Part 6; RembrandtBiblio.com
Masters in Art Vol. 1
1334041717.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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18941385236London: William Heinemann 1894. Hardcover. Quarto Two volumes xxiv 320 pages ; xi 294 pages. In Fair condition. Spines are brown with gold print. Boards in brown/green cloth blind stamped design gold print. Tattering to spine caps and corners toning to boards blemishes shelf wear. Text block has deckle edges. Light tanning to endpapers intermittent spine breaks frontispieces loose from binding second volume has cracked hinges. Illustrated: b&w sepia some color “With sixty-seven full-page plates and two hundred and fifty text illustrationsâ€â€” title page; plates accompanied by tissue guard sheets with descriptive letterpress.<br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. <br /> <br /> <p>NOTE: Shelved in Locked Annex Area Netdesk Column QD ND-QD. 1385236. FP New Rockville Stock. William Heinemann hardcover
187881884John Murray. As New. 1878. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - lx 341 pages 12 plates. -- with a bonus offer-- . John Murray hardcover
2073London: John Murray 1878. The rarest and perhaps the most important catalogue raisonné of Rembrandt's etchings. Middleton describes 329 works he considers authentic and 30 which he rejects all in great detail with particular attention to states. He also provides detailed complex and scholarly arguments justifying his acceptance or rejection of each questionable piece: he was the first to do so and thus opened a new era in the study of these prints. lx 341 pp. 12 plates with illustrations of details distiguishing states and copies 2 pp. publisher's ads; "directions to binder" slip. A LARGE-PAPER COPY beautifully printed on fine handmade Dutch laid paper. 4to. Finely bound in contemporary quarter morocco and cloth. Top edge gilt other edges uncut. Slight superficial wear to extremities of binding internally bright and fine. Bourcard p. 224: "A la fin de cette monographie il y a 12 planches extremement curieuses.tout.est fort intéressant surtout à cause des réflexions que formule l'auteur pour arriver à demontrer ce qu'il affirme. Ce catalogue--qui est extremement rare in 1911!--a provoqué une ardente polemique entre l'auteur et Sir Francis Seymour Haden." Levis p. 277: "One of the most important of the catalogues of Rembrandt's etchings." An excellent copy of a rare and important book. <br/><br/> London: John Murray, 1878 hardcover
199657828Abbeville Press. New. 1996. Paperback. 0789202484 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 320 pages. -- with a bonus offer-- . Abbeville Press paperback
192083056The San Francisco Art Association. As New. 1920. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 62 pp. 38 plates 8vo. -- with a bonus offer-- . The San Francisco Art Association paperback
2016121649Infolio. New. 2016. Hardcover. 2884746935 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened with a bonus offer-- . Infolio hardcover
1952C81881Phaidon Press. As New. 1952. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Volume 2 of 2 Volumes. Corresponds to ASIN: B001D4SZFO. 232 pages 48 pages of plates text figures. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Phaidon Press hardcover
195281881Phaidon Press. As New. 1952. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Volume 2 of 2 Volumes. Corresponds to ASIN: B001D4SZFO. 232 pages 48 pages of plates text figures. Phaidon Press hardcover
1952C94029Phaidon Press. As New. 1952. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Volume 1 of 2 Volumes. Corresponds to ASIN: B005MG7EQK. 570 pages more than 300 black and white plates. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Phaidon Press hardcover
195294029Phaidon Press. As New. 1952. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Volume 1 of 2 Volumes. Corresponds to ASIN: B005MG7EQK. 570 pages more than 300 black and white plates. Phaidon Press hardcover
17710379821771. 1st Edition 1st Printing. No Binding. Fine. Original Engraving. 24.8 X 15.5 Including Very Large Margins. Pl. No. 22 De L'oeuvre" In Tiny Letters At Top Of Image. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. <br/> <br/> unknown
1334041717.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992Q-0810928132Harry N. Abrams 1992-10-30. Paperback. New. New. In shrink wrap. Looks like an interesting title! Harry N. Abrams paperback
1963165356New York: The MacMillan Company 1963. First American Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. The MacMillan Company hardcover
185733895Philadelphia: Rembrandt Peale 1857. 1st Edition. 1st Edition. Signed by Author. Peale Rembrandt. Uncommon Autograph Letter Signed November 6th 1857. 8vo. 1 page. To "<br /> H. P. Beck Esq. Dear Sir. / Learning that you are now at home Mrs. Peale in returning the pictures you were so kind to lend her / expresses her sincere thanks for the favor. And I must add that I am sure you will be pleased with the success of her copy. / Respectfully yours / Rembrandt Peale". <br /> <br /> Rembrandt Peale 1778 1860 was an American artist and museum keeper the second son of Charles Wilson Peale A prolific portrait painter he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. <br /> <br /> One of his most famous works Patriae Pater 1824 is a portrait of George Washington designed to project the dignity and gravitas of Washington's character. This portrait known for its idealized and almost monumental quality became one of the most recognized images of Washington and was widely reproduced. He put the original painting on display in the U.S. Capitol in Philadelphia during the winter of 1823-24. In late February 1824. Rembrandt Peale unknown
925Peale is best known for his presidential portraits of George Washington and Thomas Jefferson. In this Autograph Letter Signed 8vo n.p. May 15 1857 Peale is likely writing to John Durand 1822-1908 painter and son of artist Asher B. Durand. John Durand co-founded a cultural and art periodical called "The Crayon" published from Jan 3 1855 to July 1861. Peale writes "After you left me this morning it occurred to me that possibly in your next number you would give a few words on the Exhibition here - In this case you might say that it contained nothing from my pencil & that I preferred to send a portrait my last work in my 80th Year to the New York Academy. which I have done - That of a Young Man." Nicely signed "Rembrandt Peale." The painting's title refers to his "Portrait of a Young Man." Peale had settled in Philadelphia by the time he wrote this letter and that city is likely the place to which he refers regarding the Exhibition. Earlier in the year of our letter 1857 Peale made prints that he called "Monochrome of Washington." <br /> <br /> When he lectured at the New York Historical Society on June 16 he displayed Washington portraits including a Monochrome decorated with cord and tassel. see journals at Penn State Univ. on line Peale painted his first portrait at the age of 17 of President George Washington in 1795. Over the course of his long and prolific career as portrait painter Peale would paint over 70 pictures of Washington portraits of President Thomas Jefferson as well as Chief Justice John Marshall. In addition to painting the Founding Fathers Peale created many portraits including the one referenced in our letter. Letters of Peale mentioning one of his works are particularly uncommon. Matted with bust length albumen print of the artist attached to a mat possibly not the original mat. Corners of the print are somewhat damaged image is somewhat faded. The portrait print of the artist matches the tone of Peale's letter and creates a handsome pairing. unknown
1020184582.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1843251136Philadelphia: Biddle 1843. hardcover. very good-. 40 plates plus text illustrations. xviii 132pp. 12mo rebound in modern red cloth; heavily foxed and with a damp stain in the upper margin of the last half of the book. Philadelphia: Biddle 1843. A very good - copy.<br/> <br/> Biddle unknown
1016175140.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1120288460.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
183581248New York:: J. P. Peaslee 1835. First edition. publisher's gilt-lettered cloth. Endsheets a little tanned; slight use to cloth at edges; an attractive copy. 12mo. Illustrated; some color. Errata slip tipped in at rear. J. P. Peaslee, hardcover
1831198095Philadelphia: Carey & Lea 1831. Hardcover. Fair EX-LIBRARY from Library of the American Institute bookplate ifc and one stamp on page 2; spine strip is missing; boards are heavily worn; spine strip is missing; front cover is detached along with first two pages; textblock is broken; textblock edges are toned/foxed; interior is toned/foxed moderately. Publisher's original brown and white boards; missing spine strip; 328 pp. Scarce item. Carey & Lea hardcover
101761024X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1839198062Philadelphia/Boston: H. Perkins/Perkins and Marvin 1839. Hardcover. Fair Brown boards are very loose and heavily worn all over; boards are bowed at the corners; covers are very loose and starting at both ends; spine strip is heavily damaged and loose from the textblock; notes on endpages; textblock edges are moderately toned; interior has light toning and moderate foxing throughout. Brown boards with gilt lettering and debossed illustration; 263 pp. This particular copy was from the library of Peale Scholar Charles Coleman Sellers as indicated by the name ifc. H. Perkins/Perkins and Marvin hardcover
1017572089.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
