231 résultats
In-4 (cm. 28), brossura illustrata, con alette, pp. 191, (1), con illustrazioni in bianco e nero e a colori nel testo. In buono stato di conservazione (good copy).
pp. 30, 254 n.n. con 292 riproduz. di disegni. Sotto ciascuna riproduzione sono riportate le misure. Importante lavoro.
In-16°, pp. 155, (1), legatura editoriale con titoli al piatto anteriore el dorso, senza sovraccoperta. Con 122 illustrazioni in bianco e nero nel testo e 4 tavole fuori testo di illustrazioni a colori. Volume CCCXVII (o 317) nella collezione "Biblioteca Moderna Mondadori". In buono stato.
In-8°, pp. 155, cart. edit.
Milano, Mondadori, 1952, 16mo cartonato editoriale con fregi e titoli dorati al piatto anteriore e al dorso e sovraccopertina (una mancanza riparata) pp. 155 con 122 illustrazioni e tavole in nero nel testo e 4 tavole a colori fuori testo.
pp. 156 con num. e belle ill. a col. applicate. Ottimo studio critico-biografico corredato da un pregevole apparato iconografico.
Roma, Curcio, 1979, 4to brossura con copertina illustrata a colori, pp. 16 con una tavola in antiporta, numerosissime illustrazioni in nero nel testo e 27 tavole a colori fuori testo (I classici della pittura, 34) .
The Hague, Letteren & Kunst, 1955, in-4, br., pp. (6). Con 20 tavole a colori applicate. Strappetto con mancanza alla sovraccoperta posteriore.
Paris, Braun, 1939, 16mo brossura originale con copertina illustrata, pp. 60 completamente illustrato da tavole in nero (una tavola a colori ina antiporta) .
Milano, Fratelli Fabbri, 1964, in-4, br. editoriale, pp. (8). Con 14 tavole a colori di cui 2 a pagina doppia e 4 illustrazioni in b.n. nel t. Qualche macchiolina alla copertina anteriore. Collana "I Maestri del colore", n. 20.
pp. 80 + Plus eight color reproductions. Decorated title page. Uncut. Endpapers foxed. Small 8vo. Original full stiff paper boards with color reproduction mounted on front board. Masterpieces in Colour edited by T. Leman Hare. ART 1
Milano, Arnoldo Mondadori, 1967, in-4, cartone editoriale lucido, figurato a colori, pp. 75. Numerose illustrazioni a colori ed in b.n., e cronologia della vita. Collana "I Grandi di Tutti i Tempi". Ottime condizioni.
Book shows light wear only to bright red covers with gilt print at front and spine. Binding is solid and square, text/interior is clean and free of marking of any kind with prev. owner's name at front end paper and stamp on title page. 190 pages with 66 illustrations, mostly b&w prints. Dust jacket has small open tears, edge wear. Contents include: Rembrandt and the jews come to Amsterdam, Portraits of jew, Scenes of Jewish daily life, the Bible.
In 4°, pp. 630. Legatura coeva in mz pelle con titoli in oro al dorso. In antiporta il ritratto di Rembrandt.43 riproduzioni ed 84 stampe a p.pagina f.t.Importante opera sulla vita e sulle opere pittoriche e graficge di Rembrandt.
grand in-4 carré (26x25), Nombreuses reproductions dont 18 en couleurs à pleine page, cartonnage sous jaquette illustrée. Très bel exemplaire. [P-6]
In-4° pp. 151 con 47 tav. a col. n.t. con le ill. applicate, e con vari dis. n.t. Leg. in tela edit. con sovrac. ill.
Korevaar, Gerbrand: Rembrandt's Mother. Myth and Reality. Exhibition: Leiden, Stedelijk Museum Lakenhal, 2005. 288pp with 125 colour illustrations. Cloth. 26x21cms. The old woman depicted in Rembrandt's paintings, etchings and drawings has been held to be his mother. This study discusses whether this is a myth, the creation of the myth, which although not based on fact has been an essential part of the artist's image. She is depicted as a prophetess, in religious and allegorical pictures. Examines the artistic relationship between Jan Lievens and Gerrit Dou, whom used a similar model. The old woman depicted in Rembrandt's paintings, etchings and drawings has been held to be his mother. This study discusses whether this is a myth, the creation of the myth, which although not based on fact has been an essential part of the artist's image. She is depicted as a prophetess, in religious and allegorical pictures. Examines the artistic relationship between Jan Lievens and Gerrit Dou, whom used a similar model. Text in English
xii + 250pp., editor's hardback, dustwrapper, 22cm., very good condition, ISBN 0-226-56736-2, S78330
Golahny, Amy: Rembrandt's Hundred Guilder Print. His Master Etching. London: 2021. 128 pages, 10 colour illustrations, 39 black and white illustrations. Hardback. 25 x 19cms. Monographic study of Rembrandt's 1649 Hundred Guilder print, discussing its technique, theme, distribution and market value, with a focus on its original reception and the changing attitudes towards it in the present day. Monographic study of Rembrandt's 1649 Hundred Guilder print, discussing its technique, theme, distribution and market value, with a focus on its original reception and the changing attitudes towards it in the present day. Text in English
In-8° gr. pp. 132-4 con 82 rav. f.t. Legatura edit. con tass. al piatto. Manca la sovrac. Timbri all'interno.
Milano, 1906, 8vo stralcio con copertina posticcia muta, pp. 685/690 con 11 illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Hinterding, Erik : Martin Royalton-Kisch et al: Rembrandt the Printmaker. Exhibition: Amsterdam, Rijksmuseum, 2000. 384pp with 80 colour and 320 monochrome illustrations. Cloth. 29x24.5cms. 300 prints provide a representative overview of Rembrandt's print oeuvre and enable the reader to understand his practice, his reworkings and the role of his preparatory drawings. The selection exhibited depict biblical and genre scenes, include character studies and self-portraits. Reproducing watermarks and including a concordance. 300 prints provide a representative overview of Rembrandt's print oeuvre and enable the reader to understand his practice, his reworkings and the role of his preparatory drawings. The selection exhibited depict biblical and genre scenes, include character studies and self-portraits. Reproducing watermarks and including a concordance. Text in English
This is a very good softcover copy, almost fine, but for a bit of shelfwear to the covers. Spine not creased. Completely clean inside and out. This catalog was prepared to accompany the travelling exhibition, which came to the National Gallery in Washington in the spring of 1992. The show originated in Berlin. The three largest collections of Rembrandt etchings are in Berlin, Amsterdam and London. 40 etchings in the show. All illustrated in black & white. Extensive entries. Bibliography. 11" high X 10" wide, 136 pages. A beautiful copy.
xxiv + 215pp.met 101 afbeeldingen van schilderijen met omschrijving, Tentoonstelling Rijksmuseum Amsterdam (18 mei-5 aug.1956 & Museum Boymans Rotterdam 8 aug.-21 okt.1956
A clean, unmarked book with a tight binding. Full blue cloth boards. Light wear to edges. Previous owner's inscription inside.
