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17747248Roma: Bonaventura Minossi 1774. First Edition Primera edición. Hardcover Tapa dura. 500x358mm. 19¾x14". Roma Bonaventura Minossi 1774. En folio mayor 485 x 355mm. 1 retrato 22 grabados calcográficos. Huella de la plancha: 322 x 226mm. Todas las láminas numeradas en plancha. Firmadas "Nic. Poussin inv." y "F. Polanzani sculp." junto a dos líneas de inscripción latina. Encuadernación del siglo diecinueve en piel nombre de los artistas estampado en oro en la cubierta delantera. Primera edición de considerable rareza. Colección completa de los 22 grabados realizados por Polanzani en 1774 sobre dibujos de Nicolás Poussin de la serie que representa la vida de la Virgen. Recientes estudios ver Andresen p.61 rechazan la autoría de Nicolás Poussin y designan a Jacques Stella como el dibujante e inventor de la serie. En el testamento de Claudine Bouzonnet-Stella 1697 se menciona una serie de 22 dibujos sobre la vida de la Virgen que habían sido pintados por su tío Jacques Stella. Además en una carta dirigida a Giovanni Bottati fechada el 1 de octubre de 1756 Mariette escribe: "Non dico lo stesso delle stampe della Vita della Madonna intaglio del Polanzani che voi mi avete parimente mandato. Io me credeva vi vedere dei disegni del celebre Pussino ma non vi ho trovato se non una composizione alla quale egli certo non ha avuto mano e credo senza dubbio che sieno d'un pittore francese amico del Pussino che si chiamava Iacopo Stella.". Francesco o Felice Polanzani fue un grabador italiano nacido en Andale cerca de Venecia a comienzos del sigo dieciocho. Esta es su serie de grabados más famosa. También grabó trabajos de Van Dyck Carlo Cignani Marco Benefial y G. Noyan. Ejemplar falto de la portada pero completo de todas sus láminas. Colección de considerable rareza el British Museum sólo tiene 9 de las láminas. Bonaventura Minossi hardcover
16909910Paris: Jean rue Juan de Beauvais 1690. First Edition Primera edición. Hardcover Tapa dura. 567x415mm. 22¼x16¼". Paris c.1690-1697. En gran folio 567 x 415mm 14 láminas grabadas al aguafuerte y al buril por Claudia Stella sobre dibujos de Poussin. Encuadernación en holandesa de época. Primera edición de la serie completa de la Pasión de Cristo ideada y dibujada por Nicolás Poussin y grabada por Claudia Stella. Estudios recientes apuntan a que en realidad lo diseños se debieron a Jacques Stella en lugar de Poussin. De hecho en el testamento de Claudine Stella 1697 se afirma que poseía una serie de treinta pinturas de Jacques Stella que representaban la Pasión y que aunque tenía la intención de reproducirlas solo había podido grabar diez planchas; Jacques legó estas pinturas y estas placas a su primo Michel de Masso y le pidió explícitamente que grabara o encargara el grabado de las placas restantes. Se cree que De Masso o uno de sus herederos reemplazó el nombre de Jacques Stella por el de Poussin. Por razones prácticas toda la serie se mantiene bajo el nombre de Claudine Stella. Jean, rue Juan de Beauvais hardcover
198086705Orell Fussli. As New. 1980. Hardcover. 3280009529 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET: 220 pages; 328 pages. Well-illustrated in black and white. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Leben und Werk Complete Works Orell Fussli hardcover
1980C86705Orell Fussli. As New. 1980. Hardcover. 3280009529 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET: 220 pages; 328 pages. Well-illustrated in black and white. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Leben und Werk Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Orell Fussli hardcover
(In fine: In Roma, nella stamperia di Vitale Mascardi, 1640), in-4, legatura settecentesca in pieno marocchino, dorso a 5 nervi con titolo e ricchi fregi fitomorfi impressi in oro a piccoli ferri negli scomparti, tagli spugnati, pp. [48], 376, [140]. Con frontespizio e 15 illustrazioni calcografiche a piena pagina comprese nella fascicolazione (è presente anche un ritratto dell'autore) disegnate ed incise da Camas, Bloemaert, Magalotti, Greuter, Fabio della Cormia, Massimi, ma che risentono dell'influenza di Nicolas Poussin. Occhietto a c. †1r: Documenti d'amore. Prima edizione. David Freedberg ha studiato il ruolo di Poussin nelle illustrazioni di questo libro e gli attribuisce - oltre al ritratto dell'autore firmato Nic. Pucci - anche il disegno di quella a p. 357 e di quella a p. 91 (entrambe ufficialmente firmate da Camillo Massimi). Splendido libro barocco. Cicognara, 1985. David Freedberg, Nicolas Poussin (1594-1665), exposition au Grand Palais 1995, pp. 65-67. L'esemplare è molto bello sebbene alcuni fascicoli (A4, C4, L4, M4, N4, O4, Ss4) rechino bruniture a causa del diverso tipo di carta impiegato. With title page and 15 full-page chalcographic illustrations included in the booklet (there is also a portrait of the author) drawn and engraved by Camas, Bloemaert, Magalotti, Greuter, Fabio della Cormia, Massimi, and influenced by Nicolas Poussin. Half-title at leaf † 1r: Documents of love. First edition. David Freedberg has studied the role of Poussin in the illustrations of this book and attributes to him - in addition to the portrait of the author signed Nic. Pucci - also the drawing of the one on page 357 and the one on page 91 (both officially signed by Camillo Massimi). Splendid baroque book. Cicognara, 1985. David Freedberg, Nicolas Poussin (1594-1665), exposition au Grand Palais 1995, pp. 65-67. The condition of book is fine although some part (A4, C4, L4, M4, N4, O4, Ss4) show browning due to the different type of paper used.
18279585Washington Gales &: Seaton 1827. Copper engraving 28.5 x 83 cm one or two minor restorations to verso old folds blank verso. Published in a report to Congress Letter from the postmaster general transmitting a report of General Bernard of surveys of routes for a post road from Baltimore to Philadelphia. The Postmaster General at that time was John McLean 1782-1861; the map was produced under the auspices of Simon Bernard 1799-1836 a member of the Board of Internal Improvement and William Tell Poussin 1794-1876 a Captain in the U.S. Army Corps of Topographical Engineers. The map shows various alternative routes and is an early example of U.S. government cartographic printing: in May 1826 the U.S. Congress authorized a survey party to explore various new mail routes to Philadelphia. This map appeared as part of a government document the following year Cobb Mapping Maryland The William Hackermna Collection 2002. OCLC: 82929312 Map Seaton, unknown
201195500Paul Holberton Publishing. New. 2011. Hardcover. 1907372261 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 168 pp. ; 113 illus. 109 in color. -- with a bonus offer-- . Paul Holberton Publishing hardcover
198090767Greater London Council. New. 1980. Paperback. 0716811545 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 115 pages; 91 works catalogued; well illustrated in black and white. -- with a bonus offer-- . Greater London Council paperback
198967574Bicentenaire Editions de la Reunion des musees nationaux. New. 1989. Paperback. 2711822923 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 120 pp. With 103 ills. 6 col. . 21 x 20 cm. -- with a bonus offer--; 0 x 8.27 x 7.87 Inches . Bicentenaire, Editions de la Reunion des musees nationaux paperback
2016124837Peter Lang AG Internationaler Verlag der Wissenschaften. New. 2016. Paperback. 3034316577 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened with a bonus offer-- . Peter Lang AG, Internationaler Verlag der Wissenschaften paperback
199057170Abbeville Press. New. 1990. Hardcover. 1558591206 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 336 pages; many lovely images in color and b/w. -- with a bonus offer-- . Abbeville Press hardcover
199771081RMN. New. 1997. Paperback. 2711835839 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . RMN paperback
199869050Mondadori Electa. New. 1998. Paperback. 8843567551 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 158 pp. With 87 ills. 46 col. . 28 x 25 cm. -- with a bonus offer-- . Mondadori Electa paperback
199429605France: Reunion Des Musees Nationaux. New. 1994. Paperback. 2711830276 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Reunion Des Musees Nationaux paperback
200873124Museum; Yale University Press. New. 2008. Hardcover. 0300136684 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 432 pp. With 417 ills. 398 col. . 29 x 22 cm. -- with a bonus offer-- . Museum; Yale University Press hardcover
13393AUDRAN Gérard le jeune Pyrrhus sauvé. Estampe d’après Nicolas POUSSIN gravée au burin, à l’eau forte et la pointe sèche, sur vélin fort, en deux feuilles. 946x730mm. AUDRAN 1674. Pliure renforcée. Mouillure en marge inférieure, surtout visible au recto. . Semble être une épreuve du deuxième état. Rare.
1990Alibris.0015387Berkeley CA: Asian Humanities Press. 1990. Hard cover. Fine. 4 volume set. All volumes in fine condition. Text in English French Sanskrit. Sewn binding. Cloth over boards. Audience: General/trade. . Asian Humanities Press hardcover
16-5601Paris: circa 1720. Original etching and drypoint. 57 x 81 cm. on support sheet 61.5 x 83.4cm.Note : "Au Roi // Gravé d'après le Tableau original de Nicolas Poussin qui est au Cabinet du Roi Par Étienne Fessard graveur ordinaire de son Cabinet et de l'Académie Royale de Parme. // Haut de. Cette Planche a été déposée au Cabinet de sa Majesté."Le titre "L'empire de Flore" désigne habituellement un autre tableau de Poussin aujourd'hui conservé au musée de Dresde information 1962. Celui que reproduit la gravure de Fessard a pour véritable titre "Le triomphe de Flore."Estampe annoncée au "Mercure" en Janv. 1773 t. II p. 182 : ""L'Empire de Flore" présenté au Roi par le sieur Fessard graveur du Roi et de sa Bibliothèque. Cette estampe est la seconde de celles qui doivent être déposées au Cabinet du Roi. Elle a été gravée d'après le tableau de Nicolas Poussin haut de six pieds un pouce sur cinq pieds cinq pouces de large tiré du Cabinet du Roi. Les éloges multipliés qu'on a donnés au Peintre sur la belle composition de ce tableau ne nous permettent pas d'en dire davantage. A l'égard de la gravure l'auteur a bien rendu son original : on voit qu'il s'applique de plus en plus à varier le genre des travaux ce qui nous a paru être très-bien exécuté dans la partie des chaires "sic". Cette estampe se vend 12 livres et se trouve chez l'auteur rue Fromenteau porte cochère vis-à -vis le caffé Anglois ; et chez Prault libraire rue de Tournon. Le public est averti que l'auteur n'a qu'un petit nombre d'épreuves la planche étant déjà déposée au Cabinet du Roi. On y trouvera aussi quelques épreuves de la Fête Flamande gravée par le même d'après le célèbre Rubens.".La planche est à la Chalcographie du Louvre Angoulvent N° 1266.Notice chargée sans modification à partir de l'Inventaire du fonds français graveurs du XVIIIe siècle.Sources : Inventaire du fonds français graveurs du XVIIIe siècle / Bibliothèque nationale Département des estampes. Tome IX Ferrand François-Gaucher C.E. / par Edmond Pognon. et Yves Bruand. - Bibliothèque nationale Paris 1962 article FESSARD Étienne n. 1235.Fessard etched and engraved Peter Paul Rubens’s painting Festeflamande in 1762 and Nicolas Poussin’s L’Empire de Flore in 1770.For a more detailed discussion of Fessard’s involvement in thisproject – and the objection of his contemporaries to his workon it – see Portalis and Beraldi op. cit. ii pp. 131–35 137–38;Inventaire du fonds français pp. 88–92 no. 404 and p. 107 no.1235; and J.-G. Castex ‘Un seul graveur peut-il interpreÌter tousles peintres: EÌtienne Fessard ou les paradoxes de la gravured’interpreÌtation dans la seconde moitieÌ du XVIIIe sieÌ€cle’ in LaGravure: Quelles problématiques pour les temps modernes edited by I.Michel-EÌvrard and P. Wachenheim Bordeaux 2009 pp. 45–52. Paris: circa 1720 unknown
17962140<b><i>Leonardo Da Vinci's painting manual</i></b><p>Leonardo da Vinci; Nicolas Poussin 1594-1665 ills after; Roland Fréart de Chambray 1606-1676 transl.; anonymous edit.</p><p><b>TraiteÌ de la peinture.</b></p><p>Paris Deterville printed by Crapelet An IV 1796.</p><p><br /></p><p>8°. VIII LIX 1 333 1 blank pp. With 34 plates some folding and several woodcut diagrams in text.</p><p>Later circa 1900 vellum new endpapers.</p><p><br /></p><p>Third French edition of Da Vinci's influential and famous painting manual. Francesco Melzi Da Vinci's student compiled the text from his master's notebooks. He titled it <i>Trattato della pittura</i> and is now known as the <i>Codex Urbinas 1270</i>. The manuscript remained unpublished until 1651 when an Italian and a French edition appeared simultaneously at Giacomo Langlois Paris. This was accompanied with illustrations by Nicolas Poussin including a reproduction of the Mona Lisa and a portrait of Da Vinci. Most plates depict instructive models to learn the different disciplines of painting. The second French edition was published in 1716 in octavo titled <i>Traité de la Peinture par Léonard de Vinci</i>. This was illustrated with new plates copied after those in de first edition. The present third French edition has the exact same illustrations as the second edition indicating that the copper plates from the second edition were reused. The text of the present third edition is enlarged with a biography of Da Vinci in the preliminaries. According to the anonymous editor the text follows that of the first edition closer than the second edition did.</p><p><b>Condition</b>: faded stain in the first and last part otherwise in good condition wholly untrimmed.</p><p><b>Reference</b>: Brunet V 1258 dated 1798; Steinitz <i>L. da Vinci's Trattato della Pittura A Bibliography</i> pp. 157-158.</p> Deterville, printed by Crapelet
1962125182Wildenstein, Georges: Gazette Des Beaux-Arts Fondee En 1859 Par Charles Blanc - Juillet - Aout 1962 - Poussin. Presses Universitaires de France, 1962. 336 pages, illustrated. Hardback. Journal 6, volume 60. Includes supplement 'La Chronique des Arts'. Ex libris: Richard Verdi. Anotated.
1962125182Wildenstein, Georges: Gazette Des Beaux-Arts Fondee En 1859 Par Charles Blanc - Juillet - Aout 1962 - Poussin. Presses Universitaires de France, 1962. 336 pages, illustrated. Hardback. Journal 6, volume 60. Includes supplement 'La Chronique des Arts'. Ex libris: Richard Verdi. Anotated.
10623gravure, eau-forte sur papier vergé par J PESNE d’après Nicolas POUSSIN. 1678. 282 x 287mm à la cuvette. 286x293mm. De la suite Herculis Labores ex archetypis N. Poussin avec privilège du roi. Par J PESNE (Rouen 1623-Paris 1700) ; Epreuve légèrement poussiéreuse
23410S.l. Roma / Rome Vincenzo Billy s.d. Dimensions : 611 x 456 mm. TrÂs rare et superbe ÂŽpreuve sur cuivre rÂŽalisÂŽe circa 1680 - 1700. SignÂŽe dans la plaque Nicolo Nicolas Poussin. Mention suivante en marge infÂŽrieure gauche : ''Se vendorno da Vincenzo Billy a la Chiesa nova''. ContrecollÂŽe sur carton fort. Au revers cette annotation manuscrite : ''Le Roy Chica / H™tel du Grand cerf / au Grand Andely Andelys / Gravure d'aprÂs l'original / grand tableau de Poussin ˆ la Mairie du Grand Andely''. La Obra pict—rica completa de Poussin p. 108. Epreuve ÂŽmargÂŽe subsiste nÂŽanmoins la cuvette. Pli vertical mÂŽdiant. Abrasion affectant principalement la marge de la composition. Du reste belle condition. Rare. b42961 unknown
23410S.l. [Roma / Rome ???], Vincenzo Billy, s.d. Dimensions : 611 x 456 mm.
9087Bruxelles, Hayer, 1899, un volume in 8 relié en cartonnage bradel (reliure de l'époque), (page de titre montée sur onglet et fragile), 74pp.
