2 144 résultats
18039985London: Published by H. Macklin Poets Gallery Fleet Street 1803. Colour-printed mezzotint. In fair condition with the exception of being trimmed within the plate mark. Title has been inset. Nail burns in left margin. Tear in upper margin extending into image. Image size: 18 x 23 1/2 inches. A lovely colour printed impression of Smith's idyllic print of rural life after a painting by George Morland.<br/> <br/>George Morland was one of the most successful genre painters of his time creating during his industrious career some of England's most cherished paintings. At an early age Morland displayed his artistic genius he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. He was a prodigious painter producing more than 4000 paintings during the entirety of his career and sometimes painting two or three works in a day. His pleasant rural scenes were a favorite source of inspiration for contemporary engravers and as many as 250 separate engravings were done of his paintings during his lifetime. His brother-in-law William Ward engraved a great number of them. Here a young girl clings to her mother's apron as her father takes up his rifle to go hunting. Her fearful reaction is contrasted with that of the dogs who are excited and the maid who indifferently prepares the fire in the fireplace.<br/> <br/>Dawe G. Morland p. 146. Published by H. Macklin, Poets Gallery, Fleet Street unknown books
02-0198ca. 1780s. Woodcut after Peter Paul Rubens. Four color blocks: tan light brown dark brown darker brown. 379 x 232 mm. Kennedy 175. Nagler 13. Le Blanc 13. ca. 1780s. unknown
17-2816Paris: Ministere de la Culture et de l'Environnement 1977. Large format color print poster 23†x 15â€. Very Good. Minor creasing along bottom edge. Light wrinkles and signs of handling. Stains on verso. Extremely Scarce. Paris: Ministere de la Culture et de l'Environnement, 1977. unknown
613027Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 17th century between 1633 and 1634. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
613028Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 17th century between 1633 and 1634. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
613026Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 17th century between 1633 and 1634. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
613025Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 17th century between 1633 and 1634. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
199650601Mainz : von Zabern 1996. 551 S. : Ill. ; 25 cm, mit Schutzumschlag Gewebe, gebundene Ausgabe, Leinen, Exemplar in gutem Erhaltungszustand, Neupreis in Euro: 86,--
Simson, Otto von: Peter Paul Rubens (1577-1640). Humanist, Maler und Diplomat. Munich: Philipp von Zabern, 1996. Series: Berliner Schriften zur Kunst 8. 556pp with 24 colour plates and 202 monochrome illustrations. Cloth. 24x17.5cms. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German
1996BN149494Mainz : von Zabern 1996. 1996. Peter Paul Rubens : 1577 - 1640 ; Humanist Maler und Diplomat. Otto von Simson / Berliner Schriften zur Kunst ; Bd. 8 <br/><br/>Peter Paul Rubens : 1577 - 1640 ; Humanist Maler und Diplomat. Otto von Simson / Berliner Schriften zur Kunst ; Bd. 8 Simson Otto von und Peter Paul Rubens Mainz : von Zabern unknown
1996057074Simson, Otto von: Peter Paul Rubens (1577-1640). Humanist, Maler und Diplomat. Munich: Philipp von Zabern, 1996. Series: Berliner Schriften zur Kunst 8. 556pp with 24 colour plates and 202 monochrome illustrations. Cloth. 24x17.5cms. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German.
1996057074Simson, Otto von: Peter Paul Rubens (1577-1640). Humanist, Maler und Diplomat. Munich: Philipp von Zabern, 1996. Series: Berliner Schriften zur Kunst 8. 556pp with 24 colour plates and 202 monochrome illustrations. Cloth. 24x17.5cms. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German.
19971-4770020589Kodansha Amer Inc 1997. Hardcover. New. 209 pages. 10.75x7.25x1.00 inches. Kodansha Amer Inc hardcover
In-8 (cm. 27.90), brossura illustrata, con alette, pp. 311, (1), con illustrazioni in bianco e nero e a colori nel testo. Allo stato di nuovo (brand new copy).
In-8 (cm. 27.90), brossura illustrata, con alette, pp. 287, (1), con illustrazioni in bianco e nero e a colori nel testo. Allo stato di nuovo (brand new copy).
CUSPID42953NEW. NEW. Enviamos a todo el mundo por USPS. UPS o DHL. 100% garantia en su compra. We ship worldwide. unknown
8429179755.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
14007, New York, Abrams, 1989., 1989 Bound, cloth, gilt title on plate and spine, no jacket, 31x23,5cm, 128pp, illustrated b/w. ISBN 9780810915695.
14014, New York, Harry N. Abrams, / Paris, Editions Cercle d?? Art, 1993,, toile couleur sable, imprint dore , jacquette illustree, frontispice autoportrait, 250 x 325mm., 168pp., 92 illustrations en n/b, ISBN 9782702203019.
235986Wien: Böhlau 2023. 425 S., Abb. Kart. *neuwertig* Giotto (1334) is the first European artist about whom it is possible to write following the schema of ?life and work?. The situation of the sources, however, is complicated: On Giotto?s life, there are ? on the one hand ? biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto?s lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure?s double life relating it to the form of existence of the pre-modern artist.
279815Wien: Böhlau 2023. 593 S.; mit 20 Farbabb. auf Taf. u. 380 s/w-Abb. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
280738Wien: Böhlau 2023. 431 S.; mit 22 Farbabb. auf Taf. u. 149 s/w-Abb.. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
197720667ABBremen, Kunsthalle Bremen, 1977. 74 S. mit Abbildungen. Illustrierte englische Broschur. Umschlag nur ein wenig angestaubt, ansonsten frisch.
200489333ABOstfildern, Hatje Cantz 2004. 25,5 x 29,5 cm. 531 S. mit zahlr. (teils ganzseit., überwieg. farb.) Abbildungen, farb. illustr. OKlappenkart. (Rücken verblasst, Papierränder minim. nachgedunkelt). Sonst sehr gutes Exemplar des opulenten Katalogs. EA. farb. illustr. OKlappenkart. (Rücken verblasst, Papierränder minim. nachgedunkelt). Sonst sehr gutes Exemplar des opulenten Katalogs. EA.
