294 résultats
8416820694.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1273400267.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1533645078.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1168909783.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1592993583.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1592993575.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2266159658.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2744104221.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
185444168X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2026152153Spes 2026. Etat Correct aspect sali bas dos abîmé pages uniformément jaunies. in8. 2026. Broché. 245 pages. Spes unknown
1680152141680. Circa 1680. Dimensions cuvette : 377 x 261 mm. TrÂs jolie ÂŽpreuve aux noirs trÂs contrastÂŽs signÂŽe dans la plaque de Nicolas Poussin et de GÂŽrard ou Girard Audran. ''Audran travailla avec Charles Le Brun qui lui fit graver quelques-uns de ses tableaux. Sur les conseils de Carlo Maratta et de Ciro Ferri il substitua ˆ sa technique premiÂre une maniÂre ˆ la fois souple et hardie une expression pittoresque et originale qui devait le placer parmi les graveurs les plus f‰meux. Il fut ainsi nommÂŽ graveur et pensionnaire du roi et fut par excellence le graveur de Le Brun''. in BÂŽnÂŽzit. ''Audran se distingua en ce qu'il ne considÂre pas la gravure comme une sorte de reproduction sommaire rapidement exÂŽcutÂŽe mais bien comme une technique d'art particuliÂre qui doit Âtre l'objet d'une ÂŽtude sÂŽrieuses et qui demande une pratique longue et des soins minutieux''. in Lieure. ''Si Colbert a consolidÂŽ le patrimoine de la gravure franÂaise Audran a constituÂŽ le fond de rÂŽserve sur lequel les graveurs du XVIIIÂme siÂcle ont vÂŽcu.'' in Courboin. BÂŽnÂŽzit I Dictionnaire des peintres p. 316 - Lieure L'Ecole franÂaise de gravure au XVIIÂme p. 148 - Courboin L'Estampe franÂaise p. 75. Papier jauni prÂŽsentant en outre quelques t‰ches. AurÂŽole affeectant les marges sans atteinte ˆ l'illustration. Du reste belle condition. b42961 unknown
23410S.l. Roma / Rome Vincenzo Billy s.d. Dimensions : 611 x 456 mm. TrÂs rare et superbe ÂŽpreuve sur cuivre rÂŽalisÂŽe circa 1680 - 1700. SignÂŽe dans la plaque Nicolo Nicolas Poussin. Mention suivante en marge infÂŽrieure gauche : ''Se vendorno da Vincenzo Billy a la Chiesa nova''. ContrecollÂŽe sur carton fort. Au revers cette annotation manuscrite : ''Le Roy Chica / H™tel du Grand cerf / au Grand Andely Andelys / Gravure d'aprÂs l'original / grand tableau de Poussin ˆ la Mairie du Grand Andely''. La Obra pict—rica completa de Poussin p. 108. Epreuve ÂŽmargÂŽe subsiste nÂŽanmoins la cuvette. Pli vertical mÂŽdiant. Abrasion affectant principalement la marge de la composition. Du reste belle condition. Rare. b42961 unknown
MLBD-9788120836075Motilal Banarsidass. Hardcover. New. Motilal Banarsidass hardcover
MLBD-9788120836075Motilal Banarsidass. Hardcover. New. Motilal Banarsidass hardcover
17-2774Paris: Galerie Vendôme 1975. Large format color print poster 27†x 19â€. Very Good. Mild toning and staining along bottom over text. Minor edge wear. Staining on verso. Printed by Mourlot. Extremely Scarce. Paris: Galerie Vendôme, 1975. unknown
17747248Roma: Bonaventura Minossi 1774. First Edition Primera edición. Hardcover Tapa dura. 500x358mm. 19¾x14". Roma Bonaventura Minossi 1774. En folio mayor 485 x 355mm. 1 retrato 22 grabados calcográficos. Huella de la plancha: 322 x 226mm. Todas las láminas numeradas en plancha. Firmadas "Nic. Poussin inv." y "F. Polanzani sculp." junto a dos líneas de inscripción latina. Encuadernación del siglo diecinueve en piel nombre de los artistas estampado en oro en la cubierta delantera. Primera edición de considerable rareza. Colección completa de los 22 grabados realizados por Polanzani en 1774 sobre dibujos de Nicolás Poussin de la serie que representa la vida de la Virgen. Recientes estudios ver Andresen p.61 rechazan la autoría de Nicolás Poussin y designan a Jacques Stella como el dibujante e inventor de la serie. En el testamento de Claudine Bouzonnet-Stella 1697 se menciona una serie de 22 dibujos sobre la vida de la Virgen que habían sido pintados por su tío Jacques Stella. Además en una carta dirigida a Giovanni Bottati fechada el 1 de octubre de 1756 Mariette escribe: "Non dico lo stesso delle stampe della Vita della Madonna intaglio del Polanzani che voi mi avete parimente mandato. Io me credeva vi vedere dei disegni del celebre Pussino ma non vi ho trovato se non una composizione alla quale egli certo non ha avuto mano e credo senza dubbio che sieno d'un pittore francese amico del Pussino che si chiamava Iacopo Stella.". Francesco o Felice Polanzani fue un grabador italiano nacido en Andale cerca de Venecia a comienzos del sigo dieciocho. Esta es su serie de grabados más famosa. También grabó trabajos de Van Dyck Carlo Cignani Marco Benefial y G. Noyan. Ejemplar falto de la portada pero completo de todas sus láminas. Colección de considerable rareza el British Museum sólo tiene 9 de las láminas. Bonaventura Minossi hardcover
50-1265Poilly ca. 18th cent. . Engraving. 12 x 17 inches. Poilly, ca. 18th cent. unknown
1735038061Rome 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching Colored In Shades Of Tan. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
71-5450Paris: Jean circa 1750. Original engraving. 44 x 54.5 cm sheet. Very Good some soiling short tears along sheet edges. Paris: Jean, circa 1750 unknown
327578Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1658. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
327581Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1658. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
327580Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1658. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
327579Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1658. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
0265083753.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0260431540.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover