Rubens, BerniceBiblio.com
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196921831London: Eyre & Spottiswoode 1969. A first edition first printing of 'The Elected Member' published by Eyre & Spottiswoode in 1969. A very good book with only slight fading to the edges and bumping to the base of the spine. Clean internally with some spotting to the top of the text block. Small name to the front endpaper. In a very good unclipped wrapper with slight chipping to the spine tips edges and corners. Small vertical crease to the front flap. Norman the clever one from a close knit Jewish family in London at the age of 41 finds himself as a drug addict and confined along with his paranoia and hallucinations. Rubens became the first female author to win the Booker prize with this novel in 1970. Eyre & Spottiswoode unknown
51-5327Paris : Le Roi 1846. Large folio. 35 c 53cm. 14 27 plates each with 2pp. of text; 8pp. Quarter goatskin and marbled boards by the artisan binder Sasha Mosalov. Light to medium foxing. Annotations on title page from previous owners one dated 1890.OCLC Numbers:422138077; 1074730903. Paris : Le Roi, 1846 hardcover
196923685London: Eyre & Spottiswoode 1969. A first edition first printing of 'The Elected Member' published by Eyre & Spottiswoode in 1969. A very good book with only slight fading to the edges and bumping to the base of the spine. Clean internally with some spotting to the top of the text block. Neat bookplate to the front pastedown. In a very good unclipped wrapper with slight chipping to the spine tips edges and corners. Norman the clever one from a close knit Jewish family in London at the age of 41 finds himself as a drug addict and confined along with his paranoia and hallucinations. Rubens became the first female author to win the Booker prize with this novel in 1970. Eyre & Spottiswoode unknown
51-6099Antwerp: circa 1859 le Journal pour Tous Armengaud. Two triptychs with gold cross clasps. Wood-engravings on paper on board with 3 sections. 36 x 54cm when extended.DEUX TRIPTYQUES fermés par une croix en métal doré composés chacun de cinq gravures en noir et une planche abattante. Avec deux plats marqués à l'or Dim. 36 x 275 cm.Possible OCLC Number / Unique Identifier:691625509: described by the B.N. as a dépliant. Antwerp: circa 1859 [le Journal pour Tous, Armengaud?] unknown
3aa46Kupferstich. Evans London 1797. 49 cm x 635 cm. Original Holzrahmen der Zeit unter Glas. 585 cm x 73 cm. etwas fleckig u. berieben/Rahmen berieben/mit Gebrauchsspuren. Siehe Bild unknown
18039985London: Published by H. Macklin Poets Gallery Fleet Street 1803. Colour-printed mezzotint. In fair condition with the exception of being trimmed within the plate mark. Title has been inset. Nail burns in left margin. Tear in upper margin extending into image. Image size: 18 x 23 1/2 inches. A lovely colour printed impression of Smith's idyllic print of rural life after a painting by George Morland.<br/> <br/> George Morland was one of the most successful genre painters of his time creating during his industrious career some of England's most cherished paintings. At an early age Morland displayed his artistic genius he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. He was a prodigious painter producing more than 4000 paintings during the entirety of his career and sometimes painting two or three works in a day. His pleasant rural scenes were a favorite source of inspiration for contemporary engravers and as many as 250 separate engravings were done of his paintings during his lifetime. His brother-in-law William Ward engraved a great number of them. Here a young girl clings to her mother's apron as her father takes up his rifle to go hunting. Her fearful reaction is contrasted with that of the dogs who are excited and the maid who indifferently prepares the fire in the fireplace.<br/> <br/> Dawe G. Morland p. 146. Published by H. Macklin, Poets Gallery, Fleet Street unknown
64988Samson slays the lion Judg.14: 5-9; landscape with Samson breaking the jaws of a lion in front of a rock. Signed at bottom: ""Pet. Paul Rubenius pinxit"" and ""Franciscus vanden Wyngaerde fecit et excudit"". Ca. 1635-1675 Etching on paper with some margins; mounted on double cardboard; plate mark: 119 x 117 mm total: 143 x 130 mm; state I/2 Hollstein 1; beautiful impression. unknown
163012877Amberes: Paulus Pontius 1630. 368x272mm. 14½x10¾". Amberes Paulus Pontiusm 1630. Grabado. 368 x 272mm. Tercer estado de 3 con el arco ornamental y las letras. Autoretrato dibujado por Rubens en 1623 y grabado por Paulus Pontius en 1630 para la célebre Iconografía de Antón van Dyck proyecto destinado a perpetuar a los artistas mecenas y demás personalidades destacadas de la época. Paulus Pontius unknown
195450402London: The Jewish Museum 1954. First editions. Hardcover. Very good- to very good condition. 1. Anglo-Jewish Portraits. Three-quarter vellum over green cloth with gilt double-ruling on covers gilt lettering and ruling on spine. Top edge gilt. Frontispiece engraving. Alfred Rubens was an avid collector. In the 1920s he started to collect prints and drawings of Jewish interest and eventually built a collection of world importance. When the Jewish Museum was founded in 1932 in London by Ruben's friend Wilfred S. Samuel he invited Alfred Rubens to join the museum's committee as its expert on prints and drawings. "Anglo-Jewish Portraits" is Rubens' very first book published in 1935 at his own expense. Illustrated with forty-eight full-page plates this work is a biographical catalogue of engraved Anglo-Jewish and Colonial portraits from the earliest times to the accession of Queen Victoria. Protective mylar with wear. Small dealer sticker on inside front cover. Some offsetting from protective mylar to endpapers. Contains bibliography appendices and list of painters and engravers.<br /> <br /> WITH<br /> <br /> 2. A Jewish Iconography. Three-quarter vellum over red cloth with gilt double-ruling on covers gilt lettering and ruling on spine. Top edge gilt. Frontispiece collotype. Title page with headpiece and lettering printed in red and black. This book is complementary to Anglo-Jewish Portraits. Based on the author's collection with help from the card index at the Jewish Theological Seminary New York and selected books. Essentially a catalogue of engravings a few original paintings drawings and silhouettes are included. Though a few modern items are included the "terminating date" is roughly 1830. Profusely illustrated with seventy-five b/w illustrations reproduced in collotype. Appendices and list of painters engravers and publishers. Limited edition of 500 copies. Very light wear of binding and lightly rubbed. Small dealer sticker on inside front cover. Unopened at foredge. The Jewish Museum hardcover
1830P243Munich 1830. very good. Image Size : 24x18.5 Inches Platemark Size : Paper Size : 28x21.5 Inches Coloring: Hand Colored Medium: lithograph Categories: Religious Christianity unknown
198130lrNonpareil 1981-01-01. Limited. Hardcover. Near Fine/No Jacket. Signed. Two books complete slipcased. The ISBN and publication details refer to the main title: 277 pages complete. The second book: "A Jewish Iconography Supplementary Volume" ISBN: 09079740005 pub: Nonpareil 1982 softcover 128 pages. Slipcase is sturdy sound. It has wear and scuffing and light marking. Wood reinforcements within the casing. It is fit. The main volume: SIGNED by Alfred Rubens on the half-title page. Numbered 91 of a limited edition of 650 copies. Crushed-strawberry cloth covered boards with stamped gilt publisher's colophon and borders. The boards have shelving wear about the edges. They are otherwise elegant and healthy. Marbled end papers. The contents are smart clean clear conscientious proud. The second volume has scuffing wear creasing and light handling marks. They are still pleasingly attractive. The inside front cover has handling marks. The page trims have very light foxing streaks. There is evidence of usage. Nonetheless the pages are bright clean clear generous vivacious. A satisfying set. fk. Our orders are shipped using tracked courier delivery services. Nonpareil hardcover
199050352ULLSTEIN LEOPOLD 02/1990. 1. softcover. Maloftege! ULLSTEIN, LEOPOLD paperback
#[63600]The death of Seneca. A pupil on the right describes the last words of the Philosopher; two soldiers on the right background. The old man is standing in the center with his left hand raised and the right arm towards the ground. Some blood is dropping out of his forearm. A bearded man on the left is drying Seneca's skin. The philosopher is standing on a basin. Lettered in lower margin with production details and title: "Petr. Paul Rubbens pinxit" and "A. Voet iunior sc Corn. Galle excudit". Text in squared brackets added in brown ink after reworking of plate. The figure of Seneca is after a Roman statue of an old fisherman 'Vieux pêcheur dit Sénèque mourant' in the Musée du Louvre Paris inv.no.MR 314. l Engraving on paper trimmed to plate mark; total: 404 x 275 mm; state II/2; Hollstein 11 Voet. unknown
1710PG036<p>Rare books about Brazil published from 1504 to 1900 and works by Brazilian authors of the Colonial period. Revised and enlarged edition. A-L. M-Z. Ucla Latin American Center Publications. University of California Los Angeles. Livraria Kosmos Editôra. Rio de Janeiro. 1983.</p>_x000d_<p>2 Volumes de 26x18 cm. Com xxviii ii 502; x 503 a 1074 págs.</p>_x000d_<p>Encadernações do editor.</p>_x000d_<p>Ilustrado com numerosas reproduções facsimiladas no texto de folhas de rosto e outros pormenores dos livros que são descritos na obra.</p>_x000d_<p>Texto impresso a duas colunas.</p>_x000d_<p>Contém prefácio de Ludwig Lauerhass Jr. prefácio do autor bibliografia com descrições e comentários um pormenorizado índice de títulos e assuntos.</p>_x000d_<p>A mais completa bibliografia de livros sobre o Brasil. Trabalho de décadas que é uma ferramenta imprescindível para todos os investigadores e estudiosos.</p> M-14-A-1 unknown
1969639817Eyre & Spottiswoode London 1969. 1st Edition. Hardcover. Good/Good. 8vo. - First Edition First Impression - Red cloth boards a little rubbed to edges w/ corners bumped - Book has some lean - Edges of text block a little marked and toned - Some light wear to endpapers - Unclipped dustwrapper worn w/ edges heavilly chipped - Some loss to top spine ends and corners - Book ow/ solid - A lovely copy of the book to win the second ever Booker prize - 224 pages Good Eyre & Spottiswoode, London hardcover
17004835Amsterdam: Martinus van den Enden 1700. A very nice copy of this engraving by Schelte Adamsz Bolswert the sculptor and engraver after the original by Rubens. Published by van Enden. Held under passe partout. To the verso is the taxation stamp for the department of the Interior for Calvados. Havard art museum states only that this is a Seventeenth Century engraving and cites catalogues Hollstein 172; LeBlanc 13; Andresen 5. We suspect that this is later engraving as it lacks the engraver and artist details. Also the image is reversed so that the Madonna and child are admiring a fountain to the right rather than the left. A very nice clean copy with a good impression. Held in an archival film bag under a large passe partout. Engraving is 22cm x 18cm. The Passe Partout is 50cm x 40cm. There is a little marking to the front of the art board to the reverse / back sheet there is quite a bit of marking But this would be hidden on display. A scarce item we can find no copies outside of institutions and none at all of this "reversed image". . Très bel exemplaire de cette gravure de Schelte Adamsz Bolswert le sculpteur et graveur d'après l'original de Rubens. Publié par van Enden. Tenu sous passe partout. Au verso se trouve le timbre fiscal du département de l'Intérieur pour le Calvados. Le musée d'art Havard indique seulement qu'il s'agit d'une gravure du XVIIe siècle et cite les catalogues Hollstein 172 ; LeBlanc 13 ; Andresen 5. Nous soupçonnons qu'il s'agit d'une gravure plus tardive car il n'y a pas de détails sur le graveur et l'artiste. De plus l'image est inversée de sorte que la Madone et l'enfant admirent une fontaine à droite plutôt qu'à gauche. Un très bel exemplaire propre avec une bonne impression. Conservé dans une pochette de film d'archivage sous un grand passe partout. La gravure mesure 22 cm x 18 cm. Le Passe Partout mesure 50cm x 40cm. Il y a une petite marque au recto du carton d'art au verso de la feuille il y a pas mal de marques mais cela serait caché lors de l'exposition. Il s'agit d'une pièce rare nous n'avons trouvé aucune copie en dehors des institutions et aucune de cette "image inversée". Martinus van den Enden unknown
197010221<p>VG. Jacket in mylar. Booker prize band that was probably wrapped around the jacket when produced is laid in light fox to top edge</p> Eyre & Spottiswoode hardcover
199481663Harvey Miller Publishers 1994. Hard Cover. near fine/near fine. 27 x 17.5 cm. Part 23 of a 27 part series this part complete in 3 volumes. Volume One: Text. 332pp 88 text illustrations; Volume Two: Catalogue Raisonne and Volume Three:: Plates: 462 illustrations and indexes to all volumes. All volumes in very nice copies in equally nice dust jackets. In mylar protective wrappers. Harvey Miller Publishers unknown
190615785London: Gowans & Gray. Very Good- with no dust jacket. 1906. First Edition; Fifth Printing. Hardcover. Light soil page wrinkling cover tie missing otherwise light wear. Solid hardcover. ; Striking artistic Florentine vellum binding by Giulio Giannini - Firenze re-covers this 1906 printing of photographic pictorial book of Rubens art. ; Gowans's Art Books; Vol. 1; Photographs; 64 pages . Gowans & Gray hardcover
198149644Vonpareil. Very Good. 1981. Revised Ed. 236/650. Hardback. 0902068091 . Please note that this is a heavy item and may require additional postage for international shipping; Red cloth slipcase with slight sunning at top edge cloth peeling on bottom edge minor bumping to corners slightly degraded glue visible inside otherwise intact gilt lettering bright; Red leatherbound bound boards bright and sharp light sunning on spine minute staining to boards; Edges clean top gilt edge bright ink marbled end papers pages crisp author's signature on half title page with tissue guard laid in B&W images in text all pp 7 full pg. illustrations; Binding tight. Overall a nice sturdy copy with minimal wear.; B&W Photographs; 8.5 x 11.9"; 277 pages; Signed by Author . Vonpareil hardcover
439188Nonpareil Publishing Company. Hardcover. Good. Signed copy. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. The book is virtually in very good condition. CollectibleOur book has been photographed to see including the certification page showing the limited edition.Hardback. Revised Edition. Limited edition being 23 of 650. Please note that this is a heavy valuable item and will be dispatched by courier; Red cloth slipcase gilt lettering bright; Red boards bright and sharp top gilt edge bright ink marbled end papers pages crisp author's signature on half title page B&W images in text. Nonpareil Publishing Company hardcover
1969332819Eyre & Spottiswoode 1969. FIRST EDITION. Hardcover. Very Good/Very Good. First Edition Later Printing 1970. Not price-clipped. Published by Eyre & Spottiswoode 1969. Octavo. Hardcover. Book is very good with previous owner name on flyleaf. Dust jacket is very good with shelf/edgewear and nicks. A scarce copy of this vintage and landmark novel from Rubens. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Eyre & Spottiswoode hardcover
1982RELSPI/BOX87/BC4/11022026Jan 01 1982. Paperback. Very Good. CORNERS SLIGHTLY DAMAGED BOOK NOT Sold by the U.K. Charity Kisharon Langdon. Offering Opportunities and Support for People within the Autism and Learning Disability Community. paperback
2000CBS-9781853177569Sp Informa 2000. New. Sp Informa unknown
2000CBS-9781853177569Sp Informa 2000. New. Sp Informa unknown
