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1798466961798 1798 P. Didot l'Ainé, An IX- 1798 - Edition Originale - Couverture muette - In-8 - broché - 62 pages - bon exemplaire - Réf. 46696
1735038061Rome 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching Colored In Shades Of Tan. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
17204D-31ZP-R7TINov 17 2005. Affranchissement philatelique la plupart du tempsenvoi rapide et soigné unknown
174417856Ar. Pond. Very Good with no dust jacket. 1744. Non-Book. This original engraving taken from "The description of the villa of Mr. Horace Walpole." published in 1744 is in good conditio some light foxing to borders full borders as published uncolored as published plate marks defined engraved by P. C. Cannot. Represented in Lewis Walpole Library at Yale University. Scarce. ; 19" x 15" . Ar. Pond unknown
1779E258London, John Boydell, 1779. Großformatiger Stich nach Poussins klassischer Darstellung: vor einer weiten Felslandschaft mit einigen Gebäuden, die Nazareth darstellen sollen, lagert die Heilige Sippe. Maria sitzt in weite Gewänder gehüllt vor einem mächtigen Pfeiler, der die Szene links begrenzt. Mit ihren Händen hält sie den auf ihrem Schoß stehenden Jesusknaben, der zu dem ebenfalls nackten Johannesknaben herunterblickt. Dieser wird von seiner Mutter Elisabeth herangeführt, mit seinen geöffneten Armen deutet er die Bereitschaft an, den Messias zu empfangen. Elisabeth ist als alte Frau dargestellt, die vor Maria kniet und die Gottesmutter flehend anschaut. Hinter der Szene erscheint der liebevoll zuschauende Joseph, der sich auf einen Sockel stützt. Prachtvoll erhaltenes, vollständig sauberes Exemplar des zweiten Zustands mit dem englischen Titel und der Beischrift "In the Embroidered Bed Chamber at Houghton". ? Kontrastreicher, scharfer Abdruck auf vollständig fleckenfreiem Papier in sehr breitrandigem, majestätisch Rahmen.Le Blanc III, 221, Nummer 39. ? Vgl. Thieme-Becker XXVII, 193 (Poilly).
17861103651786. In der Platte signiert, datiert, betitelt und bezeichnet. Mit der Verleger-Adresse von Boydell, London. Ausgezeichneter, prägnanter Druck. Meist mit gleichmäßigem Rand, dieser unten etwas schmaler. Auf Velin von J. Whatman (mit Wz.). 43,2 x 58,3 (Darstellung) 48,5 x 61 (Platte).
17962140<b><i>Leonardo Da Vinci's painting manual</i></b><p>Leonardo da Vinci; Nicolas Poussin 1594-1665 ills after; Roland Fréart de Chambray 1606-1676 transl.; anonymous edit.</p><p><b>TraiteÌ de la peinture.</b></p><p>Paris Deterville printed by Crapelet An IV 1796.</p><p><br /></p><p>8°. VIII LIX 1 333 1 blank pp. With 34 plates some folding and several woodcut diagrams in text.</p><p>Later circa 1900 vellum new endpapers.</p><p><br /></p><p>Third French edition of Da Vinci's influential and famous painting manual. Francesco Melzi Da Vinci's student compiled the text from his master's notebooks. He titled it <i>Trattato della pittura</i> and is now known as the <i>Codex Urbinas 1270</i>. The manuscript remained unpublished until 1651 when an Italian and a French edition appeared simultaneously at Giacomo Langlois Paris. This was accompanied with illustrations by Nicolas Poussin including a reproduction of the Mona Lisa and a portrait of Da Vinci. Most plates depict instructive models to learn the different disciplines of painting. The second French edition was published in 1716 in octavo titled <i>Traité de la Peinture par Léonard de Vinci</i>. This was illustrated with new plates copied after those in de first edition. The present third French edition has the exact same illustrations as the second edition indicating that the copper plates from the second edition were reused. The text of the present third edition is enlarged with a biography of Da Vinci in the preliminaries. According to the anonymous editor the text follows that of the first edition closer than the second edition did.</p><p><b>Condition</b>: faded stain in the first and last part otherwise in good condition wholly untrimmed.</p><p><b>Reference</b>: Brunet V 1258 dated 1798; Steinitz <i>L. da Vinci's Trattato della Pittura A Bibliography</i> pp. 157-158.</p> Deterville, printed by Crapelet
17747248Roma: Bonaventura Minossi 1774. First Edition Primera edición. Hardcover Tapa dura. 500x358mm. 19¾x14". Roma Bonaventura Minossi 1774. En folio mayor 485 x 355mm. 1 retrato 22 grabados calcográficos. Huella de la plancha: 322 x 226mm. Todas las láminas numeradas en plancha. Firmadas "Nic. Poussin inv." y "F. Polanzani sculp." junto a dos líneas de inscripción latina. Encuadernación del siglo diecinueve en piel nombre de los artistas estampado en oro en la cubierta delantera. Primera edición de considerable rareza. Colección completa de los 22 grabados realizados por Polanzani en 1774 sobre dibujos de Nicolás Poussin de la serie que representa la vida de la Virgen. Recientes estudios ver Andresen p.61 rechazan la autoría de Nicolás Poussin y designan a Jacques Stella como el dibujante e inventor de la serie. En el testamento de Claudine Bouzonnet-Stella 1697 se menciona una serie de 22 dibujos sobre la vida de la Virgen que habían sido pintados por su tío Jacques Stella. Además en una carta dirigida a Giovanni Bottati fechada el 1 de octubre de 1756 Mariette escribe: "Non dico lo stesso delle stampe della Vita della Madonna intaglio del Polanzani che voi mi avete parimente mandato. Io me credeva vi vedere dei disegni del celebre Pussino ma non vi ho trovato se non una composizione alla quale egli certo non ha avuto mano e credo senza dubbio che sieno d'un pittore francese amico del Pussino che si chiamava Iacopo Stella.". Francesco o Felice Polanzani fue un grabador italiano nacido en Andale cerca de Venecia a comienzos del sigo dieciocho. Esta es su serie de grabados más famosa. También grabó trabajos de Van Dyck Carlo Cignani Marco Benefial y G. Noyan. Ejemplar falto de la portada pero completo de todas sus láminas. Colección de considerable rareza el British Museum sólo tiene 9 de las láminas. Bonaventura Minossi hardcover
