Brücken-Verlag 1929. vi 175p. b/w illus. original burgundy cloth. Brücken-Verlag unknown books
1977028647Wiesbaden: Emil Vollmer Verlag 1977. 579p. plus 205 b/w illus. dj. Emil Vollmer Verlag unknown books
197739641Washington DC: New Republic Books 1977. Hardcover. Very good. xiv 305pp index. Some foxing to page edges else a very good hardback in a lightly worn jacket. review copy with material laid in. <br/><br/> New Republic Books hardcover books
1977156164Washington D.C.: New Republic Books 1977. First edition. Hardcover. 316 pages. An illustrated diary from this Russian born American artist. A near fine copy in a fair supplied dust jacket that has staining to the spine edge tears and wear as well. New Republic Books unknown books
19775528Washington DC: New Republic Books 1977. Hardcover. VG/VG wear to extremities of dustjacket. Blue cloth with light bluish color pictorial dustjacket. 316 pp. 39 bw plates. INSCRIBED by Soyer to Will and Elena Barnet with a very detailed drawing of a woman's torso on the ffep under the inscription by Soyer. Includes Soyer's thoughts on European art he saw while on tour; conversations with people like Edward Hopper Jack Levine Leonard Baskin and Henry Moore. New Republic Books hardcover books
197753520Washington D.C.: New Republic Books 1977. First edition. Illustrated. xvi 316 pp. 1 vols. Small 4to. Blue cloth. Fine copy in dust jacket. First edition. Illustrated. xvi 316 pp. 1 vols. Small 4to. INSCRIBED by Soyer on the flyleaf: "To Renee and Jack Berger in friendship / Raphael Soyer / 1977. New Republic Books unknown books
156073hardcover. Illustrated. 403pp. 8vo cloth-backed boards. N.Y.: Stein And Day Publishers 1981. Fine copy in a good slightly worn dust wrapper. Inscribed by the author on the half-title page.<br/><br/> unknown books
12457pamphlet. Graphs. 3 pages pp. 747-749 IN: Journal of the American Medical Association vol. 93 no. 10. Tall 4to modern wrappers. Chicago 1929. First Edition. Whole number offered entire.<br/><br/> Sturgis and Isaacs showed that stomach tissue contains a factor active in the treatment of pernicious anemia. GM 3144.<br/><br/> unknown books
1929643991929. Buenos Aires: J. Lajouane & Cia 1929. 3 vols. Buenos Aires: J. Lajouane & Cia 1929. 3 vols. Important Treatise on the Administrative Law of Argentina Argentina. Bielsa Rafael 1889-1966. Derecho Administrativo y Ciencia de la Administracion Legislacion Administrativa Argentina. Buenos Aires: J. Lajouane & Cia 1929. 3 volumes. Softbound volumes bound into contemporary quarter cloth over marbled boards. Some shelfwear and soiling light toning to text internally clean. Ex-library. Location labels to spines stamps to versos of title pages. $100. Second edition. First published in 1921 this treatise on the administrative law of Argentina was a standard work for decades. It remains a valuable reference. unknown books
17723753Rome 1772. Large folio. 29 3/4 x 17 1/4 inches. 2pp. letterpress text in French "Aux Amateurs des Beaux Arts" with uncoloured engraved head-piece and initial and colophon at foot of second page. One small format folding plate "Ordine tenuto nel disporre le stampe de pilastri delle logge Rafaele." 7 x 19 1/32 inches 34 hand-coloured engraved leaves comprising: 1 general perspective view with title and portrait of Raphael by Volpato after Pietro Camporesi strip attached at lower edge to bring up to size; 2 folding plates of doorways by Ottoviani after Gaetano Savorelli and Camporesi each on two sheets joined 36 x 17 1/4 inches overall; 14 views of pilasters on 28 plates by Ottoviani after Savorelli and Camporesi the first plate of each view cut to edge of image with strip attached to lower edge to bring up to size; general plan "Spaccato per il longe del seconde piano del loggia" on three plates by Ottoviani after Savorelli and Camporesi designed to form a single panoramic image . Lower blank margin of text leaf torn and repaired small tears to folds of the doorway plates. Bound with: RAPHAEL. - Nicolas DORIGNY 1648-1746 engraver. Psyches et Amoris nuptiae fabula a Raphaele Sanctio Urbinate Romae in Farnesianis hortis Transtyberim ad veterum aemulationem ac laudem colorum luminibus expressa a. Dorigny. delineata et incisa et a Ioanne Petro Belloriio notis illustrata. Rome: Domenico de' Rossi 1693 or later. Large folio 29 3/4 x 17 1/4 inches. 10 hand-coloured engraved plates by Dorigny titles and imprints printed in gold. 2 works in one volume. Late 18th-century Roman red morocco gilt contemporary with the first work covers with elaborate border of dog-tooth roll double-fillet and repeated use of a three-flower spray a heart and a rococo drawer-handle tool the same tool massed to form a lozenge shape at the corners and forming a triangular motif mid-way up the long sides with stars birds and small and large flower-spray tools all enclosing a large central lozenge formed from an outline of a simpler variant drawer-handle tool and large flower sprays enclosing a center of massed scrolling foliage with pomegranates and acorns the spine in seventeen sections with raised bands lettered in the second the others with repeat decoration of a central flower spray with smaller sprays at the corners patterned paper pastedowns. Ties lacking light worming to head and foot of spine with resultant small tears and loss modern cloth solander box morocco lettering-piece on the spine. A very fine collection with richly hand-coloured plates of the best of the decorative interior work carried out by Raphael in Rome. The album is hand-coloured and bound in Rome in the fourth quarter of the 18th-century. It is clearly as it was delivered to its original owner perhaps a Grand-Tourist perhaps a local dilettanti and perfectly echoes his wishes: the first part of Ottoviani's excellent work on Raffaello's Logge frescoes that is the part on the pilasters and including Maitre Dorigny's engravings but only the Loggia of Psyche set all hand-coloured and uniform in size. The first work part one of three concentrates on the decorative pilasters executed by Raphael and his assistants as part of a larger scheme of redecoration between 1518-1519 in the Logge on the main storey of the Vatican apartments. The remarkable prints the first to be carried out of the decoration of the Logge were probably planned as early as 1760 but were not executed until 1774 to 1776. The project was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plates were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to borrow elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the grotesque in the neo-classical period. The second work is of Raphael's Cupid and Psyche series of frescoes carried out by Raphael between 1516 and 1518 in the Loggia of Psyche in the villa Farnesina in Rome. The series also comes with a title and an eleventh plate of the ceiling fresco in the adjoining Sala di Galatea executed in 1512: neither the plate nor the title were ever bound in the present collection. Originally published by the Rossis it is the work of Nicolas Dorigny 1658-1746 who lived and worked in Rome between about 1690 and 1719. The painter classicist and art historian Giovanni Pietro Bellori 1613-1696 provided the text at the foot of the plates appropriate excerpts from Apuleuis's Golden Ass. "Raphael Invenit: Stampe da Rafaello" 1985 Volpato 1; Ottaviano 2-19 and Dorigny 37-46. Brunet IV cf.1110 & 1111; Berlin "Kat". Cf.4068 & 4066; "Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg 1984 p.104 & no.245; "Giovanni Volpato 1735-1803" Bassano del Grappa 1988 173. unknown books
177217002Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repairs to left margin not affecting image area. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 4; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
177221936Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Trimmed to platemark left margin. Good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
177214588Rome 1772. Copper engraving by Ottaviani after drawings by Ludovico Teseo printed in black with stunning later professional hand-colouring. Very good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with later professional hand-colouring.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work and executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 2; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
177217012Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
177217009Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repair to upper left corner just affecting image area small repairs to right blank margin. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 5; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
